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et dessins compl\u00e9mentaires","file":{"ID":140906,"id":140906,"title":"240419_GPD_1304","filename":"240419GPD1304.pdf","filesize":7082232,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2024\/04\/240419GPD1304.pdf","link":"https:\/\/int.design\/fr\/projets\/hommage-a-willis-ritchie-architecte\/240419_gpd_1304\/","alt":"","author":"854","description":"","caption":"","name":"240419_gpd_1304","status":"inherit","uploaded_to":130302,"date":"2024-04-20 03:33:42","modified":"2024-04-20 03:34:02","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}}],"optional_documents":false,"web_text":{"fr":"","en":"","original":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"},"jury_text":[{"category":3720,"fr":"","en":"","original":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"},{"category":3767,"fr":"","en":"","original":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"},{"category":3773,"fr":"","en":"","original":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"},{"category":3774,"fr":"","en":"","original":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n"}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3720,"cat_id_laureat":4025,"laureat":"Certification Or"},{"cat_id":3767,"cat_id_laureat":4025,"laureat":"Certification Or"},{"cat_id":3773,"cat_id_laureat":4025,"laureat":"Certification Or"},{"cat_id":3774,"cat_id_laureat":4025,"laureat":"Certification Or"}],"contest_id":"119061","contest_title":"GRANDS PRIX DU DESIGN \u2013 17e \u00e9dition","firms":[],"user":{"email":"jeanmaximelabrecque@gmail.com","first_name":"Jean-Maxime","last_name":"Labrecque"},"doc_texts_web":{"fr":"<p><strong>Hommage \u00e0 Willis Ritchie, architecte<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hommage et triangles<\/strong><\/p>\n<p>1 . La sym\u00e9trie du hall<br \/>\n2 . Circulations<br \/>\n3 . \u00c9clairage<br \/>\n4 . Minimalisme et histoire<br \/>\n5 . G\u00e9om\u00e9trie structurale complexe entre les niveaux<br \/>\n6 . Chaque pi\u00e8ce trait\u00e9e comme un projet \u00e0 part enti\u00e8re<br \/>\n7. Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<br \/>\n8 . Mat\u00e9rialit\u00e9 et finis<\/p>\n<p>&nbsp;<\/p>\n<p>De configurations et finis standards qui aient pu donner l\u2019impression que l\u2019on se trouve dans n\u2019importe quel \u00e9difice g\u00e9n\u00e9rique du centre-ville, l\u2019ancien bureau de poste de Westmount \u00e9difi\u00e9 en 1910 par l\u2019architecte am\u00e9ricain Willis Ritchie a non seulement retrouv\u00e9 et exprim\u00e9 ses origines, mais encore a-t-il int\u00e9gr\u00e9 une essence qu\u2019il n\u2019avait jamais connue. Bien que d\u2019une certaine qualit\u00e9 constructive, les am\u00e9nagements int\u00e9rieurs de l\u2019immeuble dont ont fait l\u2019acquisition deux fr\u00e8res chirurgiens plasticiens, \u00e9taient vu le potentiel de l\u2019endroit, r\u00e9ducteurs.<\/p>\n<p>Les bureaux et corridors standards ont mu\u00e9 en une promenade architecturale entre les niveaux du sous-sol, du rez-de-chauss\u00e9e et d\u2019une nouvelle mezzanine, induisant une circulation fluide au c\u0153ur d\u2019une volum\u00e9trie riche. Aucun des projets pr\u00e9c\u00e9dents n\u2019avaient atteint de telles expressivit\u00e9 et fonctionnalit\u00e9 architecturales dans cet immeuble. Le projet, dont la facture minimaliste demandant une grande et constante pr\u00e9cision au constructeur, \u00e0 laquelle s\u2019ajoutent certaines \u00e9tapes de travaux qui ont pu \u00eatre d\u00e9licates (poussi\u00e8re, excavation, bruit, \u2026), a \u00e9t\u00e9 r\u00e9alis\u00e9 sur un site particuli\u00e8rement exigeant, dans un immeuble patrimonial, en plein c\u0153ur de Westmount. On peut ainsi dire que le degr\u00e9 de difficult\u00e9 fut maximal.