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Ce b\u00e2timent s\u2019est fait peau neuve<br \/>\net une attention soutenue a \u00e9t\u00e9 port\u00e9e \u00e0 l\u2019h\u00e9ritage et aux reflets cr\u00e9atifs de ce quartier<br \/>\nen vogue.<\/p>\n<p>Compl\u00e8tement r\u00e9nov\u00e9 en 2017, cet \u00e9difice fut longtemps le domicile et l\u2019atelier de<br \/>\ncr\u00e9ation du peintre qu\u00e9b\u00e9cois reconnu et largement appr\u00e9ci\u00e9 Lucio De Heusch, dont<br \/>\nles tableaux font partie d\u2019importantes collections publiques et priv\u00e9es au Qu\u00e9bec et<br \/>\nau Canada. Pour Paul-\u00c9tienne C\u00f4t\u00e9, fondateur et pr\u00e9sident de Circonflex &#8211; le mariage<br \/>\nunique de convivialit\u00e9 et d\u2019espace de cr\u00e9ation ont contribu\u00e9 \u00e0 d\u00e9finir l\u2019ADN du design<br \/>\ndes studios. Le propri\u00e9taire a d&rsquo;ailleurs r\u00e9cemment fait l&rsquo;acquisition d&rsquo;un des derniers tableaux de De Heusch, lequel est expos\u00e9 en permanence au studio, reliant ainsi les \u00e9poques du b\u00e2timent \u00e0 travers l&rsquo;art. Dans le but de rendre hommage au pass\u00e9 de l\u2019immeuble tout en transformant le lieu en un espace technologique et sonore in\u00e9gal\u00e9 au Canada, Circonflex a fait appel au designer prim\u00e9 et originaire du Mile End, Z\u00e9bulon Perron. L\u2019Atelier misant sur une signature unique qui sont majoritairement li\u00e9es \u00e0 l\u2019am\u00e9nagement de restaurants ou de bars. Une dimension recherch\u00e9e dans le secteur au sein duquel Circonflex oeuvre: soit l\u2019industrie publicitaire. Il \u00e9tait important de pouvoir allier professionnalisme, technologie, d\u00e9tente, et ludisme.<\/p>\n","en":"<p>Located in the heart of the Mile End, across from the Saint-Enfant-J\u00e9sus-du-Mile End<br \/>\nchurch &#8211; a Montreal architectural gem of the last century &#8211; the building at 5002 St-<br \/>\nLaurent has been since 2019 Circonflex\u2019s new headquarters. The building was given<br \/>\na substantial facelift while keeping a close attention to reflecting this fashionable<br \/>\nneighborhood\u2019s heritage and creative origins.<\/p>\n<p>Completely renovated in 2017, this building was for a long time the home and creative<br \/>\nstudio of the renowned and widely appreciated Quebec painter Lucio De Heusch,<br \/>\nwhose paintings are part of major public and private collections in Quebec and Canada.<br \/>\nFor Paul-\u00c9tienne C\u00f4t\u00e9, founder and president of Circonflex, the unique emphasis on<br \/>\nconviviality within a creative space has helped define the design DNA of the studios.<br \/>\nThe owner recently acquired one of De Heusch&rsquo;s last paintings, which is permanently exhibited in the studio, thus tying in the building&rsquo;s eras through art. <\/p>\n<p>In an effort to pay tribute to the building\u2019s past while transforming the place into cutting<br \/>\nedge sound studios, unmatched in Canada, Circonflex called upon award-winning<br \/>\ndesigner and Mile End native, Z\u00e9bulon Perron. Perron\u2019s atelier is known for its unique<br \/>\nsignature, stemming from the development of restaurants and bars. This is a dimension<br \/>\nsought after in the sector in which Circonflex operates: the advertising industry. The<br \/>\nrenovations\u2019 main challenge was to combine professionalism, technology, relaxation,<br \/>\nand playfulness.