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La beaut\u00e9 des cheongsams ne r\u00e9side pas seulement dans les objets, mais aussi dans les personnes qui les portent. Voir les gens \u00e0 partir des objets, voir l’esprit et la culture \u00e0 partir des gens, telle est l’expression centrale de notre exposition.<br \/>\nGr\u00e2ce aux techniques de peinture au pinceau et \u00e0 l’aquarelle, le processus ardu d’\u00e9veil de la conscience du sujet f\u00e9minin est envelopp\u00e9 dans un \u00e9l\u00e9gant et magnifique cheongsam, grav\u00e9 sur des images et des vid\u00e9os de la p\u00e9riode de la R\u00e9publique de Chine, et ouvre une \u00e8re magnifique pour le conflit et l’int\u00e9gration des cultures chinoise et occidentale. de nouveaux horizons. Retour sur la \u00ab\u00a0beaut\u00e9\u00a0\u00bb du cheongsam dans les changements historiques, dans la nouvelle et l’ancienne culture<br \/>\nSous la mar\u00e9e, les femmes poursuivent courageusement leur propre progr\u00e8s et leur propre lib\u00e9ration.<br \/>\nUn groupe de femmes exceptionnelles a \u00e9merg\u00e9 \u00e0 cette \u00e9poque. Elles portaient des cheongsams et se sont courageusement lanc\u00e9es sur la sc\u00e8ne sociale. Leurs r\u00e9alisations dans les domaines de la litt\u00e9rature, de l’art, du cin\u00e9ma et de la t\u00e9l\u00e9vision, etc. sont \u00e0 l’image des cheongsams qu’elles portent. Et tranchantes. Parmi elles, Pan Yuliang, peintre n\u00e9e \u00e0 Anhui et populaire \u00e0 Shanghai, est une repr\u00e9sentante typique. Bien que ces beaut\u00e9s soient d\u00e9c\u00e9d\u00e9es, leur beaut\u00e9, leur sagesse et leur \u00e9l\u00e9gance resteront \u00e0 jamais dans la m\u00e9moire des gens avec chaque pi\u00e8ce de cheongsam.<br \/>\nEn fonction des caract\u00e9ristiques relativement ind\u00e9pendantes de la structure spatiale du hall d’exposition, nous avons divis\u00e9 ce dernier en trois zones, illustrant les trois atmosph\u00e8res spatiales du style r\u00e9tro de Shanghai, de l’\u00e9l\u00e9gance du style Hui et de la vie des cheongsams.<br \/>\nLe ton g\u00e9n\u00e9ral de l’espace de la zone de Shanghai est un bleu \u00e0 la mode. Au centre de la zone d’exposition, un espace ind\u00e9pendant a \u00e9t\u00e9 am\u00e9nag\u00e9 avec pour couleur de fond \u00ab\u00a0Indanthrene\u00a0\u00bb, qui ne s’estompe jamais dans la teinture des cheongsams. Dans la fluidit\u00e9 du son et de la couleur, le public laisse des portraits \u00e9motionnels. La d\u00e9coration int\u00e9rieure du cabinet est principalement bas\u00e9e sur des vitrines \u00e0 th\u00e8me, avec des dessins au trait, des formes tridimensionnelles et des combinaisons d’accessoires pour reconstituer les sc\u00e8nes de rue du vieux Shanghai et les vitrines des grands magasins. Le d\u00e9veloppement du cheongsam de Shanghai tend \u00e0 se finaliser dans les ann\u00e9es 1930, et sa caract\u00e9ristique r\u00e9side dans la combinaison \u00e9clectique de v\u00eatements traditionnels et de v\u00eatements de style occidental. L’association des cheongsams avec des vestes et des accessoires de style occidental est \u00e9galement l’une des principales caract\u00e9ristiques des cheongsams de style shangha\u00efen.<br \/>\nDans le district d’Anhui, le gris noir et blanc est utilis\u00e9 comme couleur th\u00e9matique de l’espace de style Hui, et le mur de fond avec les ombres des montagnes qui se chevauchent, combin\u00e9es aux fils drap\u00e9s, ainsi que la cabine courb\u00e9e cr\u00e9ent une beaut\u00e9 gracieuse.<br \/>\nUne beaut\u00e9 gracieuse. Elle met en valeur le temp\u00e9rament introverti, r\u00e9serv\u00e9 et simple des cheongsams de Huizhou.