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1 . La sym\u00e9trie du hall<\/strong><\/p>\n<p>L\u2019accueil des visiteurs dans un hall majestueux \u00e9tait l\u2019une des pr\u00e9occupations principales des nouveaux propri\u00e9taires. La nouvelle vocation du lieu, clinique de chirurgie esth\u00e9tique, r\u00e9clamait un travail plastique du hall d\u2019entr\u00e9e ; ce fut le point d\u2019ancrage pour la conception de l\u2019ensemble. Le vocabulaire de l\u2019immeuble n\u00e9oclassique du tout d\u00e9but du XXe si\u00e8cle, tout comme les visage et corps humain que fa\u00e7onnent avec d\u00e9licatesse les initiateurs du projet, commandait la r\u00e9introduction de sym\u00e9trie pour l\u2019accueil des usagers.<\/p>\n<p>Une cloison bloquait initialement la vue, du hall, vers le niveau sup\u00e9rieur. Sa d\u00e9molition, de m\u00eame l\u2019enti\u00e8ret\u00e9 des cloisons et plafonds du rez-de-chauss\u00e9e ont permis l\u2019ouverture sur la totalit\u00e9 du volume. Le d\u00e9garnissage des couches superflues met ainsi en relation le hall et le grand volume du rez-de-chauss\u00e9e en plus d\u2019ouvrir une perc\u00e9e visuelle de la porte d\u2019entr\u00e9e principale jusqu\u2019\u00e0 une enfilade de fen\u00eatres du mur mitoyen NORD, qui n\u2019illuminaient jusque-l\u00e0 et que partiellement, un seul corridor isol\u00e9. La composition tridimensionnelle en escalier ascendant obtenue, perceptible depuis l\u2019entr\u00e9e, vise l\u2019harmonie selon le rapport des proportions du volume offert par le b\u00e2timent et les objets sculpturaux qui y sont d\u00e9pos\u00e9s.<\/p>\n<p>Soulignons le d\u00e9tail de l\u2019escalier d\u2019acier ancr\u00e9 d\u2019un c\u00f4t\u00e9 dans la colonne centrale du hall, et de l\u2019autre, soit \u00e0 m\u00eame le comptoir de r\u00e9ception ou encore sur le garde-corps de l\u2019escalier conduisant au sous-sol, l\u2019un et l\u2019autre recouverts de miroir.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2 . Circulations<\/strong><\/p>\n<p>Avant les travaux, le volume du hall d\u2019accueil se butait, nous l\u2019avons vu, au-del\u00e0 les marches conduisant tant au RDC qu\u2019au sous-sol, \u00e0 des cloisons. Deux escaliers menaient \u00e0 ces \u00e9tages et \u00e9taient ins\u00e9r\u00e9s en un volume polygonal irr\u00e9gulier qui, durs pour l\u2019\u0153il, for\u00e7ait plusieurs d\u00e9tours et g\u00e9n\u00e9rait une circulation plut\u00f4t inefficace et d\u00e9sagr\u00e9able.<\/p>\n<p>Les activit\u00e9s de la clinique m\u00e9dicale qui allaient s\u2019installer dans cet important b\u00e2timent de l\u2019histoire montr\u00e9alaise n\u00e9cessitaient optimisation des circulations des sous-sol et rez-de-chauss\u00e9e en vue d\u2019harmoniser leurs relations et rendre l\u2019exp\u00e9rience de l\u2019usager apaisante, voire m\u00e9ditative.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.1. Rez-de-chauss\u00e9e<\/strong><br \/>\n<strong>Promenade architecturale \u2018AA\u2019<\/strong><\/p>\n<p>Le plan d\u2019am\u00e9nagement du rez-de-chauss\u00e9e est bas\u00e9 sur celui de l\u2019occupant pr\u00e9c\u00e9dent. En r\u00e9agissant au volume enti\u00e8rement ouvert qui avait \u00e9t\u00e9 propos\u00e9 lors des esquisses pr\u00e9liminaires, les propri\u00e9taires ont exprim\u00e9 le souhait de confidentialit\u00e9 de leurs patients en direction, \u00e0 l\u2019entr\u00e9e et \u00e0 la sortie des bureaux de consultation du rez-de-chauss\u00e9e. De l\u00e0, l\u2019il\u00f4t central de la configuration telle qu\u2019elle se pr\u00e9sentait au d\u00e9part (voir plan de d\u00e9molition) a \u00e9t\u00e9 tronqu\u00e9 en deux, g\u00e9n\u00e9rant ainsi deux triangles. Ces deux prismes correspondent aux deux premi\u00e8res lettres des pr\u00e9noms des propri\u00e9taires, Ali et Arash Izadpanah.<\/p>\n<p>Le premier triangle est celui de la mezzanine. Il abrite trois salles d\u2019injection et est surmont\u00e9 d\u2019un plancher qui accueille un salon VIP feutr\u00e9 ainsi que trois bureaux administratifs.<\/p>\n<p>Le deuxi\u00e8me triangle est le centre administratif. Positionn\u00e9 de mani\u00e8re \u00e0 reproduire l\u2019empreinte de la configuration pr\u00e9 achat, ses parois s\u2019arr\u00eatent \u00e0 une hauteur de huit pieds. D\u00e9pourvu de plafonds, il offre \u00e0 celles et ceux qui y travaillent, l\u2019ouverture sur l\u2019immense volume du rez-de-chauss\u00e9e.