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collection a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que World of Interiors, Mixte Magazine, British House &amp; Garden et House &amp; Home. Elle est distribu\u00e9e \u00e0 l\u2019\u00e9chelle internationale par Christopher Farr Cloth, qui imprime \u00e0 la main sur du lin belge \u00e0 Londres et dont les tissus sont tiss\u00e9s en Belgique. La signification du nom de chaque tissu est li\u00e9e \u00e0 un lieu canadien ayant une valeur sentimentale. Bay Street, nomm\u00e9 d\u2019apr\u00e8s le quartier financier de Toronto, s\u2019inspire du tailleur pour hommes, avec une couture d\u00e9licate \u00e0 la fois nette et l\u00e9g\u00e8rement imparfaite ; le tissage de Bolton, \u00e0 la texture subtile mais complexe, porte ses inspirations topographiques avec certitude \u2013 nous avons l\u2019impression de regarder des fermes et des for\u00eats lointaines. Les coutures simples et traditionnelles d\u2019Algonquin rendent hommage au parc national dont il tire son nom, Hudson fait un fier clin d\u2019\u0153il \u00e0 la rayure s\u00e9culaire de la Baie d\u2019Hudson, et les rayures fra\u00eeches et nettes de Brome sont nautiques sans effort, comme si elles \u00e9taient faites pour les lins et les cotons doux sur lesquels elles sont imprim\u00e9es.<\/p>\n<p>&nbsp;<\/p>\n","en":"","original":"<p>La collection a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que World of Interiors, Mixte Magazine, British House &amp; Garden et House &amp; Home. Elle est distribu\u00e9e \u00e0 l\u2019\u00e9chelle internationale par Christopher Farr Cloth, qui imprime \u00e0 la main sur du lin belge \u00e0 Londres et dont les tissus sont tiss\u00e9s en Belgique. La signification du nom de chaque tissu est li\u00e9e \u00e0 un lieu canadien ayant une valeur sentimentale. Bay Street, nomm\u00e9 d\u2019apr\u00e8s le quartier financier de Toronto, s\u2019inspire du tailleur pour hommes, avec une couture d\u00e9licate \u00e0 la fois nette et l\u00e9g\u00e8rement imparfaite ; le tissage de Bolton, \u00e0 la texture subtile mais complexe, porte ses inspirations topographiques avec certitude \u2013 nous avons l\u2019impression de regarder des fermes et des for\u00eats lointaines. Les coutures simples et traditionnelles d\u2019Algonquin rendent hommage au parc national dont il tire son nom, Hudson fait un fier clin d\u2019\u0153il \u00e0 la rayure s\u00e9culaire de la Baie d\u2019Hudson, et les rayures fra\u00eeches et nettes de Brome sont nautiques sans effort, comme si elles \u00e9taient faites pour les lins et les cotons doux sur lesquels elles sont imprim\u00e9es.<\/p>\n<p>&nbsp;<\/p>\n"},"jury_text":[{"category":3836,"fr":"<p>C\u2019\u00e9tait l\u2019un de ces moments o\u00f9 l\u2019on rencontre quelqu\u2019un et o\u00f9 l\u2019on sait que l\u2019on parle la m\u00eame langue\u201d. C\u2019est ainsi que Michal Silver, directrice de la cr\u00e9ation de Christopher Farr Cloth, d\u00e9crit sa rencontre avec Scott Yetman, designer d\u2019int\u00e9rieur originaire de Terre-Neuve, qui allait marquer le d\u00e9but d\u2019un lien de parent\u00e9 \u00e0 travers quelque chose qui \u00e9tait, selon Michal, \u201cencore plus grand que le design\u201d.