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Pouvons-nous vraiment rendre la nature meilleure qu\u2019elle nous ? \u00bb a-t-il implicitement demand\u00e9. Peut-\u00eatre devrions-nous laisser cela tranquille \u2013 ou intervenir, si n\u00e9cessaire, avec le contact le plus l\u00e9ger possible.<\/p>\n<p> <\/p>\n<p>Les id\u00e9es d\u2019Andr\u00e9 ont guid\u00e9 notre travail sur la Muskoka Lake House, un refuge surplombant le lac Rosseau, qui fait partie d\u2019un r\u00e9seau de plans d\u2019eau douce adjacents \u00e0 la baie Georgienne, dont le littoral rocheux a inspir\u00e9 certains des peintres les plus embl\u00e9matiques du Canada. Nous voulions cr\u00e9er un lieu de r\u00e9pit face \u00e0 l’intensit\u00e9 de la vie urbaine et \u00e9galement construire avec autant de sensibilit\u00e9 que possible, en compl\u00e9tant, mais sans jamais submerger, l’environnement environnant.<\/p>\n<p> <\/p>\n<p>Le plan du b\u00e2timent \u00e9tait d\u00e9lib\u00e9r\u00e9ment simple\u00a0: un toit en pente, une grande pi\u00e8ce \u00e0 l’\u00e9tage sup\u00e9rieur et des dortoirs en dessous. Nous nous sommes limit\u00e9s \u00e0 deux mat\u00e9riaux principaux : le granit, que nous avons utilis\u00e9 pour le gros \u00eelot de cuisine et les \u00e9viers sculpt\u00e9s de la salle de bain, et le sapin de Douglas blanchi \u00e0 la chaux, qui appara\u00eet dans les plafonds, les menuiseries et le rev\u00eatement mural. Le granit est dur et \u00e0 grains grossiers. Il fait r\u00e9f\u00e9rence \u00e0 la min\u00e9ralit\u00e9 du site et conf\u00e8re aux int\u00e9rieurs une impression de robustesse. Le sapin de Douglas offre tactilit\u00e9 et chaleur, et relie la maison aux traditions de construction vernaculaires. Nous nous approvisionnons en deux mat\u00e9riaux localement, les extrayant parfois de la propri\u00e9t\u00e9 elle-m\u00eame. Le seul produit import\u00e9 \u00e9tait le rev\u00eatement de sol en sapin de Douglas chaul\u00e9, un mat\u00e9riau s\u00e9culaire appr\u00e9ci\u00e9 pour la taille et la qualit\u00e9 de ses planches, que nous avons achet\u00e9 aupr\u00e8s d’une entreprise danoise.<\/p>\n<p> <\/p>\n<p>Notre philosophie directrice \u00e9tait un minimalisme chaleureux \u2013 les int\u00e9rieurs tirent leur \u00e9l\u00e9gance d\u2019un manque d\u2019encombrement visuel \u2013 mais nous nous sommes \u00e9galement concentr\u00e9s sur l\u2019\u00e9quilibre. La lumi\u00e8re juxtapose l’obscurit\u00e9 : la chambre principale est inond\u00e9e de soleil, tandis que la salle de bains est profonde et caverneuse. Des d\u00e9tails raffin\u00e9s cohabitent avec des surfaces rugueuses, un clin d’\u0153il \u00e0 la tradition du design japonais wabi-sabi. L\u2019\u00eelot de cuisine, par exemple \u2013 un grand bloc de granit inachev\u00e9 \u2013 \u00e9voque les rochers et les affleurements que l\u2019on voit \u00e0 travers le Bouclier canadien, une \u00e9tendue de substrat rocheux qui s\u2019\u00e9tend des Grands Lacs \u00e0 la c\u00f4te arctique. Par sa taille et sa monumentalit\u00e9, l’\u00eele compense les armoires savamment con\u00e7ues qui l’entourent. Nous avons con\u00e7u sur mesure tous les \u00e9l\u00e9ments int\u00e9gr\u00e9s et le mobilier\u00a0: le lit principal, construit en sapin de Douglas empil\u00e9\u00a0; la chemin\u00e9e double face, qui ancre le salon ; et le jardin de rocaille ext\u00e9rieur, rappelant un onsen japonais (ou source chaude), qui dispose d’un sauna et d’une douche ext\u00e9rieure.<\/p>\n<p> <\/p>\n<p>L\u2019architecture s\u2019en remet toujours \u00e0 la nature. Les fen\u00eatres offrent des vues dans toutes les directions, non seulement vers l’ext\u00e9rieur, vers le lac, mais \u00e9galement vers l’int\u00e9rieur, vers l’escarpement de granit, qui est tout aussi exquis que l’eau tachet\u00e9e. En traversant la maison \u2013 en passant de l\u2019entr\u00e9e \u00e0 la grande pi\u00e8ce, ou du couloir faiblement \u00e9clair\u00e9 du rez-de-chauss\u00e9e aux chambres baign\u00e9es de soleil \u2013 on a l\u2019impression de traverser une crique dans une paroi rocheuse et d\u2019\u00e9merger, de fa\u00e7on spectaculaire, dans la lumi\u00e8re du soleil.