<br \/>\nLa zone de vie des cheongsams utilise la couleur rose des peintures \u00e0 l’huile classiques comme couleur th\u00e9matique de la vie des cheongsams. Apr\u00e8s le mouvement de la nouvelle culture, la transformation des r\u00f4les sociaux des femmes a \u00e9galement eu des r\u00e9percussions sur les v\u00eatements f\u00e9minins.<br \/>\nLes changements dans l’habillement des femmes. De plus en plus de femmes sortent des familles traditionnelles et participent \u00e0 des activit\u00e9s sociales. Qu’il s’agisse d’une star de cin\u00e9ma, d’une peintre,<br \/>\nLes universitaires, \u00e0 travers le cheongsam, montrent leurs activit\u00e9s individuelles, non seulement un v\u00eatement \u00e0 la mode, mais aussi une pens\u00e9e moderne, un nouveau mode de vie.<br \/>\nGr\u00e2ce \u00e0 la combinaison de l’atmosph\u00e8re de la culture de style Hui, de la culture de style Shanghai et des cheongsams, les visiteurs peuvent d\u00e9couvrir les cheongsams de mani\u00e8re plus compl\u00e8te. L’\u00e9clairage du hall d’exposition est relativement faible. Gr\u00e2ce aux changements de lumi\u00e8re et d’obscurit\u00e9, nous nous conformons aux caract\u00e9ristiques de l’\u00e9poque, nous cr\u00e9ons une atmosph\u00e8re de retour sur l’histoire et nous permettons aux visiteurs de s’y plonger.<\/p>\n","en":"<p>From Shanghai to Anhui, we select the best cheongsams from the two places, so that the audience can feel the beauty of cheongsams and at the same time feel the blending and mutual learning of Shanghai style culture and Huizhou culture. The beauty of cheongsam lies not only in the objects, but also in the people who wear it. Seeing people from objects, seeing spirit and culture from people is the core expression of our exhibition.<br \/>\nWith the support of brush-rubbing and watercolor painting techniques, the arduous process of awakening female subject consciousness is wrapped in a smart and beautiful cheongsam, engraved on pictorials and videos in the Republic of China period, and expands a magnificent era for the conflict and integration of Chinese and Western cultures. new horizons. Looking back at the \u00ab\u00a0beauty\u00a0\u00bb of cheongsam in the historical changes, in the new and old culture<br \/>\nUnder the tide, women bravely pursue their own progress and liberation.<br \/>\nA group of outstanding women emerged in that era. They wore cheongsams and bravely went to the social stage. Their achievements in literature, art, film and television, etc., are just like the cheongsams they wear. And sharp. Among them, Pan Yuliang, a painter born in Anhui and popular in Shanghai, is a typical representative. Although the beauties have passed away, their beauty, wisdom and elegance will remain in people’s memory forever with each piece of cheongsam.<br \/>\nAccording to the relatively independent spatial structure characteristics of the exhibition hall, we divided the exhibition hall into three areas, showing the three spatial atmospheres of Shanghai-style retro, Hui-style elegance, and cheongsam life.<br \/>\nThe overall space tone in Shanghai area is fashionable blue. In the center of the exhibition area, an independent space with \u00ab\u00a0Indanthrene\u00a0\u00bb which never fades in cheongsam dye as the background color is set up. In the flowing sound and color, the audience leaves emotional portraits. The interior design of the cabinet is mainly based on themed window display, with line drafts, three-dimensional shapes, and prop combinations to restore the street scenes of old Shanghai and the display windows of department stores. The development of Shanghai-style cheongsam tends to be finalized in the 1930s, and its characteristic lies in the eclectic combination of traditional clothing and Western-style clothing. The matching of cheongsam with western-style jackets and western-style accessories is also one of the main features of Shanghai-style cheongsam.