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depuis pr\u00e8s de dix ans. Fond\u00e9e par Richard Benoit, artiste de formation et r\u00e9alisateur de projets, Chrome Design acquiert rapidement une client\u00e8le fid\u00e8le, charm\u00e9e par l\u2019unicit\u00e9 de sa vision.<\/p>\n<p>Compos\u00e9e d\u2019une \u00e9quipe de brillants designers qui mettent \u00e0 profit leur cr\u00e9ativit\u00e9 et leur expertise, li\u00e9e par la mission de r\u00e9aliser des projets uniques en \u00e9levant la r\u00e9alisation d&#39;espaces exclusifs et inattendus.  <\/p>\n<p>La firme se d\u00e9marque par son agilit\u00e9, sa rapidit\u00e9 d\u2019ex\u00e9cution, de par sa capacit\u00e9 autant \u00e0 produire des rendus hyperr\u00e9alistes, que par la prise en main compl\u00e8te de la gestion des chantiers. <\/p>\n<p>Sa m\u00e9thodologie cr\u00e9ative consiste \u00e0 s\u2019impr\u00e9gner de l\u2019univers et de la r\u00e9alit\u00e9 de ses clients pour propulser la singularit\u00e9 des projets pour cr\u00e9er des espaces intemporels.<\/p>\n<p>Le projet<br \/>\nLe 220 St-Paul O., aux fa\u00e7ades originales de pierre St-Marc, \u00e9rig\u00e9 en 1863, traverse de bord en bord la rue St-Paul O. \u00e0 la Place d\u2019Youville, situ\u00e9 au c\u0153ur du Vieux-Montr\u00e9al.<\/p>\n<p>C\u2019est en 2018 que Chrome Design se voit mandat\u00e9e par les propri\u00e9taires, 4 fr\u00e8res, avec la demande de r\u00e9aliser le design d&#39;int\u00e9rieur et l&#39;am\u00e9nagement complet de l\u2019\u00e9difice en vue d\u2019en faire un H\u00f4tel Particulier. <\/p>\n<p>L\u2019immeuble<br \/>\nLe vestibule menant \u00e0 l\u2019ascenseur, invite \u00e0 la curiosit\u00e9, avec son sol de porcelaine en pose double point de chevron. Un mur complet de miroir gris, \u00e0 l\u2019oppos\u00e9 d\u2019un mastic v\u00e9nitien qui vient texturer le mur principal et devient la toile de fond de l\u2019installation artistique en laiton, R\u00e9flexion 8 \u2013 La lumi\u00e8re na\u00eet de l\u2019ombre, \u0153uvre r\u00e9alis\u00e9e par Richard Benoit, artiste.<\/p>\n<p>Le 2e \u00e9tage se veut lumineux, ouvert. La cuisine et son ilot sont les points centraux de l\u2019unit\u00e9. La salle de bain des ma\u00eetres se voit un espace de d\u00e9tente digne d\u2019un spa.<\/p>\n<p>Le 3e utilise une palette plus sombre, des notes m\u00e9talliques et comporte plusieurs diviseurs de verre et persiennes de bois, d\u00e9limite les espaces tout en conservant la luminosit\u00e9.<\/p>\n<p>Les 4e et 5e \u00e9tages, sont partag\u00e9s par deux unit\u00e9s; une unit\u00e9 inspir\u00e9e des bistrots fran\u00e7ais avec ses chaises de cannage renforci, un immense canap\u00e9 sur mesure, une banquette courbe. Le mobilier de la cuisine couleur chartreuse, donne vie \u00e0 l\u2019espace. L\u2019autre, d\u2019un bleu et noir profond, vient se fondre \u00e0 la douceur du mobilier \u00e9pur\u00e9 au ton ros\u00e9 et tire son inspiration du loft new yorkais.<\/p>\n<p>L\u2019ameublement global tient son caract\u00e8re d\u2019un m\u00e9lange de vintage, de marques de renom, et de conceptions sur-mesure imagin\u00e9s par Chrome Design.<\/p>\n<p>Aux \u00e9tages sup\u00e9rieurs, les unit\u00e9s b\u00e9n\u00e9ficient des toits-terrasses priv\u00e9s. La lumi\u00e8re naturelle p\u00e9n\u00e8tre \u00e0 travers de fen\u00eatres arch\u00e9es, des puits de lumi\u00e8re et par les perforations des escaliers d\u2019acier qui acc\u00e8dent au toit.<\/p>\n<p>Ayant \u00e0 c\u0153ur la r\u00e9duction de l\u2019impact environnemental sur le choix des mat\u00e9riaux, ceux-ci ont \u00e9t\u00e9 tir\u00e9s de sources renouvelables et durables. Le ch\u00eane de source renouvelable est l\u2019essence de bois prioris\u00e9 pour l\u2019ensemble du projet. La totalit\u00e9 de l&#39;\u00e9difice est connect\u00e9 par un syst\u00e8me de domotique, permettant d&#39;adapter l&#39;\u00e9clairage selon les diff\u00e9rents moments de la journ\u00e9e permettant ainsi d&#39;\u00e9conomiser de l&#39;\u00e9nergie.