<\/p>\n","original":""},"jury_text":[{"category":457,"fr":"<p>Un studio d\u2019enregistrement n\u2019est souvent pas esth\u00e9tiquement plaisant car les consid\u00e9rations et contraintes acoustiques limitent les possibilit\u00e9s de design. C\u2019est pr\u00e9cis\u00e9ment la raison pour laquelle aux studios Circonflex, le design l\u2019a emport\u00e9 sur la fonction ce qui va \u00e0 l\u2019encontre du populaire adage \u201cForm Follows Function\u201d. Cet objectif esth\u00e9tique s\u2019est exprim\u00e9 sur 3 volets. L&#39;absorption acoustique, une \u00e9tude de la perm\u00e9abilit\u00e9 de l\u2019air (et du son) a \u00e9t\u00e9 men\u00e9e afin de s\u2019\u00e9loigner du typique textile acoustique \u2018Guilford of Maine\u2019. Le rev\u00eatement des murs acoustiques a ainsi \u00e9t\u00e9 garni de velours. Les cloisons vitr\u00e9es plafond\/planchers de chaque salle d\u2019enregistrement, partagent le m\u00eame niveau de plancher afin de cr\u00e9er une impression de pi\u00e8ce commune. Les 2 pi\u00e8ces sont s\u00e9par\u00e9es par du verre tremp\u00e9 de 12mm, juxtapos\u00e9 \u00e0 deux vitres lamin\u00e9es de 8 et 10mm angul\u00e9es ce qui redirige les r\u00e9flexions sp\u00e9culaires vers l&#39;absorption acoustique. La portion diffusion acoustique du rev\u00e8tement des murs est install\u00e9e au fond des studios et est constitu\u00e9 de baguettes de ch\u00e8ne blanc aux allures mid century, ces derniers remplacent les diffuseurs acoustiques typiquement employ\u00e9s dans les studios. Une technique de peinture balay\u00e9e \u00e0 \u00e9t\u00e9 appliqu\u00e9e sur les murs non acoustiques. En somme, ces choix agr\u00e9mentent l&#39;exp\u00e9rience v\u00e9cue par les clients du studio en  leur permettant de voir et d&#39;entendre l&#39;esth\u00e9tisme artistique et architectural. <\/p>\n","en":"<p>A recording studio is often not aesthetically pleasing due to acoustic considerations and constraints that limit the design possibilities. This is precisely why at Circonflex Studios, design won over function which goes against the popular adage \u201cForm follows function\u201d. This aesthetic objective was expressed in three areas: acoustic absorption, glass partitions, and acoustic diffusion. In terms of sound absorption, a study of air (and sound) permeability was conducted to move away from the typical &#39;Guilford of Maine&#39; acoustic textile. Instead, the acoustic wall covering was lined with velvet. The glass ceiling\/floor partitions of each recording booth are on the same level to create the feeling of being in the same room. The two rooms are separated by 12mm tempered glass, juxtaposed with two angled 8 and 10mm laminated panes which redirect specular reflections towards sound absorption. The acoustic diffusion portion of the wall covering is installed at the back of the studios and consists of white oak rods with a mid-century look &#8211; the latter replacing the acoustic diffusers typically used in studios. Finally, a European brush painting technique was applied to the non-acoustic walls. In short, the combination of the absorbent velvet wall, the transparency of the glass wall, the linearity of the oak wall and the luster of the brushed hyper gloss paint, creates a plural visual experience enjoyed by the studio&#39;s clients which allows them to see and hear architectural aesthetics.<\/p>\n","original":""},{"category":431,"fr":"<p>Fond\u00e9e en 2009 \u00e0 Montr\u00e9al par Paul-\u00c9tienne C\u00f4t\u00e9, r\u00e9cipiendaire de plusieurs prix et<br \/>\ndistinctions, Circonflex est une agence de production et d\u2019enregistrement sonore<br \/>\nqui cr\u00e9e, compose, produit et synchronise des musiques sur des publicit\u00e9s, films et<br \/>\n\u00e9missions de t\u00e9l\u00e9vision. Circonflex cr\u00e9e le lien essentiel entre les cr\u00e9ateurs et les<br \/>\ndiffuseurs de musique. Elle produit, \u00e9dite et place de la musique pour du contenu<br \/>\nt\u00e9l\u00e9visuel, publicitaire et cin\u00e9matographique, tant sur le march\u00e9 local qu\u2019\u00e0 l\u2019\u00e9tranger.<\/p>\n","en":"<p>Founded in 2009 in Montreal by Paul-\u00c9tienne C\u00f4t\u00e9, recipient of several awards and distinctions, Circonflex is a production and sound recording agency that creates, composes, produces and synchronizes music on commercials, films and TV shows. Circonflex creates the essential link between designers and music broadcasters. It produces, edits and places music for content television, advertising and film, both locally and abroad.