{"id":77677,"date":"2022-08-09T11:56:06","date_gmt":"2022-08-09T15:56:06","guid":{"rendered":"https:\/\/int.design\/?post_type=project&#038;p=77677"},"modified":"2022-08-09T11:56:06","modified_gmt":"2022-08-09T15:56:06","slug":"point-pivot","status":"publish","type":"project","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/","title":{"rendered":"Point pivot"},"content":{"rendered":"","protected":false},"template":"","class_list":["post-77677","project","type-project","status-publish","hentry","project_category_75033-art-et-photographie","project_category_75033-art-urbain","project_category_75033-art-visuel","project_category_75033-oeuvre-dart-espace-public"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Point pivot - INT Design<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/int.design\/fr\/projets\/point-pivot\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Point pivot - INT Design\" \/>\n<meta property=\"og:url\" content=\"https:\/\/int.design\/fr\/projets\/point-pivot\/\" \/>\n<meta property=\"og:site_name\" content=\"INT Design\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/int.design\/fr\/projets\/point-pivot\/\",\"url\":\"https:\/\/int.design\/fr\/projets\/point-pivot\/\",\"name\":\"Point pivot - INT Design\",\"isPartOf\":{\"@id\":\"https:\/\/int.design\/fr\/#website\"},\"datePublished\":\"2022-08-09T15:56:06+00:00\",\"dateModified\":\"2022-08-09T15:56:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/int.design\/fr\/projets\/point-pivot\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/int.design\/fr\/projets\/point-pivot\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/int.design\/fr\/projets\/point-pivot\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/int.design\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Projects\",\"item\":\"https:\/\/int.design\/en\/projects\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Point pivot\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/int.design\/fr\/#website\",\"url\":\"https:\/\/int.design\/fr\/\",\"name\":\"INT Design\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/int.design\/fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Point pivot - INT Design","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/int.design\/fr\/projets\/point-pivot\/","og_locale":"fr_FR","og_type":"article","og_title":"Point pivot - INT Design","og_url":"https:\/\/int.design\/fr\/projets\/point-pivot\/","og_site_name":"INT Design","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/int.design\/fr\/projets\/point-pivot\/","url":"https:\/\/int.design\/fr\/projets\/point-pivot\/","name":"Point pivot - INT Design","isPartOf":{"@id":"https:\/\/int.design\/fr\/#website"},"datePublished":"2022-08-09T15:56:06+00:00","dateModified":"2022-08-09T15:56:06+00:00","breadcrumb":{"@id":"https:\/\/int.design\/fr\/projets\/point-pivot\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/int.design\/fr\/projets\/point-pivot\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/int.design\/fr\/projets\/point-pivot\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/int.design\/fr\/"},{"@type":"ListItem","position":2,"name":"Projects","item":"https:\/\/int.design\/en\/projects\/"},{"@type":"ListItem","position":3,"name":"Point pivot"}]},{"@type":"WebSite","@id":"https:\/\/int.design\/fr\/#website","url":"https:\/\/int.design\/fr\/","name":"INT Design","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/int.design\/fr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"}]}},"entry":{"cats":{"disciplines":[{"id":2644,"name":"Art &amp; Photographie"}],"big_cats":[],"sub_cats":[{"id":2788,"name":"Art urbain","parent":2702},{"id":2703,"name":"Art visuel","parent":2702},{"id":2707,"name":"Oeuvre d\u2019art - espace public","parent":2702}]},"entry":{"":null,"status":"completed","winner_title":"Julie Robert","winner_prize_lang":"","title_translatable":false,"title_en":"","title_fr":"","releve_award":true,"releve_award_cv":[{"file":{"ID":87330,"id":87330,"title":"JulieRobert-GPD2022-bio-demarche-cv-fr","filename":"julierobert-gpd2022-bio-demarche-cv-fr-2.pdf","filesize":0,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2022\/03\/julierobert-gpd2022-bio-demarche-cv-fr-2.pdf","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-bio-demarche-cv-fr\/","alt":"","author":"6","description":"","caption":"","name":"julierobert-gpd2022-bio-demarche-cv-fr","status":"inherit","uploaded_to":77677,"date":"2022-03-29 20:57:18","modified":"2022-03-29 20:57:18","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}},{"file":{"ID":87331,"id":87331,"title":"JulieRobert-GPD2022-bio-state-cv-en","filename":"julierobert-gpd2022-bio-state-cv-en-2.pdf","filesize":0,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2022\/03\/julierobert-gpd2022-bio-state-cv-en-2.pdf","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-bio-state-cv-en\/","alt":"","author":"6","description":"","caption":"","name":"julierobert-gpd2022-bio-state-cv-en","status":"inherit","uploaded_to":77677,"date":"2022-03-29 20:57:35","modified":"2022-03-29 20:57:35","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}}],"collaboration":false,"collaboration_firms":false,"other_firms":[{"name":"Julie Robert","website":"julierobert.com","category":"","category_tax":2806},{"name":"Atelier du Bronze","website":"http:\/\/www.atelierdubronze.com\/","category":"","category_tax":2746},{"name":"NRG Management","website":"https:\/\/www.nrgqc.com\/","category":"","category_tax":2750},{"name":"La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","website":"https:\/\/shgbmsh.org\/","category":"","category_tax":2746}],"owner":{"name":"City of Beloeil, Quebec, Canada","confidential":false,"website":"https:\/\/beloeil.ca\/","contact_name":"Chantal Lebel","email":"clebel@beloeil.ca","phone":"B + 1 450 467 2835 # 2915 \/ C  + 1 514 704 2501"},"address":{"address":"","city":"","region":"","province":"","country":"CA","postal_code":""},"logos":false,"use_logo":false,"designers":[{"name":"Julie Robert","credit":"Alexis GR","image":{"ID":84604,"id":84604,"title":"JulieRobert-GPD2022-Pointpivot-portrait","filename":"JulieRobert-GPD2022-Pointpivot-portrait-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-portrait\/","alt":"","author":"932","description":"","caption":"","name":"julierobert-gpd2022-pointpivot-portrait","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:06:31","modified":"2022-03-22 14:14:37","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":1743,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-204x300.jpg","medium-width":204,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-768x1128.jpg","medium_large-width":768,"medium_large-height":1128,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-697x1024.jpg","large-width":697,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-1046x1536.jpg","1536x1536-width":1046,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-1395x2048.jpg","2048x2048-width":1395,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-1920x2820.jpg","banner-width":1920,"banner-height":2820,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-293x430.jpg","gallery-width":293,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-68x100.jpg","logo-width":68,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-550x808.jpg","masonry-width":550,"masonry-height":808,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-1307x1920.jpg","modal-width":1307,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-293x430.jpg","number-width":293,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-143x210.jpg","partner-width":143,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-portrait-463x680.jpg","slideshow-width":463,"slideshow-height":680}},"file":false}],"cover":[{"categories":[2788,2703,2707],"credit":"Maxime Brouillet","image":{"ID":84607,"id":84607,"title":"JulieRobert-GPD2022-Pointpivot-A1","filename":"JulieRobert-GPD2022-Pointpivot-A1-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-a1\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-a1","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:09:31","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":1707,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-200x300.