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En se d\u00e9barrassant de l&rsquo;ancien style japonais qui \u00e9tait la cl\u00e9 des restaurants japonais, nous avons adopt\u00e9 le style dynastie Song dans l&rsquo;ensemble de la conception.<\/p>\n<p>Les feuilles tomb\u00e9es sur les marches de l&rsquo;entr\u00e9e ne sont pas nettoy\u00e9es.<br \/>\nElles s&rsquo;appuient tranquillement sur les bananiers et s&rsquo;endorment au son de la pluie.<\/p>\n<p>Le bruit de la pluie frappant les bananiers est l&rsquo;une des images lyriques les plus importantes de la litt\u00e9rature ancienne chinoise. Il est influenc\u00e9 par de nombreux \u00e9l\u00e9ments tels que les climats et les r\u00e9gions et pr\u00e9sente de nombreuses caract\u00e9ristiques esth\u00e9tiques telles que la rime et le rythme. Elle peut donc susciter une exp\u00e9rience \u00e9motionnelle complexe chez les anciens \u00e9rudits.<\/p>\n<p>Les concepteurs ont adopt\u00e9 comme arri\u00e8re-plan l&rsquo;installation en forme de banane du centre commercial. De cette mani\u00e8re, l&rsquo;espace semble \u00eatre situ\u00e9 sous les bananiers.<\/p>\n<p>Il ne fait que bruiner tandis que le vent souffle sans cesse.<br \/>\nLe sommeil profond de toute la nuit ne peut pas encore dissiper les effets de l&rsquo;alcool.<br \/>\nLa servante qui roulait le store a \u00e9t\u00e9 interrog\u00e9e sur les circonstances ext\u00e9rieures.<br \/>\nLa r\u00e9ponse fut que le b\u00e9gonia n&rsquo;\u00e9tait pas diff\u00e9rent de ce qu&rsquo;il \u00e9tait la veille.<\/p>\n<p>En ce qui concerne le modelage de l&rsquo;avant-toit au-dessus de la fa\u00e7ade, il y a un signe visuel sous la forme de volets roulants. Les personnes qui roulaient les volets n&rsquo;\u00e9taient plus l\u00e0, mais vous et moi sommes les personnes du tableau qui sont partiellement r\u00e9veill\u00e9es de l&rsquo;ivresse. \u00c0 l&rsquo;ext\u00e9rieur du couloir, il y avait beaucoup \u00e0 appr\u00e9cier, qu&rsquo;il s&rsquo;agisse des feuilles luxuriantes ou des fleurs fan\u00e9es.<\/p>\n<p>L&rsquo;adieu ne vient que lorsque le temps a \u00e9t\u00e9 pleinement appr\u00e9ci\u00e9.<br \/>\nL&rsquo;entr\u00e9e soudaine dans la profondeur de la bambouseraie de la cour est inattendue.<\/p>\n<p>Le chemin qui traverse l&rsquo;antichambre est en zigzag, avec des perches de bambou \u00e9parpill\u00e9es et fl\u00e9tries de part et d&rsquo;autre. En p\u00e9n\u00e9trant lentement dans la for\u00eat de bambous par le chemin, on peut voir une cour enti\u00e8re de bambous qui brillent et s&rsquo;assombrissent. La conception artistique apr\u00e8s la pluie est simplement concentr\u00e9e dans la cour.<\/p>\n<p>Les gouttes de pluie tombent et l&rsquo;eau ondule.<br \/>\nIl est fascinant de sentir l&rsquo;ar\u00f4me du vin fin entre les volets et les nattes.<\/p>\n<p>En entrant dans la pi\u00e8ce par les chemins sinueux, on peut voir les lumi\u00e8res briller et l&rsquo;effet d&rsquo;\u00e9clairage assembler les gouttes de pluie sur le placage de bois. L&rsquo;ancienne description de la pluie frappant les bananiers trouve ici un \u00e9cho.<br \/>\nC&rsquo;est un romantisme unique dont profitent les \u00e9rudits pour voir l&rsquo;intersection et la correspondance des bananes \u00e0 l&rsquo;ext\u00e9rieur et des pluies \u00e0 l&rsquo;int\u00e9rieur, des gouttes de pluie sur les bananiers et des lumi\u00e8res modernes avec les ombres dans des temps et des espaces diff\u00e9rents.<\/p>\n<p>La pluie tombe dans toute la cour et fait onduler la surface. Dans la p\u00e9nombre de l&rsquo;espace, les lumi\u00e8res et les ombres font refl\u00e9ter aux tables et aux chaises des halos jaunes et chauds dans une gradation distincte.