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du projet : Lorsqu'une cour orientale centenaire, domin\u00e9e par l'Art d\u00e9co, rencontre la culture italienne contemporaine, cet espace revitalis\u00e9 est non seulement rempli d'histoires du pass\u00e9 et de ce qui reste \u00e0 faire, mais aussi un espace plus riche, plus diversifi\u00e9 et plus ouvert pour comprendre les "vieilles maisons de Shanghai" dans le contexte actuel.<br \/>\nDescription du projet : L'espace se compose de deux b\u00e2timents, le b\u00e2timent principal de deux \u00e9tages \u00e0 l'avant et le b\u00e2timent auxiliaire de trois \u00e9tages \u00e0 l'arri\u00e8re. En se basant sur la strat\u00e9gie de marque propre \u00e0 Attila pour int\u00e9grer ses besoins commerciaux, Farnersing a divis\u00e9 l'espace en deux grands blocs, l'un pour l'ext\u00e9rieur et l'autre pour l'int\u00e9rieur, en fonction de leur fonction.<br \/>\nL'entr\u00e9e est articul\u00e9e par un carrelage mural en marbre avec des murs de cour chinoise alternant le rouge et le gris, et une petite cour en forme de patio en parquet de marbre radioactif entre l'entr\u00e9e principale et l'entr\u00e9e du rez-de-chauss\u00e9e du b\u00e2timent principal.<br \/>\nInnovation du projet : la fa\u00e7ade du b\u00e2timent principal comporte de grandes fen\u00eatres et des portes en verre, avec un usage intensif de cadres en bois massif r\u00e9cup\u00e9r\u00e9s de b\u00e2timents d\u00e9molis, et l'extraordinaire savoir-faire de l'architecture orientale qui se heurte au style Art d\u00e9co du marbre au rez-de-chauss\u00e9e pour cr\u00e9er une forte impression de vieux Shanghai.<br \/>\nLa porte qui relie l'atrium du premier \u00e9tage \u00e0 l'ext\u00e9rieur a \u00e9t\u00e9 d\u00e9lib\u00e9r\u00e9ment prolong\u00e9e vers le haut pour \u00eatre au m\u00eame niveau que le bord sup\u00e9rieur de l'encadrement de la fen\u00eatre d'origine, ce qui donne un sentiment d'unit\u00e9 et d'int\u00e9grit\u00e9 \u00e0 l'aspect visuel, tout en renfor\u00e7ant la hauteur sensorielle et l'ouverture de l'espace. Afin de prot\u00e9ger l'ancienne structure du b\u00e2timent, l'\u00e9quipe de conception a dissimul\u00e9 toute la climatisation dans la partie inf\u00e9rieure des fen\u00eatres, un d\u00e9tail que Farnersing a accumul\u00e9 gr\u00e2ce \u00e0 sa grande exp\u00e9rience de la r\u00e9novation de maisons et avec le plus grand soin et respect pour les b\u00e2timents historiques.<br \/>\nD\u00e9fi de conception : Pour le projet de la Maison d'Attila, le fondateur et principal concepteur de Farnersing, Yinjie Huynh, a dirig\u00e9 l'\u00e9quipe pour retravailler l'ensemble des fondations. Le b\u00e2timent d'origine ayant \u00e9t\u00e9 construit il y a plus d'un si\u00e8cle, les mat\u00e9riaux de construction utilis\u00e9s \u00e0 l'\u00e9poque pour la fa\u00e7ade et la structure ne pouvaient plus \u00eatre assortis aux mat\u00e9riaux existants. Les concepteurs ont choisi d'utiliser du bois recycl\u00e9 provenant de l'ancienne maison d'origine, qui a \u00e9t\u00e9 trait\u00e9 deux fois en usine, combin\u00e9 \u00e0 des fen\u00eatres \u00e0 syst\u00e8me et incorpor\u00e9 un syst\u00e8me d'isolation thermique. La remise \u00e0 neuf de la peinture et de la fa\u00e7ade a \u00e9galement \u00e9t\u00e9 effectu\u00e9e sur place par des artisans exp\u00e9riment\u00e9s connaissant bien l'histoire et l'architecture de Shanghai, afin de garantir une "restauration maximale de l'ancien comme du nouveau".<br \/>\nDurabilit\u00e9 : Tous les mat\u00e9riaux de rev\u00eatement de sol utilis\u00e9s dans les espaces int\u00e9rieurs ont \u00e9t\u00e9 recycl\u00e9s, trait\u00e9s et r\u00e9utilis\u00e9s par l'\u00e9quipe de conception de Farnersing \u00e0 partir d'anciennes maisons d\u00e9molies. En plus des consid\u00e9rations environnementales, les sols en bois, qui ont \u00e9t\u00e9 polis au fil du temps, font \u00e9galement \u00e9cho et se connectent au b\u00e2timent d'origine de l'int\u00e9rieur.<\/p>\n","en":"<p>Project summary\uff1a<br \/>\nThis century-old building in Shanghai had an Art Deco-influenced style, and the team brought in some contemporary Italian cultural elements. The reinvented house becomes a space where the past meets the future. It offers richer and more diverse and open perspectives on Aged garden villa in the current context.