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-768x1152.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-683x1024.jpg","large-width":683,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-1365x2048.jpg","2048x2048-width":1365,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-1920x2880.jpg","banner-width":1920,"banner-height":2880,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-287x430.jpg","gallery-width":287,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-67x100.jpg","logo-width":67,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-550x825.jpg","masonry-width":550,"masonry-height":825,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-1280x1920.jpg","modal-width":1280,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-287x430.jpg","number-width":287,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-140x210.jpg","partner-width":140,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A1-453x680.jpg","slideshow-width":453,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":{"115":"Art","993":"Plus"}}],"images":[{"categories":[2788,2703,2707],"credit":"Jean-Michael Seminaro","image":{"ID":84609,"id":84609,"title":"JulieRobert-GPD2022-Pointpivot-1","filename":"6_JulieRobert-GPD2022-Pointpivot-1-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-1-2\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-1-2","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:13:53","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":2560,"height":1708,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-1536x1025.jpg","1536x1536-width":1536,"1536x1536-height":1025,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-1920x1281.jpg","banner-width":1920,"banner-height":1281,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-560x374.jpg","gallery-width":560,"gallery-height":374,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-150x100.jpg","logo-width":150,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-550x367.jpg","masonry-width":550,"masonry-height":367,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-1920x1281.jpg","modal-width":1920,"modal-height":1281,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-560x374.jpg","number-width":560,"number-height":374,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-275x183.jpg","partner-width":275,"partner-height":183,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-1-1019x680.jpg","slideshow-width":1019,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Jean-Michael Seminaro","image":{"ID":84610,"id":84610,"title":"JulieRobert-GPD2022-Pointpivot-2","filename":"JulieRobert-GPD2022-Pointpivot-2-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-2\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-2","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:15:56","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":1708,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-200x300.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-768x1151.jpg","medium_large-width":768,"medium_large-height":1151,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-683x1024.jpg","large-width":683,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-1025x1536.jpg","1536x1536-width":1025,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-1366x2048.jpg","2048x2048-width":1366,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-1920x2879.jpg","banner-width":1920,"banner-height":2879,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-287x430.jpg","gallery-width":287,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-67x100.jpg","logo-width":67,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-550x825.jpg","masonry-width":550,"masonry-height":825,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-1281x1920.jpg","modal-width":1281,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-287x430.jpg","number-width":287,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-140x210.jpg","partner-width":140,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-2-454x680.jpg","slideshow-width":454,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Jean-Michael Seminaro","image":{"ID":84611,"id":84611,"title":"JulieRobert-GPD2022-Pointpivot-3","filename":"JulieRobert-GPD2022-Pointpivot-3-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-3\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-3","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:17:32","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":2560,"height":1708,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-1536x1025.jpg","1536x1536-width":1536,"1536x1536-height":1025,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-1920x1281.jpg","banner-width":1920,"banner-height":1281,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-560x374.jpg","gallery-width":560,"gallery-height":374,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-150x100.jpg","logo-width":150,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-550x367.jpg","masonry-width":550,"masonry-height":367,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-1920x1281.jpg","modal-width":1920,"modal-height":1281,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-560x374.jpg","number-width":560,"number-height":374,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-275x183.jpg","partner-width":275,"partner-height":183,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-3-1019x680.jpg","slideshow-width":1019,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Maxime Brouillet","image":{"ID":84612,"id":84612,"title":"JulieRobert-GPD2022-Pointpivot-A1","filename":"6_JulieRobert-GPD2022-Pointpivot-A1-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-a1-2\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-a1-2","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:18:59","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":1707,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-200x300.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-768x1152.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-683x1024.jpg","large-width":683,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-1365x2048.jpg","2048x2048-width":1365,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-1920x2880.jpg","banner-width":1920,"banner-height":2880,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-287x430.jpg","gallery-width":287,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-67x100.jpg","logo-width":67,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-550x825.jpg","masonry-width":550,"masonry-height":825,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-1280x1920.jpg","modal-width":1280,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-287x430.jpg","number-width":287,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-140x210.jpg","partner-width":140,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/6_JulieRobert-GPD2022-Pointpivot-A1-453x680.jpg","slideshow-width":453,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Maxime Brouillet","image":{"ID":84613,"id":84613,"title":"JulieRobert-GPD2022-Pointpivot-A3","filename":"JulieRobert-GPD2022-Pointpivot-A3-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-a3\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-a3","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:20:31","modified":"2022-08-09 15:56:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":1707,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-200x300.