<\/p>\n<p> <\/p>\n<p>Dans la salle de bains privative, les miroirs de chaque c\u00f4t\u00e9 du lavabo sont dot\u00e9s de pivots personnalis\u00e9s, de sorte qu’ils peuvent \u00eatre facilement pivot\u00e9s, permettant ainsi une vue d\u00e9gag\u00e9e sur le rocher. C’est un petit d\u00e9tail mais qui compte pour nous. Dans un b\u00e2timent si totalement immerg\u00e9 dans son environnement, la vanit\u00e9 elle-m\u00eame devient une r\u00e9flexion secondaire. Le calme, l\u2019espace, la connexion avec la nature : tels sont les luxes les meilleurs et les plus rar\u00e9fi\u00e9s qu\u2019on puisse imaginer.<\/p>\n","en":"","original":"<p>Apr\u00e8s avoir termin\u00e9 sa sculpture de 1959 \u00ab\u00a0Last Ladder\u00a0\u00bb\u00a0\u2013 une poutre en bois de r\u00e9cup\u00e9ration dans laquelle sont creus\u00e9es des poches\u00a0\u2013 l’artiste Carl Andre a r\u00e9fl\u00e9chi avec tristesse sur son travail. \u00ab J\u2019ai r\u00e9alis\u00e9 que le bois \u00e9tait meilleur avant de le couper qu\u2019apr\u00e8s \u00bb, a-t-il d\u00e9clar\u00e9 plus tard. \u00ab\u00a0Je ne l’ai am\u00e9lior\u00e9 d’aucune fa\u00e7on.\u00a0\u00bb Andr\u00e9 ne faisait pas de commentaires sur les limites de son talent mais plut\u00f4t sur les limites de l’intervention humaine elle-m\u00eame, en particulier lorsqu’elle s’appliquait aux artefacts naturels. Pouvons-nous vraiment rendre la nature meilleure qu\u2019elle nous ? \u00bb a-t-il implicitement demand\u00e9. Peut-\u00eatre devrions-nous laisser cela tranquille \u2013 ou intervenir, si n\u00e9cessaire, avec le contact le plus l\u00e9ger possible.<\/p>\n<p> <\/p>\n<p>Les id\u00e9es d\u2019Andr\u00e9 ont guid\u00e9 notre travail sur la Muskoka Lake House, un refuge surplombant le lac Rosseau, qui fait partie d\u2019un r\u00e9seau de plans d\u2019eau douce adjacents \u00e0 la baie Georgienne, dont le littoral rocheux a inspir\u00e9 certains des peintres les plus embl\u00e9matiques du Canada. Nous voulions cr\u00e9er un lieu de r\u00e9pit face \u00e0 l’intensit\u00e9 de la vie urbaine et \u00e9galement construire avec autant de sensibilit\u00e9 que possible, en compl\u00e9tant, mais sans jamais submerger, l’environnement environnant.<\/p>\n<p> <\/p>\n<p>Le plan du b\u00e2timent \u00e9tait d\u00e9lib\u00e9r\u00e9ment simple\u00a0: un toit en pente, une grande pi\u00e8ce \u00e0 l’\u00e9tage sup\u00e9rieur et des dortoirs en dessous. Nous nous sommes limit\u00e9s \u00e0 deux mat\u00e9riaux principaux : le granit, que nous avons utilis\u00e9 pour le gros \u00eelot de cuisine et les \u00e9viers sculpt\u00e9s de la salle de bain, et le sapin de Douglas blanchi \u00e0 la chaux, qui appara\u00eet dans les plafonds, les menuiseries et le rev\u00eatement mural. Le granit est dur et \u00e0 grains grossiers. Il fait r\u00e9f\u00e9rence \u00e0 la min\u00e9ralit\u00e9 du site et conf\u00e8re aux int\u00e9rieurs une impression de robustesse. Le sapin de Douglas offre tactilit\u00e9 et chaleur, et relie la maison aux traditions de construction vernaculaires. Nous nous approvisionnons en deux mat\u00e9riaux localement, les extrayant parfois de la propri\u00e9t\u00e9 elle-m\u00eame. Le seul produit import\u00e9 \u00e9tait le rev\u00eatement de sol en sapin de Douglas chaul\u00e9, un mat\u00e9riau s\u00e9culaire appr\u00e9ci\u00e9 pour la taille et la qualit\u00e9 de ses planches, que nous avons achet\u00e9 aupr\u00e8s d’une entreprise danoise.