<\/p>\n<p>La beaut\u00e9 na\u00eet de la combinaison d&rsquo;objets.<br \/>\nElle g\u00e9n\u00e8re des contrastes entre l&rsquo;\u00e9paisseur et la minceur, la luminosit\u00e9 et l&rsquo;obscurit\u00e9 des teintes.<\/p>\n<p>Nous sommes tellement habitu\u00e9s \u00e0 vivre dans des espaces lumineux pour sentir les formes des objets et exp\u00e9rimenter la vigueur de la vie. En revanche, \u00e0 l&rsquo;ombre des arbres, nous sommes plus concentr\u00e9s sur les choses qui nous entourent. Dans ce cas, il n&rsquo;y a pas d&rsquo;exc\u00e8s de lumi\u00e8re qui perturbe la vision. Lorsque c&rsquo;est n\u00e9cessaire, il y aura un petit nombre de lumi\u00e8res lin\u00e9aires pour refl\u00e9ter la mont\u00e9e et la descente de la construction. Dans les endroits plus sombres, la vision est limit\u00e9e tandis que les autres sens deviennent plus agiles. La beaut\u00e9 de ce monde peut \u00eatre observ\u00e9e \u00e0 partir de diff\u00e9rentes perspectives.<\/p>\n<p>La pratique consistant \u00e0 diviser les lumi\u00e8res par des barres droites est issue du style de la dynastie Song, qui consistait \u00e0 s\u00e9parer les tringles \u00e0 rideaux. Les angles d&rsquo;exposition \u00e0 la lumi\u00e8re du soleil changeant avec le temps, les ombres se refl\u00e8tent sur la surface des objets et ceux-ci semblent bien proportionn\u00e9s et confortables.<\/p>\n<p>Le nom de Tiny Ten peut \u00eatre d\u00e9connect\u00e9 grossi\u00e8rement.<\/p>\n<p>Tiny peut \u00eatre utilis\u00e9 pour d\u00e9crire les poussi\u00e8res et les cendres, tandis que Ten est utilis\u00e9 pour montrer la pl\u00e9nitude et la perfection. Ces deux images sont combin\u00e9es pour former Tiny Ten, ce qui explique la conception de l&rsquo;\u00e9loignement de la perfection. Cela correspond \u00e0 l&rsquo;expression artistique de ce dessin ou mod\u00e8le.<\/p>\n<p>Le temps et l&rsquo;espace ont beaucoup chang\u00e9 alors que le paysage naturel n&rsquo;a pas chang\u00e9 du tout.<br \/>\nLa pluie reste la m\u00eame qu&rsquo;avant et les montagnes aussi.<\/p>\n<p>Maintenant que vous \u00eates l\u00e0 o\u00f9 vous \u00eates, l&rsquo;endroit et le moment auxquels vous appartenez ne comptent plus.<\/p>\n","en":"<p>LONGTERM DESIGN\u00b7<br \/>\nLetters tell the missing mind and roller shutters reflect the swinging shadows<\/p>\n<p>In this design case, space will be painted with indigo-blue as the background. Getting rid of the former Japanese style as the keynote in Japanese restaurants, we make Song Dynasty style throughout the whole design.<\/p>\n<p>Fallen leaves on the front steps leave to be uncleaned.<br \/>\nThey lean against the banana trees leisurely and sleep with the sound of raining.<\/p>\n<p>The sound of rain knocking on banana trees is one of the most important lyric images in Chinese ancient literature. And it is influenced by many elements like climates and regions to show abundant aesthetic features such as rhyme and rhythm. Therefore, it can arouse complex emotional experience of ancient scholars.<\/p>\n<p>Designers adopt the installation shaped in bananas in the shopping mall as the background. In this way, it seems that the space is located under the banana trees.<\/p>\n<p>It just drizzles while the wind blows ceaselessly.<br \/>\nThe sound sleep during the whole night cannot dispel the effects of alcohol yet.<br \/>\nThe maid who were rolling the blind was asked about the outside circumstance.<br \/>\nThe answer was that the begonia was no different with it was the day before.