<\/p>\n<p>La ligne directrice du design d&#39;int\u00e9rieur d\u00e9coule de la coh\u00e9sion qui enveloppe la singularit\u00e9 des 4 clients.<\/p>\n","en":"<p>The people behind the creation<br \/>\nChrome Design is a Montreal-based interior design firm that specializes in the design of high-end living spaces for nearly ten years. Founded by Richard Benoit, artist and project director, Chrome Design quickly acquired a loyal clientele, charmed by the uniqueness of its vision.<\/p>\n<p>The firm stands out because of its agility, its speed of execution, and its ability to produce hyper-realistic renderings, as well as its ability to take on complete control of jobsite management. <\/p>\n<p>Composed of a team of brilliant designers who use their creativity and expertise, bound by the mission to achieve unique projects for their clients by elevating the realization of exclusive and unexpected spaces.  <\/p>\n<p>Its creative methodology consists in fully immersing in the universe and reality of its clients to propel the singularity of the projects to create timeless spaces.<\/p>\n<p>The project<br \/>\n220 St-Paul W., erected in 1863, with a fa\u00e7ade on both St-Paul W. and Youville Place streets, located in the heart of Old Montreal with St-Marc stone facades that were preserved during the major renovation that began in 2012. <\/p>\n<p>In 2018, Chrome Design was commissioned by the owners, 4 brothers, with the request to carry out the interior design and the complete layout of the building with the intention of making it a Private Hotel. <\/p>\n<p>The building<br \/>\nThe lobby leading to the elevator, draws one further inside with its porcelain floor in a double herringbone pattern. A full wall of grey mirror, opposite a Venetian stucco that textures the main wall and becomes the backdrop for the brass art installation, R\u00e9flexion 8 \u2013 La lumi\u00e8re na\u00eet de l\u2019ombre, a work by artist Richard Benoit.<br \/>\nThe 2nd floor is luminous and open. The kitchen and its island are the focal points of the unit. The master bathroom is a relaxing space worthy of a spa.<\/p>\n<p>The 3rd floor uses a darker palette, metallic notes and features several glass dividers and wood louvers, delineating spaces while maintaining luminosity.<\/p>\n<p>The 4th and 5th floors, are shared by two units; a French bistro inspired unit with its reinforced cane chairs, a huge custom sofa, a curved bench. The chartreuse-colored kitchen furniture brings the space to life. The other, in a deep blue and black, blends in with the softness of the sleek pink furniture and draws its inspiration from the New York loft.<\/p>\n<p>The overall furnishings take their character from the mix of vintage furniture, luxury name brands, and tailor-designed furniture by Chrome Design.<\/p>\n<p>On the upper floors, the units that share the 4th and 5th floors benefit from the private rooftop terraces. Natural light enters through arched windows, skylights and perforations in the steel stairs that access the roof.<\/p>\n<p>Mindful of minimizing environmental impact in the selection of materials, they were drawn from renewable and sustainable sources. Oak from renewable sources is the wood species prioritized for the entire project. The entire building is connected by a home automation system, allowing the lighting to be adapted to the different times of the day, thus saving energy.<\/p>\n<p>The interior design guideline stems from the cohesiveness that envelops the singularity of the four clients.