<\/p>\n<p> <\/p>\n<p>Notre philosophie directrice \u00e9tait un minimalisme chaleureux \u2013 les int\u00e9rieurs tirent leur \u00e9l\u00e9gance d\u2019un manque d\u2019encombrement visuel \u2013 mais nous nous sommes \u00e9galement concentr\u00e9s sur l\u2019\u00e9quilibre. La lumi\u00e8re juxtapose l’obscurit\u00e9 : la chambre principale est inond\u00e9e de soleil, tandis que la salle de bains est profonde et caverneuse. Des d\u00e9tails raffin\u00e9s cohabitent avec des surfaces rugueuses, un clin d’\u0153il \u00e0 la tradition du design japonais wabi-sabi. L\u2019\u00eelot de cuisine, par exemple \u2013 un grand bloc de granit inachev\u00e9 \u2013 \u00e9voque les rochers et les affleurements que l\u2019on voit \u00e0 travers le Bouclier canadien, une \u00e9tendue de substrat rocheux qui s\u2019\u00e9tend des Grands Lacs \u00e0 la c\u00f4te arctique. Par sa taille et sa monumentalit\u00e9, l’\u00eele compense les armoires savamment con\u00e7ues qui l’entourent. Nous avons con\u00e7u sur mesure tous les \u00e9l\u00e9ments int\u00e9gr\u00e9s et le mobilier\u00a0: le lit principal, construit en sapin de Douglas empil\u00e9\u00a0; la chemin\u00e9e double face, qui ancre le salon ; et le jardin de rocaille ext\u00e9rieur, rappelant un onsen japonais (ou source chaude), qui dispose d’un sauna et d’une douche ext\u00e9rieure.<\/p>\n<p> <\/p>\n<p>L\u2019architecture s\u2019en remet toujours \u00e0 la nature. Les fen\u00eatres offrent des vues dans toutes les directions, non seulement vers l’ext\u00e9rieur, vers le lac, mais \u00e9galement vers l’int\u00e9rieur, vers l’escarpement de granit, qui est tout aussi exquis que l’eau tachet\u00e9e. En traversant la maison \u2013 en passant de l\u2019entr\u00e9e \u00e0 la grande pi\u00e8ce, ou du couloir faiblement \u00e9clair\u00e9 du rez-de-chauss\u00e9e aux chambres baign\u00e9es de soleil \u2013 on a l\u2019impression de traverser une crique dans une paroi rocheuse et d\u2019\u00e9merger, de fa\u00e7on spectaculaire, dans la lumi\u00e8re du soleil.<\/p>\n<p> <\/p>\n<p>Dans la salle de bains privative, les miroirs de chaque c\u00f4t\u00e9 du lavabo sont dot\u00e9s de pivots personnalis\u00e9s, de sorte qu’ils peuvent \u00eatre facilement pivot\u00e9s, permettant ainsi une vue d\u00e9gag\u00e9e sur le rocher. C’est un petit d\u00e9tail mais qui compte pour nous. Dans un b\u00e2timent si totalement immerg\u00e9 dans son environnement, la vanit\u00e9 elle-m\u00eame devient une r\u00e9flexion secondaire. Le calme, l\u2019espace, la connexion avec la nature : tels sont les luxes les meilleurs et les plus rar\u00e9fi\u00e9s qu\u2019on puisse imaginer.<\/p>\n"},"jury_text":[{"category":3779,"fr":"<p>Apr\u00e8s avoir termin\u00e9 sa sculpture de 1959 \u00ab\u00a0Last Ladder\u00a0\u00bb\u00a0\u2013 une poutre en bois de r\u00e9cup\u00e9ration dans laquelle sont creus\u00e9es des poches\u00a0\u2013 l’artiste Carl Andre a r\u00e9fl\u00e9chi avec tristesse sur son travail. \u00ab J\u2019ai r\u00e9alis\u00e9 que le bois \u00e9tait meilleur avant de le couper qu\u2019apr\u00e8s \u00bb, a-t-il d\u00e9clar\u00e9 plus tard. \u00ab\u00a0Je ne l’ai am\u00e9lior\u00e9 d’aucune fa\u00e7on.\u00a0\u00bb Andr\u00e9 ne faisait pas de commentaires sur les limites de son talent mais plut\u00f4t sur les limites de l’intervention humaine elle-m\u00eame, en particulier lorsqu’elle s’appliquait aux artefacts naturels. Pouvons-nous vraiment rendre la nature meilleure qu\u2019elle nous ? \u00bb a-t-il implicitement demand\u00e9. Peut-\u00eatre devrions-nous laisser cela tranquille \u2013 ou intervenir, si n\u00e9cessaire, avec le contact le plus l\u00e9ger possible.<\/p>\n<p> <\/p>\n<p>Les id\u00e9es d\u2019Andr\u00e9 ont guid\u00e9 notre travail sur la Muskoka Lake House, un refuge surplombant le lac Rosseau, qui fait partie d\u2019un r\u00e9seau de plans d\u2019eau douce adjacents \u00e0 la baie Georgienne, dont le littoral rocheux a inspir\u00e9 certains des peintres les plus embl\u00e9matiques du Canada. Nous voulions cr\u00e9er un lieu de r\u00e9pit face \u00e0 l’intensit\u00e9 de la vie urbaine et \u00e9galement construire avec autant de sensibilit\u00e9 que possible, en compl\u00e9tant, mais sans jamais submerger, l’environnement environnant.