<\/p>\n<p>Au moment de leur rencontre, Michal revenait d\u2019une exposition \u00e0 la Tate Modern consacr\u00e9e \u00e0 Agnes Martin, dont les peintures expressionnistes abstraites l\u2019avaient profond\u00e9ment touch\u00e9e. Scott admire depuis longtemps les lignes nettes, les points et le sens de la puret\u00e9 de l\u2019artiste canadienne, des \u00e9l\u00e9ments qui se retrouvent dans ses propres projets, de l\u2019int\u00e9rieur de maisons de ville \u00e9l\u00e9gantes \u00e0 des escapades au bord d\u2019un lac. Apr\u00e8s un d\u00e9jeuner qui s\u2019est prolong\u00e9 tard dans l\u2019apr\u00e8s-midi, Michal a demand\u00e9 \u00e0 Scott de la rencontrer \u00e0 nouveau et de lui proposer des dessins pour des tissus et des rev\u00eatements muraux qui pr\u00e9sentaient un point de vue original bas\u00e9 sur ce qu\u2019il pensait \u00eatre une merveilleuse collection.<\/p>\n<p>\u00c9tant \u00e0 la t\u00eate d\u2019une maison de tissus, de papiers, de passementeries et de tapis, la collaboration avec des designers textiles a toujours fait partie int\u00e9grante du processus de Michal. Mais la directrice de la cr\u00e9ation a ressenti le besoin d\u2019une troisi\u00e8me dimension dans le travail de Christopher Farr \u2013 qu\u2019elle allait bient\u00f4t trouver avec Scott, dont la connaissance des textures, combin\u00e9e \u00e0 une vision et une compr\u00e9hension plus grandes de l\u2019espace, offrait cette nouvelle couche. La fa\u00e7on dont Scott aborde les couleurs et les motifs semble ne ressembler \u00e0 aucune autre, et sa capacit\u00e9 \u00e0 ajouter une touche profond\u00e9ment personnelle \u00e0 une esth\u00e9tique moderne a imm\u00e9diatement s\u00e9duit Michal. Il avait un point de vue que nous n\u2019avions pas auparavant dans la collection\u201d, note-t-elle lors d\u2019une conversation sur les diff\u00e9rences entre la collaboration avec des architectes d\u2019int\u00e9rieur et celle avec des designers de produits ou de textiles. Scott <em>voit<\/em> vraiment la pi\u00e8ce : il ne se contente pas de dessiner le tissu, il le visualise sur les rideaux, sur le canap\u00e9\u2026 c\u2019est sa vision qui donne vie \u00e0 l\u2019ensemble\u201d.<\/p>\n<p>L\u2019\u00e9l\u00e9ment unique de la conception minimaliste de Scott r\u00e9side en grande partie dans sa capacit\u00e9 \u00e0 superposer les couches de mani\u00e8re d\u00e9pouill\u00e9e. S\u2019\u00e9loignant du style ton sur ton des ann\u00e9es 90, chaque \u00e9l\u00e9ment de ses cr\u00e9ations est choisi m\u00e9ticuleusement et bien pens\u00e9, ce qui conduit \u00e0 une esth\u00e9tique \u00e0 la fois pure et qui pousse le spectateur \u00e0 regarder une rayure sous un angle diff\u00e9rent. Ma\u00eetriser le minimalisme tout en conservant la chaleur est un d\u00e9fi permanent pour les cr\u00e9ateurs, mais la subtile influence de la Nouvelle-Angleterre qui se manifeste dans les cr\u00e9ations de Scott les rend, aussi contemporaines qu\u2019elles soient, sans pr\u00e9tention et irr\u00e9futablement accueillantes.<\/p>\n<p>Il [Scott] a commenc\u00e9 \u00e0 jouer avec les couleurs que nous utilisons toujours, mais il \u00e9tait int\u00e9ressant de le voir prendre notre palette et la m\u00e9langer diff\u00e9remment\u201d, d\u00e9clare Michal. Traditionnellement, nous ne ferions jamais quelque chose d\u2019aussi graphique que de marier le vert olive et le noir, mais avec Scott, cela a fonctionn\u00e9. Il a introduit un nouveau bleu sarcelle fantastique \u2013 sombre mais avec des reflets verts \u2013 et l\u2019a associ\u00e9 \u00e0 une couleur miel qui a donn\u00e9 une impression de nettet\u00e9. Son int\u00e9r\u00eat pour notre voix originale et sa capacit\u00e9 \u00e0 apporter quelque chose de diff\u00e9rent qui corresponde n\u00e9anmoins \u00e0 la marque sont ind\u00e9niables.