<\/p>\n","original":""},"jury_text":[{"category":2508,"fr":"<p>Le b\u00e2timent<br \/>\nGrand de ses 16,450 pi.ca sur 5 \u00e9tages, le 220 St-Paul O., \u00e9rig\u00e9 en 1863, traverse de bord en bord la rue St-Paul O. \u00e0 la Place d\u2019Youville au c\u0153ur du Vieux-Montr\u00e9al poss\u00e8de un statut prot\u00e9g\u00e9 en vertu de la Loi sur le patrimoine culturel. Seules ses fa\u00e7ades de pierre seront conserv\u00e9es lors de la r\u00e9novation majeure qui d\u00e9buta en 2012. <\/p>\n<p>Le mandat et les clients<br \/>\nEn 2018, Chrome Design se voit mandat\u00e9e par les propri\u00e9taires, 4 fr\u00e8res, avec la demande de r\u00e9aliser le design d&#39;int\u00e9rieur et l&#39;am\u00e9nagement complet de l\u2019\u00e9difice en vue d\u2019en faire un H\u00f4tel Particulier. La pand\u00e9mie a pouss\u00e9 les clients \u00e0 repenser la vocation du b\u00e2timent, r\u00e9sultant dans la d\u00e9cision de le vendre dans son enti\u00e8ret\u00e9 sans r\u00e9aliser l\u2019ameublement. Les travaux de construction ont \u00e9t\u00e9 achev\u00e9s \u00e0 l\u2019hiver 2022.<\/p>\n<p>Faute de pouvoir soumettre un projet meubl\u00e9, nous pr\u00e9sentons plut\u00f4t ce projet comme un tout indissociable. <\/p>\n<p>D\u00e9fis rencontr\u00e9s<br \/>\nUn objectif lors de la conceptualisation du design a \u00e9t\u00e9 de rendre le b\u00e2timent d\u2019avantage \u00e9co\u00e9nerg\u00e9tique en r\u00e9visant le syst\u00e8me m\u00e9canique, qui sera con\u00e7u en fonction de la nouvelle structure d&#39;acier, qui \u00e9tait une des principales contraintes lors de la r\u00e9alisation des plans, et de minimiser l&#39;impact au design. Une s\u00e9rie de retomb\u00e9es de plafonds ont permis de concevoir le zonage de l&#39;espace.<\/p>\n<p>Mat\u00e9riaux utilis\u00e9s et \u00c9coresponsabilit\u00e9<br \/>\nAfin de r\u00e9duire l\u2019impact environnemental sur le choix des mat\u00e9riaux, le ch\u00eane de source renouvelable est l\u2019essence de bois prioris\u00e9 pour l\u2019ensemble du projet. La majorit\u00e9 des comptoirs sont de porcelaine ou de granit d\u2019origine qu\u00e9b\u00e9coise. Les panneaux de Fenix sont prioris\u00e9s pour leur durabilit\u00e9. Le choix du rev\u00eatement des terrasses, le NewTechWood, mat\u00e9riel fait \u00e0 partir de bois et de plastiques 100% recycl\u00e9s et recyclables.<\/p>\n<p>L&#39;\u00e9difice est connect\u00e9 par un syst\u00e8me de domotique, permettant d&#39;adapter l&#39;\u00e9clairage selon les diff\u00e9rents moments de la journ\u00e9e permettant ainsi d&#39;\u00e9conomiser de l&#39;\u00e9nergie.<\/p>\n<p>Ameublement<br \/>\nL\u2019ameublement global tient son caract\u00e8re du m\u00e9lange de conceptions uniques, de meubles vintage et de marques de renom.<\/p>\n<p>Le vestibule menant \u00e0 l\u2019ascenseur, sombre, son sol de porcelaine en pose double point de chevron. Face \u00e0 un miroir gris, un mastic v\u00e9nitien texture le mur principal et devient la toile de fond de l\u2019installation artistique en laiton, R\u00e9flexion 8.<\/p>\n<p>Le 2e \u00e9tage se veut lumineux, ouvert. La cuisine et son ilot sont les points centraux de l\u2019unit\u00e9. La salle de bain des ma\u00eetres se voit un espace de d\u00e9tente digne d\u2019un spa.<\/p>\n<p>Le 3e utilise une palette plus sombre. L\u2019aire ouverte se voit divis\u00e9e par des diviseurs de verre et persiennes de bois, d\u00e9limitant les espaces tout en conservant la luminosit\u00e9.<\/p>\n<p>Au 4e et 5e\u00e9tages, une unit\u00e9 inspir\u00e9e des bistrots fran\u00e7ais avec ses chaises de cannage renforci, un immense canap\u00e9 sur mesure, une banquette courbe de vinyle cr\u00e9ant un espace chaleureux en rappelant les fen\u00eatres arch\u00e9es. Le mobilier de la cuisine couleur chartreuse, donne vie \u00e0 l\u2019espace. L\u2019autre, d\u2019un bleu et noir profond, vient se fondre \u00e0 la douceur du mobilier \u00e9pur\u00e9 au ton ros\u00e9 et tire son inspiration du loft new yorkais.<\/p>\n<p>Aux \u00e9tages sup\u00e9rieurs, les unit\u00e9s se partagent le 4e et 5 e et les toits-terrasses priv\u00e9es. La lumi\u00e8re naturelle p\u00e9n\u00e8tre \u00e0 travers des fen\u00eatres, des puits de lumi\u00e8re et par les perforations des escaliers d\u2019acier qui acc\u00e8dent au toit.