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des beaux-arts de Xiamen Herculean Gulangyu, situ\u00e9e sur la c\u00f4te ouest de l'\u00eele de Gulangyu, \u00e9tait autrefois connue sous le nom de campus de Gulangyu du Xiamen College of Arts and Crafts de l'universit\u00e9 de Fuzhou, qui \u00e9tait connu sous le nom d'"Acad\u00e9mie militaire Huangpu de l'art du Fujian". L'Acad\u00e9mie des arts et m\u00e9tiers de Gulangyu, autrefois connue comme le "berceau de l'\u00e9ducation chinoise moderne", a de nouveau attir\u00e9 l'attention du monde entier. La mission de l'Acad\u00e9mie des arts et m\u00e9tiers de Xiamen Luchao Gulangyu est de "ramener la culture \u00e0 Gulangyu et de la remodeler avec l'art". L'\u00e9quipe de conception a entrepris la r\u00e9novation du b\u00e2timent<br \/>\nLe b\u00e2timent que l'\u00e9quipe de conception a entrepris de r\u00e9nover a \u00e9t\u00e9 construit en 1986 en tant qu'atelier de sculpture pour l'Acad\u00e9mie des arts et m\u00e9tiers. Apr\u00e8s plus de trente ans d'accumulation et d'enrichissement historique, il continuera \u00e0 fonctionner comme un espace artistique ind\u00e9pendant et composite apr\u00e8s le r\u00e9am\u00e9nagement du campus. En plus des r\u00e9parations et des r\u00e9novations fonctionnelles, le site a \u00e9t\u00e9 pr\u00e9serv\u00e9 et restaur\u00e9 de mani\u00e8re s\u00e9lective pour son \u00e2ge, cr\u00e9ant ainsi un lien entre l'histoire et le pr\u00e9sent, permettant \u00e0 de nouveaux souvenirs d'\u00e9merger dans la "coquille" de l'ancien b\u00e2timent.<br \/>\nLe b\u00e2timent d'origine compte trois \u00e9tages, et sa haute \u00e9chelle et ses vitres laissent entrer beaucoup de lumi\u00e8re du soleil, ce qui rend les espaces int\u00e9rieurs a\u00e9r\u00e9s et dynamiques. En raison des limites du processus de construction des b\u00e2timents dans les ann\u00e9es 1980, l'int\u00e9rieur du "Flowing Light Hall" comporte de nombreux cadres structurels expos\u00e9s et de petits coins, que l'\u00e9quipe de conception a pr\u00e9serv\u00e9s en tant que patrimoine pr\u00e9cieux et d\u00e9tails originaux indiquant le contexte historique du site. Une tension est cr\u00e9\u00e9e dans la sc\u00e8ne.<br \/>\nDans les espaces d'exposition des deuxi\u00e8me et troisi\u00e8me \u00e9tages, l'\u00e9quipe de conception a \u00e9largi l'all\u00e9e d'entretien initialement \u00e9troite pour permettre le passage des visiteurs pendant l'exposition. Les visiteurs peuvent se d\u00e9placer autour de l'atrium pour avoir une vue compl\u00e8te du hall d'exposition. Les larges mains courantes du couloir et les cabines d'ameublement encastr\u00e9es dans les colonnes structurelles sont rev\u00eatues de bois chaleureux, offrant une intervention discr\u00e8te et subtile qui permet aux visiteurs de marcher, de regarder et de se pencher dans une exp\u00e9rience sensorielle intime.<br \/>\nLe m\u00e9canisme de glissement situ\u00e9 au sommet de l'espace, qui servait autrefois \u00e0 faire appara\u00eetre de grandes sculptures en pierre, a \u00e9t\u00e9 conserv\u00e9 pour sa valeur historique et rappelle le passage du temps avec sa patine mouchet\u00e9e. Les fen\u00eatres restaur\u00e9es en verre \u00e0 motifs de b\u00e9gonias, le sol en terrazzo d'\u00e9poque et les encorbellements en pl\u00e2tre du plafond rappellent les d\u00e9cennies qui se sont \u00e9coul\u00e9es depuis la cr\u00e9ation du projet architectural.<br \/>\nLes fen\u00eatres restent les m\u00eames, et la lumi\u00e8re et les ombres circulent. L'\u00e9quipe de conception alterne entre la fonction et l'esth\u00e9tique, utilisant le design pour r\u00e9concilier les origines du b\u00e2timent. Entre les compromis, l'\u00e9quipe de conception \u00e9voque les souvenirs, l'histoire et le pr\u00e9sent. Avec une conception sobre et rationnelle, le b\u00e2timent compl\u00e8te la transition entre l'ancien et le nouveau, passant du pass\u00e9 au nouveau.<\/p>\n","en":"<p>Luchao Kulangsu Art Park, located on the west coast of Kulangsu Island, used to be the Kulangsu Campus of Xiamen Academy of Arts and Design of Fuzhou University which was known as the "Huangpu Military Academy (previous outstanding military school in China) of Fujian Fine Arts". In July 2017, with the glory of \u201cHistoric International Settlement\u201d, Kulangsu was exalted as World Cultural Heritage. Once known as "the cradle of modern Chinese education", the art island once again attracted the world's attention. It was the very time for Xiamen Luchao Kulangsu Art Park to shoulder the mission of "bringing culture back to Kulangsu and reshaping Kulangsu with art".