<\/p>\n<p>L\u2019espace interstitiel entre ces deux volumes triangulaires permet d\u2019y glisser la confortable salle d\u2019attente du rez-de-chauss\u00e9e. Install\u00e9 sur une banquette longue de pr\u00e8s de quarante pieds, adoss\u00e9 \u00e0 la cloison du secr\u00e9tariat, le visiteur attend qu\u2019on l\u2019appelle pour son rendez-vous en visionnant une projection sur la haute et large cloison de la mezzanine qui couvre \u00e0 elle seule 650 pieds carr\u00e9s.<\/p>\n<p>La mezzanine, elle, est ouverte et loge les visiteurs en un salon feutr\u00e9. Une banquette aussi triangulaire et un comptoir d\u2019une longueur de 54 pieds install\u00e9 sur la plus longue ar\u00eate de ce triangle, offrent des surfaces de d\u00e9tente et repos avec vue sur l\u2019activit\u00e9 du volume g\u00e9n\u00e9ral et du hall d\u2019entr\u00e9e.<\/p>\n<p>Le volume principal, d\u2019une hauteur plancher \/ plafond de 16\u20195\u2019\u2019, est d\u00e9limit\u00e9 par des cloisons dont les surfaces immacul\u00e9es en couvrent la p\u00e9riph\u00e9rie sans interruption, perc\u00e9es notamment de portes imperceptibles, sans cadre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2.2. Sous-sol<\/strong><br \/>\n<strong>Relation au hall et blocs<\/strong><\/p>\n<p>Il fallait, pour \u00e9viter de donner la sensation aux usagers de \u2018descendre dans un sous-sol\u2019, les y conduire de mani\u00e8re \u00e9l\u00e9gante et accueillante. La nouvelle sym\u00e9trie du hall d\u2019entr\u00e9e a permis de positionner le long du plus grand mur de cet am\u00e9nagement l\u2019escalier menant \u00e0 l\u2019\u00e9tage souterrain. Ainsi, si du hall le visiteur emprunte les marches conduisant au sous-sol, il longera une cloison haute de 31 pieds. Cette monumentale surface se prolonge pour devenir, au niveau inf\u00e9rieur, une des faces des bureaux centraux.<\/p>\n<p>Apr\u00e8s sa descente, le visiteur se trouve sous le palier de l\u2019escalier du hall aux contremarches ouvertes. \u00c0 sa gauche il aper\u00e7oit la rampe d\u2019acc\u00e8s universelle ainsi qu\u2019un escalier de 3 contremarches menant \u00e0 l\u2019ascenseur et \u00e0 la cuisine. Apr\u00e8s avoir fait quelques pas, il s\u2019installe dans la salle d\u2019attente du sous-sol. Cette pi\u00e8ce est ceintur\u00e9e de trois bureaux de m\u00e9decins et une salle d\u2019op\u00e9ration c\u00f4t\u00e9 sud, ainsi que du bloc des trois autres bureaux de consultation, c\u00f4t\u00e9 nord.<\/p>\n<p>L\u2019am\u00e9nagement de l\u2019\u00e9tage est structur\u00e9 par deux blocs, celui des bureaux de m\u00e9decins vu pr\u00e9c\u00e9demment et celui des douches et WC hommes \/ WC femmes des vestiaires.<\/p>\n<p>C\u2019est donc autour de ce premier bloc de bureaux \u00e0 circulation p\u00e9riph\u00e9rique que l\u2019on chemine direction ouest pour atteindre les vestiaires du personnel. Le corridor qui y m\u00e8ne va en r\u00e9tr\u00e9cissant pour cr\u00e9er un dynamique effet architectural. Une fois devant les acc\u00e8s aux vestiaires on rencontre le deuxi\u00e8me bloc qui r\u00e9pond au premier. Celui-ci inclut les douches et WC hommes puis WC femmes. Cet objet pr\u00e9cieux, couvert de c\u00e9ramique blanche, est rattach\u00e9 aux cloisons et murs adjacents par des peaux de verre aux acc\u00e8s s\u00e9curis\u00e9s.<\/p>\n<p>Les vestiaires hommes et femmes offrent de longs comptoirs \u00e9quivalents d\u2019une quinzaine de pieds. La vingtaine de casiers qui s\u2019y ancre et l\u2019assemblage \u00e9lectrom\u00e9canique compress\u00e9 au plafond le surplombant se r\u00e9fl\u00e9chissent dans une vaste surface miroir pleine hauteur et largeur. Des \u00e9clairages indirects autorisent l\u2019utilisation pour ablutions. La gent f\u00e9minine a droit \u00e0 de g\u00e9n\u00e9reuses douches am\u00e9nag\u00e9es dans une alc\u00f4ve de b\u00e9ton.