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-768x1152.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-683x1024.jpg","large-width":683,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-1365x2048.jpg","2048x2048-width":1365,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-1920x2880.jpg","banner-width":1920,"banner-height":2880,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-287x430.jpg","gallery-width":287,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-67x100.jpg","logo-width":67,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-550x825.jpg","masonry-width":550,"masonry-height":825,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-1280x1920.jpg","modal-width":1280,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-287x430.jpg","number-width":287,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-140x210.jpg","partner-width":140,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A3-453x680.jpg","slideshow-width":453,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Maxime Brouillet","image":{"ID":84614,"id":84614,"title":"JulieRobert-GPD2022-Pointpivot-A5","filename":"JulieRobert-GPD2022-Pointpivot-A5-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gpd2022-pointpivot-a5\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gpd2022-pointpivot-a5","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:21:43","modified":"2022-08-09 15:56:07","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-1920x1280.jpg","banner-width":1920,"banner-height":1280,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-560x373.jpg","gallery-width":560,"gallery-height":373,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-150x100.jpg","logo-width":150,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-550x367.jpg","masonry-width":550,"masonry-height":367,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-1920x1280.jpg","modal-width":1920,"modal-height":1280,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-560x373.jpg","number-width":560,"number-height":373,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-275x183.jpg","partner-width":275,"partner-height":183,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GPD2022-Pointpivot-A5-1020x680.jpg","slideshow-width":1020,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]},{"categories":[2788,2703,2707],"credit":"Julie Robert","image":{"ID":84615,"id":84615,"title":"JulieRobert-GDP2022-Pointpivot-4","filename":"JulieRobert-GDP2022-Pointpivot-4-scaled.jpg","filesize":0,"url":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-scaled.jpg","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-gdp2022-pointpivot-4\/","alt":"","author":"932","description":"Point pivot Julie Robert Julie Robert Atelier du Bronze NRG Management La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","caption":"","name":"julierobert-gdp2022-pointpivot-4","status":"inherit","uploaded_to":77677,"date":"2022-03-22 14:23:49","modified":"2022-08-09 15:56:07","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/int.design\/wp-includes\/images\/media\/default.png","width":2450,"height":2560,"sizes":{"thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-287x300.jpg","medium-width":287,"medium-height":300,"medium_large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-768x802.jpg","medium_large-width":768,"medium_large-height":802,"large":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-980x1024.jpg","large-width":980,"large-height":1024,"1536x1536":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-1470x1536.jpg","1536x1536-width":1470,"1536x1536-height":1536,"2048x2048":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-1960x2048.jpg","2048x2048-width":1960,"2048x2048-height":2048,"article":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-960x540.jpg","article-width":960,"article-height":540,"banner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-1920x2006.jpg","banner-width":1920,"banner-height":2006,"block":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-900x680.jpg","block-width":900,"block-height":680,"card":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-560x495.jpg","card-width":560,"card-height":495,"card-thumbnail":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-450x340.jpg","card-thumbnail-width":450,"card-thumbnail-height":340,"conference":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-560x250.jpg","conference-width":560,"conference-height":250,"contest":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-960x400.jpg","contest-width":960,"contest-height":400,"cta":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-415x170.jpg","cta-width":415,"cta-height":170,"exhibitor":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-560x560.jpg","exhibitor-width":560,"exhibitor-height":560,"gallery":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-412x430.jpg","gallery-width":412,"gallery-height":430,"logo":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-96x100.jpg","logo-width":96,"logo-height":100,"masonry":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-550x575.jpg","masonry-width":550,"masonry-height":575,"modal":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-1838x1920.jpg","modal-width":1838,"modal-height":1920,"number":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-412x430.jpg","number-width":412,"number-height":430,"partner":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-201x210.jpg","partner-width":201,"partner-height":210,"ranking":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-960x540.jpg","ranking-width":960,"ranking-height":540,"schedule":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-960x360.jpg","schedule-width":960,"schedule-height":360,"slideshow":"https:\/\/int.design\/wp-content\/uploads\/2022\/03\/JulieRobert-GDP2022-Pointpivot-4-651x680.jpg","slideshow-width":651,"slideshow-height":680}},"filters":false,"suppliers":false,"attachment_category":[]}],"mandatory_documents":[{"name":"PDF multipage - fran\u00e7ais","file":{"ID":85015,"id":85015,"title":"julierobert-grandprixdesign-francais2022","filename":"6_julierobert-grandprixdesign-francais2022.pdf","filesize":0,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2022\/03\/6_julierobert-grandprixdesign-francais2022.pdf","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-grandprixdesign-francais2022-2\/","alt":"","author":"932","description":"","caption":"","name":"julierobert-grandprixdesign-francais2022-2","status":"inherit","uploaded_to":77677,"date":"2022-03-24 13:11:08","modified":"2022-03-24 13:15:13","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}},{"name":"PDF multipage - english","file":{"ID":85017,"id":85017,"title":"julierobert-grandprixdesign-englishsubmission2022","filename":"6_julierobert-grandprixdesign-englishsubmission2022.pdf","filesize":0,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2022\/03\/6_julierobert-grandprixdesign-englishsubmission2022.pdf","link":"https:\/\/int.design\/fr\/projets\/point-pivot\/julierobert-grandprixdesign-englishsubmission2022-2\/","alt":"","author":"932","description":"","caption":"","name":"julierobert-grandprixdesign-englishsubmission2022-2","status":"inherit","uploaded_to":77677,"date":"2022-03-24 