<br \/>\n"KAP Gallery" was built in 1986, and the design team undertakes the renovation project this time. The hall used to be the sculpture studio of the Academy of Arts and Design, and after more than 30 years of accumulation, it harvests rich history. After the re-planning of the park, it will be used as an independent multifunction art space and keep operating continuously. On the premise of fully respecting the history of the building, the team reorganizes the space form. In addition to repair and transformation based on functions, the team selectively preserves and restores the historical imprints of the site to achieve a connection between history and the present, which allows new memories to grow in the "shell" of the old building.<br \/>\nBecause the original building is three-storey high, the excellent height and pane lighting bring plenty of sunlight, making the interior space more bright and inspiring. Due to the limitations of building construction techniques in the 1980s, there are many exposed structural frames and small wedges in the interior of the hall. Regarding them as precious heritage and original details that show the historical background of the site, the team retains them one by one. Only cement texture paint is used to organize and integrate the original appearance and order of the building, so that time can form tension in the scene.<br \/>\nIn the exhibition space on the second to the third floor, the team widens the originally narrow maintenance path to meet the traffic needs during the exhibition. Visitors can walk up around the atrium, and have a panoramic view of the exhibition hall. Wide and thick corridor handrails and display booths embedded in the structural columns are covered with warm wood. With careful and subtle intervention techniques, visitors will gain an intimate sensory experience in the process of walking, watching and resting.<br \/>\nThe sliding rail device at the top of the space originally used to transfer large stone sculpture is preserved for its historical value, with mottled rust to remind people of the passage of time. The crabapple grain glass windows restored as before, the terrazzo floor with a sense of age, and the plaster corner lines on the ceiling are all signs of the architectural design details following from decades ago.<br \/>\nThe window lattice is still, and light and shadow flow. Alternating functions and aesthetics, the team draws out the origin of the building through designing. It awakens the memory between retaining and discarding, and then evolves the history and writes the present. Through restrained and rational design, the building completes its transition between old and new time and space, walking from the past to new life.<\/p>\n","original":""},"jury_text":[{"category":2481,"fr":"<p>L'acad\u00e9mie des beaux-arts de Xiamen Herculean Gulangyu, situ\u00e9e sur la c\u00f4te ouest de l'\u00eele de Gulangyu, \u00e9tait autrefois connue sous le nom de campus de Gulangyu du Xiamen College of Arts and Crafts de l'universit\u00e9 de Fuzhou, qui \u00e9tait connu sous le nom d'"Acad\u00e9mie militaire Huangpu de l'art du Fujian". L'Acad\u00e9mie des arts et m\u00e9tiers de Gulangyu, autrefois connue comme le "berceau de l'\u00e9ducation chinoise moderne", a de nouveau attir\u00e9 l'attention du monde entier. La mission de l'Acad\u00e9mie des arts et m\u00e9tiers de Xiamen Luchao Gulangyu est de "ramener la culture \u00e0 Gulangyu et de la remodeler avec l'art". L'\u00e9quipe de conception a entrepris la r\u00e9novation du b\u00e2timent<br \/>\nLe b\u00e2timent que l'\u00e9quipe de conception a entrepris de r\u00e9nover a \u00e9t\u00e9 construit en 1986 en tant qu'atelier de sculpture pour l'Acad\u00e9mie des arts et m\u00e9tiers. Apr\u00e8s plus de trente ans d'accumulation et d'enrichissement historique, il continuera \u00e0 fonctionner comme un espace artistique ind\u00e9pendant et composite apr\u00e8s le r\u00e9am\u00e9nagement du campus. En plus des r\u00e9parations et des r\u00e9novations fonctionnelles, le site a \u00e9t\u00e9 pr\u00e9serv\u00e9 et restaur\u00e9 de mani\u00e8re s\u00e9lective pour son \u00e2ge, cr\u00e9ant ainsi un lien entre l'histoire et le pr\u00e9sent, permettant \u00e0 de nouveaux souvenirs d'\u00e9merger dans la "coquille" de l'ancien b\u00e2timent.