<\/p>\n<p>Une salle de repos comprenant six lits et leurs rideaux d\u2019intimit\u00e9 est enfin am\u00e9nag\u00e9e plus loin sur cet \u00e9tage. On s\u2019y rend en tournant \u00e0 droite une fois au pied de l\u2019escalier d\u2019acc\u00e8s au sous-sol, ou encore au sortir de l\u2019ascenseur puis via la rampe d\u2019accessibilit\u00e9 universelle.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3 . \u00c9clairage<\/strong><\/p>\n<p>Les \u00e9clairages faisant partie int\u00e9grante des fondements du projet, l\u2019architecte en a lui-m\u00eame assum\u00e9 la conception. Les alc\u00f4ves g\u00e9n\u00e9r\u00e9es par les poutres au plafond de l\u2019immeuble de 1910 ont \u00e9t\u00e9 illumin\u00e9es par des bandes DEL dissimul\u00e9es derri\u00e8re des pliages d\u2019aluminium pour cr\u00e9er l\u2019\u00e9clairage architectural d\u2019ambiance. Les plafonds deviennent ainsi de vastes surfaces lumineuses qui couronnent chacun des \u00e9tages. Les sources ponctuelles qui ont \u00e9t\u00e9 ajout\u00e9es \u00e0 l\u2019intersection de ces poutres, ainsi qu\u2019au sommet des colonnes, autorisent l\u2019\u00e9clairage fonctionnel.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 . Minimalisme et histoire<\/strong><\/p>\n<p>Pour \u00e9tablir un dialogue fort et coh\u00e9rent avec les irr\u00e9gularit\u00e9s de l\u2019immeuble vieux de plus d\u2019un si\u00e8cle, le traitement de surface des cloisons abritant les diff\u00e9rents usages de la clinique devait suivre le vocabulaire minimaliste \u00e9pur\u00e9 typique d\u2019inspiration mus\u00e9ale. Il \u00e9tait imp\u00e9ratif que tout pan vertical soit immacul\u00e9, peintur\u00e9 en blanc et d\u00e9pourvu de tout d\u00e9tail ou accrochage d\u00e9coratif. On n\u2019y trouve ainsi par exemple, aucune moulure de bas de mur ; les bas de murs sont flottants. De m\u00eame pour les cadrages de porte ; les cadres de portes sont dissimul\u00e9s n\u2019en laissant para\u00eetre que le joint et la poign\u00e9e. Idem pour les bordures de grilles de ventilation ; les cadres en sont encastr\u00e9es dans les cloisons. Ces nouvelles surfaces monumentales dont la hauteur sous plafond varie de 10 \u00e0 31 pieds, offrent une pause, un moment de qui\u00e9tude visuelle aux usagers.<\/p>\n<p>Les traces de l\u2019histoire de l\u2019immeuble mises en valeur disent les nombreuses vies de l\u2019\u00e9difice et en enrichissent l\u2019exp\u00e9rience architecturale.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5. G\u00e9om\u00e9trie structurale complexe entre les niveaux<\/strong><\/p>\n<p>Puisqu\u2019exigeant des empattements en sous-sol, les colonnes de la structure de la mezzanine devaient traverser le plancher du RDC et se poursuivre \u00e0 l\u2019int\u00e9rieur des cloisons de l\u2019\u00e9tage souterrain. Seuls quelques croisements de cloisons furent ainsi possibles d\u2019un \u00e9tage \u00e0 l\u2019autre. Pour les positionner avec pr\u00e9cision, l\u2019architecte a propos\u00e9 une technique de percement de la dalle du RDC et insertion de cordages avec fil \u00e0 plomb au sous-sol. La technique qui a fonctionn\u00e9 \u00e0 merveille a permis d\u2019\u00e9viter d\u2019hasardeux calculs sp\u00e9culatoires (conduisant \u00e0 d\u2019immanquables erreurs dans ce contexte particuli\u00e8rement irr\u00e9gulier) issus de la superposition de plans sur IPAD ou papier par laquelle l\u2019entrepreneur g\u00e9n\u00e9ral avait d\u00e9but\u00e9 l\u2019op\u00e9ration de marquage en vue d\u2019implantation de la structure.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6 . Chaque pi\u00e8ce en tant que projet \u00e0 part enti\u00e8re<\/strong><\/p>\n<p>Alors qu\u2019il peut arriver que l\u2019architecture produise un plan assorti d\u2019un traitement minimum pour chaque pi\u00e8ce, ici chacune d\u2019entre elles est consid\u00e9r\u00e9e comme un projet \u00e0 part enti\u00e8re et un soin m\u00e9ticuleux leur a \u00e9t\u00e9 apport\u00e9. La structure originale de l\u2019\u00e9difice qui \u00e9tait auparavant dissimul\u00e9e dans les cloisons et plafonds a \u00e9t\u00e9 expos\u00e9e. D\u2019imposantes colonnes ou poutres au plafond traversent donc parfois des bureaux de taille moyenne, ce qui en fait, \u00e0 l\u2019\u00e9chelle de ces pi\u00e8ces, des sculptures de b\u00e9ton mises en valeur par un \u00e9clairage architectural. Il en va de m\u00eame pour les bureaux log\u00e9s dans la nouvelle structure.