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La maison Milot comprend une galerie d\u2019art. Les maisons Dumont et Le Picart comprennent un rez-de-chauss\u00e9e commercial. Le deuxi\u00e8me et le troisi\u00e8me \u00e9tage de chacune des maisons \u00e9taient d\u2019anciens bureaux qui ont \u00e9t\u00e9 convertis en maisons de ville dans le cadre du projet. Finalement, les vo\u00fbtes des sous-sols, qui sont communicantes entre les trois maisons, abritent un mus\u00e9e. <\/p>\n<p>Les objectifs \u00e9taient de restaurer l\u2019ext\u00e9rieur conform\u00e9ment \u00e0 la r\u00e9glementation de l\u2019arrondissement historique du Vieux-Qu\u00e9bec, de restaurer les int\u00e9rieurs de l\u2019ensemble des b\u00e2timents pour maintenir les fonctions existantes, ainsi que d\u2019int\u00e9grer un nouveau programme r\u00e9sidentiel \u00e0 une partie des espaces existants.<\/p>\n<p>Le projet comportait son lot de d\u00e9fis par sa nature, soit : la mixit\u00e9 d\u2019usages, la diversit\u00e9 des syst\u00e8mes constructifs existants (mur massif de pierre, charpente en bois et structure partielle en b\u00e9ton), la r\u00e9alisation de travaux en milieu dense et historique, le respect de la r\u00e9glementation interdisant les appareils m\u00e9caniques apparents \u00e0 l\u2019ext\u00e9rieur et limitant les modifications ext\u00e9rieures, tout en int\u00e9grant les commodit\u00e9s n\u00e9cessaires aux logements d\u2019aujourd\u2019hui et en assurant le respect du code de construction. Malgr\u00e9 tout, un design astucieux a permis d\u2019harmoniser toutes ces contraintes pour en faire un projet complet et exemplaire.<br \/>\nPar exemple, deux issues devaient \u00eatre am\u00e9nag\u00e9es pour permettre l\u2019am\u00e9nagement des logements. L\u2019acc\u00e8s principal en constitue une et un escalier de secours aurait d\u00fb \u00eatre ajout\u00e9. Cela dit, la r\u00e9glementation n\u2019aurait pas permis la modification de l\u2019apparence des b\u00e2timents avec cet ajout. La solution a donc \u00e9t\u00e9 de concevoir des balcons selon une facture traditionnelle, un en bois et l\u2019autre en fer forg\u00e9, cr\u00e9ant des aires de refuges. La nouvelle fonction s\u2019int\u00e8gre aux contraintes de l\u2019existant.<br \/>\nL\u2019int\u00e9gration de la m\u00e9canique pour permettre la ventilation et la climatisation \u00e9tait aussi susceptible d\u2019avoir un impact visuel. Les unit\u00e9s de climatisation ont \u00e9t\u00e9 dissimul\u00e9es derri\u00e8re des \u00e9crans ajour\u00e9s en bois aussi de facture traditionnelle. Plusieurs conduits, quant \u00e0 eux, ont \u00e9t\u00e9 dissimul\u00e9s dans des espaces existants sous-utilis\u00e9s comme les conduits de chemin\u00e9e non fonctionnelle des maisons.<br \/>\nL\u2019enveloppe ext\u00e9rieure a \u00e9t\u00e9 restaur\u00e9e selon les r\u00e8gles de l\u2019art. Tous les ornements caract\u00e9ristiques de l\u2019architecture du r\u00e9gime fran\u00e7ais comme les \u00e9tripe-chat dans les soupiraux des vo\u00fbtes, l\u2019\u00e9chelle en toiture, les contrevents et tourniquets, les esses, les goutti\u00e8res en planche de bois avec support en fer forg\u00e9, l\u2019\u00e9pi de fa\u00eetage, les pierres de taille des ouvertures et les toitures en bardeau de c\u00e8dre, d\u2019ardoise et de planche ont \u00e9t\u00e9 restaur\u00e9s de mani\u00e8re traditionnelle.<br \/>\nPuisque l\u2019architecture int\u00e9rieure n\u2019est pas r\u00e9gie par la r\u00e9glementation, cela a \u00e9t\u00e9 l\u2019occasion d\u2019int\u00e9grer des \u00e9l\u00e9ments de facture plus contemporaine au contexte traditionnel. Une attention particuli\u00e8re a \u00e9t\u00e9 port\u00e9e au choix des luminaires, de la robinetterie et des finis du mobilier fixe. Une palette de couleur sobre permet de mettre en valeur les murs de ma\u00e7onnerie des vo\u00fbtes, les larges planches de bois des planchers, les poutres apparentes des plafonds et l\u2019imposante charpente des toitures.