<br \/>\nIn Anhui District, black-and-white gray is used as the theme color of the Hui-style space, and the background wall with overlapping mountain shadows, combined with draped yarns, together with the curved booth create a<br \/>\nGraceful beauty. It sets off the introverted, reserved and simple temperament of Huizhou cheongsam.<br \/>\nThe cheongsam life area uses the pink color of classical oil paintings as the theme color of cheongsam life. After the New Culture Movement, the transformation of women’s social roles also affected<br \/>\nChanges in women’s clothing. More and more women are stepping out of traditional families and participating in social activities. Whether it’s a movie star, a painter,<br \/>\nScholars, through the cheongsam, show their individual pursuits, not only a fashionable dress, but also a modern thought, a new way of life.<br \/>\nThrough the combination of the atmosphere of Hui style culture and Shanghai style culture and cheongsam, the cheongsam is more completely displayed to the visitors. The lighting in the exhibition hall is relatively dim. Through the light and dark changes of light, we conform to the characteristics of the times, create an atmosphere of looking back at history, and let visitors immerse themselves in it.<\/p>\n","original":""},"jury_text":false,"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3241,"cat_id_laureat":3891,"laureat":"Certification Argent"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[],"user":{"email":"lynn@apdc-awards.org","first_name":"lynn","last_name":"Wang"},"doc_texts_web":{"fr":"<p>De Shanghai \u00e0 Anhui, nous s\u00e9lectionnons les meilleurs cheongsams des deux endroits, afin que le public puisse ressentir la beaut\u00e9 des cheongsams et, en m\u00eame temps, le m\u00e9lange et l’apprentissage mutuel de la culture de Shanghai et de la culture de Huizhou. La beaut\u00e9 des cheongsams ne r\u00e9side pas seulement dans les objets, mais aussi dans les personnes qui les portent. Voir les gens \u00e0 partir des objets, voir l’esprit et la culture \u00e0 partir des gens, telle est l’expression centrale de notre exposition.<br \/>\nGr\u00e2ce aux techniques de peinture au pinceau et \u00e0 l’aquarelle, le processus ardu d’\u00e9veil de la conscience du sujet f\u00e9minin est envelopp\u00e9 dans un \u00e9l\u00e9gant et magnifique cheongsam, grav\u00e9 sur des images et des vid\u00e9os de la p\u00e9riode de la R\u00e9publique de Chine, et ouvre une \u00e8re magnifique pour le conflit et l’int\u00e9gration des cultures chinoise et occidentale. de nouveaux horizons. Retour sur la \u00ab\u00a0beaut\u00e9\u00a0\u00bb du cheongsam dans les changements historiques, dans la nouvelle et l’ancienne culture<br \/>\nSous la mar\u00e9e, les femmes poursuivent courageusement leur propre progr\u00e8s et leur propre lib\u00e9ration.<br \/>\nUn groupe de femmes exceptionnelles a \u00e9merg\u00e9 \u00e0 cette \u00e9poque. Elles portaient des cheongsams et se sont courageusement lanc\u00e9es sur la sc\u00e8ne sociale. Leurs r\u00e9alisations dans les domaines de la litt\u00e9rature, de l’art, du cin\u00e9ma et de la t\u00e9l\u00e9vision, etc. sont \u00e0 l’image des cheongsams qu’elles portent. Et tranchantes. Parmi elles, Pan Yuliang, peintre n\u00e9e \u00e0 Anhui et populaire \u00e0 Shanghai, est une repr\u00e9sentante typique. Bien que ces beaut\u00e9s soient d\u00e9c\u00e9d\u00e9es, leur beaut\u00e9, leur sagesse et leur \u00e9l\u00e9gance resteront \u00e0 jamais dans la m\u00e9moire des gens avec chaque pi\u00e8ce de cheongsam.<br \/>\nEn fonction des caract\u00e9ristiques relativement ind\u00e9pendantes de la structure spatiale du hall d’exposition, nous avons divis\u00e9 ce dernier en trois zones, illustrant les trois atmosph\u00e8res spatiales du style r\u00e9tro de Shanghai, de l’\u00e9l\u00e9gance du style Hui et de la vie des cheongsams.