<\/p>\n<p>Pour ce qui est de la signification de chacun des tissus de Scott, le nom de chacun d\u2019entre eux se rapporte \u00e0 un lieu canadien ayant une valeur sentimentale. Bay Street, nomm\u00e9 d\u2019apr\u00e8s le quartier financier de Toronto, s\u2019inspire du tailleur pour hommes, avec une couture d\u00e9licate, \u00e0 la fois nette et l\u00e9g\u00e8rement imparfaite ; le tissage de Bolton, \u00e0 la texture subtile mais complexe, porte avec certitude ses inspirations topographiques \u2013 nous avons l\u2019impression de voir des fermes et des for\u00eats lointaines. Les coutures simples et traditionnelles d\u2019Algonquin rendent hommage au parc national dont il tire son nom, Hudson fait un fier clin d\u2019\u0153il \u00e0 la rayure s\u00e9culaire de la Baie d\u2019Hudson, et les rayures fra\u00eeches et nettes de Brome sont nautiques sans effort, comme si elles \u00e9taient faites pour les lins et les cotons doux sur lesquels elles sont imprim\u00e9es.<\/p>\n<p>La collection a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que World of Interiors, Mixte Magazine, British House &amp; Garden et House &amp; Home. Elle est distribu\u00e9e \u00e0 l\u2019\u00e9chelle internationale par Christopher Farr Cloth, qui imprime \u00e0 la main sur du lin belge \u00e0 Londres et dont les tissus sont tiss\u00e9s en Belgique.<\/p>\n","en":"","original":"<p>C\u2019\u00e9tait l\u2019un de ces moments o\u00f9 l\u2019on rencontre quelqu\u2019un et o\u00f9 l\u2019on sait que l\u2019on parle la m\u00eame langue\u201d. C\u2019est ainsi que Michal Silver, directrice de la cr\u00e9ation de Christopher Farr Cloth, d\u00e9crit sa rencontre avec Scott Yetman, designer d\u2019int\u00e9rieur originaire de Terre-Neuve, qui allait marquer le d\u00e9but d\u2019un lien de parent\u00e9 \u00e0 travers quelque chose qui \u00e9tait, selon Michal, \u201cencore plus grand que le design\u201d.<\/p>\n<p>Au moment de leur rencontre, Michal revenait d\u2019une exposition \u00e0 la Tate Modern consacr\u00e9e \u00e0 Agnes Martin, dont les peintures expressionnistes abstraites l\u2019avaient profond\u00e9ment touch\u00e9e. Scott admire depuis longtemps les lignes nettes, les points et le sens de la puret\u00e9 de l\u2019artiste canadienne, des \u00e9l\u00e9ments qui se retrouvent dans ses propres projets, de l\u2019int\u00e9rieur de maisons de ville \u00e9l\u00e9gantes \u00e0 des escapades au bord d\u2019un lac. Apr\u00e8s un d\u00e9jeuner qui s\u2019est prolong\u00e9 tard dans l\u2019apr\u00e8s-midi, Michal a demand\u00e9 \u00e0 Scott de la rencontrer \u00e0 nouveau et de lui proposer des dessins pour des tissus et des rev\u00eatements muraux qui pr\u00e9sentaient un point de vue original bas\u00e9 sur ce qu\u2019il pensait \u00eatre une merveilleuse collection.<\/p>\n<p>\u00c9tant \u00e0 la t\u00eate d\u2019une maison de tissus, de papiers, de passementeries et de tapis, la collaboration avec des designers textiles a toujours fait partie int\u00e9grante du processus de Michal. Mais la directrice de la cr\u00e9ation a ressenti le besoin d\u2019une troisi\u00e8me dimension dans le travail de Christopher Farr \u2013 qu\u2019elle allait bient\u00f4t trouver avec Scott, dont la connaissance des textures, combin\u00e9e \u00e0 une vision et une compr\u00e9hension plus grandes de l\u2019espace, offrait cette nouvelle couche. La fa\u00e7on dont Scott aborde les couleurs et les motifs semble ne ressembler \u00e0 aucune autre, et sa capacit\u00e9 \u00e0 ajouter une touche profond\u00e9ment personnelle \u00e0 une esth\u00e9tique moderne a imm\u00e9diatement s\u00e9duit Michal. Il avait un point de vue que nous n\u2019avions pas auparavant dans la collection\u201d, note-t-elle lors d\u2019une conversation sur les diff\u00e9rences entre la collaboration avec des architectes d\u2019int\u00e9rieur et celle avec des designers de produits ou de textiles. Scott <em>voit<\/em> vraiment la pi\u00e8ce : il ne se contente pas de dessiner le tissu, il le visualise sur les rideaux, sur le canap\u00e9\u2026 c\u2019est sa vision qui donne vie \u00e0 l\u2019ensemble\u201d.