<\/p>\n<p>Pour ce qui est du mobilier, l\u2019architecte a mis \u00e0 contribution le m\u00eame principe que celui appliqu\u00e9 dans le cadre de projets pr\u00e9c\u00e9dents o\u00f9 un m\u00eame \u00e9l\u00e9ment de construction est utilis\u00e9 \u00e0 diff\u00e9rents usages. Ici le platelage employ\u00e9 pour le plancher de la mezzanine sert pour le mobilier de l\u2019ensemble de la clinique, tant pour les bureaux et leurs longs comptoirs, que les bancs des salles d\u2019attentes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7 . Int\u00e9gration \u00e9lectrom\u00e9canique chirurgicale<\/strong><\/p>\n<p>Les composantes \u00e9lectrom\u00e9caniques sont syst\u00e9matiquement volumineuses et encombrantes. Si au rez-de-chauss\u00e9e les hauts plafonds ont permis une int\u00e9gration sans cons\u00e9quence sur les pi\u00e8ces, il en fut autrement au sous-sol. Le d\u00e9fi fut ici encore plus important qu\u2019\u00e0 l\u2019habitude vu le besoin de combiner la structure de b\u00e9ton existante de trac\u00e9 irr\u00e9gulier et les plan d\u2019am\u00e9nagement.<\/p>\n<p>En temps normal en contexte commercial une ou deux seules versions de plan d\u2019ing\u00e9nierie de chaque discipline \u00e9lectrom\u00e9canique est attendue ; nous les avons ici fait revoir un nombre incalculable de fois, aussi souvent que requis pour r\u00e9pondre \u00e0 la pr\u00e9cision attendue de leur positionnement.<\/p>\n<p>Notons enfin les lavabos dans chacun de la douzaine de bureaux de m\u00e9decins qui a demand\u00e9 un important travail en plomberie sous dalle, en particulier au sous-sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8 . Mat\u00e9rialit\u00e9 et finis<\/strong><\/p>\n<p>La mat\u00e9rialit\u00e9 est pour l\u2019essentiel celle de l\u2019immeuble d\u2019origine, compl\u00e9t\u00e9e de mat\u00e9riaux simples, modestes et \u00e9conomiques, en plus des composantes \u00e9lectrom\u00e9caniques, du mobilier de bois sur mesure recouvert de Corian blanc, de miroir et de quelques interventions en m\u00e9taux ouvr\u00e9s. La structure de b\u00e9ton originale a \u00e9t\u00e9 d\u00e9couverte, d\u00e9garnie, sabl\u00e9e au jet de sable et scell\u00e9e. Lorsque des portions de la structure d\u2019acier qui se trouve sous le b\u00e9ton appara\u00eet, elle est recouverte de peinture intumescente. De m\u00eame pour la mezzanine ; la nouvelle structure d\u2019acier ou encore ses plafonds de ses bureaux en platelage de bois sont maintenus apparents. Le plancher existant de b\u00e9ton a \u00e9t\u00e9 nivel\u00e9 et recouvert d\u2019epoxy gris. Des cloisons de gypse, perc\u00e9es de portes dissimul\u00e9es, sans cadres, ont soit \u00e9t\u00e9 construite \u00e0 neuf selon le trac\u00e9 du plan, soit recouvert des cloisons existantes conserv\u00e9es. Le d\u00e9tail de bas de murs rend ces surfaces flottantes.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","en":"<p><strong>Tribute to Willis Ritchie, architect<\/strong><\/p>\n<p>1. Tribute + triangles<br \/>\n2. Hall symmetry<br \/>\n3. Circulations<br \/>\n4. Lighting design<br \/>\n5. Minimalism and history<br \/>\n6. Complex structural geometry between floors<br \/>\n7. Each room as a project in itself<br \/>\n8. Surgical electromechanical integration<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1. Tribute + triangles<\/strong><\/p>\n<p>This former Westmount post office, built in 1910 by the American architect Willis Ritchie, was hiding its full potential when it was purchased by two plastic surgeons looking for the ideal building for their first private clinic. Outside, the neo-classical building conveyed elegance and pride but the interior, with its standard finishes, had the atmosphere of a generic office tower.