13:11:33","modified":"2022-03-24 13:15:13","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}}],"optional_documents":false,"web_text":{"fr":"<p>Point pivot est une installation sculpturale participative compos\u00e9e d\u2019acier Corten, de b\u00e9ton blanc, d\u2019une pierre calcaire et de 3 luminaires solaires encastr\u00e9s. Cette oeuvre d\u2019art public honore la m\u00e9moire des 99 victimes de la plus importante trag\u00e9die ferroviaire \u00e0 ce jour au Canada, lorsque le train sp\u00e9cial num\u00e9ro 168 s\u2019est ab\u00eem\u00e9 dans la rivi\u00e8re Richelieu, apr\u00e8s que le pont \u00e0 pivot ait \u00e9t\u00e9 ouvert pour laisser passer un convoi de barges du remorqueur Champlain le 29 juin 1864. Le convoi de 11 wagons transportait 459 immigrants, principalement d\u2019origine culturelle allemande qui souhaitait venir s\u2019installer dans l\u2019Ouest canadien et am\u00e9ricain.<\/p>\n<p>La structure est compos\u00e9e de deux arcs en acier Corten et d\u2019un banc de b\u00e9ton blanc. Chacune des six plaques qui composent l\u2019arc int\u00e9rieur (droite) s\u2019incline vers la droite sur les plaques attenantes. Quant \u00e0 l\u2019arc ext\u00e9rieur (gauche), les cinq plaques qui le composent s\u2019inclinent vers la gauche et prennent appui sur les pi\u00e8ces adjacentes, cr\u00e9ant \u00e0 l\u2019oppos\u00e9 de l\u2019entrecroisement des deux arcs, une ouverture qui invite les utilisateurs en son centre. \u00c0 l\u2019int\u00e9rieur, on peut lire le nom des 44 familles disparues lors du tragique \u00e9v\u00e9nement taill\u00e9 dans le m\u00e9tal. Trois luminaires encastr\u00e9s solaires sont fix\u00e9s dans le sol pour un \u00e9clairage nocturne solennel.<\/p>\n<p>Les plaques d\u2019acier au nombre des wagons qui composaient le train sp\u00e9cial N \u030a168, sont \u00e0 la fois la repr\u00e9sentation ponctu\u00e9e des traverses, \u00e9l\u00e9ment fondamental de la construction du chemin de fer et de l\u2019impact entre les wagons lors de l\u2019accident. Chacune des plaques qui prend appui sur l\u2019autre fait \u00e9cho \u00e0 l\u2019entraide et la solidarit\u00e9 dont les citoyens de Beloeil et de Montr\u00e9al ont fait preuve au moment de la trag\u00e9die pour venir en aide aux survivants. Les deux arcs qui viennent \u00e0 la rencontre l\u2019un de l\u2019autre pour ne faire qu\u2019un refl\u00e8tent l\u2019unification de la r\u00e9alit\u00e9 des immigrants avec la nouvelle terre d\u2019accueil. La rondeur des arcs et de l\u2019assise \u00e9voque le mouvement du pivot du pont et les courants migratoires au fil des ann\u00e9es. L\u2019utilisation de l\u2019acier entre en dialogue avec le pont ferroviaire en mire de la placette, quant \u00e0 l\u2019oxydation, elle souligne le passage du temps. Le positionnement du banc face \u00e0 la montagne offre une perspective sur la voie ferr\u00e9e et guide \u00e0 travers la lin\u00e9arit\u00e9 de ses traits, les pens\u00e9es des utilisateurs vers l\u2019origine de ces familles qui venaient d\u2019ailleurs.<br \/>\nLa forme semi-circulaire qui s\u2019\u00e9l\u00e8ve vers le ciel sugg\u00e8re la forme traditionnelle du tipi comme lieu d\u2019habitation et de rassemblement communautaire. L\u2019oxydation lie la mati\u00e8re au temps et sugg\u00e8re la pr\u00e9sence du feu sous forme de flammes comme symbolique \u00e0 diff\u00e9rentes formes de spiritualit\u00e9. <\/p>\n<p>Le recouvrement de sol p\u00e9riph\u00e9rique imm\u00e9diat s\u2019int\u00e8gre \u00e0 la structure comme les nouveaux arrivants sur le continent. Au pourtour, une plantation en massif d&#39;Hordeum jubatum, enveloppe l\u2019\u0153uvre par le mouvement de ses \u00e9pis balay\u00e9s par le vent. Cette plante indig\u00e8ne, apparaissant spontan\u00e9ment le long des voies ferr\u00e9es, amplifie l\u2019exp\u00e9rience sensorielle des participants, telle une trame sonore passag\u00e8re.<br \/>\nLes citoyens de Beloeil et les intervenants venus de Montr\u00e9al ont \u00e9t\u00e9 d\u2019une grande aide lors du tragique \u00e9v\u00e9nement en prodiguant des soins et en offrant de la nourriture et l\u2019h\u00e9bergement aux survivants. Une pierre calcaire blanche  qui provient du sol beloeillois de notre propri\u00e9t\u00e9 a \u00e9t\u00e9 coul\u00e9e \u00e0 m\u00eame le banc et offre \u00e0 son tour un support \u00e0 ceux qui s\u2019y reposent.<\/p>\n","en":"<p>Point pivot is a participatory sculptural installation composed of Corten steel, white concrete, limestone and 3 recessed solar lights. This public art work honours the memory of the 99 victims of Canada&#39;s most important railway tragedy to this day, when special train number 168 crashed into the Richelieu River after the pivot bridge had been opened to let a convoy of barges from the tug Champlain pass on June 29, 1864. The 11-car convoy was carrying 459 immigrants, mainly of German cultural origins who wished to settle in the Canadian and American West.<\/p>\n<p>The structure is made up of two Corten steel arches and a white concrete bench. Each of the six plates that make up the inner arc (right) bows to the right on the adjoining plates. As for the outer arch (left), the five plates lean to the left and rest on the adjacent pieces, creating, opposite the intersection of the two arches, an opening that invites users to its centre. At the heart of the work, the names of the 44 families who lost at least one loved one during the tragic event are carved into the metal. The recessed lights offer a solemn night lighting.<\/p>\n<p>The steel plates representing in number the wagons that made up the special train N \u030a168 are both the punctuated representation of the sleepers, a fundamental element of the construction of the railway and of the impact between the wagons during the accident. Each of the plates that rests on the other echoes the mutual aid and solidarity shown by the citizens of Beloeil and Montreal at the time of the tragedy to help the survivors. The two arches that meet one another to become one, reflects the unification of the immigrant reality with the new land of welcome. The roundness of the arches and the seat evoke the movement of the pivot of the bridge and the migratory currents over the years. The use of steel enters into a dialogue with the railway bridge in the centre of the plot. The positioning of the bench facing the mountain offers a perspective on the railway line and guides, through the linearity of its features, the thoughts of the users towards the origin of these families who came from abroad. The semicircular shape that rises to the sky suggests the traditional shape of the tipi as a home and as a community gathering space. As for the oxidation of the slats, they unite material with time and suggest the presence of fire through the flame as a symbol to different forms of spirituality, as a sacred element, as an allegory to eternity and light.<\/p>\n<p>The immediate peripheral ground covering of the stabilized stone extends inside and around the perimeter of the space granted for the work, accentuating the complete integration of the project into its environment, like the newcomers to the continent. Around the edge, a massive plantation of Hordeum jubatum, envelops the work with the movement of its silky windswept spikes. This native plant, appearing spontaneously along the railway tracks, amplifies the sensory experience of the participants, like a transient soundtrack.