<\/p>\n<p>La ligne directrice du design d&#39;int\u00e9rieur d\u00e9coule de la coh\u00e9sion qui d\u00e9coule de la singularit\u00e9 des 4 clients.<\/p>\n","en":"<p>The building<br \/>\nThe 220 St-Paul W., erected in 1863, is a 16,450 sq.ft. five-storey building with a fa\u00e7ade on both St-Paul W. to Youville Place street, located in the heart of Old Montreal. It has a protected status under the Cultural Heritage Act. Only its stone facades were preserved during the major renovation that began in 2012. <\/p>\n<p>The mandate and the clients<br \/>\nIn 2018, Chrome Design was mandated by the owners, 4 brothers, with the request to carry out the interior design and complete layout of the building, with the intention to make it a Private Hotel. The pandemic pushed the clients to rethink the vocation of the building, resulting in the decision to sell it in its entirety without carrying out the furnishing. The work was completed in the winter of 2022.<\/p>\n<p>Since we were unable to submit a furnished project, we are presenting this project as an indivisible whole.<\/p>\n<p>Challenges encountered<br \/>\nOne of the objectives of the design conceptualization was to make the building more energy efficient by revising the mechanical system.  This would be designed according to the new steel structure, which was one of the main constraints during the realization of the plans, and to minimize the impact on the design. A series of dropped ceilings were used to design the zoning of the space.<\/p>\n<p>Materials used and eco-responsibility<br \/>\nIn order to reduce the environmental impact on the choice of materials, oak from renewable sources is the wood species prioritized for the entire project. The majority of the countertops are made of porcelain or granite from Quebec. Fenix panels are prioritized for their durability. The choice of decking, NewTechWood, material made from 100% recycled and recyclable wood and plastic.<\/p>\n<p>The building is connected by a home automation system, allowing the lighting to be adapted to the different times of the day, thus saving energy.<\/p>\n<p>Furnishings<br \/>\nThe overall furnishings are a mix of vintage and luxury name brands.<\/p>\n<p>The lobby leading to the elevator is dark, its porcelain floor in a double herringbone pattern. Facing a gray mirror, a Venetian stucco textures the main wall and becomes the backdrop for the brass art installation, Reflection 8.<\/p>\n<p>The 2nd floor is bright and open. The kitchen and its island are the focal points of the unit. The master bathroom is a relaxing spa-like space.<\/p>\n<p>The 3rd floor uses a darker palette, metallic notes and features several glass dividers and wood louvers, dividing and organizing spaces while maintaining luminosity.<\/p>\n<p>On the 4th and 5th floors, a French bistro-inspired unit with its reinforced cane chairs, an oversized custom sofa in stain-resistant fabric, a curved nautical-grade vinyl bench. The chartreuse-colored kitchen furniture brings the space to life. The other, in a deep blue and black, blends in with the softness of the sleek pink furniture and draws its inspiration from the New York loft.<\/p>\n<p>Terraces, Stairs, Art<br \/>\nOn the upper floors, units share the 4th and 5th floors as well as private rooftop terraces. Natural light streams in through arched windows, skylights and through perforations in the steel staircases that access the roof.<\/p>\n<p>The interior design guideline stems from the cohesion that encompasses the singularity of the 4 clients.<\/p>\n","original":""},{"category":2529,"fr":"<p>R\u00e9flexion 8 &#8211; La lumi\u00e8re na\u00eet de l\u2019ombre, Richard Benoit, artiste.<br \/>\nMat\u00e9riaux mixtes, grandeur variable, 2021.<\/p>\n<p>Lieu<br \/>\nGrand de ses 16,450 pi.ca sur 5 \u00e9tages, le 220 St-Paul O., construit en 1863 et prot\u00e9g\u00e9 en vertu de la Loi sur le patrimoine culturel, est un b\u00e2timent aux fa\u00e7ades de pierre St-Marc situ\u00e9 sur un site patrimonial de valeur exceptionnelle au c\u0153ur du Vieux-Montr\u00e9al. Il traverse de bord en bord la rue St-Paul O. jusqu\u2019\u00e0 la Place d\u2019Youville.