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Ce sont eux qui font de la Nouvelle Com\u00e9die un v\u00e9ritable centre de cr\u00e9ation artistique, r\u00e9unissant sous un m\u00eame toit tous les m\u00e9tiers du th\u00e9\u00e2tre. <\/p>\n<p>Le caract\u00e8re \u00ab\u00a0d&#39;usine \u00e0 spectacles\u00a0\u00bb a \u00e9t\u00e9 d\u00e9terminant pour la conception du projet, qui devait \u00eatre \u00e0 la fois un \u00e9quipement hyper-fonctionnel et \u00e0 la fois un b\u00e2timent singulier avec une identit\u00e9 propre. <\/p>\n<p>Le projet dispose les salles de spectacles au c\u0153ur du volume, avec une articulation des programmes qui g\u00e9n\u00e8re en coupe un profil singulier, donnant ainsi son identit\u00e9 au b\u00e2timent. Les espaces de circulations, publics et priv\u00e9s, se situent en fa\u00e7ade entourant les programmes auxquels ils donnent acc\u00e8s. <\/p>\n<p>L\u00e0 o\u00f9 les th\u00e9\u00e2tres classiques distinguent la cage de sc\u00e8ne comme l&#39;\u00e9l\u00e9ment central de la composition du b\u00e2timent, le profil cr\u00e9nel\u00e9 caract\u00e9ristique du projet exprime la multiplicit\u00e9 des activit\u00e9s pr\u00e9sentes dans le nouveau th\u00e9\u00e2tre. <\/p>\n<p>La Nouvelle Com\u00e9die est un th\u00e9\u00e2tre dans la ville, et une ville dans le th\u00e9\u00e2tre. <\/p>\n<p>L&#39;espace du hall, g\u00e9n\u00e9reux et transparent, cr\u00e9e des liens entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur, et exprime l&#39;ouverture du th\u00e9\u00e2tre sur la ville. 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L&#39;objectif a \u00e9t\u00e9 d\u2019int\u00e9grer dans l&#39;expression architecturale l&#39;ensemble des exigences techniques tout en cr\u00e9ant un espace po\u00e9tique, capable d&#39;accueillir le spectateur en cr\u00e9ant une rupture entre la vie quotidienne et la magie du spectacle. <\/p>\n<p>En soir\u00e9e, les fa\u00e7ades du hall re\u00e7oivent un \u00e9clairage rouge qui met en sc\u00e8ne ce volume dans la ville, et qui invite le spectateur \u00e0 la magie du spectacle. L\u2019image du b\u00e2timent \u00e9volue tout au long de la journ\u00e9e: sobre et \u00e9l\u00e9gant le jour, multiple et color\u00e9 le soir.<\/p>\n<p>\u2018Quand on dessine une salle de th\u00e9\u00e2tre, la sc\u00e9nographie commence sur le trottoir parce que c\u2019est l\u00e0 que d\u00e9bute la soir\u00e9e\u2019 Jean Vilar.<\/p>\n","en":"<p>The Nouvelle Com\u00e9die de Gen\u00e8ve, more than a theater<\/p>\n<p>The Nouvelle Com\u00e9die is more than a theater, it is not only a place of theatrical performance, with its two halls, but also a place of creation, with its large construction workshops. 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Ce sont eux qui font de la Nouvelle Com\u00e9die un v\u00e9ritable centre de cr\u00e9ation artistique, r\u00e9unissant sous un m\u00eame toit tous les m\u00e9tiers du th\u00e9\u00e2tre. <\/p>\n<p>Le caract\u00e8re \u00ab\u00a0d&#39;usine \u00e0 spectacles\u00a0\u00bb a \u00e9t\u00e9 d\u00e9terminant pour la conception du projet, qui devait \u00eatre \u00e0 la fois un \u00e9quipement hyper-fonctionnel et \u00e0 la fois un b\u00e2timent singulier avec une identit\u00e9 propre. <\/p>\n<p>Le projet dispose les salles de spectacles au c\u0153ur du volume, avec une articulation des programmes qui g\u00e9n\u00e8re en coupe un profil singulier, donnant ainsi son identit\u00e9 au b\u00e2timent. Les espaces de circulations, publics et priv\u00e9s, se situent en fa\u00e7ade entourant les programmes auxquels ils donnent acc\u00e8s. <\/p>\n<p>L\u00e0 o\u00f9 les th\u00e9\u00e2tres classiques distinguent la cage de sc\u00e8ne comme l&#39;\u00e9l\u00e9ment central de la composition du b\u00e2timent, le profil cr\u00e9nel\u00e9 caract\u00e9ristique du projet exprime la multiplicit\u00e9 des activit\u00e9s pr\u00e9sentes dans le nouveau th\u00e9\u00e2tre. <\/p>\n<p>La Nouvelle Com\u00e9die est un th\u00e9\u00e2tre dans la ville, et une ville dans le th\u00e9\u00e2tre. <\/p>\n<p>L&#39;espace du hall, g\u00e9n\u00e9reux et transparent, cr\u00e9e