<\/p>\n<p> <\/p>\n<p>Le plan du b\u00e2timent \u00e9tait d\u00e9lib\u00e9r\u00e9ment simple\u00a0: un toit en pente, une grande pi\u00e8ce \u00e0 l’\u00e9tage sup\u00e9rieur et des dortoirs en dessous. Nous nous sommes limit\u00e9s \u00e0 deux mat\u00e9riaux principaux : le granit, que nous avons utilis\u00e9 pour le gros \u00eelot de cuisine et les \u00e9viers sculpt\u00e9s de la salle de bain, et le sapin de Douglas blanchi \u00e0 la chaux, qui appara\u00eet dans les plafonds, les menuiseries et le rev\u00eatement mural. Le granit est dur et \u00e0 grains grossiers. Il fait r\u00e9f\u00e9rence \u00e0 la min\u00e9ralit\u00e9 du site et conf\u00e8re aux int\u00e9rieurs une impression de robustesse. Le sapin de Douglas offre tactilit\u00e9 et chaleur, et relie la maison aux traditions de construction vernaculaires. Nous nous approvisionnons en deux mat\u00e9riaux localement, les extrayant parfois de la propri\u00e9t\u00e9 elle-m\u00eame. Le seul produit import\u00e9 \u00e9tait le rev\u00eatement de sol en sapin de Douglas chaul\u00e9, un mat\u00e9riau s\u00e9culaire appr\u00e9ci\u00e9 pour la taille et la qualit\u00e9 de ses planches, que nous avons achet\u00e9 aupr\u00e8s d’une entreprise danoise.<\/p>\n<p> <\/p>\n<p>Notre philosophie directrice \u00e9tait un minimalisme chaleureux \u2013 les int\u00e9rieurs tirent leur \u00e9l\u00e9gance d\u2019un manque d\u2019encombrement visuel \u2013 mais nous nous sommes \u00e9galement concentr\u00e9s sur l\u2019\u00e9quilibre. La lumi\u00e8re juxtapose l’obscurit\u00e9 : la chambre principale est inond\u00e9e de soleil, tandis que la salle de bains est profonde et caverneuse. Des d\u00e9tails raffin\u00e9s cohabitent avec des surfaces rugueuses, un clin d’\u0153il \u00e0 la tradition du design japonais wabi-sabi. L\u2019\u00eelot de cuisine, par exemple \u2013 un grand bloc de granit inachev\u00e9 \u2013 \u00e9voque les rochers et les affleurements que l\u2019on voit \u00e0 travers le Bouclier canadien, une \u00e9tendue de substrat rocheux qui s\u2019\u00e9tend des Grands Lacs \u00e0 la c\u00f4te arctique. Par sa taille et sa monumentalit\u00e9, l’\u00eele compense les armoires savamment con\u00e7ues qui l’entourent. Nous avons con\u00e7u sur mesure tous les \u00e9l\u00e9ments int\u00e9gr\u00e9s et le mobilier\u00a0: le lit principal, construit en sapin de Douglas empil\u00e9\u00a0; la chemin\u00e9e double face, qui ancre le salon ; et le jardin de rocaille ext\u00e9rieur, rappelant un onsen japonais (ou source chaude), qui dispose d’un sauna et d’une douche ext\u00e9rieure.<\/p>\n<p> <\/p>\n<p>L\u2019architecture s\u2019en remet toujours \u00e0 la nature. Les fen\u00eatres offrent des vues dans toutes les directions, non seulement vers l’ext\u00e9rieur, vers le lac, mais \u00e9galement vers l’int\u00e9rieur, vers l’escarpement de granit, qui est tout aussi exquis que l’eau tachet\u00e9e. En traversant la maison \u2013 en passant de l\u2019entr\u00e9e \u00e0 la grande pi\u00e8ce, ou du couloir faiblement \u00e9clair\u00e9 du rez-de-chauss\u00e9e aux chambres baign\u00e9es de soleil \u2013 on a l\u2019impression de traverser une crique dans une paroi rocheuse et d\u2019\u00e9merger, de fa\u00e7on spectaculaire, dans la lumi\u00e8re du soleil.<\/p>\n<p> <\/p>\n<p>Dans la salle de bains privative, les miroirs de chaque c\u00f4t\u00e9 du lavabo sont dot\u00e9s de pivots personnalis\u00e9s, de sorte qu’ils peuvent \u00eatre facilement pivot\u00e9s, permettant ainsi une vue d\u00e9gag\u00e9e sur le rocher. C’est un petit d\u00e9tail mais qui compte pour nous. Dans un b\u00e2timent si totalement immerg\u00e9 dans son environnement, la vanit\u00e9 elle-m\u00eame devient une r\u00e9flexion secondaire. Le calme, l\u2019espace, la connexion avec la nature : tels sont les luxes les meilleurs et les plus rar\u00e9fi\u00e9s qu\u2019on puisse imaginer.