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sur la Place d\u2019Youville. Le nouveau hall \u00e9voque le jeu de miroirs et de r\u00e9flexions \u00e0 l&#39;infini de l\u2019ancien par des surfaces noires r\u00e9fl\u00e9chissantes au plafond, sur les murs et le plancher. Les bo\u00eetiers vitr\u00e9s d&#39;affichage r\u00e9cup\u00e9r\u00e9s sont transform\u00e9s en affichage num\u00e9rique.<\/p>\n<p>Apr\u00e8s avoir transit\u00e9 par un hall sombre, on arrive au c\u0153ur du b\u00e2timent dans un vide triangulaire lumineux qui monte sur toute la hauteur du b\u00e2timent entre l&#39;ancien YMCA et la nouvelle salle de spectacle. D\u2019un c\u00f4t\u00e9, une grande paroi de verre tranche en diagonale le b\u00e2timent patrimonial, r\u00e9v\u00e9lant l\u2019int\u00e9rieur des trois \u00e9tages, et de l\u2019autre, s\u2019\u00e9l\u00e8ve un volume en b\u00e9ton brut qui loge les salles de spectacle et de cr\u00e9ation. Un escalier monumental, rev\u00eatu de contreplaqu\u00e9, monte dans vide comme un arbre vers la lumi\u00e8re.<\/p>\n<p>On arrive dans le foyer au piano nobile de l\u2019ancien YMCA, o\u00f9 les structures des anciennes cloisons r\u00e9cup\u00e9r\u00e9es, un nouveau plafond en caissons et un plancher en ch\u00eane avec motifs de noyer \u00e9voquent le fant\u00f4me des pi\u00e8ces d\u2019antan. Les murs de refend en brique de l\u2019\u00e9poque sont reconstruits en b\u00e9ton coul\u00e9 avec leurs arches. <\/p>\n<p>On traverse le vide par une passerelle pour acc\u00e9der \u00e0 la salle de spectacle. On entre dans un grand volume dans lequel s\u2019\u00e9l\u00e8vent devant les passerelles techniques lat\u00e9rales des fa\u00e7ades en bois grav\u00e9, teint noir, qui reprennent la mod\u00e9nature de la fa\u00e7ade de l\u2019ancien YMCA. <\/p>\n","en":"<p>We enter the Diamond at the former Cinema of Paris hall at Place d&#39;Youville. The new hall evokes the play of mirrors and endless reflections with the old by reflective black surfaces on the ceiling, walls and floor. Recycled glass display cases are transformed into a digital display.<\/p>\n<p>After passing through a dark hall, we arrive at the heart of the building, in a luminous triangular void which rises the entire height of the space between the former YMCA and new auditorium. On one side, a large glass wall diagonally slices through the heritage building, revealing the three-storeyed interior, and on the other rises a raw concrete volume which houses the performance hall and studios. A monumental staircase, covered in plywood, climbs in the void like a tree towards the light.<\/p>\n<p>We arrive in the piano nobile of the former YMCA where structures recycled from salvaged partitions, a new coffered ceiling, and an oak floor with walnut motifs evoke the phantom of rooms of a bygone era. Period brick load-bearing walls are rebuilt, with their arches, in poured concrete.<\/p>\n<p>We cross the void by a footbridge to access the auditorium. We enter a large volume where facades in engraved wood and dyed black rise in front of lateral technical walkways, and emulate the molding of the former YMCA&#39;s facade.<\/p>\n","original":""},"jury_text":[{"category":458,"fr":"<p>On entre au Diamant \u00e0 l&#39;endroit de l\u2019ancien hall du Cin\u00e9ma de Paris sur la Place d\u2019Youville. Le nouveau hall \u00e9voque le jeu de miroirs et de r\u00e9flexions \u00e0 l&#39;infini de l\u2019ancien par des surfaces noires r\u00e9fl\u00e9chissantes au plafond, sur les murs et le plancher. Les bo\u00eetiers vitr\u00e9s d&#39;affichage r\u00e9cup\u00e9r\u00e9s sont transform\u00e9s en affichage num\u00e9rique.