<\/p>\n<p>L\u2019\u00e9l\u00e9ment unique de la conception minimaliste de Scott r\u00e9side en grande partie dans sa capacit\u00e9 \u00e0 superposer les couches de mani\u00e8re d\u00e9pouill\u00e9e. S\u2019\u00e9loignant du style ton sur ton des ann\u00e9es 90, chaque \u00e9l\u00e9ment de ses cr\u00e9ations est choisi m\u00e9ticuleusement et bien pens\u00e9, ce qui conduit \u00e0 une esth\u00e9tique \u00e0 la fois pure et qui pousse le spectateur \u00e0 regarder une rayure sous un angle diff\u00e9rent. Ma\u00eetriser le minimalisme tout en conservant la chaleur est un d\u00e9fi permanent pour les cr\u00e9ateurs, mais la subtile influence de la Nouvelle-Angleterre qui se manifeste dans les cr\u00e9ations de Scott les rend, aussi contemporaines qu\u2019elles soient, sans pr\u00e9tention et irr\u00e9futablement accueillantes.<\/p>\n<p>Il [Scott] a commenc\u00e9 \u00e0 jouer avec les couleurs que nous utilisons toujours, mais il \u00e9tait int\u00e9ressant de le voir prendre notre palette et la m\u00e9langer diff\u00e9remment\u201d, d\u00e9clare Michal. Traditionnellement, nous ne ferions jamais quelque chose d\u2019aussi graphique que de marier le vert olive et le noir, mais avec Scott, cela a fonctionn\u00e9. Il a introduit un nouveau bleu sarcelle fantastique \u2013 sombre mais avec des reflets verts \u2013 et l\u2019a associ\u00e9 \u00e0 une couleur miel qui a donn\u00e9 une impression de nettet\u00e9. Son int\u00e9r\u00eat pour notre voix originale et sa capacit\u00e9 \u00e0 apporter quelque chose de diff\u00e9rent qui corresponde n\u00e9anmoins \u00e0 la marque sont ind\u00e9niables.<\/p>\n<p>Pour ce qui est de la signification de chacun des tissus de Scott, le nom de chacun d\u2019entre eux se rapporte \u00e0 un lieu canadien ayant une valeur sentimentale. Bay Street, nomm\u00e9 d\u2019apr\u00e8s le quartier financier de Toronto, s\u2019inspire du tailleur pour hommes, avec une couture d\u00e9licate, \u00e0 la fois nette et l\u00e9g\u00e8rement imparfaite ; le tissage de Bolton, \u00e0 la texture subtile mais complexe, porte avec certitude ses inspirations topographiques \u2013 nous avons l\u2019impression de voir des fermes et des for\u00eats lointaines. Les coutures simples et traditionnelles d\u2019Algonquin rendent hommage au parc national dont il tire son nom, Hudson fait un fier clin d\u2019\u0153il \u00e0 la rayure s\u00e9culaire de la Baie d\u2019Hudson, et les rayures fra\u00eeches et nettes de Brome sont nautiques sans effort, comme si elles \u00e9taient faites pour les lins et les cotons doux sur lesquels elles sont imprim\u00e9es.<\/p>\n<p>La collection a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que World of Interiors, Mixte Magazine, British House &amp; Garden et House &amp; Home. Elle est distribu\u00e9e \u00e0 l\u2019\u00e9chelle internationale par Christopher Farr Cloth, qui imprime \u00e0 la main sur du lin belge \u00e0 Londres et dont les tissus sont tiss\u00e9s en Belgique.