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Culture Exchange City Reception Center","file":false}],"optional_documents":false,"web_text":{"fr":"<p>Une salle d&rsquo;art urbain cach\u00e9e dans les bois &#8211; Centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien<br \/>\nChengdu, salu\u00e9 comme le pays de l&rsquo;abondance, a une histoire de civilisation de 4 500 ans et une histoire de construction de ville de 2 300 ans. Au 13e si\u00e8cle, Marco Polo est venu \u00e0 Chengdu, et le pont Corridor, la rivi\u00e8re Jinjiang et le tissu de l&rsquo;ancien Sichuan sont devenus les \u00e9l\u00e9ments les plus color\u00e9s de son r\u00e9cit de voyage. Au XXIe si\u00e8cle, dans le contexte de l&rsquo;initiative \u00ab\u00a0Belt and Road\u00a0\u00bb, la planification de la ville culturelle et cr\u00e9ative de Chengdu Tianfu a vu le jour, et le centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien est une partie importante de la ville, visant \u00e0 construire une plate-forme d&rsquo;\u00e9change culturel et d&rsquo;\u00e9change de civilisation entre les deux pays. Le projet est situ\u00e9 \u00e0 environ 36 kilom\u00e8tres du centre de Chengdu, il est pr\u00e9vu de couvrir une superficie de 17 813,3 m\u00e8tres carr\u00e9s, avec une zone de construction de 2 106,7 m\u00e8tres carr\u00e9s. Sur la plate-forme du hall d&rsquo;exposition, les projets de groupes cr\u00e9atifs du c\u00f4t\u00e9 est et le paysage naturel de la zone humide de Yanqi sont un r\u00e9gal pour les visiteurs.<br \/>\nLes architectes esp\u00e9raient trouver l&rsquo;intersection des deux dans les diff\u00e9rences culturelles entre l&rsquo;Est et l&rsquo;Ouest : le concept g\u00e9n\u00e9ral de design a \u00e9t\u00e9 repris du \u00ab\u00a0Ruyi\u00a0\u00bb, qui est utilis\u00e9 en Chine depuis les temps anciens comme cadeau aux ambassadeurs \u00e9trangers pour signifier la conclusion de relations amicales et la paix des deux pays ; tandis que le pavillon italien s&rsquo;inspire du design de la piazza la plus repr\u00e9sentative de l&rsquo;Italie, fa\u00e7onnant un salon d&rsquo;art urbain intime et agr\u00e9ablement dimensionn\u00e9. Les \u00e9l\u00e9ments de conception sont extraits des arcs et des d\u00f4mes de l&rsquo;Antiquit\u00e9 romaine, et l&rsquo;enceinte lisse de multiples carr\u00e9s circulaires est utilis\u00e9e pour former un espace riche et polyvalent r\u00e9pondant aux exigences multifonctionnelles des expositions, des r\u00e9unions, de la r\u00e9ception et de la restauration. L&rsquo;utilisation du blanc pur sur tous les murs donne au b\u00e2timent un effet lumineux tridimensionnel diff\u00e9rent \u00e0 la lumi\u00e8re du soleil, tandis que la grande surface vitr\u00e9e \u00e9tend l&rsquo;espace int\u00e9rieur vers l&rsquo;ext\u00e9rieur et permet au paysage ext\u00e9rieur d&rsquo;\u00eatre enti\u00e8rement int\u00e9gr\u00e9, devenant une fresque dynamique des quatre saisons. En changeant les mat\u00e9riaux des murs, le concepteur cr\u00e9e la sensation d&rsquo;un espace qui est \u00e0 la fois int\u00e9rieur et ext\u00e9rieur, et le pavillon est ainsi parfaitement int\u00e9gr\u00e9 dans l&rsquo;environnement naturel environnant.<br \/>\nL&rsquo;harmonie entre l&rsquo;architecture et la nature r\u00e9side dans l&rsquo;utilisation des ressources naturelles ainsi que dans la protection de l&rsquo;environnement naturel. Les pavillons des deux c\u00f4t\u00e9s sont con\u00e7us avec un \u00e9clairage par le haut, de sorte que la lumi\u00e8re est diffus\u00e9e uniform\u00e9ment dans les espaces int\u00e9rieurs et ext\u00e9rieurs. En outre, l&rsquo;introduction de verdure ext\u00e9rieure \u00e0 plusieurs niveaux et l&rsquo;utilisation de dispositifs de ventilation flottants pour canaliser le flux d&rsquo;air dans le b\u00e2timent combinent organiquement les \u00e9l\u00e9ments naturels de la lumi\u00e8re, du paysage et du vent, permettant aux gens de percevoir et de coexister avec l&rsquo;environnement naturel environnant pendant qu&rsquo;ils sont dans le b\u00e2timent. Parall\u00e8lement, la conception du b\u00e2timent respecte l&rsquo;environnement \u00e9cologique existant et utilise des mat\u00e9riaux et des moyens tels que le verre \u00e0 faible \u00e9missivit\u00e9, le bois local et les toits verts pour r\u00e9duire la consommation d&rsquo;\u00e9nergie du b\u00e2timent et r\u00e9aliser une construction durable. Le hall d&rsquo;exposition est un \u00e9l\u00e9ment important pour relier et int\u00e9grer la for\u00eat \u00e9cologique environnante.