<\/p>\n<p>The citizens of Beloeil and several Montreal stakeholders were of great help and essential support during the tragic event by providing care and offering food and lodging to the survivors 2. As a symbol and to highlight their contribution, I integrated in a personal capacity, a white limestone block which was poured into the concrete bench. This stone comes from the soil of our Beloeil property. It offers support to those who rest there.<\/p>\n","original":""},"jury_text":[{"category":2703,"fr":"<p>Cette sculpture installative comm\u00e9morative de la plus importante trag\u00e9die ferroviaire au Canada \u00e0 ce jour s\u2019inscrit dans un contexte social et historique de comm\u00e9moration par le biais de la m\u00e9moire collective. Politiquement, la pr\u00e9sence de cette structure et l\u2019histoire qui y est rattach\u00e9e permettent d\u2019exposer les conditions migratoires d\u2019ici et d\u2019ailleurs et d\u2019ouvrir la discussion sur les enjeux reli\u00e9s \u00e0 la perm\u00e9abilit\u00e9 des barri\u00e8res g\u00e9ographiques, \u00e9conomiques et culturelles, et permet l\u2019ouverture d\u2019un dialogue sur les enjeux internationaux et globaux qui sont encore d\u2019actualit\u00e9 aujourd\u2019hui.<\/p>\n<p>Cette premi\u00e8re oeuvre d\u2019art public est un point marqueur important dans ma d\u00e9marche artistique personnelle. La r\u00e9percussion des impacts sur mon d\u00e9veloppement en tant qu\u2019artiste visuelle est \u00e0 la fois engageante et g\u00e9n\u00e9ratrice de mouvement et provoque une ouverture sur des opportunit\u00e9s inesp\u00e9r\u00e9es dans mon cheminement actuel. Je re\u00e7ois cette reconnaissance t\u00f4t dans mon parcours professionnel, comme un t\u00e9moignage de la l\u00e9gitimit\u00e9 de ma pr\u00e9sence dans le milieu de l\u2019art public et j\u2019utilise cette opportunit\u00e9 comme un point d\u2019ancrage \u00e0 partir duquel je construis la suite de mon chemin.<\/p>\n<p>Mes observations et mes recherches portent sur les liens singuliers qui naissent entre les gens, et entre les gens et les \u00e9v\u00e9nements. Je travaille \u00e0 partir de mat\u00e9riaux de construction divers et j\u2019\u00e9tablis un lien entre la construction de l\u2019identit\u00e9 personnelle et communautaire et la cr\u00e9ation de l\u2019habitat. L\u2019architecture comme espace de vie, int\u00e9grante et inh\u00e9rente \u00e0 l\u2019identit\u00e9, est l\u2019endroit d\u2019o\u00f9 la majorit\u00e9 de mes projets puisent leur essence. Dans Point pivot, la silhouette de la structure qui rappelle l\u2019habitation traditionnelle des peuples autochtones, s\u2019inspire de l\u2019architecture vernaculaire d\u2019une \u00e9poque charni\u00e8re en Am\u00e9rique. Quant \u00e0 l\u2019inclusion d\u2019une pierre calcaire dans le banc de b\u00e9ton, elle fait r\u00e9f\u00e9rence aux insertions de ma\u00e7onnerie de la Tribune Tower de Chicago, r\u00e9alis\u00e9 par les laur\u00e9ats d\u2019un concours international d\u2019architecture John Howells et Raymond Hood en 1922. Au premier \u00e9tage de ce gratte-ciel embl\u00e9matique, plusieurs dizaines de fragments de constructions symboliques mondiales ont \u00e9t\u00e9 ins\u00e9r\u00e9s, comme une pi\u00e8ce de La Grande Muraille de Chine,  de la cath\u00e9drale Notre-Dame de Paris et des pyramides de Gizeh, pour ne nommer que celles-l\u00e0. Cr\u00e9er un espace pour unir la m\u00e9moire des victimes \u00e0 ce lieu charg\u00e9, \u00e0 la fois architectural et po\u00e9tique, s\u2019ins\u00e8re dans ma d\u00e9marche \u00e0 travers l\u2019assemblage des histoires singuli\u00e8res interrelationnelles des victimes et la s\u00e9lection des mati\u00e8res en lien avec l\u2019habitation.<br \/>\nL\u2019impact sur l\u2019environnement est minimis\u00e9 gr\u00e2ce \u00e0 l\u2019utilisation de l\u2019acier Corten qui a un niveau \u00e9lev\u00e9 de r\u00e9sistance \u00e0 l\u2019\u00e9rosion (1\/32\u2019\u2019 \/100 ans.) De plus ce mat\u00e9riau est recycl\u00e9 et recyclable \u00e0 l\u2019infini sans que sa force en soit alt\u00e9r\u00e9e. Ce m\u00e9tal est un des mat\u00e9riaux privil\u00e9gi\u00e9s dans les constructions homologu\u00e9es LEED\u00ae pour sa r\u00e9utilisation et les impacts minimis\u00e9s de sa transformation sur l\u2019environnement. Le b\u00e9ton quant \u00e0 lui est enti\u00e8rement recyclable et l\u2019\u00e9clairage solaire utilise une ressource accessible sur place sans perturber l\u2019\u00e9cosyst\u00e8me environnant.<\/p>\n","en":"<p>This commemorative public art work commemorating Canada&#39;s most important railway tragedy to date is set in a social and historical context of commemoration through collective memory. Politically, the presence of this structure and its history exposes worldly migratory conditions and opens the discussion on the issues related to the permeability of geographical, economic and cultural barriers, and allows the opening of a dialogue on international and global issues that are still topical today.<\/p>\n<p>This first work of public art award is an important milestone in my personal artistic process. The impacts on my development as a visual artist are both engaging and movement-generating and open up unexpected opportunities in my current journey. I receive this recognition early in my professional career, as a testimony to the legitimacy of my presence in the public art world and I use this opportunity as an anchor point from which I build the rest of my path.<\/p>\n<p>My observations and my research focus on singular bonds that arise between people, and between people and events. I work from various construction materials and I establish a link between the construction of personal and community identity and the creation of habitat. Architecture as living space, integral and inherent to identity, is where most of my projects draw their essence. In Point Pivot, the silhouette of the structure, reminiscent of the traditional dwelling of Aboriginal peoples, is inspired by the vernacular architecture of a pivotal period in America. As for the inclusion of limestone in the concrete bench, it refers to the masonry insertions of the Tribune Tower in Chicago, carried out by the winners of an international architectural competition John Howells and Raymond Hood in 1922. On the first floor of this iconic skyscraper, several dozen fragments of global symbolic constructions have been inserted, such as a piece of The Great Wall of China, Notre-Dame Cathedral in Paris and the Pyramids of Giza, to name a few. Creating a space to unite the memory of the victims to this charged place, both architectural and poetic, is part of my approach through the assembly of the singular interrelational stories of the victims and the selection of materials and architectural features related to housing.<\/p>\n<p>The impact on the environment is minimized through the use of Corten steel which has a high level of resistance to erosion (1\/32&#39;&#39; \/100 years). In addition, this material is recycled and recyclable infinitely without its strength being altered. This metal is one of the preferred materials in LEED\u00ae certified constructions precisely for its reuse capacities and the minimized impacts of its transformation. Concrete is fully recyclable and solar lighting uses a resource accessible on the site without disturbing the surrounding ecosystem.