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Théâtre de la Nouvelle Comédie de Genève
By : FRES ARCHITECTES > Laurent Gravier + Sara Martín Cámara
GRANDS PRIX DU DESIGN – 15th edition
Discipline : Architecture : Grand Winner
Categories : Public Building / Cultural Building : Gold Certification
Categories : Special Award / Architecture + Light : Gold Certification, Platinum Winner
The Nouvelle Comédie de Genève, more than a theater
The Nouvelle Comédie is more than a theater, it is not only a place of theatrical performance, with its two halls, but also a place of creation, with its large construction workshops. It is those who makes the New Comédie a real centre of artistic creation, bringing together all the theater professions under one roof.
The “show factory” character was decisive for the design of the project, which had to be both a hyper-functional equipment and at the same time a unique building with its own identity.
The project places the performance halls at the heart of the volume, with an articulation of the programs that generates a unique cross-section, thus giving the building its identity. Circulation spaces, public and private, are located on the façades surrounding the programs to which they give access.
Where classical theaters distinguish the stage tower as the central element of the building's composition, the characteristic crenellated profile of the project expresses the multiplicity of activities taking place in the new theater.
The Nouvelle Comédie is a theater in the city, and a city in the theater.
The lobby space, generous and transparent, creates links between the inside and the outside, and expresses the theater's opening to the city. The crossing foyer gives access to the two halls, and creates another link between the two public spaces that surround the building.
The architecture, discreet and neutral during the day, expresses the character of a place of creation and production. In the evening, a light staging transforms the building in a performance place, affirming its presence in the city, and inviting the public to the magic of the show.
The building accommodates two complementary halls. Each of them develops it's own identity, both from an architectural and scenography point of view.
The greater hall is conceived in the continuity of the European theater, Italian style, with a pre-established front stage-hall relationship. The envelope is made of folded and faceted skin, like an origami, which acccommodates all the acoustic and lights devices specific to a theater hall.
The modular black-box type hall is dedicated to experimentation. An elementary and neutral volume, with a modular bleacher system, allow multiple configurations to be set up. The walls are covered with fiber-reinforced concrete slats, the patterns of which guarantees excellent acoustics.
The two halls are highly technical spaces from a scenography point of view. The objective was to integrate all the technical requirements into the architectural expression while creating a poetic space capable of welcoming the spectator by creating a break between everyday life and the magic of the show.
In the evening, the entrance hall façade receives a red lighting which stages this volume in the city, and invites the spectator to the show. The image of the building evolves throughout the day: sober and elegant by day, multiple and colorful by night.
« When we design a theater, the scenography begins on the sidewalk because that's where the evening begins » Jean Vilar.
Collaboration
Interior Designer : FRES ARCHITECTES
Project Manager : FRES ARCHITECTES
Scenography : CHANGEMENT A VUE
Other : EMMER PFENNINGER & PARTNER
Engineering : Brasey Ingénieurs SA
Engineering : Perrin-Spaeth & Associés
Engineering : Swiss Safety Center