<br \/>\nEn termes d&rsquo;am\u00e9nagement de l&rsquo;espace, le concepteur a r\u00e9serv\u00e9 l&rsquo;espace le plus flexible pour l&rsquo;exposition et la pr\u00e9sentation. La hauteur \u00e9chelonn\u00e9e du b\u00e2timent permet aux visiteurs de se tenir \u00e0 diff\u00e9rentes hauteurs et d&rsquo;admirer diff\u00e9rents paysages, cr\u00e9ant ainsi une \u00ab\u00a0promenade dans la for\u00eat\u00a0\u00bb.<\/p>\n","en":"<p>A City Art Hall Hidden in the Woods &#8211; Sino-Italian Cultural Exchange City Reception Center<br \/>\nChengdu, hailed as the land of abundance, has a civilization history of 4,500 years and a city construction history of 2,300 years. In the 13th century, Marco Polo came to Chengdu, and the Corridor Bridge, the Jinjiang River and the cloth of ancient Sichuan became the most colorful parts of his travelogue. In the 21st century, against the background of the Belt and Road Initiative, the planning of Chengdu Tianfu Cultural and Creative City came into being, and the Sino-Italian Cultural Exchange City Reception Center is an important part of the City, aiming to build a platform for cultural exchange and civilization interchange between the two countries. The project is located about 36 kilometers from the center of Chengdu, planned to cover an area of 17,813.3 square meters, with a construction area of 2,106.7 square meters. At the platform of the exhibition hall, the creative group projects on the east side and the natural landscape of Yanqi Wetland are treats for visitors.<br \/>\nThe architects hoped to find the intersection of the two in the cultural differences between the East and the West: the overall design concept was taken from the &#34;Ruyi&#34;, which has been used in China since ancient times as a gift to foreign ambassadors to signify the conclusion of friendly relations and the peace of the two countries; while the Italian pavilion draws its design inspiration from Italy&#39;s most representative piazza, shaping an intimate and pleasantly scaled urban art living room. The design elements are extracted from the ancient Roman arches and domes, and the smooth enclosure of multiple circular squares is used to form a rich and versatile use space to meet the multi-functional requirements of exhibition, meeting, reception and catering. The use of pure white on all walls gives the building a different three-dimensional light effect in the sunlight, while the large area of glass extends the indoor space to the outside and allows the outdoor scenery to be fully mapped in, becoming a dynamic mural of the four seasons. With the change of wall materials, the designer creates the feeling of space that is both inside and outside, and the pavilion is thus perfectly integrated into the surrounding natural environment.<br \/>\nThe harmony between architecture and nature lies in the use of natural resources as well as in the protection of the natural environment. The pavilions on both sides are designed with top lighting, so that the light is evenly diffused in the indoor and outdoor spaces. In addition, the introduction of multi-level outdoor greenery and the use of buoyant ventilation devices to channel airflow into the building organically combine the natural elements of light, scenery and wind, allowing people to perceive and coexist with the surrounding natural environment while they are in the building. Meanwhile, the building design reveres the existing ecological environment and uses materials and means such as low-e glass, local wood and green roofs to reduce building energy consumption and achieve sustainable construction. The exhibition hall serves as an important part for linking and integrating the surrounding ecological forest.