des liens entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur, et exprime l&#39;ouverture du th\u00e9\u00e2tre sur la ville. Le foyer, traversant, donne acc\u00e8s aux deux salles et cr\u00e9e \u00e9galement un lien entre les deux espaces publics qui entourent le b\u00e2timent. <\/p>\n<p>L&#39;architecture, discr\u00e8te et neutre la journ\u00e9e, exprime le caract\u00e8re d&#39;un lieu de cr\u00e9ation et de production. Le soir, une mise en sc\u00e8ne lumineuse transforme le b\u00e2timent en lieu de repr\u00e9sentation, affirmant sa pr\u00e9sence dans la ville, et invitant le public \u00e0 la magie du spectacle. <\/p>\n<p>Le b\u00e2timent accueille deux salles de spectacles compl\u00e9mentaires. Chacune d&#39;elles d\u00e9veloppe sa propre identit\u00e9, tant d&#39;un point de vue sc\u00e9nographique qu&#39;architectural. <\/p>\n<p>La grande salle est con\u00e7ue dans la continuit\u00e9 du th\u00e9\u00e2tre europ\u00e9en, \u00e0 l&#39;italienne, avec un rapport sc\u00e8ne-salle frontal pr\u00e9-\u00e9tabli. L&#39;enveloppe est faite d&#39;une peau pli\u00e9e et facett\u00e9e, tel un origami, qui accueille tous les dispositifs acoustiques et lumineux propres \u00e0 une salle de th\u00e9\u00e2tre. <\/p>\n<p>La salle modulable de type blackbox est d\u00e9di\u00e9e \u00e0 l&#39;exp\u00e9rimentation. Un volume \u00e9l\u00e9mentaire et neutre, avec un syst\u00e8me de gradin modulaire, permet la mise en place de multiples configurations. Les murs sont habill\u00e9s de lames en b\u00e9ton fibr\u00e9 noires dont le motif garantit une excellente acoustique.<\/p>\n<p>Les deux salles sont des espaces hautement techniques d&#39;un point de vue sc\u00e9nographique. L&#39;objectif a \u00e9t\u00e9 d\u2019int\u00e9grer dans l&#39;expression architecturale l&#39;ensemble des exigences techniques tout en cr\u00e9ant un espace po\u00e9tique, capable d&#39;accueillir le spectateur en cr\u00e9ant une rupture entre la vie quotidienne et la magie du spectacle. <\/p>\n<p>En soir\u00e9e, les fa\u00e7ades du hall re\u00e7oivent un \u00e9clairage rouge qui met en sc\u00e8ne ce volume dans la ville, et qui invite le spectateur \u00e0 la magie du spectacle. L\u2019image du b\u00e2timent \u00e9volue tout au long de la journ\u00e9e: sobre et \u00e9l\u00e9gant le jour, multiple et color\u00e9 le soir.<\/p>\n<p>\u2018Quand on dessine une salle de th\u00e9\u00e2tre, la sc\u00e9nographie commence sur le trottoir parce que c\u2019est l\u00e0 que d\u00e9bute la soir\u00e9e\u2019 Jean Vilar.<\/p>\n","en":"<p>The Nouvelle Com\u00e9die de Gen\u00e8ve, more than a theater<\/p>\n<p>The Nouvelle Com\u00e9die is more than a theater, it is not only a place of theatrical performance, with its two halls, but also a place of creation, with its large construction workshops. It is those who makes the New Com\u00e9die a real centre of artistic creation, bringing together all the theater professions under one roof. <\/p>\n<p>The \u201cshow factory\u201d character was decisive for the design of the project, which had to be both a hyper-functional equipment and at the same time a unique building with its own identity. <\/p>\n<p>The project places the performance halls at the heart of the volume, with an articulation of the programs that generates a unique cross-section, thus giving the building its identity. Circulation spaces, public and private, are located on the fa\u00e7ades surrounding the programs to which they give access. <\/p>\n<p>Where classical theaters distinguish the stage tower as the central element of the building&#39;s composition, the characteristic crenellated profile of the project expresses the multiplicity of activities taking place in the new theater. <\/p>\n<p>The Nouvelle Com\u00e9die is a theater in the city, and a city in the theater.