<\/p>\n","en":"<p>The SODEC Houses is a revitalization project for three heritage houses in Place-Royale, located in the Petit Champlain district of Quebec City. The Milot house includes an art gallery. The Dumont and Le Picart houses include a commercial first floor. The second and third floors of each house were former offices converted to townhouses as part of the project. Finally, the basement vaults, which are interconnected between the three houses, are used as a museum.<br \/>\nThe objectives were to restore the exterior in accordance with the regulations of the Old Quebec Historic District, to restore the interiors of all buildings in order to maintain existing functions, and to integrate a new residential program into part of the existing spaces.<br \/>\nThe project was challenging in nature: multiple uses, diversity of existing building systems (solid stone wall, wood frame and partial concrete structure), working in a dense and heritage environment, compliance with regulations prohibiting visible mechanical devices on the exterior and limiting exterior modifications, while integrating the amenities necessary for today&rsquo;s housing, ensuring compliance with the building code. Despite this, a clever design harmonized all these constraints to make a complete and exemplary project.<br \/>\nFor example, two exits were required to enable the accommodation. The main access is one of them and a fire escape should have been added. However, the regulations would not have allowed the building appearance to be changed with this addition. The solution was to design balconies in a traditional manner, one in wood and the other in wrought iron, creating refuge areas. The new function thus fits within the constraints of the existing building.<br \/>\nThe integration of mechanics to allow for ventilation and air conditioning was also likely to have a visual impact. The air conditioning units were concealed behind openwork wooden screens, also of traditional construction. Several ducts were concealed in existing underutilized spaces such as the non-functional chimney stacks of the houses.<br \/>\nThe exterior envelope has been restored according to the latest standards. All the typical ornaments of the French regime architecture were restored in a traditional manner: the grillwork in the vaulted windows, the ladder on the roof, the storm windows and turnstiles, the linchpins, the wood plank gutters with wrought iron supports, the finial, the ashlars of the openings and the wooden shingles of cedar, slate, and plank roofs.<br \/>\nSince the interior architecture is not governed by regulations of the Old Quebec Historic District, this was an opportunity to integrate more contemporary elements into the traditional context. Particular attention was paid to the choice of fixtures, fittings, and fixed furniture finishes. A sober color palette was used to highlight the masonry walls of the vaults, the wide wooden floorboards, the exposed beams of the ceilings and the imposing framework of the roofs.<\/p>\n","original":""},"jury_text":[{"category":2425,"fr":"<p>Les Maisons de la SODEC est un projet de revitalisation de trois maisons patrimoniales de la Place-Royale situ\u00e9es dans le quartier du Petit Champlain de la Ville de Qu\u00e9bec. La maison Milot comprend une galerie d\u2019art. Les maisons Dumont et Le Picart comprennent un rez-de-chauss\u00e9e commercial. Le deuxi\u00e8me et le troisi\u00e8me \u00e9tage de chacune des maisons \u00e9taient d\u2019anciens bureaux qui ont \u00e9t\u00e9 convertis en maisons de ville dans le cadre du projet. Finalement, les vo\u00fbtes des sous-sols, qui sont communicantes entre les trois maisons, abritent un mus\u00e9e. <\/p>\n<p>Les objectifs \u00e9taient de restaurer l\u2019ext\u00e9rieur conform\u00e9ment \u00e0 la r\u00e9glementation de l\u2019arrondissement historique du Vieux-Qu\u00e9bec, de restaurer les int\u00e9rieurs de l\u2019ensemble des b\u00e2timents pour maintenir les fonctions existantes, ainsi que d\u2019int\u00e9grer un nouveau programme r\u00e9sidentiel \u00e0 une partie des espaces existants.