<br \/>\nIn terms of space planning, the designer has reserved the most flexible space for exhibition and display. The staggered height of the building allows visitors to stand at different heights and view different scenery, creating a &#34;walk in the wood<\/p>\n","original":""},"jury_text":[{"category":2428,"fr":"<p>Une salle d&rsquo;art urbain cach\u00e9e dans les bois &#8211; Centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien<br \/>\nChengdu, salu\u00e9 comme le pays de l&rsquo;abondance, a une histoire de civilisation de 4 500 ans et une histoire de construction de ville de 2 300 ans. Au 13e si\u00e8cle, Marco Polo est venu \u00e0 Chengdu, et le pont Corridor, la rivi\u00e8re Jinjiang et le tissu de l&rsquo;ancien Sichuan sont devenus les \u00e9l\u00e9ments les plus color\u00e9s de son r\u00e9cit de voyage. Au XXIe si\u00e8cle, dans le contexte de l&rsquo;initiative \u00ab\u00a0Belt and Road\u00a0\u00bb, la planification de la ville culturelle et cr\u00e9ative de Chengdu Tianfu a vu le jour, et le centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien est une partie importante de la ville, visant \u00e0 construire une plate-forme d&rsquo;\u00e9change culturel et d&rsquo;\u00e9change de civilisation entre les deux pays. Le projet est situ\u00e9 \u00e0 environ 36 kilom\u00e8tres du centre de Chengdu, il est pr\u00e9vu de couvrir une superficie de 17 813,3 m\u00e8tres carr\u00e9s, avec une zone de construction de 2 106,7 m\u00e8tres carr\u00e9s. Sur la plate-forme du hall d&rsquo;exposition, les projets de groupes cr\u00e9atifs du c\u00f4t\u00e9 est et le paysage naturel de la zone humide de Yanqi sont un r\u00e9gal pour les visiteurs.<br \/>\nLes architectes esp\u00e9raient trouver l&rsquo;intersection des deux dans les diff\u00e9rences culturelles entre l&rsquo;Est et l&rsquo;Ouest : le concept g\u00e9n\u00e9ral de design a \u00e9t\u00e9 repris du \u00ab\u00a0Ruyi\u00a0\u00bb, qui est utilis\u00e9 en Chine depuis les temps anciens comme cadeau aux ambassadeurs \u00e9trangers pour signifier la conclusion de relations amicales et la paix des deux pays ; tandis que le pavillon italien s&rsquo;inspire du design de la piazza la plus repr\u00e9sentative de l&rsquo;Italie, fa\u00e7onnant un salon d&rsquo;art urbain intime et agr\u00e9ablement dimensionn\u00e9. Les \u00e9l\u00e9ments de conception sont extraits des arcs et des d\u00f4mes de l&rsquo;Antiquit\u00e9 romaine, et l&rsquo;enceinte lisse de multiples carr\u00e9s circulaires est utilis\u00e9e pour former un espace riche et polyvalent r\u00e9pondant aux exigences multifonctionnelles des expositions, des r\u00e9unions, de la r\u00e9ception et de la restauration. L&rsquo;utilisation du blanc pur sur tous les murs donne au b\u00e2timent un effet lumineux tridimensionnel diff\u00e9rent \u00e0 la lumi\u00e8re du soleil, tandis que la grande surface vitr\u00e9e \u00e9tend l&rsquo;espace int\u00e9rieur vers l&rsquo;ext\u00e9rieur et permet au paysage ext\u00e9rieur d&rsquo;\u00eatre enti\u00e8rement int\u00e9gr\u00e9, devenant une fresque dynamique des quatre saisons. En changeant les mat\u00e9riaux des murs, le concepteur cr\u00e9e la sensation d&rsquo;un espace qui est \u00e0 la fois int\u00e9rieur et ext\u00e9rieur, et le pavillon est ainsi parfaitement int\u00e9gr\u00e9 dans l&rsquo;environnement naturel environnant.<br \/>\nL&rsquo;harmonie entre l&rsquo;architecture et la nature r\u00e9side dans l&rsquo;utilisation des ressources naturelles ainsi que dans la protection de l&rsquo;environnement naturel. Les pavillons des deux c\u00f4t\u00e9s sont con\u00e7us avec un \u00e9clairage par le haut, de sorte que la lumi\u00e8re est diffus\u00e9e uniform\u00e9ment dans les espaces int\u00e9rieurs et ext\u00e9rieurs. En outre, l&rsquo;introduction de verdure ext\u00e9rieure \u00e0 plusieurs niveaux et l&rsquo;utilisation de dispositifs de ventilation flottants pour canaliser le flux d&rsquo;air dans le b\u00e2timent combinent organiquement les \u00e9l\u00e9ments naturels de la lumi\u00e8re, du paysage et du vent, permettant aux gens de percevoir et de coexister avec l&rsquo;environnement naturel environnant pendant qu&rsquo;ils sont dans le b\u00e2timent. Parall\u00e8lement, la conception du b\u00e2timent respecte l&rsquo;environnement \u00e9cologique existant et utilise des mat\u00e9riaux et des moyens tels que le verre \u00e0 faible \u00e9missivit\u00e9, le bois local et les toits verts pour r\u00e9duire la consommation d&rsquo;\u00e9nergie du b\u00e2timent et r\u00e9aliser une construction durable. Le hall d&rsquo;exposition est un \u00e9l\u00e9ment important pour relier et int\u00e9grer la for\u00eat \u00e9cologique environnante.