<\/p>\n<p>As for the modelling of the eave above the facade, there\u2019s a visual sign as the rolling shutters. The people who rolled the shutters were not there any longer, yet you and I are the persons in the painting who are partially awakened from the drunkenness. Outside the corridor, there was plenty to be appreciated no matter it\u2019s the luxuriant leaves or the withered flowers.<\/p>\n<p>The farewell doesn\u2019t come until it has been a fully enjoyable time.<br \/>\nThe sudden entrance to the depth of the bamboo grove in the courtyard is out of expectation.<\/p>\n<p>The path though the antecourt zigzagged with bamboo poles strewed and withered at both sides. Taking a slow entrance into the bamboo forest though the path, you can see a full court of bamboos shining and dimming. The artistic conception after the rain is simply concentrated into the courtyard.<\/p>\n<p>Raindrops fall and the water wave ripples.<br \/>\nIt\u2019s so fascinating to smell the aroma of the fine wine among the shutters and mats.<\/p>\n<p>Stepping into the room along the meandering paths, you can spot the lights shining and the lighting effect assembling the raindrops on the wood veneer. The former description of rain knocking on banana trees can get the echos here.<br \/>\nIt\u2019s the unique romance enjoyed by the scholars to see the intersection and mapping of bananas outside and rainfalls inside, raindrops on banana trees and modern lights together with shadows among different time and space.<\/p>\n<p>The rain falls in the whole courtyard to make the surface ripple a lot. In the dim space, lights and shadows make tables and chairs reflect warm yellow halos in distinct gradation.<\/p>\n<p>Beauty comes from the combination of objects.<br \/>\nIt generates the contrasts of thickness and thinness, brightness and dimness of the shades.<\/p>\n<p>We are so used to living in bright space to feel the shapes of objects and experience the vigor of life. However, in the shades of trees, we are more focused on the things at hand. In this case, there\u2019s not an excess of lights to disturb vision. When it\u2019s necessary, there will be a small number of linear lights to reflect the rising and falling of the construction. In dimmer places, vision is restricted while other senses become more agile. Beauty in this world can be spotted from different perspectives.<\/p>\n<p>The practice of splitting lights by straight bars is evolved from the Song Dynasty style breaking off curtain rod. With the angles of sunlight exposure change as time passes, shadows are reflected on the surface of objects and they seem well-proportioned and comfortable.<\/p>\n<p>The name of Tiny Ten can be disconnected roughly.<\/p>\n<p>Tiny can be used to describe dusts and ashes while Ten is used to show fullness and perfection. These two images are combined to be Tiny Ten which explains the conception of faraway from perfection. It agrees with the artistic expression of this design case.<\/p>\n<p>Time and space have changed a lot while natural scenery hasn\u2019t changed a bit.<br \/>\nThe rain leaves to be the same as it was before and the mountains are the same too.<\/p>\n<p>Now when you are at where you are, it doesn\u2019t count any more about where or when you are belonged to.<\/p>\n","original":""},"jury_text":false,"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3256,"cat_id_laureat":3890,"laureat":"Certification OR"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[],"user":{"email":"lynn@apdc-awards.org","first_name":"lynn","last_name":"Wang"},"doc_texts_web":{"fr":"<p>CONCEPTION \u00c0 LONG TERME-<br \/>\nLes lettres racontent l&rsquo;esprit manquant et les volets roulants refl\u00e8tent les ombres qui se balancent.