<br \/>\nLe b\u00e2timent d'origine compte trois \u00e9tages, et sa haute \u00e9chelle et ses vitres laissent entrer beaucoup de lumi\u00e8re du soleil, ce qui rend les espaces int\u00e9rieurs a\u00e9r\u00e9s et dynamiques. En raison des limites du processus de construction des b\u00e2timents dans les ann\u00e9es 1980, l'int\u00e9rieur du "Flowing Light Hall" comporte de nombreux cadres structurels expos\u00e9s et de petits coins, que l'\u00e9quipe de conception a pr\u00e9serv\u00e9s en tant que patrimoine pr\u00e9cieux et d\u00e9tails originaux indiquant le contexte historique du site. Une tension est cr\u00e9\u00e9e dans la sc\u00e8ne.<br \/>\nDans les espaces d'exposition des deuxi\u00e8me et troisi\u00e8me \u00e9tages, l'\u00e9quipe de conception a \u00e9largi l'all\u00e9e d'entretien initialement \u00e9troite pour permettre le passage des visiteurs pendant l'exposition. Les visiteurs peuvent se d\u00e9placer autour de l'atrium pour avoir une vue compl\u00e8te du hall d'exposition. Les larges mains courantes du couloir et les cabines d'ameublement encastr\u00e9es dans les colonnes structurelles sont rev\u00eatues de bois chaleureux, offrant une intervention discr\u00e8te et subtile qui permet aux visiteurs de marcher, de regarder et de se pencher dans une exp\u00e9rience sensorielle intime.<br \/>\nLe m\u00e9canisme de glissement situ\u00e9 au sommet de l'espace, qui servait autrefois \u00e0 faire appara\u00eetre de grandes sculptures en pierre, a \u00e9t\u00e9 conserv\u00e9 pour sa valeur historique et rappelle le passage du temps avec sa patine mouchet\u00e9e. Les fen\u00eatres restaur\u00e9es en verre \u00e0 motifs de b\u00e9gonias, le sol en terrazzo d'\u00e9poque et les encorbellements en pl\u00e2tre du plafond rappellent les d\u00e9cennies qui se sont \u00e9coul\u00e9es depuis la cr\u00e9ation du projet architectural.<br \/>\nLes fen\u00eatres restent les m\u00eames, et la lumi\u00e8re et les ombres circulent. L'\u00e9quipe de conception alterne entre la fonction et l'esth\u00e9tique, utilisant le design pour r\u00e9concilier les origines du b\u00e2timent. Entre les compromis, l'\u00e9quipe de conception \u00e9voque les souvenirs, l'histoire et le pr\u00e9sent. Avec une conception sobre et rationnelle, le b\u00e2timent compl\u00e8te la transition entre l'ancien et le nouveau, passant du pass\u00e9 au nouveau.<\/p>\n","en":"<p>Luchao Kulangsu Art Park, located on the west coast of Kulangsu Island, used to be the Kulangsu Campus of Xiamen Academy of Arts and Design of Fuzhou University which was known as the "Huangpu Military Academy (previous outstanding military school in China) of Fujian Fine Arts". In July 2017, with the glory of \u201cHistoric International Settlement\u201d, Kulangsu was exalted as World Cultural Heritage. Once known as "the cradle of modern Chinese education", the art island once again attracted the world's attention. It was the very time for Xiamen Luchao Kulangsu Art Park to shoulder the mission of "bringing culture back to Kulangsu and reshaping Kulangsu with art".<br \/>\n"KAP Gallery" was built in 1986, and the design team undertakes the renovation project this time. The hall used to be the sculpture studio of the Academy of Arts and Design, and after more than 30 years of accumulation, it harvests rich history. After the re-planning of the park, it will be used as an independent multifunction art space and keep operating continuously. On the premise of fully respecting the history of the building, the team reorganizes the space form. In addition to repair and transformation based on functions, the team selectively preserves and restores the historical imprints of the site to achieve a connection between history and the present, which allows new memories to grow in the "shell" of the old building.<br \/>\nBecause the original building is three-storey high, the excellent height and pane lighting bring plenty of sunlight, making the interior space more bright and inspiring. Due to the limitations of building construction techniques in the 1980s, there are many exposed structural frames and small wedges in the interior of the hall. Regarding them as precious heritage and original details that show the historical background of the site, the team retains them one by one. Only cement texture paint is used to organize and integrate the original appearance and order of the building, so that time can form tension in the scene.<br \/>\nIn the exhibition space on the second to the third floor, the team widens the originally narrow maintenance path to meet the traffic needs during the exhibition. Visitors can walk up around the atrium, and have a panoramic view of the exhibition hall. Wide and thick corridor handrails and display booths embedded in the structural columns are covered with warm wood. With careful and subtle intervention techniques, visitors will gain an intimate sensory experience in the process of walking, watching and resting.