<br \/>\nEn termes d&rsquo;am\u00e9nagement de l&rsquo;espace, le concepteur a r\u00e9serv\u00e9 l&rsquo;espace le plus flexible pour l&rsquo;exposition et la pr\u00e9sentation. La hauteur \u00e9chelonn\u00e9e du b\u00e2timent permet aux visiteurs de se tenir \u00e0 diff\u00e9rentes hauteurs et d&rsquo;admirer diff\u00e9rents paysages, cr\u00e9ant ainsi une \u00ab\u00a0promenade dans la for\u00eat\u00a0\u00bb.<\/p>\n","en":"<p>A City Art Hall Hidden in the Woods &#8211; Sino-Italian Cultural Exchange City Reception Center<br \/>\nChengdu, hailed as the land of abundance, has a civilization history of 4,500 years and a city construction history of 2,300 years. In the 13th century, Marco Polo came to Chengdu, and the Corridor Bridge, the Jinjiang River and the cloth of ancient Sichuan became the most colorful parts of his travelogue. In the 21st century, against the background of the Belt and Road Initiative, the planning of Chengdu Tianfu Cultural and Creative City came into being, and the Sino-Italian Cultural Exchange City Reception Center is an important part of the City, aiming to build a platform for cultural exchange and civilization interchange between the two countries. The project is located about 36 kilometers from the center of Chengdu, planned to cover an area of 17,813.3 square meters, with a construction area of 2,106.7 square meters. At the platform of the exhibition hall, the creative group projects on the east side and the natural landscape of Yanqi Wetland are treats for visitors.<br \/>\nThe architects hoped to find the intersection of the two in the cultural differences between the East and the West: the overall design concept was taken from the &#34;Ruyi&#34;, which has been used in China since ancient times as a gift to foreign ambassadors to signify the conclusion of friendly relations and the peace of the two countries; while the Italian pavilion draws its design inspiration from Italy&#39;s most representative piazza, shaping an intimate and pleasantly scaled urban art living room. The design elements are extracted from the ancient Roman arches and domes, and the smooth enclosure of multiple circular squares is used to form a rich and versatile use space to meet the multi-functional requirements of exhibition, meeting, reception and catering. The use of pure white on all walls gives the building a different three-dimensional light effect in the sunlight, while the large area of glass extends the indoor space to the outside and allows the outdoor scenery to be fully mapped in, becoming a dynamic mural of the four seasons. With the change of wall materials, the designer creates the feeling of space that is both inside and outside, and the pavilion is thus perfectly integrated into the surrounding natural environment.<br \/>\nThe harmony between architecture and nature lies in the use of natural resources as well as in the protection of the natural environment. The pavilions on both sides are designed with top lighting, so that the light is evenly diffused in the indoor and outdoor spaces. In addition, the introduction of multi-level outdoor greenery and the use of buoyant ventilation devices to channel airflow into the building organically combine the natural elements of light, scenery and wind, allowing people to perceive and coexist with the surrounding natural environment while they are in the building. Meanwhile, the building design reveres the existing ecological environment and uses materials and means such as low-e glass, local wood and green roofs to reduce building energy consumption and achieve sustainable construction. The exhibition hall serves as an important part for linking and integrating the surrounding ecological forest.<br \/>\nIn terms of space planning, the designer has reserved the most flexible space for exhibition and display. The staggered height of the building allows visitors to stand at different heights and view different scenery, creating a &#34;walk in the wod<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2428,"cat_id_laureat":3429,"laureat":"Certification Bronze"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"aoe","website":"http:\/\/www.aoe-china.com\/","category":"","category_tax":2744,"category_label":"Architecte"}],"user":{"email":"siyu.song@aoe-china.com","first_name":"larry","last_name":"wen"},"doc_texts_web":{"fr":"<p>Une salle d&rsquo;art urbain cach\u00e9e dans les bois \u2013 Centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien<br \/>\nChengdu, salu\u00e9 