<\/p>\n<p>Dans ce cas, l&rsquo;espace sera peint en bleu indigo comme toile de fond. En se d\u00e9barrassant de l&rsquo;ancien style japonais qui \u00e9tait la cl\u00e9 des restaurants japonais, nous avons adopt\u00e9 le style dynastie Song dans l&rsquo;ensemble de la conception.<\/p>\n<p>Les feuilles tomb\u00e9es sur les marches de l&rsquo;entr\u00e9e ne sont pas nettoy\u00e9es.<br \/>\nElles s&rsquo;appuient tranquillement sur les bananiers et s&rsquo;endorment au son de la pluie.<\/p>\n<p>Le bruit de la pluie frappant les bananiers est l&rsquo;une des images lyriques les plus importantes de la litt\u00e9rature ancienne chinoise. Il est influenc\u00e9 par de nombreux \u00e9l\u00e9ments tels que les climats et les r\u00e9gions et pr\u00e9sente de nombreuses caract\u00e9ristiques esth\u00e9tiques telles que la rime et le rythme. Elle peut donc susciter une exp\u00e9rience \u00e9motionnelle complexe chez les anciens \u00e9rudits.<\/p>\n<p>Les concepteurs ont adopt\u00e9 comme arri\u00e8re-plan l&rsquo;installation en forme de banane du centre commercial. De cette mani\u00e8re, l&rsquo;espace semble \u00eatre situ\u00e9 sous les bananiers.<\/p>\n<p>Il ne fait que bruiner tandis que le vent souffle sans cesse.<br \/>\nLe sommeil profond de toute la nuit ne peut pas encore dissiper les effets de l&rsquo;alcool.<br \/>\nLa servante qui roulait le store a \u00e9t\u00e9 interrog\u00e9e sur les circonstances ext\u00e9rieures.<br \/>\nLa r\u00e9ponse fut que le b\u00e9gonia n&rsquo;\u00e9tait pas diff\u00e9rent de ce qu&rsquo;il \u00e9tait la veille.<\/p>\n<p>En ce qui concerne le modelage de l&rsquo;avant-toit au-dessus de la fa\u00e7ade, il y a un signe visuel sous la forme de volets roulants. Les personnes qui roulaient les volets n&rsquo;\u00e9taient plus l\u00e0, mais vous et moi sommes les personnes du tableau qui sont partiellement r\u00e9veill\u00e9es de l&rsquo;ivresse. \u00c0 l&rsquo;ext\u00e9rieur du couloir, il y avait beaucoup \u00e0 appr\u00e9cier, qu&rsquo;il s&rsquo;agisse des feuilles luxuriantes ou des fleurs fan\u00e9es.<\/p>\n<p>L&rsquo;adieu ne vient que lorsque le temps a \u00e9t\u00e9 pleinement appr\u00e9ci\u00e9.<br \/>\nL&rsquo;entr\u00e9e soudaine dans la profondeur de la bambouseraie de la cour est inattendue.<\/p>\n<p>Le chemin qui traverse l&rsquo;antichambre est en zigzag, avec des perches de bambou \u00e9parpill\u00e9es et fl\u00e9tries de part et d&rsquo;autre. En p\u00e9n\u00e9trant lentement dans la for\u00eat de bambous par le chemin, on peut voir une cour enti\u00e8re de bambous qui brillent et s&rsquo;assombrissent. La conception artistique apr\u00e8s la pluie est simplement concentr\u00e9e dans la cour.<\/p>\n<p>Les gouttes de pluie tombent et l&rsquo;eau ondule.<br \/>\nIl est fascinant de sentir l&rsquo;ar\u00f4me du vin fin entre les volets et les nattes.<\/p>\n<p>En entrant dans la pi\u00e8ce par les chemins sinueux, on peut voir les lumi\u00e8res briller et l&rsquo;effet d&rsquo;\u00e9clairage assembler les gouttes de pluie sur le placage de bois. L&rsquo;ancienne description de la pluie frappant les bananiers trouve ici un \u00e9cho.<br \/>\nC&rsquo;est un romantisme unique dont profitent les \u00e9rudits pour voir l&rsquo;intersection et la correspondance des bananes \u00e0 l&rsquo;ext\u00e9rieur et des pluies \u00e0 l&rsquo;int\u00e9rieur, des gouttes de pluie sur les bananiers et des lumi\u00e8res modernes avec les ombres dans des temps et des espaces diff\u00e9rents.