<\/p>\n","en":"","original":"<p>Apr\u00e8s avoir termin\u00e9 sa sculpture de 1959 \u00ab\u00a0Last Ladder\u00a0\u00bb\u00a0\u2013 une poutre en bois de r\u00e9cup\u00e9ration dans laquelle sont creus\u00e9es des poches\u00a0\u2013 l’artiste Carl Andre a r\u00e9fl\u00e9chi avec tristesse sur son travail. \u00ab J\u2019ai r\u00e9alis\u00e9 que le bois \u00e9tait meilleur avant de le couper qu\u2019apr\u00e8s \u00bb, a-t-il d\u00e9clar\u00e9 plus tard. \u00ab\u00a0Je ne l’ai am\u00e9lior\u00e9 d’aucune fa\u00e7on.\u00a0\u00bb Andr\u00e9 ne faisait pas de commentaires sur les limites de son talent mais plut\u00f4t sur les limites de l’intervention humaine elle-m\u00eame, en particulier lorsqu’elle s’appliquait aux artefacts naturels. Pouvons-nous vraiment rendre la nature meilleure qu\u2019elle nous ? \u00bb a-t-il implicitement demand\u00e9. Peut-\u00eatre devrions-nous laisser cela tranquille \u2013 ou intervenir, si n\u00e9cessaire, avec le contact le plus l\u00e9ger possible.<\/p>\n<p> <\/p>\n<p>Les id\u00e9es d\u2019Andr\u00e9 ont guid\u00e9 notre travail sur la Muskoka Lake House, un refuge surplombant le lac Rosseau, qui fait partie d\u2019un r\u00e9seau de plans d\u2019eau douce adjacents \u00e0 la baie Georgienne, dont le littoral rocheux a inspir\u00e9 certains des peintres les plus embl\u00e9matiques du Canada. Nous voulions cr\u00e9er un lieu de r\u00e9pit face \u00e0 l’intensit\u00e9 de la vie urbaine et \u00e9galement construire avec autant de sensibilit\u00e9 que possible, en compl\u00e9tant, mais sans jamais submerger, l’environnement environnant.<\/p>\n<p> <\/p>\n<p>Le plan du b\u00e2timent \u00e9tait d\u00e9lib\u00e9r\u00e9ment simple\u00a0: un toit en pente, une grande pi\u00e8ce \u00e0 l’\u00e9tage sup\u00e9rieur et des dortoirs en dessous. Nous nous sommes limit\u00e9s \u00e0 deux mat\u00e9riaux principaux : le granit, que nous avons utilis\u00e9 pour le gros \u00eelot de cuisine et les \u00e9viers sculpt\u00e9s de la salle de bain, et le sapin de Douglas blanchi \u00e0 la chaux, qui appara\u00eet dans les plafonds, les menuiseries et le rev\u00eatement mural. Le granit est dur et \u00e0 grains grossiers. Il fait r\u00e9f\u00e9rence \u00e0 la min\u00e9ralit\u00e9 du site et conf\u00e8re aux int\u00e9rieurs une impression de robustesse. Le sapin de Douglas offre tactilit\u00e9 et chaleur, et relie la maison aux traditions de construction vernaculaires. Nous nous approvisionnons en deux mat\u00e9riaux localement, les extrayant parfois de la propri\u00e9t\u00e9 elle-m\u00eame. Le seul produit import\u00e9 \u00e9tait le rev\u00eatement de sol en sapin de Douglas chaul\u00e9, un mat\u00e9riau s\u00e9culaire appr\u00e9ci\u00e9 pour la taille et la qualit\u00e9 de ses planches, que nous avons achet\u00e9 aupr\u00e8s d’une entreprise danoise.<\/p>\n<p> <\/p>\n<p>Notre philosophie directrice \u00e9tait un minimalisme chaleureux \u2013 les int\u00e9rieurs tirent leur \u00e9l\u00e9gance d\u2019un manque d\u2019encombrement visuel \u2013 mais nous nous sommes \u00e9galement concentr\u00e9s sur l\u2019\u00e9quilibre. La lumi\u00e8re juxtapose l’obscurit\u00e9 : la chambre principale est inond\u00e9e de soleil, tandis que la salle de bains est profonde et caverneuse. Des d\u00e9tails raffin\u00e9s cohabitent avec des surfaces rugueuses, un clin d’\u0153il \u00e0 la tradition du design japonais wabi-sabi. L\u2019\u00eelot de cuisine, par exemple \u2013 un grand bloc de granit inachev\u00e9 \u2013 \u00e9voque les rochers et les affleurements que l\u2019on voit \u00e0 travers le Bouclier canadien, une \u00e9tendue de substrat rocheux qui s\u2019\u00e9tend des Grands Lacs \u00e0 la c\u00f4te arctique. Par sa taille et sa monumentalit\u00e9, l’\u00eele compense les armoires savamment con\u00e7ues qui l’entourent. Nous avons con\u00e7u sur mesure tous les \u00e9l\u00e9ments int\u00e9gr\u00e9s et le mobilier\u00a0: le lit principal, construit en sapin de Douglas empil\u00e9\u00a0; la chemin\u00e9e double face, qui ancre le salon ; et le jardin de rocaille ext\u00e9rieur, rappelant un onsen japonais (ou source chaude), qui dispose d’un sauna et d’une douche ext\u00e9rieure.