<\/p>\n<p>The lobby space, generous and transparent, creates links between the inside and the outside, and expresses the theater&#39;s opening to the city. The crossing foyer gives access to the two halls, and creates another link between the two public spaces that surround the building. <\/p>\n<p>The architecture, discreet and neutral during the day, expresses the character of a place of creation and production. In the evening, a light staging transforms the building in a performance place, affirming its presence in the city, and inviting the public to the magic of the show.  <\/p>\n<p>The building accommodates two complementary halls. Each of them develops it&#39;s own identity, both from an architectural and scenography point of view.<\/p>\n<p>The greater hall is conceived in the continuity of the European theater, Italian style, with a pre-established front stage-hall relationship. The envelope is made of folded and faceted skin, like an origami, which acccommodates all the acoustic and lights devices specific to a theater hall.<\/p>\n<p>The modular black-box type hall is dedicated to experimentation. An elementary and neutral volume, with a modular bleacher system, allow multiple configurations to be set up. The walls are covered with fiber-reinforced concrete slats, the patterns of which guarantees excellent acoustics. <\/p>\n<p>The two halls are highly technical spaces from a scenography point of view. The objective was to integrate all the technical requirements into the architectural expression while creating a poetic space capable of welcoming the spectator by creating a break between everyday life and the magic of the show.<\/p>\n<p>In the evening, the entrance hall fa\u00e7ade receives a red lighting which stages this volume in the city, and invites the spectator to the show. The image of the building evolves throughout the day: sober and elegant by day, multiple and colorful by night.<\/p>\n<p>\u00ab\u00a0When we design a theater, the scenography begins on the sidewalk because that&#39;s where the evening begins\u00a0\u00bb Jean Vilar.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2454,"cat_id_laureat":3437,"laureat":"Grand Laur\u00e9at"},{"cat_id":2454,"cat_id_laureat":3433,"laureat":"Certification Or"},{"cat_id":2454,"cat_id_laureat":3435,"laureat":"Laur\u00e9at Platine"},{"cat_id":2428,"cat_id_laureat":3433,"laureat":"Certification Or"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"FRES ARCHITECTES","website":"www.fresarchitectes.com","category":"","category_tax":2744,"category_label":"Architecte"},{"name":"FRES ARCHITECTES","website":"www.fresarchitectes.com","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"},{"name":"FRES ARCHITECTES","website":"www.fresarchitectes.com","category":"","category_tax":2808,"category_label":"Gestionnaire de projet"},{"name":"CHANGEMENT A VUE","website":"https:\/\/www.changement-a-vue.com\/presentation\/","category":"","category_tax":2757,"category_label":"Sc\u00e9nographie"},{"name":"KAHLE ACOUSTICS","website":"https:\/\/www.kahle.be\/","category":"","category_tax":2742,"category_label":"Acoustique"},{"name":"EMMER PFENNINGER & PARTNER","website":"https:\/\/www.eppag.ch\/de\/","category":"","category_tax":2746,"category_label":"Autre"},{"name":"8'18''","website":"https:\/\/www.8-18lumiere.com\/","category":"","category_tax":2750,"category_label":"\u00c9clairage"},{"name":"T Ing\u00e9nierie","website":"https:\/\/t-groupe.ch\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Batiserf","website":"https:\/\/batiserf.com\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Brasey Ing\u00e9nieurs SA","website":"","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"SRG ing\u00e9nieurs","website":"https:\/\/srg-engineering.ch","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"SORANE SA","website":"https:\/\/www.sorane.ch\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Perrin-Spaeth & Associ\u00e9s","website":"https:\/\/www.perrin-spaeth.ch\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Swiss Safety Center","website":"https:\/\/www.safetycenter.ch\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Pitteloud","website":"","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"Beric architectes","website":"https:\/\/beric.ch\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"},{"name":"BMF conseil","website":"https:\/\/www.bmf-conseil.fr\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"}],"user":{"email":"atelier@fresarchitectes.com","first_name":"Laurent","last_name":"Gravier"},"doc_texts_web":{"fr":"<p>La Nouvelle Com\u00e9die, plus qu'un th\u00e9\u00e2tre.  <\/p>\n<p>La Nouvelle Com\u00e9die c'est plus qu'un th\u00e9\u00e2tre\u00a0: c'est non seulement un lieu de repr\u00e9sentation th\u00e9\u00e2trale, avec ses deux salles, mais aussi un lieu de cr\u00e9ation, avec ses grands ateliers de construction. Ce sont eux qui font de la Nouvelle Com\u00e9die un v\u00e9ritable centre de cr\u00e9ation artistique, r\u00e9unissant sous un m\u00eame toit tous les m\u00e9tiers du th\u00e9\u00e2tre. <\/p>\n<p>Le caract\u00e8re \u00ab\u00a0d'usine \u00e0 spectacles\u00a0\u00bb a \u00e9t\u00e9 d\u00e9terminant pour la conception du projet, qui devait \u00eatre \u00e0 la fois un \u00e9quipement hyper-fonctionnel et \u00e0 la fois un b\u00e2timent singulier avec une identit\u00e9 propre. <\/p>\n<p>Le projet dispose les salles de spectacles au c\u0153ur du volume, avec une articulation des programmes qui g\u00e9n\u00e8re en coupe un profil singulier, donnant ainsi son identit\u00e9 au b\u00e2timent. Les espaces de circulations, publics et priv\u00e9s, se situent en fa\u00e7ade entourant les programmes auxquels ils donnent acc\u00e8s. <\/p>\n<p>L\u00e0 o\u00f9 les th\u00e9\u00e2tres classiques distinguent la cage de sc\u00e8ne comme l'\u00e9l\u00e9ment central de la composition du b\u00e2timent, le profil cr\u00e9nel\u00e9 caract\u00e9ristique du projet exprime la multiplicit\u00e9 des activit\u00e9s pr\u00e9sentes dans le nouveau th\u00e9\u00e2tre. <\/p>\n<p>La Nouvelle Com\u00e9die est un th\u00e9\u00e2tre dans la ville, et une ville dans le th\u00e9\u00e2tre. <\/p>\n<p>L'espace du hall, g\u00e9n\u00e9reux et transparent, cr\u00e9e des liens entre l\u2019int\u00e9rieur et l\u2019ext\u00e9rieur, et exprime l'ouverture du th\u00e9\u00e2tre sur la ville. Le foyer, traversant, donne acc\u00e8s aux deux salles et cr\u00e9e \u00e9galement un lien entre les deux espaces publics qui entourent le b\u00e2timent. <\/p>\n<p>L'architecture, discr\u00e8te et neutre la journ\u00e9e, exprime le caract\u00e8re d'un lieu de cr\u00e9ation et de production. Le soir, une mise en sc\u00e8ne lumineuse transforme le b\u00e2timent en lieu de repr\u00e9sentation, affirmant sa pr\u00e9sence dans la ville, et invitant le public \u00e0 la magie du spectacle. <\/p>\n<p>Le b\u00e2timent accueille deux salles de spectacles compl\u00e9mentaires. Chacune d'elles d\u00e9veloppe sa propre identit\u00e9, tant d'un point de vue sc\u00e9nographique qu'architectural. <\/p>\n<p>La grande salle est con\u00e7ue dans la continuit\u00e9 du th\u00e9\u00e2tre europ\u00e9en, \u00e0 l'italienne, avec un rapport sc\u00e8ne-salle frontal pr\u00e9-\u00e9tabli. L'enveloppe est faite d'une peau pli\u00e9e et facett\u00e9e, tel un origami, qui accueille tous les dispositifs acoustiques et lumineux propres \u00e0 une salle de th\u00e9\u00e2tre. <\/p>\n<p>La salle modulable de type blackbox est d\u00e9di\u00e9e \u00e0 l'exp\u00e9rimentation. Un volume \u00e9l\u00e9mentaire et neutre, avec un syst\u00e8me de gradin modulaire, permet la mise en place de multiples configurations. Les murs sont habill\u00e9s de lames en b\u00e9ton fibr\u00e9 noires dont le motif garantit une excellente acoustique.<\/p>\n<p>Les deux salles sont des espaces hautement techniques d'un point de vue sc\u00e9nographique. L'objectif a \u00e9t\u00e9 d\u2019int\u00e9grer dans l'expression architecturale l'ensemble des exigences techniques tout en cr\u00e9ant un espace po\u00e9tique, capable d'accueillir le spectateur en cr\u00e9ant une rupture entre la vie quotidienne et la magie du spectacle. <\/p>\n<p>En soir\u00e9e, les fa\u00e7ades du hall re\u00e7oivent un \u00e9clairage rouge qui met en sc\u00e8ne ce volume dans la ville, et qui invite le spectateur \u00e0 la magie du spectacle. L\u2019image du b\u00e2timent \u00e9volue tout au long de la journ\u00e9e: sobre et \u00e9l\u00e9gant le jour, multiple et color\u00e9 le soir.