<br \/>\nLe ton g\u00e9n\u00e9ral de l’espace de la zone de Shanghai est un bleu \u00e0 la mode. Au centre de la zone d’exposition, un espace ind\u00e9pendant a \u00e9t\u00e9 am\u00e9nag\u00e9 avec pour couleur de fond \u00ab\u00a0Indanthrene\u00a0\u00bb, qui ne s’estompe jamais dans la teinture des cheongsams. Dans la fluidit\u00e9 du son et de la couleur, le public laisse des portraits \u00e9motionnels. La d\u00e9coration int\u00e9rieure du cabinet est principalement bas\u00e9e sur des vitrines \u00e0 th\u00e8me, avec des dessins au trait, des formes tridimensionnelles et des combinaisons d’accessoires pour reconstituer les sc\u00e8nes de rue du vieux Shanghai et les vitrines des grands magasins. Le d\u00e9veloppement du cheongsam de Shanghai tend \u00e0 se finaliser dans les ann\u00e9es 1930, et sa caract\u00e9ristique r\u00e9side dans la combinaison \u00e9clectique de v\u00eatements traditionnels et de v\u00eatements de style occidental. L’association des cheongsams avec des vestes et des accessoires de style occidental est \u00e9galement l’une des principales caract\u00e9ristiques des cheongsams de style shangha\u00efen.<br \/>\nDans le district d’Anhui, le gris noir et blanc est utilis\u00e9 comme couleur th\u00e9matique de l’espace de style Hui, et le mur de fond avec les ombres des montagnes qui se chevauchent, combin\u00e9es aux fils drap\u00e9s, ainsi que la cabine courb\u00e9e cr\u00e9ent une beaut\u00e9 gracieuse.<br \/>\nUne beaut\u00e9 gracieuse. Elle met en valeur le temp\u00e9rament introverti, r\u00e9serv\u00e9 et simple des cheongsams de Huizhou.<br \/>\nLa zone de vie des cheongsams utilise la couleur rose des peintures \u00e0 l’huile classiques comme couleur th\u00e9matique de la vie des cheongsams. Apr\u00e8s le mouvement de la nouvelle culture, la transformation des r\u00f4les sociaux des femmes a \u00e9galement eu des r\u00e9percussions sur les v\u00eatements f\u00e9minins.<br \/>\nLes changements dans l’habillement des femmes. De plus en plus de femmes sortent des familles traditionnelles et participent \u00e0 des activit\u00e9s sociales. Qu’il s’agisse d’une star de cin\u00e9ma, d’une peintre,<br \/>\nLes universitaires, \u00e0 travers le cheongsam, montrent leurs activit\u00e9s individuelles, non seulement un v\u00eatement \u00e0 la mode, mais aussi une pens\u00e9e moderne, un nouveau mode de vie.<br \/>\nGr\u00e2ce \u00e0 la combinaison de l’atmosph\u00e8re de la culture de style Hui, de la culture de style Shanghai et des cheongsams, les visiteurs peuvent d\u00e9couvrir les cheongsams de mani\u00e8re plus compl\u00e8te. L’\u00e9clairage du hall d’exposition est relativement faible. Gr\u00e2ce aux changements de lumi\u00e8re et d’obscurit\u00e9, nous nous conformons aux caract\u00e9ristiques de l’\u00e9poque, nous cr\u00e9ons une atmosph\u00e8re de retour sur l’histoire et nous permettons aux visiteurs de s’y plonger.<\/p>\n","en":"<p>From Shanghai to Anhui, we select the best cheongsams from the two places, so that the audience can feel the beauty of cheongsams and at the same time feel the blending and mutual learning of Shanghai style culture and Huizhou culture. The beauty of cheongsam lies not only in the objects, but also in the people who wear it. Seeing people from objects, seeing spirit and culture from people is the core expression of our exhibition.<br \/>\nWith the support of brush-rubbing and watercolor painting techniques, the arduous process of awakening female subject consciousness is wrapped in a smart and beautiful cheongsam, engraved on pictorials and videos in the Republic of China period, and expands a magnificent era for the conflict and integration of Chinese and Western cultures. new horizons. Looking back at the \u00ab\u00a0beauty\u00a0\u00bb of cheongsam in the historical changes, in the new and old culture<br \/>\nUnder the tide, women bravely pursue their own progress and liberation.