<\/p>\n<p> <\/p>\n<p>L\u2019architecture s\u2019en remet toujours \u00e0 la nature. Les fen\u00eatres offrent des vues dans toutes les directions, non seulement vers l’ext\u00e9rieur, vers le lac, mais \u00e9galement vers l’int\u00e9rieur, vers l’escarpement de granit, qui est tout aussi exquis que l’eau tachet\u00e9e. En traversant la maison \u2013 en passant de l\u2019entr\u00e9e \u00e0 la grande pi\u00e8ce, ou du couloir faiblement \u00e9clair\u00e9 du rez-de-chauss\u00e9e aux chambres baign\u00e9es de soleil \u2013 on a l\u2019impression de traverser une crique dans une paroi rocheuse et d\u2019\u00e9merger, de fa\u00e7on spectaculaire, dans la lumi\u00e8re du soleil.<\/p>\n<p> <\/p>\n<p>Dans la salle de bains privative, les miroirs de chaque c\u00f4t\u00e9 du lavabo sont dot\u00e9s de pivots personnalis\u00e9s, de sorte qu’ils peuvent \u00eatre facilement pivot\u00e9s, permettant ainsi une vue d\u00e9gag\u00e9e sur le rocher. C’est un petit d\u00e9tail mais qui compte pour nous. Dans un b\u00e2timent si totalement immerg\u00e9 dans son environnement, la vanit\u00e9 elle-m\u00eame devient une r\u00e9flexion secondaire. Le calme, l\u2019espace, la connexion avec la nature : tels sont les luxes les meilleurs et les plus rar\u00e9fi\u00e9s qu\u2019on puisse imaginer.<\/p>\n"}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3779,"cat_id_laureat":4025,"laureat":"Certification Or"}],"contest_id":"119061","contest_title":"GRANDS PRIX DU DESIGN \u2013 17e \u00e9dition","firms":[],"user":{"email":"michelle@paoloferrari.com","first_name":"Michelle","last_name":"Shum"},"doc_texts_web":{"fr":"<p>Apr\u00e8s avoir termin\u00e9 sa sculpture de 1959 \u00ab\u00a0Last Ladder\u00a0\u00bb\u00a0\u2013 une poutre en bois de r\u00e9cup\u00e9ration dans laquelle sont creus\u00e9es des poches\u00a0\u2013 l’artiste Carl Andre a r\u00e9fl\u00e9chi avec tristesse sur son travail. \u00ab J\u2019ai r\u00e9alis\u00e9 que le bois \u00e9tait meilleur avant de le couper qu\u2019apr\u00e8s \u00bb, a-t-il d\u00e9clar\u00e9 plus tard. \u00ab\u00a0Je ne l’ai am\u00e9lior\u00e9 d’aucune fa\u00e7on.\u00a0\u00bb Andr\u00e9 ne faisait pas de commentaires sur les limites de son talent mais plut\u00f4t sur les limites de l’intervention humaine elle-m\u00eame, en particulier lorsqu’elle s’appliquait aux artefacts naturels. Pouvons-nous vraiment rendre la nature meilleure qu\u2019elle nous ? \u00bb a-t-il implicitement demand\u00e9. Peut-\u00eatre devrions-nous laisser cela tranquille \u2013 ou intervenir, si n\u00e9cessaire, avec le contact le plus l\u00e9ger possible.<\/p>\n<p> <\/p>\n<p>Les id\u00e9es d\u2019Andr\u00e9 ont guid\u00e9 notre travail sur la Muskoka Lake House, un refuge surplombant le lac Rosseau, qui fait partie d\u2019un r\u00e9seau de plans d\u2019eau douce adjacents \u00e0 la baie Georgienne, dont le littoral rocheux a inspir\u00e9 certains des peintres les plus embl\u00e9matiques du Canada. Nous voulions cr\u00e9er un lieu de r\u00e9pit face \u00e0 l’intensit\u00e9 de la vie urbaine et \u00e9galement construire avec autant de sensibilit\u00e9 que possible, en compl\u00e9tant, mais sans jamais submerger, l’environnement environnant.