<br \/>\nDesign Description\uff1a<br \/>\nThe house consists of a two-story main building and a three-story annex behind the main building. NOTHING STUDIO divides the space into an outer area and an inner area according to its functionality. This meets Attila's needs in terms of its branding strategy and integrated business.<br \/>\nAt the entrance of the house, a brick wall is connected to a traditional Chinese-style courtyard wall made of red and grey bricks. Between the entrance and the door of the first floor is a patio-like yard paved with parquet marble in a radial pattern.<br \/>\nDesign Innovation\uff1a<br \/>\nThe facade of the main building is characterized by large windows and glass doors. Numerous hardwood frames collected during demolition were reused for it. The combination of exquisite crafts in Chinese constructions and the Art Deco style of the marble floor provides the vintage feel of an old Shanghai.<br \/>\nThe jambs of the doorway were extended upward to match the height of the head jambs of the original windows for a sense of unity to the eye and a visually elevated effect for the space.<br \/>\nThe team has hidden all air conditioning units under the windows to protect the structure of the venerable building. This idea comes from NOTHING STUDIO 's rich experience in renovating Aged garden villa and shows the utmost care and respect the team has for such historic buildings.<br \/>\nDesign Challenge\uff1a<br \/>\nDuring the House of Attila project, Nathan Hou, founder of NOTHING STUDIO and chief designer, and his team repaired the entire foundation of the house. They were unable to find materials to match those originally used for the exterior wall and other structures, as construction of the house was completed a hundred years ago.<br \/>\nThe team decided to use the woods collected during the renovation and repurpose them in the factory to match the systematic windows. They also installed a thermal insulation system.<br \/>\nThe studio invited experienced craftsmen to take care of the color painting and refurb of the exterior walls. They took their time to make sure that the old glamor of the house is brought back to life.<br \/>\nSustainable Development\uff1a<br \/>\nThe designers of NOTHING STUDIO recycled the floors of the old house to repair and reuse them in the renovation. Apart from the environmental aspects, the time-worn floors also revealed traces of passing time and resonated with the original building.<\/p>\n","original":""},"jury_text":[{"category":2463,"fr":"<p>R\u00e9sum\u00e9 du projet : Lorsqu'une cour orientale centenaire, domin\u00e9e par l'Art d\u00e9co, rencontre la culture italienne contemporaine, cet espace revitalis\u00e9 est non seulement rempli d'histoires du pass\u00e9 et de ce qui reste \u00e0 faire, mais aussi un espace plus riche, plus diversifi\u00e9 et plus ouvert pour comprendre les "vieilles maisons de Shanghai" dans le contexte actuel.<br \/>\nDescription du projet : L'espace se compose de deux b\u00e2timents, le b\u00e2timent principal de deux \u00e9tages \u00e0 l'avant et le b\u00e2timent auxiliaire de trois \u00e9tages \u00e0 l'arri\u00e8re. En se basant sur la strat\u00e9gie de marque propre \u00e0 Attila pour int\u00e9grer ses besoins commerciaux, Farnersing a divis\u00e9 l'espace en deux grands blocs, l'un pour l'ext\u00e9rieur et l'autre pour l'int\u00e9rieur, en fonction de leur fonction.<br \/>\nL'entr\u00e9e est articul\u00e9e par un carrelage mural en marbre avec des murs de cour chinoise alternant le rouge et le gris, et une petite cour en forme de patio en parquet de marbre radioactif entre l'entr\u00e9e principale et l'entr\u00e9e du rez-de-chauss\u00e9e du b\u00e2timent principal.<br \/>\nInnovation du projet : la fa\u00e7ade du b\u00e2timent principal comporte de grandes fen\u00eatres et des portes en verre, avec un usage intensif de cadres en bois massif r\u00e9cup\u00e9r\u00e9s de b\u00e2timents d\u00e9molis, et l'extraordinaire savoir-faire de l'architecture orientale qui se heurte au style Art d\u00e9co du marbre au rez-de-chauss\u00e9e pour cr\u00e9er une forte impression de vieux Shanghai.