<br \/>\nA group of outstanding women emerged in that era. They wore cheongsams and bravely went to the social stage. Their achievements in literature, art, film and television, etc., are just like the cheongsams they wear. And sharp. Among them, Pan Yuliang, a painter born in Anhui and popular in Shanghai, is a typical representative. Although the beauties have passed away, their beauty, wisdom and elegance will remain in people’s memory forever with each piece of cheongsam.<br \/>\nAccording to the relatively independent spatial structure characteristics of the exhibition hall, we divided the exhibition hall into three areas, showing the three spatial atmospheres of Shanghai-style retro, Hui-style elegance, and cheongsam life.<br \/>\nThe overall space tone in Shanghai area is fashionable blue. In the center of the exhibition area, an independent space with \u00ab\u00a0Indanthrene\u00a0\u00bb which never fades in cheongsam dye as the background color is set up. In the flowing sound and color, the audience leaves emotional portraits. The interior design of the cabinet is mainly based on themed window display, with line drafts, three-dimensional shapes, and prop combinations to restore the street scenes of old Shanghai and the display windows of department stores. The development of Shanghai-style cheongsam tends to be finalized in the 1930s, and its characteristic lies in the eclectic combination of traditional clothing and Western-style clothing. The matching of cheongsam with western-style jackets and western-style accessories is also one of the main features of Shanghai-style cheongsam.<br \/>\nIn Anhui District, black-and-white gray is used as the theme color of the Hui-style space, and the background wall with overlapping mountain shadows, combined with draped yarns, together with the curved booth create a<br \/>\nGraceful beauty. It sets off the introverted, reserved and simple temperament of Huizhou cheongsam.<br \/>\nThe cheongsam life area uses the pink color of classical oil paintings as the theme color of cheongsam life. After the New Culture Movement, the transformation of women’s social roles also affected<br \/>\nChanges in women’s clothing. More and more women are stepping out of traditional families and participating in social activities. Whether it’s a movie star, a painter,<br \/>\nScholars, through the cheongsam, show their individual pursuits, not only a fashionable dress, but also a modern thought, a new way of life.<br \/>\nThrough the combination of the atmosphere of Hui style culture and Shanghai style culture and cheongsam, the cheongsam is more completely displayed to the visitors. The lighting in the exhibition hall is relatively dim. Through the light and dark changes of light, we conform to the characteristics of the times, create an atmosphere of looking back at history, and let visitors immerse themselves in it.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/anhui-museum-elegant-fashion-chi-pao-and-womens-culture-exhibition\/","en":"https:\/\/int.design\/en\/projects\/anhui-museum-elegant-fashion-chi-pao-and-womens-culture-exhibition\/"},"titles":{"fr":"Anhui Museum \u00ab\u00a0Elegant Fashion – Chi-pao and Women’s Culture Exhibition\u00a0\u00bb","en":"Anhui Museum \u00ab\u00a0Elegant Fashion – Chi-pao and Women’s Culture Exhibition\u00a0\u00bb"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/114154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=114154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}