<\/p>\n<p>The project not only revealed the built quality of the building but also reclaimed its original refinement. The old corridors have mutated into an architectural promenade between basement, ground floor and the new mezzanine levels, creating a fluid circulation through a rich volumetry.<\/p>\n<p>The minimalist aesthetic approach of the project demanded constant accuracy from the general contractor. Also, the building being at the corner of the two most crowded streets in downtown Westmount, several aspects of the construction work (dust, digging, waste disposal, noise, and more) inevitably constituted a challenge. The level of difficulty was at often a maximum level during construction.<\/p>\n<p>The project can be described in simple terms as follows : stripping the existing walls; sandblasting the ceiling and original columns; building a minimal number of new walls; and finally, precisely positioning the electrical and mechanical components of the building.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2. Hall symmetry<\/strong><\/p>\n<p>Welcoming visitors in a majestic hall was a priority for the new owners. The new vocation, a plastic surgery clinic, called for a complete makeover of the hall.\u00a0 The concept of symmetry acted as a starting point and an anchoring for the entire project. The neoclassical building\u2019s vocabulary, as well as the main activity of delicately re-shaped human figures, inspired and imposed the reintroduction of symmetry in the entrance hall.<\/p>\n<p>Initially, a partition blocked the view from the hall towards the superior level. Its demolition, as well as the demolition of ceilings and all other partitions, opened the entire volume. Besides creating an\u00a0 impressive view from the entrance door toward the ground floor\u2019s grand volume, this also revealed a row of windows on the north wall which until then had been illuminating an isolated corridor.<\/p>\n<p>From the entrance, the visual result is an ascending tridimensional composition that conveys harmony thanks to the volumetric proportions offered by the building and the sculptural objects that occupy space.<\/p>\n<p>Finally, let\u2019s underline the important custom-built staircase, split in the center by the main column and anchored to the reception desk on one side and to the basement railing on the other, both of these elements being covered by mirror surfaces.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3. Circulations<\/strong><\/p>\n<p>Originally, the lobby was connected to the ground floor and the basement through short flights of steps that lead directly to partition walls. The two staircases were inserted in an irregular polygonal volume that generated an unpleasant as well as inefficient circulation.<\/p>\n<p>The medical clinic\u2019s activities required optimized circulations on the ground floor as well as in the basement to harmonize the overall experience and induce a soothing and meditative state.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>3.1 Ground floor<\/strong><br \/>\n<strong>AA Architectural promenade<\/strong><\/p>\n<p>The layout of the new ground floor was based on the existing one. Responding to preliminary sketches proposing to entirely open the space of the ground floor as a main volume, the owners expressed that their patients needed privacy at the main entrance and when coming out of the consultation offices. From there, the central island of the initial configuration (see demolition plan) was truncated in two parts, generating two triangles. These two prisms correspond to the owners first name letters, Ali and Arash (Izadpanah).<\/p>\n<p>The first triangle is the mezzanine volume. It hosts three injection rooms on the ground floor and is crowned on the upper level by a VIP lounge as well as three administrative offices.<\/p>\n<p>The second triangle is the administrative center. Positioned to reproduce the original plan, its partitions stop at a height of 8 \u20188\u201d. Ceilingless, it offers the staff an opening to the stunning ground floor volume.