<\/p>\n"}],"different_jury_text":true,"different_category_text":false},"laureats":[{"cat_id":3836,"cat_id_laureat":4025,"laureat":"Certification Or"}],"contest_id":"119061","contest_title":"GRANDS PRIX DU DESIGN \u2013 17e \u00e9dition","firms":[{"name":"SYD Bespoke Interiors","website":"https:\/\/sydinteriors.com\/","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"},{"name":"Christopher Farr Cloth","website":"https:\/\/christopherfarrcloth.com\/","category":"","category_tax":2754,"category_label":"Manufacturier"}],"user":{"email":"info@sydinteriors.com","first_name":"Bruno","last_name":"Bertilotti"},"doc_texts_web":{"fr":"<p>La collection a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans des publications telles que World of Interiors, Mixte Magazine, British House & Garden et House & Home. Elle est distribu\u00e9e \u00e0 l\u2019\u00e9chelle internationale par Christopher Farr Cloth, qui imprime \u00e0 la main sur du lin belge \u00e0 Londres et dont les tissus sont tiss\u00e9s en Belgique. La signification du nom de chaque tissu est li\u00e9e \u00e0 un lieu canadien ayant une valeur sentimentale. Bay Street, nomm\u00e9 d\u2019apr\u00e8s le quartier financier de Toronto, s\u2019inspire du tailleur pour hommes, avec une couture d\u00e9licate \u00e0 la fois nette et l\u00e9g\u00e8rement imparfaite ; le tissage de Bolton, \u00e0 la texture subtile mais complexe, porte ses inspirations topographiques avec certitude \u2013 nous avons l\u2019impression de regarder des fermes et des for\u00eats lointaines. Les coutures simples et traditionnelles d\u2019Algonquin rendent hommage au parc national dont il tire son nom, Hudson fait un fier clin d\u2019\u0153il \u00e0 la rayure s\u00e9culaire de la Baie d\u2019Hudson, et les rayures fra\u00eeches et nettes de Brome sont nautiques sans effort, comme si elles \u00e9taient faites pour les lins et les cotons doux sur lesquels elles sont imprim\u00e9es.<\/p>\n<p>&nbsp;<\/p>\n","en":"<p>The collection has been featured in publications such as World of Interiors, Mixte Magazine, British House & Garden and House & Home. It is distributed internationally by Christopher Farr Cloth, hand-block printed on Belgian linen in London, with fabrics woven in Belgium. The meaning behind each cloth\u2019s name relates to a Canadian place with a sentimental location. Bay Street, named after Toronto\u2019s financial district, draws its inspiration from men\u2019s tailoring, with a delicate stitching that is at once clean and ever so slightly imperfect; Bolton\u2019s subtly yet intricately textured weave wears its topographical inspirations with certainty\u2014we feel as if we are looking over faraway farms and forests. Algonquin\u2019s simple, back-to-the-roots stitching pays homage to the national park it takes its name from, Hudson gives a proud nod to the centuries-old Hudson\u2019s Bay Stripe, and Brome\u2019s fresh and crisp stripes are effortlessly nautical\u2014as if they were made for the soft linens and cottons on which they are printed.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/collection-of-fabrics-and-wallcoverings-by-scott-yetman-and-christopher-farr-cloth\/","en":"https:\/\/int.design\/en\/projects\/collection-of-fabrics-and-wallcoverings-by-scott-yetman-and-christopher-farr-cloth\/"},"titles":{"fr":"Collection of Fabrics and Wallcoverings","en":"Collection of Fabrics and Wallcoverings"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/136199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=136199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}