<br \/>\nLa porte qui relie l'atrium du premier \u00e9tage \u00e0 l'ext\u00e9rieur a \u00e9t\u00e9 d\u00e9lib\u00e9r\u00e9ment prolong\u00e9e vers le haut pour \u00eatre au m\u00eame niveau que le bord sup\u00e9rieur de l'encadrement de la fen\u00eatre d'origine, ce qui donne un sentiment d'unit\u00e9 et d'int\u00e9grit\u00e9 \u00e0 l'aspect visuel, tout en renfor\u00e7ant la hauteur sensorielle et l'ouverture de l'espace. Afin de prot\u00e9ger l'ancienne structure du b\u00e2timent, l'\u00e9quipe de conception a dissimul\u00e9 toute la climatisation dans la partie inf\u00e9rieure des fen\u00eatres, un d\u00e9tail que Farnersing a accumul\u00e9 gr\u00e2ce \u00e0 sa grande exp\u00e9rience de la r\u00e9novation de maisons et avec le plus grand soin et respect pour les b\u00e2timents historiques.<br \/>\nD\u00e9fi de conception : Pour le projet de la Maison d'Attila, le fondateur et principal concepteur de Farnersing, Yinjie Huynh, a dirig\u00e9 l'\u00e9quipe pour retravailler l'ensemble des fondations. Le b\u00e2timent d'origine ayant \u00e9t\u00e9 construit il y a plus d'un si\u00e8cle, les mat\u00e9riaux de construction utilis\u00e9s \u00e0 l'\u00e9poque pour la fa\u00e7ade et la structure ne pouvaient plus \u00eatre assortis aux mat\u00e9riaux existants. Les concepteurs ont choisi d'utiliser du bois recycl\u00e9 provenant de l'ancienne maison d'origine, qui a \u00e9t\u00e9 trait\u00e9 deux fois en usine, combin\u00e9 \u00e0 des fen\u00eatres \u00e0 syst\u00e8me et incorpor\u00e9 un syst\u00e8me d'isolation thermique. La remise \u00e0 neuf de la peinture et de la fa\u00e7ade a \u00e9galement \u00e9t\u00e9 effectu\u00e9e sur place par des artisans exp\u00e9riment\u00e9s connaissant bien l'histoire et l'architecture de Shanghai, afin de garantir une "restauration maximale de l'ancien comme du nouveau".<br \/>\nDurabilit\u00e9 : Tous les mat\u00e9riaux de rev\u00eatement de sol utilis\u00e9s dans les espaces int\u00e9rieurs ont \u00e9t\u00e9 recycl\u00e9s, trait\u00e9s et r\u00e9utilis\u00e9s par l'\u00e9quipe de conception de Farnersing \u00e0 partir d'anciennes maisons d\u00e9molies. En plus des consid\u00e9rations environnementales, les sols en bois, qui ont \u00e9t\u00e9 polis au fil du temps, font \u00e9galement \u00e9cho et se connectent au b\u00e2timent d'origine de l'int\u00e9rieur.<\/p>\n","en":"<p>Project summary\uff1a<br \/>\nThis century-old building in Shanghai had an Art Deco-influenced style, and the team brought in some contemporary Italian cultural elements. The reinvented house becomes a space where the past meets the future. It offers richer and more diverse and open perspectives on Aged garden villa in the current context.<br \/>\nDesign Description\uff1a<br \/>\nThe house consists of a two-story main building and a three-story annex behind the main building. NOTHING STUDIO divides the space into an outer area and an inner area according to its functionality. This meets Attila's needs in terms of its branding strategy and integrated business.<br \/>\nAt the entrance of the house, a brick wall is connected to a traditional Chinese-style courtyard wall made of red and grey bricks. Between the entrance and the door of the first floor is a patio-like yard paved with parquet marble in a radial pattern.<br \/>\nDesign Innovation\uff1a<br \/>\nThe facade of the main building is characterized by large windows and glass doors. Numerous hardwood frames collected during demolition were reused for it. The combination of exquisite crafts in Chinese constructions and the Art Deco style of the marble floor provides the vintage feel of an old Shanghai.<br \/>\nThe jambs of the doorway were extended upward to match the height of the head jambs of the original windows for a sense of unity to the eye and a visually elevated effect for the space.<br \/>\nThe team has hidden all air conditioning units under the windows to protect the structure of the venerable building. This idea comes from NOTHING STUDIO 's rich experience in renovating Aged garden villa and shows the utmost care and respect the team has for such historic buildings.