<\/p>\n<p> <\/p>\n<p>Le plan du b\u00e2timent \u00e9tait d\u00e9lib\u00e9r\u00e9ment simple\u00a0: un toit en pente, une grande pi\u00e8ce \u00e0 l’\u00e9tage sup\u00e9rieur et des dortoirs en dessous. Nous nous sommes limit\u00e9s \u00e0 deux mat\u00e9riaux principaux : le granit, que nous avons utilis\u00e9 pour le gros \u00eelot de cuisine et les \u00e9viers sculpt\u00e9s de la salle de bain, et le sapin de Douglas blanchi \u00e0 la chaux, qui appara\u00eet dans les plafonds, les menuiseries et le rev\u00eatement mural. Le granit est dur et \u00e0 grains grossiers. Il fait r\u00e9f\u00e9rence \u00e0 la min\u00e9ralit\u00e9 du site et conf\u00e8re aux int\u00e9rieurs une impression de robustesse. Le sapin de Douglas offre tactilit\u00e9 et chaleur, et relie la maison aux traditions de construction vernaculaires. Nous nous approvisionnons en deux mat\u00e9riaux localement, les extrayant parfois de la propri\u00e9t\u00e9 elle-m\u00eame. Le seul produit import\u00e9 \u00e9tait le rev\u00eatement de sol en sapin de Douglas chaul\u00e9, un mat\u00e9riau s\u00e9culaire appr\u00e9ci\u00e9 pour la taille et la qualit\u00e9 de ses planches, que nous avons achet\u00e9 aupr\u00e8s d’une entreprise danoise.<\/p>\n<p> <\/p>\n<p>Notre philosophie directrice \u00e9tait un minimalisme chaleureux \u2013 les int\u00e9rieurs tirent leur \u00e9l\u00e9gance d\u2019un manque d\u2019encombrement visuel \u2013 mais nous nous sommes \u00e9galement concentr\u00e9s sur l\u2019\u00e9quilibre. La lumi\u00e8re juxtapose l’obscurit\u00e9 : la chambre principale est inond\u00e9e de soleil, tandis que la salle de bains est profonde et caverneuse. Des d\u00e9tails raffin\u00e9s cohabitent avec des surfaces rugueuses, un clin d’\u0153il \u00e0 la tradition du design japonais wabi-sabi. L\u2019\u00eelot de cuisine, par exemple \u2013 un grand bloc de granit inachev\u00e9 \u2013 \u00e9voque les rochers et les affleurements que l\u2019on voit \u00e0 travers le Bouclier canadien, une \u00e9tendue de substrat rocheux qui s\u2019\u00e9tend des Grands Lacs \u00e0 la c\u00f4te arctique. Par sa taille et sa monumentalit\u00e9, l’\u00eele compense les armoires savamment con\u00e7ues qui l’entourent. Nous avons con\u00e7u sur mesure tous les \u00e9l\u00e9ments int\u00e9gr\u00e9s et le mobilier\u00a0: le lit principal, construit en sapin de Douglas empil\u00e9\u00a0; la chemin\u00e9e double face, qui ancre le salon ; et le jardin de rocaille ext\u00e9rieur, rappelant un onsen japonais (ou source chaude), qui dispose d’un sauna et d’une douche ext\u00e9rieure.<\/p>\n<p> <\/p>\n<p>L\u2019architecture s\u2019en remet toujours \u00e0 la nature. Les fen\u00eatres offrent des vues dans toutes les directions, non seulement vers l’ext\u00e9rieur, vers le lac, mais \u00e9galement vers l’int\u00e9rieur, vers l’escarpement de granit, qui est tout aussi exquis que l’eau tachet\u00e9e. En traversant la maison \u2013 en passant de l\u2019entr\u00e9e \u00e0 la grande pi\u00e8ce, ou du couloir faiblement \u00e9clair\u00e9 du rez-de-chauss\u00e9e aux chambres baign\u00e9es de soleil \u2013 on a l\u2019impression de traverser une crique dans une paroi rocheuse et d\u2019\u00e9merger, de fa\u00e7on spectaculaire, dans la lumi\u00e8re du soleil.<\/p>\n<p> <\/p>\n<p>Dans la salle de bains privative, les miroirs de chaque c\u00f4t\u00e9 du lavabo sont dot\u00e9s de pivots personnalis\u00e9s, de sorte qu’ils peuvent \u00eatre facilement pivot\u00e9s, permettant ainsi une vue d\u00e9gag\u00e9e sur le rocher. C’est un petit d\u00e9tail mais qui compte pour nous. Dans un b\u00e2timent si totalement immerg\u00e9 dans son environnement, la vanit\u00e9 elle-m\u00eame devient une r\u00e9flexion secondaire. Le calme, l\u2019espace, la connexion avec la nature : tels sont les luxes les meilleurs et les plus rar\u00e9fi\u00e9s qu\u2019on puisse imaginer.<\/p>\n","en":"<p>After finishing his 1959 sculpture \u201cLast Ladder\u201d\u2014a beam of reclaimed timber with pockets carved into it\u2014the artist Carl Andre reflected ruefully on his work. \u201cI realized\u00a0the wood\u00a0was\u00a0better\u00a0before I cut it than after,\u201d he later said. \u201cI\u00a0did not improve\u00a0it in any way.