<\/p>\n<p>\u2018Quand on dessine une salle de th\u00e9\u00e2tre, la sc\u00e9nographie commence sur le trottoir parce que c\u2019est l\u00e0 que d\u00e9bute la soir\u00e9e\u2019 Jean Vilar.<\/p>\n","en":"<p>The Nouvelle Com\u00e9die de Gen\u00e8ve, more than a theater<\/p>\n<p>The Nouvelle Com\u00e9die is more than a theater, it is not only a place of theatrical performance, with its two halls, but also a place of creation, with its large construction workshops. It is those who makes the New Com\u00e9die a real centre of artistic creation, bringing together all the theater professions under one roof. <\/p>\n<p>The \u201cshow factory\u201d character was decisive for the design of the project, which had to be both a hyper-functional equipment and at the same time a unique building with its own identity. <\/p>\n<p>The project places the performance halls at the heart of the volume, with an articulation of the programs that generates a unique cross-section, thus giving the building its identity. Circulation spaces, public and private, are located on the fa\u00e7ades surrounding the programs to which they give access. <\/p>\n<p>Where classical theaters distinguish the stage tower as the central element of the building's composition, the characteristic crenellated profile of the project expresses the multiplicity of activities taking place in the new theater. <\/p>\n<p>The Nouvelle Com\u00e9die is a theater in the city, and a city in the theater.<\/p>\n<p>The lobby space, generous and transparent, creates links between the inside and the outside, and expresses the theater's opening to the city. The crossing foyer gives access to the two halls, and creates another link between the two public spaces that surround the building. <\/p>\n<p>The architecture, discreet and neutral during the day, expresses the character of a place of creation and production. In the evening, a light staging transforms the building in a performance place, affirming its presence in the city, and inviting the public to the magic of the show.  <\/p>\n<p>The building accommodates two complementary halls. Each of them develops it's own identity, both from an architectural and scenography point of view.<\/p>\n<p>The greater hall is conceived in the continuity of the European theater, Italian style, with a pre-established front stage-hall relationship. The envelope is made of folded and faceted skin, like an origami, which acccommodates all the acoustic and lights devices specific to a theater hall.<\/p>\n<p>The modular black-box type hall is dedicated to experimentation. An elementary and neutral volume, with a modular bleacher system, allow multiple configurations to be set up. The walls are covered with fiber-reinforced concrete slats, the patterns of which guarantees excellent acoustics. <\/p>\n<p>The two halls are highly technical spaces from a scenography point of view. The objective was to integrate all the technical requirements into the architectural expression while creating a poetic space capable of welcoming the spectator by creating a break between everyday life and the magic of the show.<\/p>\n<p>In the evening, the entrance hall fa\u00e7ade receives a red lighting which stages this volume in the city, and invites the spectator to the show. The image of the building evolves throughout the day: sober and elegant by day, multiple and colorful by night.<\/p>\n<p>\u00ab\u00a0When we design a theater, the scenography begins on the sidewalk because that's where the evening begins\u00a0\u00bb Jean Vilar.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/theatre-de-la-nouvelle-comedie-de-geneve\/","en":"https:\/\/int.design\/en\/projects\/theatre-de-la-nouvelle-comedie-de-geneve\/"},"titles":{"fr":"Th\u00e9\u00e2tre de la Nouvelle Com\u00e9die de Gen\u00e8ve","en":"Th\u00e9\u00e2tre de la Nouvelle Com\u00e9die de Gen\u00e8ve"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/91780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=91780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}