<br \/>\nDesign Challenge\uff1a<br \/>\nDuring the House of Attila project, Nathan Hou, founder of NOTHING STUDIO and chief designer, and his team repaired the entire foundation of the house. They were unable to find materials to match those originally used for the exterior wall and other structures, as construction of the house was completed a hundred years ago.<br \/>\nThe team decided to use the woods collected during the renovation and repurpose them in the factory to match the systematic windows. They also installed a thermal insulation system.<br \/>\nThe studio invited experienced craftsmen to take care of the color painting and refurb of the exterior walls. They took their time to make sure that the old glamor of the house is brought back to life.<br \/>\nSustainable Development\uff1a<br \/>\nThe designers of NOTHING STUDIO recycled the floors of the old house to repair and reuse them in the renovation. Apart from the environmental aspects, the time-worn floors also revealed traces of passing time and resonated with the original building.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2463,"cat_id_laureat":3431,"laureat":"Certification Argent"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"NOTHING STUDIO","website":"http:\/\/www.nathanhdesign.com\/","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"}],"user":{"email":"Nathan_nothing@126.com","first_name":"NATHAN","last_name":"HOU"},"doc_texts_web":{"fr":"<p>R\u00e9sum\u00e9 du projet : Lorsqu'une cour orientale centenaire, domin\u00e9e par l'Art d\u00e9co, rencontre la culture italienne contemporaine, cet espace revitalis\u00e9 est non seulement rempli d'histoires du pass\u00e9 et de ce qui reste \u00e0 faire, mais aussi un espace plus riche, plus diversifi\u00e9 et plus ouvert pour comprendre les \"vieilles maisons de Shanghai\" dans le contexte actuel.<br \/>\nDescription du projet : L'espace se compose de deux b\u00e2timents, le b\u00e2timent principal de deux \u00e9tages \u00e0 l'avant et le b\u00e2timent auxiliaire de trois \u00e9tages \u00e0 l'arri\u00e8re. En se basant sur la strat\u00e9gie de marque propre \u00e0 Attila pour int\u00e9grer ses besoins commerciaux, Farnersing a divis\u00e9 l'espace en deux grands blocs, l'un pour l'ext\u00e9rieur et l'autre pour l'int\u00e9rieur, en fonction de leur fonction.<br \/>\nL'entr\u00e9e est articul\u00e9e par un carrelage mural en marbre avec des murs de cour chinoise alternant le rouge et le gris, et une petite cour en forme de patio en parquet de marbre radioactif entre l'entr\u00e9e principale et l'entr\u00e9e du rez-de-chauss\u00e9e du b\u00e2timent principal.<br \/>\nInnovation du projet : la fa\u00e7ade du b\u00e2timent principal comporte de grandes fen\u00eatres et des portes en verre, avec un usage intensif de cadres en bois massif r\u00e9cup\u00e9r\u00e9s de b\u00e2timents d\u00e9molis, et l'extraordinaire savoir-faire de l'architecture orientale qui se heurte au style Art d\u00e9co du marbre au rez-de-chauss\u00e9e pour cr\u00e9er une forte impression de vieux Shanghai.<br \/>\nLa porte qui relie l'atrium du premier \u00e9tage \u00e0 l'ext\u00e9rieur a \u00e9t\u00e9 d\u00e9lib\u00e9r\u00e9ment prolong\u00e9e vers le haut pour \u00eatre au m\u00eame niveau que le bord sup\u00e9rieur de l'encadrement de la fen\u00eatre d'origine, ce qui donne un sentiment d'unit\u00e9 et d'int\u00e9grit\u00e9 \u00e0 l'aspect visuel, tout en renfor\u00e7ant la hauteur sensorielle et l'ouverture de l'espace. Afin de prot\u00e9ger l'ancienne structure du b\u00e2timent, l'\u00e9quipe de conception a dissimul\u00e9 toute la climatisation dans la partie inf\u00e9rieure des fen\u00eatres, un d\u00e9tail que Farnersing a accumul\u00e9 gr\u00e2ce \u00e0 sa grande exp\u00e9rience de la r\u00e9novation de maisons et avec le plus grand soin et respect pour les b\u00e2timents historiques.