<\/p>\n<p>Le projet comportait son lot de d\u00e9fis par sa nature, soit : la mixit\u00e9 d\u2019usages, la diversit\u00e9 des syst\u00e8mes constructifs existants (mur massif de pierre, charpente en bois et structure partielle en b\u00e9ton), la r\u00e9alisation de travaux en milieu dense et historique, le respect de la r\u00e9glementation interdisant les appareils m\u00e9caniques apparents \u00e0 l\u2019ext\u00e9rieur et limitant les modifications ext\u00e9rieures, tout en int\u00e9grant les commodit\u00e9s n\u00e9cessaires aux logements d\u2019aujourd\u2019hui et en assurant le respect du code de construction. Malgr\u00e9 tout, un design astucieux a permis d\u2019harmoniser toutes ces contraintes pour en faire un projet complet et exemplaire.<br \/>\nPar exemple, deux issues devaient \u00eatre am\u00e9nag\u00e9es pour permettre l\u2019am\u00e9nagement des logements. L\u2019acc\u00e8s principal en constitue une et un escalier de secours aurait d\u00fb \u00eatre ajout\u00e9. Cela dit, la r\u00e9glementation n\u2019aurait pas permis la modification de l\u2019apparence des b\u00e2timents avec cet ajout. La solution a donc \u00e9t\u00e9 de concevoir des balcons selon une facture traditionnelle, un en bois et l\u2019autre en fer forg\u00e9, cr\u00e9ant des aires de refuges. La nouvelle fonction s\u2019int\u00e8gre aux contraintes de l\u2019existant.<br \/>\nL\u2019int\u00e9gration de la m\u00e9canique pour permettre la ventilation et la climatisation \u00e9tait aussi susceptible d\u2019avoir un impact visuel. Les unit\u00e9s de climatisation ont \u00e9t\u00e9 dissimul\u00e9es derri\u00e8re des \u00e9crans ajour\u00e9s en bois aussi de facture traditionnelle. Plusieurs conduits, quant \u00e0 eux, ont \u00e9t\u00e9 dissimul\u00e9s dans des espaces existants sous-utilis\u00e9s comme les conduits de chemin\u00e9e non fonctionnelle des maisons.<br \/>\nL\u2019enveloppe ext\u00e9rieure a \u00e9t\u00e9 restaur\u00e9e selon les r\u00e8gles de l\u2019art. Tous les ornements caract\u00e9ristiques de l\u2019architecture du r\u00e9gime fran\u00e7ais comme les \u00e9tripe-chat dans les soupiraux des vo\u00fbtes, l\u2019\u00e9chelle en toiture, les contrevents et tourniquets, les esses, les goutti\u00e8res en planche de bois avec support en fer forg\u00e9, l\u2019\u00e9pi de fa\u00eetage, les pierres de taille des ouvertures et les toitures en bardeau de c\u00e8dre, d\u2019ardoise et de planche ont \u00e9t\u00e9 restaur\u00e9s de mani\u00e8re traditionnelle.<br \/>\nPuisque l\u2019architecture int\u00e9rieure n\u2019est pas r\u00e9gie par la r\u00e9glementation, cela a \u00e9t\u00e9 l\u2019occasion d\u2019int\u00e9grer des \u00e9l\u00e9ments de facture plus contemporaine au contexte traditionnel. Une attention particuli\u00e8re a \u00e9t\u00e9 port\u00e9e au choix des luminaires, de la robinetterie et des finis du mobilier fixe. Une palette de couleur sobre permet de mettre en valeur les murs de ma\u00e7onnerie des vo\u00fbtes, les larges planches de bois des planchers, les poutres apparentes des plafonds et l\u2019imposante charpente des toitures.<\/p>\n","en":"<p>The SODEC Houses is a revitalization project for three heritage houses in Place-Royale, located in the Petit Champlain district of Quebec City. The Milot house includes an art gallery. The Dumont and Le Picart houses include a commercial first floor. The second and third floors of each house were former offices converted to townhouses as part of the project. Finally, the basement vaults, which are interconnected between the three houses, are used as a museum.<br \/>\nThe objectives were to restore the exterior in accordance with the regulations of the Old Quebec Historic District, to restore the interiors of all buildings in order to maintain existing functions, and to integrate a new residential program into part of the existing spaces.<br \/>\nThe project was challenging in nature: multiple uses, diversity of existing building systems (solid stone wall, wood frame and partial concrete structure), working in a dense and heritage environment, compliance with regulations prohibiting visible mechanical devices on the exterior and limiting exterior modifications, while integrating the amenities necessary for today&rsquo;s housing, ensuring compliance with the building code. Despite this, a clever design harmonized all these constraints to make a complete and exemplary project.