<\/p>\n<p>Design<br \/>\nLe vestibule 330 pi.ca, est en soi un espace de r\u00e9flexion. Il a \u00e9t\u00e9 conceptualis\u00e9 pour mettre en valeur l\u2019\u0153uvre d\u2019art qui l\u2019occupe.  L\u2019am\u00e9nagement am\u00e8ne le visiteur \u00e0 vivre l\u2019installation pleinement, dans son passage vers l\u2019ascenseur. Une banquette minimaliste en cuir vieilli ajoute \u00e0 l\u2019exp\u00e9rience visiteur en joignant l\u2019utile d\u2019une aire d\u2019attente, tout en permettant de ralentir un moment pour contempler l\u2019installation artistique.  <\/p>\n<p>Les portes d\u2019entr\u00e9es du vestibule, datant depuis l\u2019origine du b\u00e2timent, ont \u00e9t\u00e9 recycl\u00e9es \u00e0 partir des portes massives en ch\u00eane, autrefois servant de portes de garage.  Les moulures victoriennes qui l\u2019adornent continuent le long du corridor, et sont elles aussi un rappel fid\u00e8le \u00e0 l\u2019esth\u00e9tique originale du b\u00e2timent. Le tout repose sur un plancher mat en porcelaine en pose double point de chevron, rappel du ch\u00e2taignier, essence de bois utilis\u00e9e \u00e0 l\u2019\u00e9poque.<\/p>\n<p>L\u2019installation artistique visible depuis l\u2019ext\u00e9rieur, incorpore une jungle urbaine enti\u00e8rement con\u00e7ue en laiton qui comprends au-del\u00e0 de 600 morceaux de laiton de grandeur vari\u00e9e, chacun d\u2019entre eux imagin\u00e9s, taill\u00e9s, pli\u00e9s, finis et pos\u00e9s \u00e0 la main par l\u2019artiste Richard Benoit, en collaboration avec Marc-Antoine Gagnon.<\/p>\n<p>Direction artistique<br \/>\nR\u00e9flexion 8 &#8211; La lumi\u00e8re na\u00eet de l\u2019ombre<\/p>\n<p>Afin de submerger les visiteurs au c\u0153ur m\u00eame de l\u2019\u0153uvre, cet espace a \u00e9t\u00e9 con\u00e7u enti\u00e8rement au b\u00e9n\u00e9fice de l\u2019installation d\u2019art. La direction artistique se veut avant tout une recherche de la forme graphique en trois dimensions. Transformer une mati\u00e8re inerte bidimensionnelle afin qu\u2019elle prenne vie dans l\u2019espace tridimensionnel, pour la rendre partie int\u00e9grante de l\u2019espace architectural.<\/p>\n<p>L\u2019\u0153uvre comprend deux installations de laiton illumin\u00e9es. Dramatique, elle est inspir\u00e9e de la po\u00e9sie de la beaut\u00e9 de la nature qui se heurte \u00e0 la s\u00e9v\u00e9rit\u00e9 de la vie urbaine. L\u2019aspect de r\u00e9flexion touche autant la notion d\u2019introspection que les propri\u00e9t\u00e9s des mati\u00e8res r\u00e9flectives utilis\u00e9es.<\/p>\n<p>Un mur de mastic v\u00e9nitien anthracite textur\u00e9 fait face \u00e0 un miroir gris, ce qui rend l\u2019espace sombre, mais audacieux.<\/p>\n<p>L\u2019\u00e9clairage est subtil, il met en valeur la brillance et la r\u00e9flectivit\u00e9 du laiton et du miroir; les feuilles lumineuses \u00e9mergent d\u2019un espace autrement obscur. La r\u00e9flexion du miroir et les ombres ambr\u00e9es du laiton projet\u00e9es sur la s\u00e9v\u00e9rit\u00e9 des murs aux textures surdimensionn\u00e9es amplifie le jeu de lumi\u00e8res. <\/p>\n<p>Il sera question de plus de 200 heures de travail, de l\u2019assemblage de plus de 45 feuilles en laiton naturel 24x48\u2019\u2019, et d\u2019une cinquantaine de longues tiges semi-circulaires. \u00c0 partir de cette mati\u00e8re premi\u00e8re vivante, l\u2019\u0153uvre sera port\u00e9e \u00e0 \u00e9voluer selon son environnement au fil du temps. Chacune des pi\u00e8ces grandeur-r\u00e9elle, d\u00e9licates dans leurs formes et imposantes dans leurs masses, font partie int\u00e9grante de l\u2019installation artistique de l\u2019espace vestibule. <\/p>\n","en":"<p>R\u00e9flexion 8 &#8211; La lumi\u00e8re na\u00eet de l\u2019ombre, Richard Benoit, artist.