comme le pays de l&rsquo;abondance, a une histoire de civilisation de 4 500 ans et une histoire de construction de ville de 2 300 ans. Au 13e si\u00e8cle, Marco Polo est venu \u00e0 Chengdu, et le pont Corridor, la rivi\u00e8re Jinjiang et le tissu de l&rsquo;ancien Sichuan sont devenus les \u00e9l\u00e9ments les plus color\u00e9s de son r\u00e9cit de voyage. Au XXIe si\u00e8cle, dans le contexte de l&rsquo;initiative \u00ab\u00a0Belt and Road\u00a0\u00bb, la planification de la ville culturelle et cr\u00e9ative de Chengdu Tianfu a vu le jour, et le centre d&rsquo;accueil de la ville d&rsquo;\u00e9change culturel sino-italien est une partie importante de la ville, visant \u00e0 construire une plate-forme d&rsquo;\u00e9change culturel et d&rsquo;\u00e9change de civilisation entre les deux pays. Le projet est situ\u00e9 \u00e0 environ 36 kilom\u00e8tres du centre de Chengdu, il est pr\u00e9vu de couvrir une superficie de 17 813,3 m\u00e8tres carr\u00e9s, avec une zone de construction de 2 106,7 m\u00e8tres carr\u00e9s. Sur la plate-forme du hall d&rsquo;exposition, les projets de groupes cr\u00e9atifs du c\u00f4t\u00e9 est et le paysage naturel de la zone humide de Yanqi sont un r\u00e9gal pour les visiteurs.<br \/>\nLes architectes esp\u00e9raient trouver l&rsquo;intersection des deux dans les diff\u00e9rences culturelles entre l&rsquo;Est et l&rsquo;Ouest : le concept g\u00e9n\u00e9ral de design a \u00e9t\u00e9 repris du \u00ab\u00a0Ruyi\u00a0\u00bb, qui est utilis\u00e9 en Chine depuis les temps anciens comme cadeau aux ambassadeurs \u00e9trangers pour signifier la conclusion de relations amicales et la paix des deux pays ; tandis que le pavillon italien s&rsquo;inspire du design de la piazza la plus repr\u00e9sentative de l&rsquo;Italie, fa\u00e7onnant un salon d&rsquo;art urbain intime et agr\u00e9ablement dimensionn\u00e9. Les \u00e9l\u00e9ments de conception sont extraits des arcs et des d\u00f4mes de l&rsquo;Antiquit\u00e9 romaine, et l&rsquo;enceinte lisse de multiples carr\u00e9s circulaires est utilis\u00e9e pour former un espace riche et polyvalent r\u00e9pondant aux exigences multifonctionnelles des expositions, des r\u00e9unions, de la r\u00e9ception et de la restauration. L&rsquo;utilisation du blanc pur sur tous les murs donne au b\u00e2timent un effet lumineux tridimensionnel diff\u00e9rent \u00e0 la lumi\u00e8re du soleil, tandis que la grande surface vitr\u00e9e \u00e9tend l&rsquo;espace int\u00e9rieur vers l&rsquo;ext\u00e9rieur et permet au paysage ext\u00e9rieur d&rsquo;\u00eatre enti\u00e8rement int\u00e9gr\u00e9, devenant une fresque dynamique des quatre saisons. En changeant les mat\u00e9riaux des murs, le concepteur cr\u00e9e la sensation d&rsquo;un espace qui est \u00e0 la fois int\u00e9rieur et ext\u00e9rieur, et le pavillon est ainsi parfaitement int\u00e9gr\u00e9 dans l&rsquo;environnement naturel environnant.<br \/>\nL&rsquo;harmonie entre l&rsquo;architecture et la nature r\u00e9side dans l&rsquo;utilisation des ressources naturelles ainsi que dans la protection de l&rsquo;environnement naturel. Les pavillons des deux c\u00f4t\u00e9s sont con\u00e7us avec un \u00e9clairage par le haut, de sorte que la lumi\u00e8re est diffus\u00e9e uniform\u00e9ment dans les espaces int\u00e9rieurs et ext\u00e9rieurs. En outre, l&rsquo;introduction de verdure ext\u00e9rieure \u00e0 plusieurs niveaux et l&rsquo;utilisation de dispositifs de ventilation flottants pour canaliser le flux d&rsquo;air dans le b\u00e2timent combinent organiquement les \u00e9l\u00e9ments naturels de la lumi\u00e8re, du paysage et du vent, permettant aux gens de percevoir et de coexister avec l&rsquo;environnement naturel environnant pendant qu&rsquo;ils sont dans le b\u00e2timent. Parall\u00e8lement, la conception du b\u00e2timent respecte l&rsquo;environnement \u00e9cologique existant et utilise des mat\u00e9riaux et des moyens tels que le verre \u00e0 faible \u00e9missivit\u00e9, le bois local et les toits verts pour r\u00e9duire la consommation d&rsquo;\u00e9nergie du b\u00e2timent et r\u00e9aliser une construction durable. Le hall d&rsquo;exposition est un \u00e9l\u00e9ment important pour relier et int\u00e9grer la for\u00eat \u00e9cologique environnante.