\u201d Andre was commenting not on the limits of his talent but rather on the limits of human intervention itself, particularly when applied to natural artifacts. Can we really make nature better than it us? he implicitly asked. Maybe we should leave it alone\u2014or intervene, if we must, with the lightest possible touch.<\/p>\n<p> <\/p>\n<p>Andre\u2019s ideas guided our work on the Muskoka Lake House, a retreat overlooking Lake Rosseau, part of a network of freshwater bodies adjacent to Georgian Bay, whose rocky coastline has inspired some of Canada\u2019s most iconic painters. We wanted to create a place of respite from the intensity of city life and also to build as sensitively as we could, complementing, but never overwhelming, the surrounding environment.<\/p>\n<p> <\/p>\n<p>The building plan was deliberately simple\u2014a pitched roof, an upper-level great room, and sleeping quarters below. We limited ourselves to two primary materials: granite, which we used for the hefty kitchen island and the carved sinks in the bathroom, and whitewashed Douglas fir, which appears in the ceilings, the millwork, and the wall cladding. The granite is coarse grained and hard. It references the minerality of the site and imbues the interiors with a sense of ruggedness. The Douglas fir offers tactility and warmth, and it connects the house with vernacular building traditions. We sourced both materials locally, sometimes extracting them from the property itself. The only imported product was the flooring made of limed Douglas fir, a centuries-old material beloved for its plank size and quality, which we got from a company in Denmark.<\/p>\n<p> <\/p>\n<p>Our guiding ethos was warm minimalism\u2014the interiors derive their elegance from a lack of visual clutter\u2014but we also focused on balance. Light juxtaposes darkness: the principal bedroom is awash in sunlight, while the en suite is deep and cavernous. Refined details coexist alongside rough surfaces, a nod to the Japanese design tradition of <em>wabi-sabi<\/em>. The kitchen island, for instance\u2014a large, unfinished block of granite\u2014evokes the boulders and outcroppings one sees across the Canadian Shield, an expanse of bedrock that extends from the Great Lakes to the Arctic Coast. With its size and monumentality, the island offsets the expertly crafted cabinetry that surrounds it. We custom designed all the built-ins and furnishings: the principal bed, constructed of stacked Douglas fir; the double-sided fireplace, which anchors the living room; and the exterior rock garden, reminiscent of a Japanese <em>onsen<\/em> (or hot spring)<em>,<\/em> which has a sauna and outdoor shower.<\/p>\n<p> <\/p>\n<p>Always, architecture defers to nature. Windows frame views in all directions, not only outward to the lake but also inward to the granite escarpment, which is every bit as exquisite as the dappled water. When walking through the house\u2014passing from the entranceway to the great room, or from the dimly lit downstairs hallway to the sundrenched bedrooms\u2014one feels that one is journeying through an inlet in a rockface and emerging, dramatically, into sunlight.<\/p>\n<p> <\/p>\n<p>In the en suite bathroom, the mirrors on either side of the sink have custom pivots, so they can be easily rotated out of the way, allowing unobstructed views onto the rock. This is a small detail but one that matters to us. In a building so fully immersed in its environment, vanity itself becomes an afterthought. Stillness, space, connection to nature\u2014these are the best and most rarified luxuries imaginable.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/muskoka-lake-house\/","en":"https:\/\/int.design\/en\/projects\/muskoka-lake-house\/"},"titles":{"fr":"Muskoka Lake House","en":"Muskoka Lake House"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/121262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=121262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}