<\/p>\n<p>Apr\u00e8s avoir transit\u00e9 par un hall sombre, on arrive au c\u0153ur du b\u00e2timent dans un vide triangulaire lumineux qui monte sur toute la hauteur du b\u00e2timent entre l&#39;ancien YMCA et la nouvelle salle de spectacle. D\u2019un c\u00f4t\u00e9, une grande paroi de verre tranche en diagonale le b\u00e2timent patrimonial, r\u00e9v\u00e9lant l\u2019int\u00e9rieur des trois \u00e9tages, et de l\u2019autre, s\u2019\u00e9l\u00e8ve un volume en b\u00e9ton brut qui loge les salles de spectacle et de cr\u00e9ation. Un escalier monumental, rev\u00eatu de contreplaqu\u00e9, monte dans vide comme un arbre vers la lumi\u00e8re.<\/p>\n<p>On arrive dans le foyer au piano nobile de l\u2019ancien YMCA, o\u00f9 les structures des anciennes cloisons r\u00e9cup\u00e9r\u00e9es, un nouveau plafond en caissons et un plancher en ch\u00eane avec motifs de noyer \u00e9voquent le fant\u00f4me des pi\u00e8ces d\u2019antan. Les murs de refend en brique de l\u2019\u00e9poque sont reconstruits en b\u00e9ton coul\u00e9 avec leurs arches. <\/p>\n<p>On traverse le vide par une passerelle pour acc\u00e9der \u00e0 la salle de spectacle. On entre dans un grand volume dans lequel s\u2019\u00e9l\u00e8vent devant les passerelles techniques lat\u00e9rales des fa\u00e7ades en bois grav\u00e9, teint noir, qui reprennent la mod\u00e9nature de la fa\u00e7ade de l\u2019ancien YMCA. <\/p>\n","en":"<p>We enter the Diamond at the former Cinema of Paris hall at Place d&#39;Youville. The new hall evokes the play of mirrors and endless reflections with the old by reflective black surfaces on the ceiling, walls and floor. Recycled glass display cases are transformed into a digital display.<\/p>\n<p>After passing through a dark hall, we arrive at the heart of the building, in a luminous triangular void which rises the entire height of the space between the former YMCA and new auditorium. On one side, a large glass wall diagonally slices through the heritage building, revealing the three-storeyed interior, and on the other rises a raw concrete volume which houses the performance hall and studios. A monumental staircase, covered in plywood, climbs in the void like a tree towards the light.<\/p>\n<p>We arrive in the piano nobile of the former YMCA where structures recycled from salvaged partitions, a new coffered ceiling, and an oak floor with walnut motifs evoke the phantom of rooms of a bygone era. Period brick load-bearing walls are rebuilt, with their arches, in poured concrete.<\/p>\n<p>We cross the void by a footbridge to access the auditorium. We enter a large volume where facades in engraved wood and dyed black rise in front of lateral technical walkways, and emulate the molding of the former YMCA&#39;s facade.<\/p>\n","original":""},{"category":447,"fr":"<p>Entre patrimoine et modernit\u00e9<br \/>\nOn entre au Diamant \u00e0 l&#39;endroit de l\u2019ancien hall du Cin\u00e9ma de Paris sur la Place d\u2019Youville. Le nouveau hall \u00e9voque le jeu de miroirs et de r\u00e9flexions \u00e0 l&#39;infini de l\u2019ancien par des surfaces noires r\u00e9fl\u00e9chissantes au plafond, sur les murs et le plancher. Les bo\u00eetiers vitr\u00e9s d&#39;affichage r\u00e9cup\u00e9r\u00e9s sont transform\u00e9s en affichage num\u00e9rique.<\/p>\n<p>Apr\u00e8s avoir transit\u00e9 par un hall sombre, on arrive au c\u0153ur du b\u00e2timent dans un vide triangulaire lumineux qui monte sur toute la hauteur du b\u00e2timent entre l&#39;ancien YMCA et la nouvelle salle de spectacle. D\u2019un c\u00f4t\u00e9, une grande paroi de verre tranche en diagonale le b\u00e2timent patrimonial, r\u00e9v\u00e9lant l\u2019int\u00e9rieur des trois \u00e9tages, et de l\u2019autre, s\u2019\u00e9l\u00e8ve un volume en b\u00e9ton brut qui loge les salles de spectacle et de cr\u00e9ation. Un escalier monumental, rev\u00eatu de contreplaqu\u00e9, monte dans vide comme un arbre vers la lumi\u00e8re.