<br \/>\nEn termes d&rsquo;am\u00e9nagement de l&rsquo;espace, le concepteur a r\u00e9serv\u00e9 l&rsquo;espace le plus flexible pour l&rsquo;exposition et la pr\u00e9sentation. La hauteur \u00e9chelonn\u00e9e du b\u00e2timent permet aux visiteurs de se tenir \u00e0 diff\u00e9rentes hauteurs et d&rsquo;admirer diff\u00e9rents paysages, cr\u00e9ant ainsi une \u00ab\u00a0promenade dans la for\u00eat\u00a0\u00bb.<\/p>\n","en":"<p>A City Art Hall Hidden in the Woods \u2013 Sino-Italian Cultural Exchange City Reception Center<br \/>\nChengdu, hailed as the land of abundance, has a civilization history of 4,500 years and a city construction history of 2,300 years. In the 13th century, Marco Polo came to Chengdu, and the Corridor Bridge, the Jinjiang River and the cloth of ancient Sichuan became the most colorful parts of his travelogue. In the 21st century, against the background of the Belt and Road Initiative, the planning of Chengdu Tianfu Cultural and Creative City came into being, and the Sino-Italian Cultural Exchange City Reception Center is an important part of the City, aiming to build a platform for cultural exchange and civilization interchange between the two countries. The project is located about 36 kilometers from the center of Chengdu, planned to cover an area of 17,813.3 square meters, with a construction area of 2,106.7 square meters. At the platform of the exhibition hall, the creative group projects on the east side and the natural landscape of Yanqi Wetland are treats for visitors.<br \/>\nThe architects hoped to find the intersection of the two in the cultural differences between the East and the West: the overall design concept was taken from the \"Ruyi\", which has been used in China since ancient times as a gift to foreign ambassadors to signify the conclusion of friendly relations and the peace of the two countries; while the Italian pavilion draws its design inspiration from Italy's most representative piazza, shaping an intimate and pleasantly scaled urban art living room. The design elements are extracted from the ancient Roman arches and domes, and the smooth enclosure of multiple circular squares is used to form a rich and versatile use space to meet the multi-functional requirements of exhibition, meeting, reception and catering. The use of pure white on all walls gives the building a different three-dimensional light effect in the sunlight, while the large area of glass extends the indoor space to the outside and allows the outdoor scenery to be fully mapped in, becoming a dynamic mural of the four seasons. With the change of wall materials, the designer creates the feeling of space that is both inside and outside, and the pavilion is thus perfectly integrated into the surrounding natural environment.<br \/>\nThe harmony between architecture and nature lies in the use of natural resources as well as in the protection of the natural environment. The pavilions on both sides are designed with top lighting, so that the light is evenly diffused in the indoor and outdoor spaces. In addition, the introduction of multi-level outdoor greenery and the use of buoyant ventilation devices to channel airflow into the building organically combine the natural elements of light, scenery and wind, allowing people to perceive and coexist with the surrounding natural environment while they are in the building. Meanwhile, the building design reveres the existing ecological environment and uses materials and means such as low-e glass, local wood and green roofs to reduce building energy consumption and achieve sustainable construction. The exhibition hall serves as an important part for linking and integrating the surrounding ecological forest.<br \/>\nIn terms of space planning, the designer has reserved the most flexible space for exhibition and display. The staggered height of the building allows visitors to stand at different heights and view different scenery, creating a \"walk in the wood<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/sino-italian-cultural-exchange-city-reception-center\/","en":"https:\/\/int.design\/en\/projects\/sino-italian-cultural-exchange-city-reception-center\/"},"titles":{"fr":"Sino-Italian Cultural Exchange City Reception Center","en":"Sino-Italian Cultural Exchange City Reception Center"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/81982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=81982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}