<br \/>\nD\u00e9fi de conception : Pour le projet de la Maison d'Attila, le fondateur et principal concepteur de Farnersing, Yinjie Huynh, a dirig\u00e9 l'\u00e9quipe pour retravailler l'ensemble des fondations. Le b\u00e2timent d'origine ayant \u00e9t\u00e9 construit il y a plus d'un si\u00e8cle, les mat\u00e9riaux de construction utilis\u00e9s \u00e0 l'\u00e9poque pour la fa\u00e7ade et la structure ne pouvaient plus \u00eatre assortis aux mat\u00e9riaux existants. Les concepteurs ont choisi d'utiliser du bois recycl\u00e9 provenant de l'ancienne maison d'origine, qui a \u00e9t\u00e9 trait\u00e9 deux fois en usine, combin\u00e9 \u00e0 des fen\u00eatres \u00e0 syst\u00e8me et incorpor\u00e9 un syst\u00e8me d'isolation thermique. La remise \u00e0 neuf de la peinture et de la fa\u00e7ade a \u00e9galement \u00e9t\u00e9 effectu\u00e9e sur place par des artisans exp\u00e9riment\u00e9s connaissant bien l'histoire et l'architecture de Shanghai, afin de garantir une \"restauration maximale de l'ancien comme du nouveau\".<br \/>\nDurabilit\u00e9 : Tous les mat\u00e9riaux de rev\u00eatement de sol utilis\u00e9s dans les espaces int\u00e9rieurs ont \u00e9t\u00e9 recycl\u00e9s, trait\u00e9s et r\u00e9utilis\u00e9s par l'\u00e9quipe de conception de Farnersing \u00e0 partir d'anciennes maisons d\u00e9molies. En plus des consid\u00e9rations environnementales, les sols en bois, qui ont \u00e9t\u00e9 polis au fil du temps, font \u00e9galement \u00e9cho et se connectent au b\u00e2timent d'origine de l'int\u00e9rieur.<\/p>\n","en":"<p>Project summary\uff1a<br \/>\nThis century-old building in Shanghai had an Art Deco-influenced style, and the team brought in some contemporary Italian cultural elements. The reinvented house becomes a space where the past meets the future. It offers richer and more diverse and open perspectives on Aged garden villa in the current context.<br \/>\nDesign Description\uff1a<br \/>\nThe house consists of a two-story main building and a three-story annex behind the main building. NOTHING STUDIO divides the space into an outer area and an inner area according to its functionality. This meets Attila's needs in terms of its branding strategy and integrated business.<br \/>\nAt the entrance of the house, a brick wall is connected to a traditional Chinese-style courtyard wall made of red and grey bricks. Between the entrance and the door of the first floor is a patio-like yard paved with parquet marble in a radial pattern.<br \/>\nDesign Innovation\uff1a<br \/>\nThe facade of the main building is characterized by large windows and glass doors. Numerous hardwood frames collected during demolition were reused for it. The combination of exquisite crafts in Chinese constructions and the Art Deco style of the marble floor provides the vintage feel of an old Shanghai.<br \/>\nThe jambs of the doorway were extended upward to match the height of the head jambs of the original windows for a sense of unity to the eye and a visually elevated effect for the space.<br \/>\nThe team has hidden all air conditioning units under the windows to protect the structure of the venerable building. This idea comes from NOTHING STUDIO 's rich experience in renovating Aged garden villa and shows the utmost care and respect the team has for such historic buildings.<br \/>\nDesign Challenge\uff1a<br \/>\nDuring the House of Attila project, Nathan Hou, founder of NOTHING STUDIO and chief designer, and his team repaired the entire foundation of the house. They were unable to find materials to match those originally used for the exterior wall and other structures, as construction of the house was completed a hundred years ago.<br \/>\nThe team decided to use the woods collected during the renovation and repurpose them in the factory to match the systematic windows. They also installed a thermal insulation system.<br \/>\nThe studio invited experienced craftsmen to take care of the color painting and refurb of the exterior walls. They took their time to make sure that the old glamor of the house is brought back to life.<br \/>\nSustainable Development\uff1a<br \/>\nThe designers of NOTHING STUDIO recycled the floors of the old house to repair and reuse them in the renovation. Apart from the environmental aspects, the time-worn floors also revealed traces of passing time and resonated with the original building.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/house-of-attila\/","en":"https:\/\/int.design\/en\/projects\/house-of-attila\/"},"titles":{"fr":"House of Attila","en":"House of Attila"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/86408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=86408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}