<br \/>\nMixed media, variable size, 2021.<\/p>\n<p>Location<\/p>\n<p>Standing 5 stories tall and totalling 2,400 square meters, 220 St-Paul West was built in 1863 and is protected under the Cultural Heritage Act; a building with St-Marc stone facades located on a heritage site of exceptional value in the heart of Old Montreal, spanning from St-Paul street West all the way through to Youville Place.<\/p>\n<p>Design<br \/>\nThe 330 sq.ft. lobby, is in itself, a space for reflection. It has been conceptualized to showcase the artwork that occupies it.  The layout leads the visitor to experience the installation fully, as they make their way to the elevator. A minimalist bench in aged leather adds to the visitor experience by joining the usefulness of a waiting area, while inviting the visitor to slow down for a moment to contemplate the art installation.  <\/p>\n<p>The lobby&#39;s entrance doors, dating back to the building&#39;s origin, were recycled from the massive oak doors that once served as garage doors.  The Victorian moldings that adorn it continue along the corridor and also serve as a faithful reminder of the building&#39;s original aesthetic. A matte porcelain floor in a double herringbone pattern, a reminder of the chestnut wood used at the time.<\/p>\n<p>The artistic installation, visible from the exterior, is an urban jungle entirely conceived in brass, which includes more than 600 pieces of brass of various sizes, each one imagined, cut, folded, finished and installed by hand by the artist Richard Benoit, in collaboration with Marc-Antoine Gagnon.<\/p>\n<p>Art Direction<br \/>\nReflection 8 &#8211; Light is born from shadow<\/p>\n<p>In order to immerse visitors in the heart of the work, this space was designed entirely for the benefit of the art installation. The artistic direction is above all, a research of graphic form in three dimensions. Transforming an inert two-dimensional material so that it comes to life in a three-dimensional space, making it an integral part of the architectural space.<\/p>\n<p>The work consists of two illuminated brass installations. Dramatic, it is inspired by the poetry of nature colliding with the severity of urban life. The reflection aspect touches as much on the notion of introspection as it does on the properties of the reflective materials used.<\/p>\n<p>The space is bold, dark, characterized by a textured anthracite Venetian stucco wall opposite a gray mirror that not only reflects and amplifies the effect of falling leaves, but also contributes to the mood by dimming the light in the space.  <\/p>\n<p>Lighting is subtle, it enhances the natural brilliance and reflectivity of the brass and mirror; the bright leaves emerge from an otherwise dark space. The reflection of the mirror and the amber shadows of the brass projected on the severity of the walls with its oversized texture, are projected onto the space from all sides. <\/p>\n<p>It will take over 200 hours of work, the assembly of more than 45 24&#215;48&#39;&#39;sheets of natural brass, and about fifty long semi-circular rods. From this living raw material, the material will evolve according to its environment over time. Each of the life-size pieces, delicate in their forms and imposing in their masses, are an integral part of the artistic installation in the vestibule space.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2529,"cat_id_laureat":3433,"laureat":"Certification Or"},{"cat_id":2508,"cat_id_laureat":3433,"laureat":"Certification Or"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"CHROME DESIGN","website":"www.chromedesign.com","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"}],"user":{"email":"info@chromedesign.com","first_name":"RICHARD","last_name":"BENOIT"},"doc_texts_web":{"fr":"<p>L\u2019humain derri\u00e8re la cr\u00e9ation<br \/>\nChrome Design est une firme de design d\u2019int\u00e9rieur bas\u00e9e \u00e0 Montr\u00e9al, se sp\u00e9cialisant en conception d\u2019espaces d\u2019habitation haut de gamme, depuis pr\u00e8s de dix ans. Fond\u00e9e par Richard Benoit, artiste de formation et r\u00e9alisateur de projets, Chrome Design acquiert rapidement une client\u00e8le fid\u00e8le, charm\u00e9e par l\u2019unicit\u00e9 de sa vision.