<\/p>\n","original":""},{"category":2707,"fr":"<p>Cette sculpture installative comm\u00e9morative de la plus importante trag\u00e9die ferroviaire au Canada \u00e0 ce jour s\u2019inscrit dans un contexte social et historique de comm\u00e9moration par le biais de la m\u00e9moire collective. Politiquement, la pr\u00e9sence de cette structure et l\u2019histoire qui y est rattach\u00e9e permettent d\u2019exposer les conditions migratoires d\u2019ici et d\u2019ailleurs et d\u2019ouvrir la discussion sur les enjeux reli\u00e9s \u00e0 la perm\u00e9abilit\u00e9 des barri\u00e8res g\u00e9ographiques, \u00e9conomiques et culturelles, et permet l\u2019ouverture d\u2019un dialogue sur les enjeux internationaux et globaux qui sont encore d\u2019actualit\u00e9 aujourd\u2019hui.<\/p>\n<p>Cette premi\u00e8re oeuvre d\u2019art public est un point marqueur important dans ma d\u00e9marche artistique personnelle. La r\u00e9percussion des impacts sur mon d\u00e9veloppement en tant qu\u2019artiste visuelle est \u00e0 la fois engageante et g\u00e9n\u00e9ratrice de mouvement et provoque une ouverture sur des opportunit\u00e9s inesp\u00e9r\u00e9es dans mon cheminement actuel. Je re\u00e7ois cette reconnaissance t\u00f4t dans mon parcours professionnel, comme un t\u00e9moignage de la l\u00e9gitimit\u00e9 de ma pr\u00e9sence dans le milieu de l\u2019art public et j\u2019utilise cette opportunit\u00e9 comme un point d\u2019ancrage \u00e0 partir duquel je construis la suite de mon chemin.<\/p>\n<p>Mes observations et mes recherches portent sur les liens singuliers qui naissent entre les gens, et entre les gens et les \u00e9v\u00e9nements. Je travaille \u00e0 partir de mat\u00e9riaux de construction divers et j\u2019\u00e9tablis un lien entre la construction de l\u2019identit\u00e9 personnelle et communautaire et la cr\u00e9ation de l\u2019habitat. L\u2019architecture comme espace de vie, int\u00e9grante et inh\u00e9rente \u00e0 l\u2019identit\u00e9, est l\u2019endroit d\u2019o\u00f9 la majorit\u00e9 de mes projets puisent leur essence. Dans Point pivot, la silhouette de la structure qui rappelle l\u2019habitation traditionnelle des peuples autochtones, s\u2019inspire de l\u2019architecture vernaculaire d\u2019une \u00e9poque charni\u00e8re en Am\u00e9rique. Quant \u00e0 l\u2019inclusion d\u2019une pierre calcaire dans le banc de b\u00e9ton, elle fait r\u00e9f\u00e9rence aux insertions de ma\u00e7onnerie de la Tribune Tower de Chicago, r\u00e9alis\u00e9 par les laur\u00e9ats d\u2019un concours international d\u2019architecture John Howells et Raymond Hood en 1922. Au premier \u00e9tage de ce gratte-ciel embl\u00e9matique, plusieurs dizaines de fragments de constructions symboliques mondiales ont \u00e9t\u00e9 ins\u00e9r\u00e9s, comme une pi\u00e8ce de La Grande Muraille de Chine,  de la cath\u00e9drale Notre-Dame de Paris et des pyramides de Gizeh, pour ne nommer que celles-l\u00e0. Cr\u00e9er un espace pour unir la m\u00e9moire des victimes \u00e0 ce lieu charg\u00e9, \u00e0 la fois architectural et po\u00e9tique, s\u2019ins\u00e8re dans ma d\u00e9marche \u00e0 travers l\u2019assemblage des histoires singuli\u00e8res interrelationnelles des victimes et la s\u00e9lection des mati\u00e8res en lien avec l\u2019habitation.<br \/>\nL\u2019impact sur l\u2019environnement est minimis\u00e9 gr\u00e2ce \u00e0 l\u2019utilisation de l\u2019acier Corten qui a un niveau \u00e9lev\u00e9 de r\u00e9sistance \u00e0 l\u2019\u00e9rosion (1\/32\u2019\u2019 \/100 ans.) De plus ce mat\u00e9riau est recycl\u00e9 et recyclable \u00e0 l\u2019infini sans que sa force en soit alt\u00e9r\u00e9e. Ce m\u00e9tal est un des mat\u00e9riaux privil\u00e9gi\u00e9s dans les constructions homologu\u00e9es LEED\u00ae pour sa r\u00e9utilisation et les impacts minimis\u00e9s de sa transformation sur l\u2019environnement. Le b\u00e9ton quant \u00e0 lui est enti\u00e8rement recyclable et l\u2019\u00e9clairage solaire utilise une ressource accessible sur place sans perturber l\u2019\u00e9cosyst\u00e8me environnant.<\/p>\n","en":"<p>This commemorative public art work commemorating Canada&#39;s most important railway tragedy to date is set in a social and historical context of commemoration through collective memory. Politically, the presence of this structure and its history exposes worldly migratory conditions and opens the discussion on the issues related to the permeability of geographical, economic and cultural barriers, and allows the opening of a dialogue on international and global issues that are still topical today.<\/p>\n<p>This first work of public art award is an important milestone in my personal artistic process. The impacts on my development as a visual artist are both engaging and movement-generating and open up unexpected opportunities in my current journey. I receive this recognition early in my professional career, as a testimony to the legitimacy of my presence in the public art world and I use this opportunity as an anchor point from which I build the rest of my path.<\/p>\n<p>My observations and my research focus on singular bonds that arise between people, and between people and events. I work from various construction materials and I establish a link between the construction of personal and community identity and the creation of habitat. Architecture as living space, integral and inherent to identity, is where most of my projects draw their essence. In Point Pivot, the silhouette of the structure, reminiscent of the traditional dwelling of Aboriginal peoples, is inspired by the vernacular architecture of a pivotal period in America. As for the inclusion of limestone in the concrete bench, it refers to the masonry insertions of the Tribune Tower in Chicago, carried out by the winners of an international architectural competition John Howells and Raymond Hood in 1922. On the first floor of this iconic skyscraper, several dozen fragments of global symbolic constructions have been inserted, such as a piece of The Great Wall of China, Notre-Dame Cathedral in Paris and the Pyramids of Giza, to name a few. Creating a space to unite the memory of the victims to this charged place, both architectural and poetic, is part of my approach through the assembly of the singular interrelational stories of the victims and the selection of materials and architectural features related to housing.<\/p>\n<p>The impact on the environment is minimized through the use of Corten steel which has a high level of resistance to erosion (1\/32&#39;&#39; \/100 years). In addition, this material is recycled and recyclable infinitely without its strength being altered. This metal is one of the preferred materials in LEED\u00ae certified constructions precisely for its reuse capacities and the minimized impacts of its transformation. Concrete is fully recyclable and solar lighting uses a resource accessible on the site without disturbing the surrounding ecosystem.<\/p>\n","original":""},{"category":2788,"fr":"<p>Cette sculpture installative comm\u00e9morative de la plus importante trag\u00e9die ferroviaire au Canada \u00e0 ce jour s\u2019inscrit dans un contexte social et historique de comm\u00e9moration par le biais de la m\u00e9moire collective. Politiquement, la pr\u00e9sence de cette structure et l\u2019histoire qui y est rattach\u00e9e permettent d\u2019exposer les conditions migratoires d\u2019ici et d\u2019ailleurs et d\u2019ouvrir la discussion sur les enjeux reli\u00e9s \u00e0 la perm\u00e9abilit\u00e9 des barri\u00e8res g\u00e9ographiques, \u00e9conomiques et culturelles, et permet l\u2019ouverture d\u2019un dialogue sur les enjeux internationaux et globaux qui sont encore d\u2019actualit\u00e9 aujourd\u2019hui.