<\/p>\n<p>La pluie tombe dans toute la cour et fait onduler la surface. Dans la p\u00e9nombre de l&rsquo;espace, les lumi\u00e8res et les ombres font refl\u00e9ter aux tables et aux chaises des halos jaunes et chauds dans une gradation distincte.<\/p>\n<p>La beaut\u00e9 na\u00eet de la combinaison d&rsquo;objets.<br \/>\nElle g\u00e9n\u00e8re des contrastes entre l&rsquo;\u00e9paisseur et la minceur, la luminosit\u00e9 et l&rsquo;obscurit\u00e9 des teintes.<\/p>\n<p>Nous sommes tellement habitu\u00e9s \u00e0 vivre dans des espaces lumineux pour sentir les formes des objets et exp\u00e9rimenter la vigueur de la vie. En revanche, \u00e0 l&rsquo;ombre des arbres, nous sommes plus concentr\u00e9s sur les choses qui nous entourent. Dans ce cas, il n&rsquo;y a pas d&rsquo;exc\u00e8s de lumi\u00e8re qui perturbe la vision. Lorsque c&rsquo;est n\u00e9cessaire, il y aura un petit nombre de lumi\u00e8res lin\u00e9aires pour refl\u00e9ter la mont\u00e9e et la descente de la construction. Dans les endroits plus sombres, la vision est limit\u00e9e tandis que les autres sens deviennent plus agiles. La beaut\u00e9 de ce monde peut \u00eatre observ\u00e9e \u00e0 partir de diff\u00e9rentes perspectives.<\/p>\n<p>La pratique consistant \u00e0 diviser les lumi\u00e8res par des barres droites est issue du style de la dynastie Song, qui consistait \u00e0 s\u00e9parer les tringles \u00e0 rideaux. Les angles d&rsquo;exposition \u00e0 la lumi\u00e8re du soleil changeant avec le temps, les ombres se refl\u00e8tent sur la surface des objets et ceux-ci semblent bien proportionn\u00e9s et confortables.<\/p>\n<p>Le nom de Tiny Ten peut \u00eatre d\u00e9connect\u00e9 grossi\u00e8rement.<\/p>\n<p>Tiny peut \u00eatre utilis\u00e9 pour d\u00e9crire les poussi\u00e8res et les cendres, tandis que Ten est utilis\u00e9 pour montrer la pl\u00e9nitude et la perfection. Ces deux images sont combin\u00e9es pour former Tiny Ten, ce qui explique la conception de l&rsquo;\u00e9loignement de la perfection. Cela correspond \u00e0 l&rsquo;expression artistique de ce dessin ou mod\u00e8le.<\/p>\n<p>Le temps et l&rsquo;espace ont beaucoup chang\u00e9 alors que le paysage naturel n&rsquo;a pas chang\u00e9 du tout.<br \/>\nLa pluie reste la m\u00eame qu&rsquo;avant et les montagnes aussi.<\/p>\n<p>Maintenant que vous \u00eates l\u00e0 o\u00f9 vous \u00eates, l&rsquo;endroit et le moment auxquels vous appartenez ne comptent plus.<\/p>\n","en":"<p>LONGTERM DESIGN\u00b7<br \/>\nLetters tell the missing mind and roller shutters reflect the swinging shadows<\/p>\n<p>In this design case, space will be painted with indigo-blue as the background. Getting rid of the former Japanese style as the keynote in Japanese restaurants, we make Song Dynasty style throughout the whole design.<\/p>\n<p>Fallen leaves on the front steps leave to be uncleaned.<br \/>\nThey lean against the banana trees leisurely and sleep with the sound of raining.<\/p>\n<p>The sound of rain knocking on banana trees is one of the most important lyric images in Chinese ancient literature. And it is influenced by many elements like climates and regions to show abundant aesthetic features such as rhyme and rhythm. Therefore, it can arouse complex emotional experience of ancient scholars.<\/p>\n<p>Designers adopt the installation shaped in bananas in the shopping mall as the background. In this way, it seems that the space is located under the banana trees.<\/p>\n<p>It just drizzles while the wind blows ceaselessly.<br \/>\nThe sound sleep during the whole night cannot dispel the effects of alcohol yet.<br \/>\nThe maid who were rolling the blind was asked about the outside circumstance.<br \/>\nThe answer was that the begonia was no different with it was the day before.