<br \/>\nThe sliding rail device at the top of the space originally used to transfer large stone sculpture is preserved for its historical value, with mottled rust to remind people of the passage of time. The crabapple grain glass windows restored as before, the terrazzo floor with a sense of age, and the plaster corner lines on the ceiling are all signs of the architectural design details following from decades ago.<br \/>\nThe window lattice is still, and light and shadow flow. Alternating functions and aesthetics, the team draws out the origin of the building through designing. It awakens the memory between retaining and discarding, and then evolves the history and writes the present. Through restrained and rational design, the building completes its transition between old and new time and space, walking from the past to new life.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2481,"cat_id_laureat":3433,"laureat":"Certification Or"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"FANCY DESIGN","website":"http:\/\/www.fancyid.com\/","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"}],"user":{"email":"fangguoxi2020@163.com","first_name":"GUOXI","last_name":"FANG"},"doc_texts_web":{"fr":"<p>L'acad\u00e9mie des beaux-arts de Xiamen Herculean Gulangyu, situ\u00e9e sur la c\u00f4te ouest de l'\u00eele de Gulangyu, \u00e9tait autrefois connue sous le nom de campus de Gulangyu du Xiamen College of Arts and Crafts de l'universit\u00e9 de Fuzhou, qui \u00e9tait connu sous le nom d'\"Acad\u00e9mie militaire Huangpu de l'art du Fujian\". L'Acad\u00e9mie des arts et m\u00e9tiers de Gulangyu, autrefois connue comme le \"berceau de l'\u00e9ducation chinoise moderne\", a de nouveau attir\u00e9 l'attention du monde entier. La mission de l'Acad\u00e9mie des arts et m\u00e9tiers de Xiamen Luchao Gulangyu est de \"ramener la culture \u00e0 Gulangyu et de la remodeler avec l'art\". L'\u00e9quipe de conception a entrepris la r\u00e9novation du b\u00e2timent<br \/>\nLe b\u00e2timent que l'\u00e9quipe de conception a entrepris de r\u00e9nover a \u00e9t\u00e9 construit en 1986 en tant qu'atelier de sculpture pour l'Acad\u00e9mie des arts et m\u00e9tiers. Apr\u00e8s plus de trente ans d'accumulation et d'enrichissement historique, il continuera \u00e0 fonctionner comme un espace artistique ind\u00e9pendant et composite apr\u00e8s le r\u00e9am\u00e9nagement du campus. En plus des r\u00e9parations et des r\u00e9novations fonctionnelles, le site a \u00e9t\u00e9 pr\u00e9serv\u00e9 et restaur\u00e9 de mani\u00e8re s\u00e9lective pour son \u00e2ge, cr\u00e9ant ainsi un lien entre l'histoire et le pr\u00e9sent, permettant \u00e0 de nouveaux souvenirs d'\u00e9merger dans la \"coquille\" de l'ancien b\u00e2timent.<br \/>\nLe b\u00e2timent d'origine compte trois \u00e9tages, et sa haute \u00e9chelle et ses vitres laissent entrer beaucoup de lumi\u00e8re du soleil, ce qui rend les espaces int\u00e9rieurs a\u00e9r\u00e9s et dynamiques. En raison des limites du processus de construction des b\u00e2timents dans les ann\u00e9es 1980, l'int\u00e9rieur du \"Flowing Light Hall\" comporte de nombreux cadres structurels expos\u00e9s et de petits coins, que l'\u00e9quipe de conception a pr\u00e9serv\u00e9s en tant que patrimoine pr\u00e9cieux et d\u00e9tails originaux indiquant le contexte historique du site. Une tension est cr\u00e9\u00e9e dans la sc\u00e8ne.<br \/>\nDans les espaces d'exposition des deuxi\u00e8me et troisi\u00e8me \u00e9tages, l'\u00e9quipe de conception a \u00e9largi l'all\u00e9e d'entretien initialement \u00e9troite pour permettre le passage des visiteurs pendant l'exposition. Les visiteurs peuvent se d\u00e9placer autour de l'atrium pour avoir une vue compl\u00e8te du hall d'exposition. Les larges mains courantes du couloir et les cabines d'ameublement encastr\u00e9es dans les colonnes structurelles sont rev\u00eatues de bois chaleureux, offrant une intervention discr\u00e8te et subtile qui permet aux visiteurs de marcher, de regarder et de se pencher dans une exp\u00e9rience sensorielle intime.<br \/>\nLe m\u00e9canisme de glissement situ\u00e9 au sommet de l'espace, qui servait autrefois \u00e0 faire appara\u00eetre de grandes sculptures en pierre, a \u00e9t\u00e9 conserv\u00e9 pour sa valeur historique et rappelle le passage du temps avec sa patine mouchet\u00e9e. Les fen\u00eatres restaur\u00e9es en verre \u00e0 motifs de b\u00e9gonias, le sol en terrazzo d'\u00e9poque et les encorbellements en pl\u00e2tre du plafond rappellent les d\u00e9cennies qui se sont \u00e9coul\u00e9es depuis la cr\u00e9ation du projet architectural.