<br \/>\nFor example, two exits were required to enable the accommodation. The main access is one of them and a fire escape should have been added. However, the regulations would not have allowed the building appearance to be changed with this addition. The solution was to design balconies in a traditional manner, one in wood and the other in wrought iron, creating refuge areas. The new function thus fits within the constraints of the existing building.<br \/>\nThe integration of mechanics to allow for ventilation and air conditioning was also likely to have a visual impact. The air conditioning units were concealed behind openwork wooden screens, also of traditional construction. Several ducts were concealed in existing underutilized spaces such as the non-functional chimney stacks of the houses.<br \/>\nThe exterior envelope has been restored according to the latest standards. All the typical ornaments of the French regime architecture were restored in a traditional manner: the grillwork in the vaulted windows, the ladder on the roof, the storm windows and turnstiles, the linchpins, the wood plank gutters with wrought iron supports, the finial, the ashlars of the openings and the wooden shingles of cedar, slate, and plank roofs.<br \/>\nSince the interior architecture is not governed by regulations of the Old Quebec Historic District, this was an opportunity to integrate more contemporary elements into the traditional context. Particular attention was paid to the choice of fixtures, fittings, and fixed furniture finishes. A sober color palette was used to highlight the masonry walls of the vaults, the wide wooden floorboards, the exposed beams of the ceilings and the imposing framework of the roofs.<\/p>\n","original":""},{"category":2453,"fr":"<p>Les Maisons de la SODEC est un projet de revitalisation de trois maisons patrimoniales de la Place-Royale situ\u00e9es dans le quartier du Petit Champlain de la Ville de Qu\u00e9bec. La maison Milot comprend une galerie d\u2019art. Les maisons Dumont et Le Picart comprennent un rez-de-chauss\u00e9e commercial. Le deuxi\u00e8me et le troisi\u00e8me \u00e9tage de chacune des maisons \u00e9taient d\u2019anciens bureaux qui ont \u00e9t\u00e9 convertis en maisons de ville dans le cadre du projet. Finalement, les vo\u00fbtes des sous-sols, qui sont communicantes entre les trois maisons, abritent un mus\u00e9e. <\/p>\n<p>Les objectifs \u00e9taient de restaurer l\u2019ext\u00e9rieur conform\u00e9ment \u00e0 la r\u00e9glementation de l\u2019arrondissement historique du Vieux-Qu\u00e9bec, de restaurer les int\u00e9rieurs de l\u2019ensemble des b\u00e2timents pour maintenir les fonctions existantes, ainsi que d\u2019int\u00e9grer un nouveau programme r\u00e9sidentiel \u00e0 une partie des espaces existants.<\/p>\n<p>Le projet comportait son lot de d\u00e9fis par sa nature, soit : la mixit\u00e9 d\u2019usages, la diversit\u00e9 des syst\u00e8mes constructifs existants (mur massif de pierre, charpente en bois et structure partielle en b\u00e9ton), la r\u00e9alisation de travaux en milieu dense et historique, le respect de la r\u00e9glementation interdisant les appareils m\u00e9caniques apparents \u00e0 l\u2019ext\u00e9rieur et limitant les modifications ext\u00e9rieures, tout en int\u00e9grant les commodit\u00e9s n\u00e9cessaires aux logements d\u2019aujourd\u2019hui et en assurant le respect du code de construction. Malgr\u00e9 tout, un design astucieux a permis d\u2019harmoniser toutes ces contraintes pour en faire un projet complet et exemplaire.<br \/>\nPar exemple, deux issues devaient \u00eatre am\u00e9nag\u00e9es pour permettre l\u2019am\u00e9nagement des logements. L\u2019acc\u00e8s principal en constitue une et un escalier de secours aurait d\u00fb \u00eatre ajout\u00e9. Cela dit, la r\u00e9glementation n\u2019aurait pas permis la modification de l\u2019apparence des b\u00e2timents avec cet ajout. La solution a donc \u00e9t\u00e9 de concevoir des balcons selon une facture traditionnelle, un en bois et l\u2019autre en fer forg\u00e9, cr\u00e9ant des aires de refuges. La nouvelle fonction s\u2019int\u00e8gre aux contraintes de l\u2019existant.