<\/p>\n<p>On arrive dans le foyer au piano nobile de l\u2019ancien YMCA, o\u00f9 les structures des anciennes cloisons r\u00e9cup\u00e9r\u00e9es, un nouveau plafond en caissons et un plancher en ch\u00eane avec motifs de noyer \u00e9voquent le fant\u00f4me des pi\u00e8ces d\u2019antan. Les murs de refend en brique de l\u2019\u00e9poque sont reconstruits en b\u00e9ton coul\u00e9 avec leurs arches. <\/p>\n<p>On traverse le vide par une passerelle pour acc\u00e9der \u00e0 la salle de spectacle. On entre dans un grand volume dans lequel s\u2019\u00e9l\u00e8vent devant les passerelles techniques lat\u00e9rales des fa\u00e7ades en bois grav\u00e9, teint noir, qui reprennent la mod\u00e9nature de la fa\u00e7ade de l\u2019ancien YMCA. <\/p>\n","en":"<p>We enter the Diamond at the former Cinema of Paris hall at Place d&#39;Youville. The new hall evokes the play of mirrors and endless reflections with the old by reflective black surfaces on the ceiling, walls and floor. Recycled glass display cases are transformed into a digital display.<\/p>\n<p>After passing through a dark hall, we arrive at the heart of the building, in a luminous triangular void which rises the entire height of the space between the former YMCA and new auditorium. On one side, a large glass wall diagonally slices through the heritage building, revealing the three-storeyed interior, and on the other rises a raw concrete volume which houses the performance hall and studios. A monumental staircase, covered in plywood, climbs in the void like a tree towards the light.<\/p>\n<p>We arrive in the piano nobile of the former YMCA where structures recycled from salvaged partitions, a new coffered ceiling, and an oak floor with walnut motifs evoke the phantom of rooms of a bygone era. Period brick load-bearing walls are rebuilt, with their arches, in poured concrete.<\/p>\n<p>We cross the void by a footbridge to access the auditorium. We enter a large volume where facades in engraved wood and dyed black rise in front of lateral technical walkways, and emulate the molding of the former YMCA&#39;s facade.<\/p>\n","original":""},{"category":219,"fr":"<p>Sur un site exigu de la Place d\u2019Youville, sur lequel les fa\u00e7ades d\u2019un b\u00e2timent patrimonial \u00e9taient \u00e0 conserver, salles de spectacle et de cr\u00e9ation devaient y \u00eatre architectur\u00e9es : Le Diamant. Pour ce faire, il a fallu d\u00e9molir partiellement le b\u00e2timent existant suivant les intentions d\u2019en conserver l\u2019esprit du lieu. La d\u00e9cision de trancher dans l\u2019existant en diagonale assure la mat\u00e9rialisation du nouveau centre de diffusion culturelle. Un vide interstitiel triangulaire qui monte sur toute la hauteur de l\u2019ancien b\u00e2timent cr\u00e9e un lieu de lumi\u00e8re qui permet aux deux entit\u00e9s, b\u00e2timent patrimonial et salle de spectacle, d\u2019exister pleinement.<br \/>\nTranch\u00e9 et ouvert sur le grand vide cr\u00e9\u00e9, l\u2019ancien YMCA r\u00e9v\u00e8le ses int\u00e9rieurs sur tous les niveaux o\u00f9 des \u00e9l\u00e9ments en bois y sont r\u00e9cup\u00e9r\u00e9s et nouvellement construits en contraste avec la paroi de b\u00e9ton coul\u00e9 brut et expos\u00e9 de la salle de spectacle qui lui fait face.<br \/>\nDans le grand vide central lumineux, un escalier monumental rev\u00eatu de contreplaqu\u00e9 d\u2019arauco, monte dans le vide comme un arbre vers la lumi\u00e8re. Avec le mobilier int\u00e9gr\u00e9 construit aussi en contreplaqu\u00e9, il dirige chaleureusement et avec convivialit\u00e9 les spectateurs au travers les espaces publics construits essentiellement en b\u00e9ton.