<\/p>\n<p>The interstitial space between these triangular volumes creates a comfortable waiting room. Sitting on a 40 feet long bench, the patients wait for their appointment while watching a video projection on the 650 square feet mezzanine partition.<\/p>\n<p>The mezzanine is open and welcomes visitors in a quietly elegant lounge. A triangular bench and a 54 feet long counter, positioned on the longest mezzanine\u2019s side, offers relaxing and resting options with a view on the main volume and hall activities.<\/p>\n<p>The main volume, 16 \u20185\u2019\u2019 height from floor to ceiling, is outlined by immaculate and uninterrupted surface partitions that are delicately perforated with frameless doors.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a03.2. Basement<\/strong><br \/>\n<strong>Relationship to the lobby and circulation blocks<\/strong><\/p>\n<p>To avoid giving visitors a \u2018going down in a basement\u2019 feeling, we had to lead them to the lower level in a welcoming and elegant way. The new entrance hall\u2019s symmetry allowed the positioning of the staircase leading downstairs along a high wall. From the lobby, the visitor accesses the steps leading to the basement while grazing a 31 foot-high partition. This monumental surface extends down to the lowest level to become one of the central offices\u2019 partition.<\/p>\n<p>After the descent, the patient finds himself under the open counter-steps. To his left, there is the universal access ramp as well as a 3 steps staircase going to the elevator and the kitchen. After a few steps, they can sit in the waiting room. This room is surrounded by three medical offices, an operating room on the south side, and three other consultation offices on the north side.<\/p>\n<p>The layout on this level is structured by two blocks: the doctors\u2019 offices previously described, and another block consisting of the lockers, WC and showers rooms.<\/p>\n<p>It is around this peripheral circulation\u2019s first block that we can walk west to reach the staff\u2019s locker rooms. The corridor that leads to it progressively narrows to create a dynamic architectural effect. Once in front of the locker rooms\u2019 doors, we can see the second block that responds to the first one. It includes men\u2019s showers and WC and women\u2019s WC. This \u2018precious\u2019 object, covered with white ceramic, is attached to the adjacent partitions and walls with glass skins pierced with secured access doors.<\/p>\n<p>The men and women locker rooms have counters that are 15 feet long. The twenty or so lockers and the compact electromechanical assemblage, electrical lines and HVAC ducts, on the ceiling overlook the counter and are reflected by a full width and height mirror panes. Lighting strips provide indirect light. Women have the privilege of having generous showers placed inside a concrete alcove.<\/p>\n<p>A step down unit can also be found further on this floor, it includes six beds and their intimacy curtains.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4. Lighting design<\/strong><\/p>\n<p>Lighting is a fundamental part of the project\u2019s concept and the architect designed it himself. The alcoves created by the 1910 building\u2019s concrete beams are illuminated by hidden LED strips to create the ambient architectural lighting. Ceilings then become vast luminous surfaces that crown each level. Punctual sources have also been added to every beam intersection as well as to the top of columns to produce functional lighting.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5 . Triangles<\/strong><\/p>\n<p>Before the demolition, the triangular reinforcement brackets that were found in the ceiling were not perceptible. The custom-made furniture was not part of the original project. These brackets, combined with the two triangular rooms in the main volume, the main triangular lobby custom built staircase, of which the extremities are also triangular to allow the column to be fully exposed and the triangular bench on the mezzanine make the triangle a recurrent formal treatment overall the 3 storeys.