<\/p>\n<p>As for the modelling of the eave above the facade, there\u2019s a visual sign as the rolling shutters. The people who rolled the shutters were not there any longer, yet you and I are the persons in the painting who are partially awakened from the drunkenness. Outside the corridor, there was plenty to be appreciated no matter it\u2019s the luxuriant leaves or the withered flowers.<\/p>\n<p>The farewell doesn\u2019t come until it has been a fully enjoyable time.<br \/>\nThe sudden entrance to the depth of the bamboo grove in the courtyard is out of expectation.<\/p>\n<p>The path though the antecourt zigzagged with bamboo poles strewed and withered at both sides. Taking a slow entrance into the bamboo forest though the path, you can see a full court of bamboos shining and dimming. The artistic conception after the rain is simply concentrated into the courtyard.<\/p>\n<p>Raindrops fall and the water wave ripples.<br \/>\nIt\u2019s so fascinating to smell the aroma of the fine wine among the shutters and mats.<\/p>\n<p>Stepping into the room along the meandering paths, you can spot the lights shining and the lighting effect assembling the raindrops on the wood veneer. The former description of rain knocking on banana trees can get the echos here.<br \/>\nIt\u2019s the unique romance enjoyed by the scholars to see the intersection and mapping of bananas outside and rainfalls inside, raindrops on banana trees and modern lights together with shadows among different time and space.<\/p>\n<p>The rain falls in the whole courtyard to make the surface ripple a lot. In the dim space, lights and shadows make tables and chairs reflect warm yellow halos in distinct gradation.<\/p>\n<p>Beauty comes from the combination of objects.<br \/>\nIt generates the contrasts of thickness and thinness, brightness and dimness of the shades.<\/p>\n<p>We are so used to living in bright space to feel the shapes of objects and experience the vigor of life. However, in the shades of trees, we are more focused on the things at hand. In this case, there\u2019s not an excess of lights to disturb vision. When it\u2019s necessary, there will be a small number of linear lights to reflect the rising and falling of the construction. In dimmer places, vision is restricted while other senses become more agile. Beauty in this world can be spotted from different perspectives.<\/p>\n<p>The practice of splitting lights by straight bars is evolved from the Song Dynasty style breaking off curtain rod. With the angles of sunlight exposure change as time passes, shadows are reflected on the surface of objects and they seem well-proportioned and comfortable.<\/p>\n<p>The name of Tiny Ten can be disconnected roughly.<\/p>\n<p>Tiny can be used to describe dusts and ashes while Ten is used to show fullness and perfection. These two images are combined to be Tiny Ten which explains the conception of faraway from perfection. It agrees with the artistic expression of this design case.<\/p>\n<p>Time and space have changed a lot while natural scenery hasn\u2019t changed a bit.<br \/>\nThe rain leaves to be the same as it was before and the mountains are the same too.<\/p>\n<p>Now when you are at where you are, it doesn\u2019t count any more about where or when you are belonged to.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/xiaoshi\/","en":"https:\/\/int.design\/en\/projects\/xiaoshi\/"},"titles":{"fr":"XIAOSHI","en":"XIAOSHI"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/115143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=115143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}