<\/p>\n<p>Cette premi\u00e8re oeuvre d\u2019art public est un point marqueur important dans ma d\u00e9marche artistique personnelle. La r\u00e9percussion des impacts sur mon d\u00e9veloppement en tant qu\u2019artiste visuelle est \u00e0 la fois engageante et g\u00e9n\u00e9ratrice de mouvement et provoque une ouverture sur des opportunit\u00e9s inesp\u00e9r\u00e9es dans mon cheminement actuel. Je re\u00e7ois cette reconnaissance t\u00f4t dans mon parcours professionnel, comme un t\u00e9moignage de la l\u00e9gitimit\u00e9 de ma pr\u00e9sence dans le milieu de l\u2019art public et j\u2019utilise cette opportunit\u00e9 comme un point d\u2019ancrage \u00e0 partir duquel je construis la suite de mon chemin.<\/p>\n<p>Mes observations et mes recherches portent sur les liens singuliers qui naissent entre les gens, et entre les gens et les \u00e9v\u00e9nements. Je travaille \u00e0 partir de mat\u00e9riaux de construction divers et j\u2019\u00e9tablis un lien entre la construction de l\u2019identit\u00e9 personnelle et communautaire et la cr\u00e9ation de l\u2019habitat. L\u2019architecture comme espace de vie, int\u00e9grante et inh\u00e9rente \u00e0 l\u2019identit\u00e9, est l\u2019endroit d\u2019o\u00f9 la majorit\u00e9 de mes projets puisent leur essence. Dans Point pivot, la silhouette de la structure qui rappelle l\u2019habitation traditionnelle des peuples autochtones, s\u2019inspire de l\u2019architecture vernaculaire d\u2019une \u00e9poque charni\u00e8re en Am\u00e9rique. Quant \u00e0 l\u2019inclusion d\u2019une pierre calcaire dans le banc de b\u00e9ton, elle fait r\u00e9f\u00e9rence aux insertions de ma\u00e7onnerie de la Tribune Tower de Chicago, r\u00e9alis\u00e9 par les laur\u00e9ats d\u2019un concours international d\u2019architecture John Howells et Raymond Hood en 1922. Au premier \u00e9tage de ce gratte-ciel embl\u00e9matique, plusieurs dizaines de fragments de constructions symboliques mondiales ont \u00e9t\u00e9 ins\u00e9r\u00e9s, comme une pi\u00e8ce de La Grande Muraille de Chine,  de la cath\u00e9drale Notre-Dame de Paris et des pyramides de Gizeh, pour ne nommer que celles-l\u00e0. Cr\u00e9er un espace pour unir la m\u00e9moire des victimes \u00e0 ce lieu charg\u00e9, \u00e0 la fois architectural et po\u00e9tique, s\u2019ins\u00e8re dans ma d\u00e9marche \u00e0 travers l\u2019assemblage des histoires singuli\u00e8res interrelationnelles des victimes et la s\u00e9lection des mati\u00e8res en lien avec l\u2019habitation.<br \/>\nL\u2019impact sur l\u2019environnement est minimis\u00e9 gr\u00e2ce \u00e0 l\u2019utilisation de l\u2019acier Corten qui a un niveau \u00e9lev\u00e9 de r\u00e9sistance \u00e0 l\u2019\u00e9rosion (1\/32\u2019\u2019 \/100 ans.) De plus ce mat\u00e9riau est recycl\u00e9 et recyclable \u00e0 l\u2019infini sans que sa force en soit alt\u00e9r\u00e9e. Ce m\u00e9tal est un des mat\u00e9riaux privil\u00e9gi\u00e9s dans les constructions homologu\u00e9es LEED\u00ae pour sa r\u00e9utilisation et les impacts minimis\u00e9s de sa transformation sur l\u2019environnement. Le b\u00e9ton quant \u00e0 lui est enti\u00e8rement recyclable et l\u2019\u00e9clairage solaire utilise une ressource accessible sur place sans perturber l\u2019\u00e9cosyst\u00e8me environnant.<\/p>\n","en":"<p>This commemorative public art work commemorating Canada&#39;s most important railway tragedy to date is set in a social and historical context of commemoration through collective memory. Politically, the presence of this structure and its history exposes worldly migratory conditions and opens the discussion on the issues related to the permeability of geographical, economic and cultural barriers, and allows the opening of a dialogue on international and global issues that are still topical today.<\/p>\n<p>This first work of public art award is an important milestone in my personal artistic process. The impacts on my development as a visual artist are both engaging and movement-generating and open up unexpected opportunities in my current journey. I receive this recognition early in my professional career, as a testimony to the legitimacy of my presence in the public art world and I use this opportunity as an anchor point from which I build the rest of my path.<\/p>\n<p>My observations and my research focus on singular bonds that arise between people, and between people and events. I work from various construction materials and I establish a link between the construction of personal and community identity and the creation of habitat. Architecture as living space, integral and inherent to identity, is where most of my projects draw their essence. In Point Pivot, the silhouette of the structure, reminiscent of the traditional dwelling of Aboriginal peoples, is inspired by the vernacular architecture of a pivotal period in America. As for the inclusion of limestone in the concrete bench, it refers to the masonry insertions of the Tribune Tower in Chicago, carried out by the winners of an international architectural competition John Howells and Raymond Hood in 1922. On the first floor of this iconic skyscraper, several dozen fragments of global symbolic constructions have been inserted, such as a piece of The Great Wall of China, Notre-Dame Cathedral in Paris and the Pyramids of Giza, to name a few. Creating a space to unite the memory of the victims to this charged place, both architectural and poetic, is part of my approach through the assembly of the singular interrelational stories of the victims and the selection of materials and architectural features related to housing.<\/p>\n<p>The impact on the environment is minimized through the use of Corten steel which has a high level of resistance to erosion (1\/32&#39;&#39; \/100 years). In addition, this material is recycled and recyclable infinitely without its strength being altered. This metal is one of the preferred materials in LEED\u00ae certified constructions precisely for its reuse capacities and the minimized impacts of its transformation. Concrete is fully recyclable and solar lighting uses a resource accessible on the site without disturbing the surrounding ecosystem.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2703,"cat_id_laureat":false,"laureat":""},{"cat_id":2788,"cat_id_laureat":3433,"laureat":"Certification Or"},{"cat_id":2707,"cat_id_laureat":3433,"laureat":"Certification Or"}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"Julie Robert","website":"julierobert.com","category":"","category_tax":2806,"category_label":"Artiste"},{"name":"Atelier du Bronze","website":"http:\/\/www.atelierdubronze.com\/","category":"","category_tax":2746,"category_label":"Autre"},{"name":"NRG Management","website":"https:\/\/www.nrgqc.com\/","category":"","category_tax":2750,"category_label":"\u00c9clairage"},{"name":"La Soci\u00e9t\u00e9 d'histoire et de g\u00e9n\u00e9alogie de Beloeil-Mont-Saint-Hilaire","website":"https:\/\/shgbmsh.org\/","category":"","category_tax":2746,"category_label":"Autre"}],"user":{"email":"julie.robert.mtl@gmail.com","first_name":"Julie","last_name":"Robert"},"doc_texts_web":{"fr":"<p>Point pivot est une installation sculpturale participative compos\u00e9e d\u2019acier Corten, de b\u00e9ton blanc, d\u2019une pierre calcaire et de 3 luminaires solaires encastr\u00e9s. Cette oeuvre d\u2019art public honore la m\u00e9moire des 99 victimes de la plus importante trag\u00e9die ferroviaire \u00e0 ce jour au Canada, lorsque le train sp\u00e9cial num\u00e9ro 168 s\u2019est ab\u00eem\u00e9 dans la rivi\u00e8re Richelieu, apr\u00e8s que le pont \u00e0 pivot ait \u00e9t\u00e9 ouvert pour laisser passer un convoi de barges du remorqueur Champlain le 29 juin 1864. Le convoi de 11 wagons transportait 459 immigrants, principalement d\u2019origine culturelle allemande qui souhaitait venir s\u2019installer dans l\u2019Ouest canadien et am\u00e9ricain.