<br \/>\nL\u2019int\u00e9gration de la m\u00e9canique pour permettre la ventilation et la climatisation \u00e9tait aussi susceptible d\u2019avoir un impact visuel. Les unit\u00e9s de climatisation ont \u00e9t\u00e9 dissimul\u00e9es derri\u00e8re des \u00e9crans ajour\u00e9s en bois aussi de facture traditionnelle. Plusieurs conduits, quant \u00e0 eux, ont \u00e9t\u00e9 dissimul\u00e9s dans des espaces existants sous-utilis\u00e9s comme les conduits de chemin\u00e9e non fonctionnelle des maisons.<br \/>\nL\u2019enveloppe ext\u00e9rieure a \u00e9t\u00e9 restaur\u00e9e selon les r\u00e8gles de l\u2019art. Tous les ornements caract\u00e9ristiques de l\u2019architecture du r\u00e9gime fran\u00e7ais comme les \u00e9tripe-chat dans les soupiraux des vo\u00fbtes, l\u2019\u00e9chelle en toiture, les contrevents et tourniquets, les esses, les goutti\u00e8res en planche de bois avec support en fer forg\u00e9, l\u2019\u00e9pi de fa\u00eetage, les pierres de taille des ouvertures et les toitures en bardeau de c\u00e8dre, d\u2019ardoise et de planche ont \u00e9t\u00e9 restaur\u00e9s de mani\u00e8re traditionnelle.<br \/>\nPuisque l\u2019architecture int\u00e9rieure n\u2019est pas r\u00e9gie par la r\u00e9glementation, cela a \u00e9t\u00e9 l\u2019occasion d\u2019int\u00e9grer des \u00e9l\u00e9ments de facture plus contemporaine au contexte traditionnel. Une attention particuli\u00e8re a \u00e9t\u00e9 port\u00e9e au choix des luminaires, de la robinetterie et des finis du mobilier fixe. Une palette de couleur sobre permet de mettre en valeur les murs de ma\u00e7onnerie des vo\u00fbtes, les larges planches de bois des planchers, les poutres apparentes des plafonds et l\u2019imposante charpente des toitures.<\/p>\n","en":"<p>The SODEC Houses is a revitalization project for three heritage houses in Place-Royale, located in the Petit Champlain district of Quebec City. The Milot house includes an art gallery. The Dumont and Le Picart houses include a commercial first floor. The second and third floors of each house were former offices converted to townhouses as part of the project. Finally, the basement vaults, which are interconnected between the three houses, are used as a museum.<br \/>\nThe objectives were to restore the exterior in accordance with the regulations of the Old Quebec Historic District, to restore the interiors of all buildings in order to maintain existing functions, and to integrate a new residential program into part of the existing spaces.<br \/>\nThe project was challenging in nature: multiple uses, diversity of existing building systems (solid stone wall, wood frame and partial concrete structure), working in a dense and heritage environment, compliance with regulations prohibiting visible mechanical devices on the exterior and limiting exterior modifications, while integrating the amenities necessary for today&rsquo;s housing, ensuring compliance with the building code. Despite this, a clever design harmonized all these constraints to make a complete and exemplary project.<br \/>\nFor example, two exits were required to enable the accommodation. The main access is one of them and a fire escape should have been added. However, the regulations would not have allowed the building appearance to be changed with this addition. The solution was to design balconies in a traditional manner, one in wood and the other in wrought iron, creating refuge areas. The new function thus fits within the constraints of the existing building.<br \/>\nThe integration of mechanics to allow for ventilation and air conditioning was also likely to have a visual impact. The air conditioning units were concealed behind openwork wooden screens, also of traditional construction. Several ducts were concealed in existing underutilized spaces such as the non-functional chimney stacks of the houses.<br \/>\nThe exterior envelope has been restored according to the latest standards. All the typical ornaments of the French regime architecture were restored in a traditional manner: the grillwork in the vaulted windows, the ladder on the roof, the storm windows and turnstiles, the linchpins, the wood plank gutters with wrought iron supports, the finial, the ashlars of the openings and the wooden shingles of cedar, slate, and plank roofs.