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>6. Minimalism and history<\/strong><\/p>\n<p>To establish a strong and coherent dialogue with this centennial old building irregularities, the treatments of wall surfaces had to follow the typical museum-space minimalistic vocabulary. It was imperative that all vertical panes be immaculate, painted in white and deprived from any decorative hanging. No baseboards or other moldings were used, the walls appear to be floating. Same for the door frames: they are hidden, leaving only a joint and door handle apparent. Same too for the ventilation grilles: their frames are recessed into the wall. These new monumental surfaces that vary in height from 10 to 31 feet offer moments of visual calm for the visitors.<\/p>\n<p>Traces of the building\u2019s history are showcased to express the building\u2019s numerous past lives and enrich the architectural experience.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>7. Complex structural geometry between floors<\/strong><\/p>\n<p>Since the mezzanine structure required structural slabs in the basement, the supporting columns had to pass through the ground floor and run through the subterranean level\u2019s partitions. Only a limited area could be used for the column to pass from one level to the other. To increase accuracy, the architect proposed a ground floor slab drilling technique using plumb bob strings running all the way to the basement floor. The proposed technique worked perfectly and allowed to avoid the hazardous calculations and inevitable mistakes (especially in this irregular context) that would have resulted from extrapolating measures from the plans.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>8. Each room a project in itself<\/strong><\/p>\n<p>While architects will sometimes provide plans that give only a minimum treatment for each room,\u00a0 here each of them is treated with meticulous attention and considered as a project in itself . The building\u2019s structure being now exposed, imposing columns or beams pass through medium-sized office partitions, becoming, at the scale of these rooms, concrete sculptures, showcased by architectural lighting.<\/p>\n<p>As for the custom furniture, the architect applied the same principle he used in previous projects, namely that one construction element is repurposed for various needs. Here, it is the mezzanine floor planks that have been used for the clinic\u2019s custom-built furniture; for the long office shelves as well as the waiting room benches.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>9. Surgical electromechanical integration<\/strong><\/p>\n<p>Electromechanical components are systematically too big and unnecessarily distracting. If on the ground floor, high ceilings didn\u2019t have any major impact on rooms, it was different in the basement. The challenge, here, was substantial given the irregular existing concrete structure and floor plans.<\/p>\n<p>Usually, in a commercial context, one or two versions of electromechanical plans are produced. In this project we reviewed them many more times to be able to reach the level of accuracy required for precise positioning.<\/p>\n<p>In this matter, the cooperation of the different subcontractors was unequal. The heating, ventilation and air condition subcontractors were generous and professional. With the fire hazard and electricity, it was another story.<\/p>\n<p>Finally, we should mention that in every doctor\u2019s office, the sinks required important plumbing work underneath the basement concrete slab.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/hommage-a-willis-ritchie-architecte\/","en":"https:\/\/int.design\/en\/projects\/tribute-to-willis-ritchie-architect\/"},"titles":{"fr":"Hommage \u00e0 Willis Ritchie, architecte","en":"Tribute to Willis Ritchie, architect"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/130302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=130302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}