<\/p>\n<p>La structure est compos\u00e9e de deux arcs en acier Corten et d\u2019un banc de b\u00e9ton blanc. Chacune des six plaques qui composent l\u2019arc int\u00e9rieur (droite) s\u2019incline vers la droite sur les plaques attenantes. Quant \u00e0 l\u2019arc ext\u00e9rieur (gauche), les cinq plaques qui le composent s\u2019inclinent vers la gauche et prennent appui sur les pi\u00e8ces adjacentes, cr\u00e9ant \u00e0 l\u2019oppos\u00e9 de l\u2019entrecroisement des deux arcs, une ouverture qui invite les utilisateurs en son centre. \u00c0 l\u2019int\u00e9rieur, on peut lire le nom des 44 familles disparues lors du tragique \u00e9v\u00e9nement taill\u00e9 dans le m\u00e9tal. Trois luminaires encastr\u00e9s solaires sont fix\u00e9s dans le sol pour un \u00e9clairage nocturne solennel.<\/p>\n<p>Les plaques d\u2019acier au nombre des wagons qui composaient le train sp\u00e9cial N \u030a168, sont \u00e0 la fois la repr\u00e9sentation ponctu\u00e9e des traverses, \u00e9l\u00e9ment fondamental de la construction du chemin de fer et de l\u2019impact entre les wagons lors de l\u2019accident. Chacune des plaques qui prend appui sur l\u2019autre fait \u00e9cho \u00e0 l\u2019entraide et la solidarit\u00e9 dont les citoyens de Beloeil et de Montr\u00e9al ont fait preuve au moment de la trag\u00e9die pour venir en aide aux survivants. Les deux arcs qui viennent \u00e0 la rencontre l\u2019un de l\u2019autre pour ne faire qu\u2019un refl\u00e8tent l\u2019unification de la r\u00e9alit\u00e9 des immigrants avec la nouvelle terre d\u2019accueil. La rondeur des arcs et de l\u2019assise \u00e9voque le mouvement du pivot du pont et les courants migratoires au fil des ann\u00e9es. L\u2019utilisation de l\u2019acier entre en dialogue avec le pont ferroviaire en mire de la placette, quant \u00e0 l\u2019oxydation, elle souligne le passage du temps. Le positionnement du banc face \u00e0 la montagne offre une perspective sur la voie ferr\u00e9e et guide \u00e0 travers la lin\u00e9arit\u00e9 de ses traits, les pens\u00e9es des utilisateurs vers l\u2019origine de ces familles qui venaient d\u2019ailleurs.<br \/>\nLa forme semi-circulaire qui s\u2019\u00e9l\u00e8ve vers le ciel sugg\u00e8re la forme traditionnelle du tipi comme lieu d\u2019habitation et de rassemblement communautaire. L\u2019oxydation lie la mati\u00e8re au temps et sugg\u00e8re la pr\u00e9sence du feu sous forme de flammes comme symbolique \u00e0 diff\u00e9rentes formes de spiritualit\u00e9. <\/p>\n<p>Le recouvrement de sol p\u00e9riph\u00e9rique imm\u00e9diat s\u2019int\u00e8gre \u00e0 la structure comme les nouveaux arrivants sur le continent. Au pourtour, une plantation en massif d'Hordeum jubatum, enveloppe l\u2019\u0153uvre par le mouvement de ses \u00e9pis balay\u00e9s par le vent. Cette plante indig\u00e8ne, apparaissant spontan\u00e9ment le long des voies ferr\u00e9es, amplifie l\u2019exp\u00e9rience sensorielle des participants, telle une trame sonore passag\u00e8re.<br \/>\nLes citoyens de Beloeil et les intervenants venus de Montr\u00e9al ont \u00e9t\u00e9 d\u2019une grande aide lors du tragique \u00e9v\u00e9nement en prodiguant des soins et en offrant de la nourriture et l\u2019h\u00e9bergement aux survivants. Une pierre calcaire blanche  qui provient du sol beloeillois de notre propri\u00e9t\u00e9 a \u00e9t\u00e9 coul\u00e9e \u00e0 m\u00eame le banc et offre \u00e0 son tour un support \u00e0 ceux qui s\u2019y reposent.<\/p>\n","en":"<p>Point pivot is a participatory sculptural installation composed of Corten steel, white concrete, limestone and 3 recessed solar lights. This public art work honours the memory of the 99 victims of Canada's most important railway tragedy to this day, when special train number 168 crashed into the Richelieu River after the pivot bridge had been opened to let a convoy of barges from the tug Champlain pass on June 29, 1864. The 11-car convoy was carrying 459 immigrants, mainly of German cultural origins who wished to settle in the Canadian and American West.<\/p>\n<p>The structure is made up of two Corten steel arches and a white concrete bench. Each of the six plates that make up the inner arc (right) bows to the right on the adjoining plates. As for the outer arch (left), the five plates lean to the left and rest on the adjacent pieces, creating, opposite the intersection of the two arches, an opening that invites users to its centre. At the heart of the work, the names of the 44 families who lost at least one loved one during the tragic event are carved into the metal. The recessed lights offer a solemn night lighting.<\/p>\n<p>The steel plates representing in number the wagons that made up the special train N \u030a168 are both the punctuated representation of the sleepers, a fundamental element of the construction of the railway and of the impact between the wagons during the accident. Each of the plates that rests on the other echoes the mutual aid and solidarity shown by the citizens of Beloeil and Montreal at the time of the tragedy to help the survivors. The two arches that meet one another to become one, reflects the unification of the immigrant reality with the new land of welcome. The roundness of the arches and the seat evoke the movement of the pivot of the bridge and the migratory currents over the years. The use of steel enters into a dialogue with the railway bridge in the centre of the plot. The positioning of the bench facing the mountain offers a perspective on the railway line and guides, through the linearity of its features, the thoughts of the users towards the origin of these families who came from abroad. The semicircular shape that rises to the sky suggests the traditional shape of the tipi as a home and as a community gathering space. As for the oxidation of the slats, they unite material with time and suggest the presence of fire through the flame as a symbol to different forms of spirituality, as a sacred element, as an allegory to eternity and light.<\/p>\n<p>The immediate peripheral ground covering of the stabilized stone extends inside and around the perimeter of the space granted for the work, accentuating the complete integration of the project into its environment, like the newcomers to the continent. Around the edge, a massive plantation of Hordeum jubatum, envelops the work with the movement of its silky windswept spikes. This native plant, appearing spontaneously along the railway tracks, amplifies the sensory experience of the participants, like a transient soundtrack.<\/p>\n<p>The citizens of Beloeil and several Montreal stakeholders were of great help and essential support during the tragic event by providing care and offering food and lodging to the survivors 2. As a symbol and to highlight their contribution, I integrated in a personal capacity, a white limestone block which was poured into the concrete bench. This stone comes from the soil of our Beloeil property. It offers support to those who rest there.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/point-pivot\/","en":"https:\/\/int.design\/en\/projects\/point-pivot\/"},"titles":{"fr":"Point pivot","en":"Point pivot"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/77677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=77677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}