<br \/>\nSince the interior architecture is not governed by regulations of the Old Quebec Historic District, this was an opportunity to integrate more contemporary elements into the traditional context. Particular attention was paid to the choice of fixtures, fittings, and fixed furniture finishes. A sober color palette was used to highlight the masonry walls of the vaults, the wide wooden floorboards, the exposed beams of the ceilings and the imposing framework of the roofs.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2453,"cat_id_laureat":3433,"laureat":"Certification Or"},{"cat_id":2425,"cat_id_laureat":3431,"laureat":"Certification Argent"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"STGM Architecture","website":"stgm.net","category":"","category_tax":2744,"category_label":"Architecte"}],"user":{"email":"sbourdeau@stgm.net","first_name":"Sandra","last_name":"Bourdeau"},"doc_texts_web":{"fr":"<p>Les Maisons de la SODEC est un projet de revitalisation de trois maisons patrimoniales de la Place-Royale situ\u00e9es dans le quartier du Petit Champlain de la Ville de Qu\u00e9bec. La maison Milot comprend une galerie d\u2019art. Les maisons Dumont et Le Picart comprennent un rez-de-chauss\u00e9e commercial. Le deuxi\u00e8me et le troisi\u00e8me \u00e9tage de chacune des maisons \u00e9taient d\u2019anciens bureaux qui ont \u00e9t\u00e9 convertis en maisons de ville dans le cadre du projet. Finalement, les vo\u00fbtes des sous-sols, qui sont communicantes entre les trois maisons, abritent un mus\u00e9e. <\/p>\n<p>Les objectifs \u00e9taient de restaurer l\u2019ext\u00e9rieur conform\u00e9ment \u00e0 la r\u00e9glementation de l\u2019arrondissement historique du Vieux-Qu\u00e9bec, de restaurer les int\u00e9rieurs de l\u2019ensemble des b\u00e2timents pour maintenir les fonctions existantes, ainsi que d\u2019int\u00e9grer un nouveau programme r\u00e9sidentiel \u00e0 une partie des espaces existants.<\/p>\n<p>Le projet comportait son lot de d\u00e9fis par sa nature, soit : la mixit\u00e9 d\u2019usages, la diversit\u00e9 des syst\u00e8mes constructifs existants (mur massif de pierre, charpente en bois et structure partielle en b\u00e9ton), la r\u00e9alisation de travaux en milieu dense et historique, le respect de la r\u00e9glementation interdisant les appareils m\u00e9caniques apparents \u00e0 l\u2019ext\u00e9rieur et limitant les modifications ext\u00e9rieures, tout en int\u00e9grant les commodit\u00e9s n\u00e9cessaires aux logements d\u2019aujourd\u2019hui et en assurant le respect du code de construction. Malgr\u00e9 tout, un design astucieux a permis d\u2019harmoniser toutes ces contraintes pour en faire un projet complet et exemplaire.<br \/>\nPar exemple, deux issues devaient \u00eatre am\u00e9nag\u00e9es pour permettre l\u2019am\u00e9nagement des logements. L\u2019acc\u00e8s principal en constitue une et un escalier de secours aurait d\u00fb \u00eatre ajout\u00e9. Cela dit, la r\u00e9glementation n\u2019aurait pas permis la modification de l\u2019apparence des b\u00e2timents avec cet ajout. La solution a donc \u00e9t\u00e9 de concevoir des balcons selon une facture traditionnelle, un en bois et l\u2019autre en fer forg\u00e9, cr\u00e9ant des aires de refuges. La nouvelle fonction s\u2019int\u00e8gre aux contraintes de l\u2019existant.<br \/>\nL\u2019int\u00e9gration de la m\u00e9canique pour permettre la ventilation et la climatisation \u00e9tait aussi susceptible d\u2019avoir un impact visuel. Les unit\u00e9s de climatisation ont \u00e9t\u00e9 dissimul\u00e9es derri\u00e8re des \u00e9crans ajour\u00e9s en bois aussi de facture traditionnelle. Plusieurs conduits, quant \u00e0 eux, ont \u00e9t\u00e9 dissimul\u00e9s dans des espaces existants sous-utilis\u00e9s comme les conduits de chemin\u00e9e non fonctionnelle des maisons.<br \/>\nL\u2019enveloppe ext\u00e9rieure a \u00e9t\u00e9 restaur\u00e9e selon les r\u00e8gles de l\u2019art. Tous les ornements caract\u00e9ristiques de l\u2019architecture du r\u00e9gime fran\u00e7ais comme les \u00e9tripe-chat dans les soupiraux des vo\u00fbtes, l\u2019\u00e9chelle en toiture, les contrevents et tourniquets, les esses, les goutti\u00e8res en planche de bois avec support en fer forg\u00e9, l\u2019\u00e9pi de fa\u00eetage, les pierres de taille des ouvertures et les toitures en bardeau de c\u00e8dre, d\u2019ardoise et de planche ont \u00e9t\u00e9 restaur\u00e9s de mani\u00e8re traditionnelle.