<\/p>\n<p>Compos\u00e9e d\u2019une \u00e9quipe de brillants designers qui mettent \u00e0 profit leur cr\u00e9ativit\u00e9 et leur expertise, li\u00e9e par la mission de r\u00e9aliser des projets uniques en \u00e9levant la r\u00e9alisation d'espaces exclusifs et inattendus.  <\/p>\n<p>La firme se d\u00e9marque par son agilit\u00e9, sa rapidit\u00e9 d\u2019ex\u00e9cution, de par sa capacit\u00e9 autant \u00e0 produire des rendus hyperr\u00e9alistes, que par la prise en main compl\u00e8te de la gestion des chantiers. <\/p>\n<p>Sa m\u00e9thodologie cr\u00e9ative consiste \u00e0 s\u2019impr\u00e9gner de l\u2019univers et de la r\u00e9alit\u00e9 de ses clients pour propulser la singularit\u00e9 des projets pour cr\u00e9er des espaces intemporels.<\/p>\n<p>Le projet<br \/>\nLe 220 St-Paul O., aux fa\u00e7ades originales de pierre St-Marc, \u00e9rig\u00e9 en 1863, traverse de bord en bord la rue St-Paul O. \u00e0 la Place d\u2019Youville, situ\u00e9 au c\u0153ur du Vieux-Montr\u00e9al.<\/p>\n<p>C\u2019est en 2018 que Chrome Design se voit mandat\u00e9e par les propri\u00e9taires, 4 fr\u00e8res, avec la demande de r\u00e9aliser le design d'int\u00e9rieur et l'am\u00e9nagement complet de l\u2019\u00e9difice en vue d\u2019en faire un H\u00f4tel Particulier. <\/p>\n<p>L\u2019immeuble<br \/>\nLe vestibule menant \u00e0 l\u2019ascenseur, invite \u00e0 la curiosit\u00e9, avec son sol de porcelaine en pose double point de chevron. Un mur complet de miroir gris, \u00e0 l\u2019oppos\u00e9 d\u2019un mastic v\u00e9nitien qui vient texturer le mur principal et devient la toile de fond de l\u2019installation artistique en laiton, R\u00e9flexion 8 \u2013 La lumi\u00e8re na\u00eet de l\u2019ombre, \u0153uvre r\u00e9alis\u00e9e par Richard Benoit, artiste.<\/p>\n<p>Le 2e \u00e9tage se veut lumineux, ouvert. La cuisine et son ilot sont les points centraux de l\u2019unit\u00e9. La salle de bain des ma\u00eetres se voit un espace de d\u00e9tente digne d\u2019un spa.<\/p>\n<p>Le 3e utilise une palette plus sombre, des notes m\u00e9talliques et comporte plusieurs diviseurs de verre et persiennes de bois, d\u00e9limite les espaces tout en conservant la luminosit\u00e9.<\/p>\n<p>Les 4e et 5e \u00e9tages, sont partag\u00e9s par deux unit\u00e9s; une unit\u00e9 inspir\u00e9e des bistrots fran\u00e7ais avec ses chaises de cannage renforci, un immense canap\u00e9 sur mesure, une banquette courbe. Le mobilier de la cuisine couleur chartreuse, donne vie \u00e0 l\u2019espace. L\u2019autre, d\u2019un bleu et noir profond, vient se fondre \u00e0 la douceur du mobilier \u00e9pur\u00e9 au ton ros\u00e9 et tire son inspiration du loft new yorkais.<\/p>\n<p>L\u2019ameublement global tient son caract\u00e8re d\u2019un m\u00e9lange de vintage, de marques de renom, et de conceptions sur-mesure imagin\u00e9s par Chrome Design.<\/p>\n<p>Aux \u00e9tages sup\u00e9rieurs, les unit\u00e9s b\u00e9n\u00e9ficient des toits-terrasses priv\u00e9s. La lumi\u00e8re naturelle p\u00e9n\u00e8tre \u00e0 travers de fen\u00eatres arch\u00e9es, des puits de lumi\u00e8re et par les perforations des escaliers d\u2019acier qui acc\u00e8dent au toit.<\/p>\n<p>Ayant \u00e0 c\u0153ur la r\u00e9duction de l\u2019impact environnemental sur le choix des mat\u00e9riaux, ceux-ci ont \u00e9t\u00e9 tir\u00e9s de sources renouvelables et durables. Le ch\u00eane de source renouvelable est l\u2019essence de bois prioris\u00e9 pour l\u2019ensemble du projet. La totalit\u00e9 de l'\u00e9difice est connect\u00e9 par un syst\u00e8me de domotique, permettant d'adapter l'\u00e9clairage selon les diff\u00e9rents moments de la journ\u00e9e permettant ainsi d'\u00e9conomiser de l'\u00e9nergie.