<br \/>\nLes fen\u00eatres restent les m\u00eames, et la lumi\u00e8re et les ombres circulent. L'\u00e9quipe de conception alterne entre la fonction et l'esth\u00e9tique, utilisant le design pour r\u00e9concilier les origines du b\u00e2timent. Entre les compromis, l'\u00e9quipe de conception \u00e9voque les souvenirs, l'histoire et le pr\u00e9sent. Avec une conception sobre et rationnelle, le b\u00e2timent compl\u00e8te la transition entre l'ancien et le nouveau, passant du pass\u00e9 au nouveau.<\/p>\n","en":"<p>Luchao Kulangsu Art Park, located on the west coast of Kulangsu Island, used to be the Kulangsu Campus of Xiamen Academy of Arts and Design of Fuzhou University which was known as the \"Huangpu Military Academy (previous outstanding military school in China) of Fujian Fine Arts\". In July 2017, with the glory of \u201cHistoric International Settlement\u201d, Kulangsu was exalted as World Cultural Heritage. Once known as \"the cradle of modern Chinese education\", the art island once again attracted the world's attention. It was the very time for Xiamen Luchao Kulangsu Art Park to shoulder the mission of \"bringing culture back to Kulangsu and reshaping Kulangsu with art\".<br \/>\n\"KAP Gallery\" was built in 1986, and the design team undertakes the renovation project this time. The hall used to be the sculpture studio of the Academy of Arts and Design, and after more than 30 years of accumulation, it harvests rich history. After the re-planning of the park, it will be used as an independent multifunction art space and keep operating continuously. On the premise of fully respecting the history of the building, the team reorganizes the space form. In addition to repair and transformation based on functions, the team selectively preserves and restores the historical imprints of the site to achieve a connection between history and the present, which allows new memories to grow in the \"shell\" of the old building.<br \/>\nBecause the original building is three-storey high, the excellent height and pane lighting bring plenty of sunlight, making the interior space more bright and inspiring. Due to the limitations of building construction techniques in the 1980s, there are many exposed structural frames and small wedges in the interior of the hall. Regarding them as precious heritage and original details that show the historical background of the site, the team retains them one by one. Only cement texture paint is used to organize and integrate the original appearance and order of the building, so that time can form tension in the scene.<br \/>\nIn the exhibition space on the second to the third floor, the team widens the originally narrow maintenance path to meet the traffic needs during the exhibition. Visitors can walk up around the atrium, and have a panoramic view of the exhibition hall. Wide and thick corridor handrails and display booths embedded in the structural columns are covered with warm wood. With careful and subtle intervention techniques, visitors will gain an intimate sensory experience in the process of walking, watching and resting.<br \/>\nThe sliding rail device at the top of the space originally used to transfer large stone sculpture is preserved for its historical value, with mottled rust to remind people of the passage of time. The crabapple grain glass windows restored as before, the terrazzo floor with a sense of age, and the plaster corner lines on the ceiling are all signs of the architectural design details following from decades ago.<br \/>\nThe window lattice is still, and light and shadow flow. Alternating functions and aesthetics, the team draws out the origin of the building through designing. It awakens the memory between retaining and discarding, and then evolves the history and writes the present. Through restrained and rational design, the building completes its transition between old and new time and space, walking from the past to new life.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/xiamen-luchao-kulangsu-art-park\/","en":"https:\/\/int.design\/en\/projects\/xiamen-luchao-kulangsu-art-park\/"},"titles":{"fr":"XIAMEN LUCHAO KULANGSU ART PARK","en":"XIAMEN LUCHAO KULANGSU ART PARK"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/87433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=87433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}