<br \/>\nDans le foyer log\u00e9 au piano nobile de l\u2019ancien YMCA, les structures des anciennes cloisons r\u00e9cup\u00e9r\u00e9es et r\u00e9install\u00e9es \u00e9voquent avec le nouveau plancher en ch\u00eane avec motifs de noyer et le plafond \u00e0 caissons le fant\u00f4me des pi\u00e8ces d\u2019antan. <\/p>\n","en":"<p>On a tiny site at Place d&#39;Youville, and on which the heritage building facades were to be conserved, performance and creation venues were to be built: the Diamond. In order to do this, it was necessary to partially demolish the existing building, with the intention of preserving the spirit of the place. The decision to diagonally cut through the existing space assures the materialization of the new center of cultural dissemination. A triangular interstitial void which rises the entire height of the old building creates a place of light which allows both entities  &#8211; heritage building and performance hall &#8211; to fully exist.<\/p>\n<p>Sliced through and open to the great void created, the former YMCA reveals its interiors on all levels where wooden elements are recuperated and newly built, in contrast with the raw and exposed performance hall&#39;s concrete wall which faces it.<\/p>\n<p>In the large central luminous void, a monumental staircase covered in Arauco plywood climbs into the void like a tree towards the light. With built-in furniture also in plywood, it warmly and convivially directs the spectators through public spaces built mainly in concrete.<\/p>\n<p>In the foyer housed within the piano nobile of the former YMCA, recycled and reinstalled structures from old partitions evoke &#8211; with the new oak floor and its walnut motifs, and the coffered ceiling &#8211; the phantom of rooms of yesteryear.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":458,"cat_id_laureat":1077,"laureat":"Laur\u00e9at Grand Prix International"},{"cat_id":447,"cat_id_laureat":1077,"laureat":"Laur\u00e9at Grand Prix International"},{"cat_id":219,"cat_id_laureat":1077,"laureat":"Laur\u00e9at Grand Prix International"}],"contest_id":"1180","contest_title":"GRANDS PRIX DU DESIGN - 14e \u00e9dition","firms":[{"name":"Tetratech","website":"www.tetratech.com","category":"Ing\u00e9nierie","category_tax":false,"category_label":null},{"name":"Dupras Ledoux","website":"www.dupras.com","category":"Ing\u00e9nierie","category_tax":false,"category_label":null},{"name":"Ambioner","website":"www.ambioner.com","category":"Ing\u00e9nierie","category_tax":false,"category_label":null},{"name":"WSP","website":"www.wsp.com","category":"Acoustique","category_tax":false,"category_label":null},{"name":"Pomerleau Inc.","website":"www.pomerleau.ca","category":"Entrepreneur g\u00e9n\u00e9ral","category_tax":false,"category_label":null},{"name":"in situ atelier d'architecture","website":"www.insitu.qc.ca","category":"Architecte","category_tax":false,"category_label":null},{"name":"Coarchitecture","website":"www.coarchitecture.com","category":"Architecte","category_tax":false,"category_label":null},{"name":"Jacques Plante architecte","website":"www.aucunsiteweb.com","category":"Architecte","category_tax":false,"category_label":null}],"user":{"email":"annie@insitu.qc.ca","first_name":"Annie","last_name":"Lebel"},"doc_texts_web":{"fr":"","en":""},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/le-diamant\/","en":"https:\/\/int.design\/en\/projects\/le-diamant\/"},"titles":{"fr":"Le Diamant","en":"Le Diamant"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/68871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=68871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}