<\/p>\n","original":""},{"category":219,"fr":"<p>Inspir\u00e9e du style mid-century, avec un accent sur le confort, la direction des r\u00e9novations des bureaux de Circonflex imagin\u00e9e par Paul-\u00c9tienne C\u00f4t\u00e9 (fondateur et pr\u00e9sident) avec Z\u00e9bulon Perron (Atelier Z\u00e9bulon) a surtout privil\u00e9gi\u00e9 le bois comme base du langage de design. Afin d\u2019atteindre un \u00e9quilibre entre le blanc et le noir, l\u2019usage de fines planches de deux pouces et un quart de ch\u00e8ne blanc, concervant aussi le design d\u2019origine Montr\u00e9alais du d\u00e9but du si\u00e8cle, a permis d\u2019offrir un contraste moins prononc\u00e9. Nich\u00e9e au coeur d\u2019une imposante salle \u00e0 manger, la cuisine, \u00e0 \u00e9t\u00e9 faite \u00e0 la main en noyer noir par Tendence Concept. Cette pi\u00e8ce centrale agr\u00e9ment\u00e9e de son majestueux piano et d\u2019une longue table communale, cette pi\u00e8ce se transforme en salle de concert lors des 5 \u00e0 7 en favorisant une exp\u00e9rience exclusive et intime. Une mezzanine, suspendue au-dessus du lounge et de la cuisine, offre une vue plongeante sur la biblioth\u00e8que constitu\u00e9e de cubes de noyer. De cr\u00e9ation qu\u00e9b\u00e9coise, et confectionn\u00e9e \u00e0 la main par Le Temps des Cigales, la majestueuse biblioth\u00e8que se d\u00e9ploie sur double hauteur. Pour lier le discours du bois dans la totalit\u00e9 de l\u2019espace, la douceur et la p\u00e2leur des planchers permettent d&#39;accueillir les grosses tables de noyer noir. Finalement, une autre raison de composer avec ces choix de bois est li\u00e9e \u00e0 l&#39;importance de l\u2019usage de mat\u00e9riel local et \u00e0 faible empreinte \u00e9cologique. <\/p>\n","en":"<p>Inspired by Mid-Century style, with an emphasis on comfort, the direction of the renovations of the Circonflex offices imagined by Paul-\u00c9tienne C\u00f4t\u00e9 (founder and president) with Z\u00e9bulon Perron (Atelier Z\u00e9bulon) favored wood as the basis of the language of the design. In order to achieve a balance between black and white, the use of thin boards of two and a quarter inches of white oak (while also preserving the original Montreal design of the turn of the century) made it possible to offer a less pronounced contrast. Nestled in the heart of an impressive dining room, the kitchen was handmade in black walnut by Tendence Concept. This central room decorated with a majestic piano and a long communal table, also transforms into a concert hall during happy hour, offering an exclusive and intimate experience. The mezzanine, suspended above the lounge and the kitchen, offers a bird&#39;s eye view of the two-story high bookcase composed of walnut cases, created and handcrafted in Quebec by Le Temps des Cigales. To continue the discourse of wood throughout the space, the softness and paleness of the floors accommodate the large black walnut tables perfectly. Finally, another important reason for the choices of these types of wood is linked to the importance of the use of local materials and with a low ecological footprint.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":457,"cat_id_laureat":1034,"laureat":"Certification Argent"},{"cat_id":431,"cat_id_laureat":1035,"laureat":"Certification Or"},{"cat_id":219,"cat_id_laureat":1035,"laureat":"Certification Or"}],"contest_id":"1180","contest_title":"GRANDS PRIX DU DESIGN - 14e \u00e9dition","firms":[{"name":"Circonflex","website":"http:\/\/www.circonflex.com","category":"","category_tax":false}],"user":{"email":"raphael@circonflex.com","first_name":"Raphael","last_name":"Ettore"},"doc_texts_web":{"fr":"","en":""},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/studios-de-montreal\/","en":"https:\/\/int.design\/en\/projects\/studios-de-montreal\/"},"titles":{"fr":"Studios de Montr\u00e9al","en":"Studios de Montr\u00e9al"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/64904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=64904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}