<br \/>\nPuisque l\u2019architecture int\u00e9rieure n\u2019est pas r\u00e9gie par la r\u00e9glementation, cela a \u00e9t\u00e9 l\u2019occasion d\u2019int\u00e9grer des \u00e9l\u00e9ments de facture plus contemporaine au contexte traditionnel. Une attention particuli\u00e8re a \u00e9t\u00e9 port\u00e9e au choix des luminaires, de la robinetterie et des finis du mobilier fixe. Une palette de couleur sobre permet de mettre en valeur les murs de ma\u00e7onnerie des vo\u00fbtes, les larges planches de bois des planchers, les poutres apparentes des plafonds et l\u2019imposante charpente des toitures.<\/p>\n","en":"<p>The SODEC Houses is a revitalization project for three heritage houses in Place-Royale, located in the Petit Champlain district of Quebec City. The Milot house includes an art gallery. The Dumont and Le Picart houses include a commercial first floor. The second and third floors of each house were former offices converted to townhouses as part of the project. Finally, the basement vaults, which are interconnected between the three houses, are used as a museum.<br \/>\nThe objectives were to restore the exterior in accordance with the regulations of the Old Quebec Historic District, to restore the interiors of all buildings in order to maintain existing functions, and to integrate a new residential program into part of the existing spaces.<br \/>\nThe project was challenging in nature: multiple uses, diversity of existing building systems (solid stone wall, wood frame and partial concrete structure), working in a dense and heritage environment, compliance with regulations prohibiting visible mechanical devices on the exterior and limiting exterior modifications, while integrating the amenities necessary for today&rsquo;s housing, ensuring compliance with the building code. Despite this, a clever design harmonized all these constraints to make a complete and exemplary project.<br \/>\nFor example, two exits were required to enable the accommodation. The main access is one of them and a fire escape should have been added. However, the regulations would not have allowed the building appearance to be changed with this addition. The solution was to design balconies in a traditional manner, one in wood and the other in wrought iron, creating refuge areas. The new function thus fits within the constraints of the existing building.<br \/>\nThe integration of mechanics to allow for ventilation and air conditioning was also likely to have a visual impact. The air conditioning units were concealed behind openwork wooden screens, also of traditional construction. Several ducts were concealed in existing underutilized spaces such as the non-functional chimney stacks of the houses.<br \/>\nThe exterior envelope has been restored according to the latest standards. All the typical ornaments of the French regime architecture were restored in a traditional manner: the grillwork in the vaulted windows, the ladder on the roof, the storm windows and turnstiles, the linchpins, the wood plank gutters with wrought iron supports, the finial, the ashlars of the openings and the wooden shingles of cedar, slate, and plank roofs.<br \/>\nSince the interior architecture is not governed by regulations of the Old Quebec Historic District, this was an opportunity to integrate more contemporary elements into the traditional context. Particular attention was paid to the choice of fixtures, fittings, and fixed furniture finishes. A sober color palette was used to highlight the masonry walls of the vaults, the wide wooden floorboards, the exposed beams of the ceilings and the imposing framework of the roofs.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/maisons-de-la-sodec\/","en":"https:\/\/int.design\/en\/projects\/maisons-de-la-sodec\/"},"titles":{"fr":"Maisons de la SODEC","en":"Maisons de la SODEC"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/81019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=81019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}