<\/p>\n<p>La ligne directrice du design d'int\u00e9rieur d\u00e9coule de la coh\u00e9sion qui enveloppe la singularit\u00e9 des 4 clients.<\/p>\n","en":"<p>The people behind the creation<br \/>\nChrome Design is a Montreal-based interior design firm that specializes in the design of high-end living spaces for nearly ten years. Founded by Richard Benoit, artist and project director, Chrome Design quickly acquired a loyal clientele, charmed by the uniqueness of its vision.<\/p>\n<p>The firm stands out because of its agility, its speed of execution, and its ability to produce hyper-realistic renderings, as well as its ability to take on complete control of jobsite management. <\/p>\n<p>Composed of a team of brilliant designers who use their creativity and expertise, bound by the mission to achieve unique projects for their clients by elevating the realization of exclusive and unexpected spaces.  <\/p>\n<p>Its creative methodology consists in fully immersing in the universe and reality of its clients to propel the singularity of the projects to create timeless spaces.<\/p>\n<p>The project<br \/>\n220 St-Paul W., erected in 1863, with a fa\u00e7ade on both St-Paul W. and Youville Place streets, located in the heart of Old Montreal with St-Marc stone facades that were preserved during the major renovation that began in 2012. <\/p>\n<p>In 2018, Chrome Design was commissioned by the owners, 4 brothers, with the request to carry out the interior design and the complete layout of the building with the intention of making it a Private Hotel. <\/p>\n<p>The building<br \/>\nThe lobby leading to the elevator, draws one further inside with its porcelain floor in a double herringbone pattern. A full wall of grey mirror, opposite a Venetian stucco that textures the main wall and becomes the backdrop for the brass art installation, R\u00e9flexion 8 \u2013 La lumi\u00e8re na\u00eet de l\u2019ombre, a work by artist Richard Benoit.<br \/>\nThe 2nd floor is luminous and open. The kitchen and its island are the focal points of the unit. The master bathroom is a relaxing space worthy of a spa.<\/p>\n<p>The 3rd floor uses a darker palette, metallic notes and features several glass dividers and wood louvers, delineating spaces while maintaining luminosity.<\/p>\n<p>The 4th and 5th floors, are shared by two units; a French bistro inspired unit with its reinforced cane chairs, a huge custom sofa, a curved bench. The chartreuse-colored kitchen furniture brings the space to life. The other, in a deep blue and black, blends in with the softness of the sleek pink furniture and draws its inspiration from the New York loft.<\/p>\n<p>The overall furnishings take their character from the mix of vintage furniture, luxury name brands, and tailor-designed furniture by Chrome Design.<\/p>\n<p>On the upper floors, the units that share the 4th and 5th floors benefit from the private rooftop terraces. Natural light enters through arched windows, skylights and perforations in the steel stairs that access the roof.<\/p>\n<p>Mindful of minimizing environmental impact in the selection of materials, they were drawn from renewable and sustainable sources. Oak from renewable sources is the wood species prioritized for the entire project. The entire building is connected by a home automation system, allowing the lighting to be adapted to the different times of the day, thus saving energy.<\/p>\n<p>The interior design guideline stems from the cohesiveness that envelops the singularity of the four clients.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/220-st-paul-ouest\/","en":"https:\/\/int.design\/en\/projects\/220-st-paul-ouest\/"},"titles":{"fr":"220 ST-PAUL OUEST","en":"220 ST-PAUL OUEST"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/93312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=93312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}