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La r\u00e9sidence id\u00e9ale pour les lettr\u00e9s est probablement la recherche de la paix int\u00e9rieure, la rencontre d\u2019amis et la composition de po\u00e8mes.<\/p>\n<p>Le manoir central est situ\u00e9 au nord du parc central de Chongqing, entour\u00e9 de lacs et d\u2019arbres verts. Avec la topographie ondulante, le terrain est concave vers le lac. En entrant dans le b\u00e2timent, le spectateur peut s\u2019amuser \u00e0 s\u2019\u00e9clabousser dans la montagne.<\/p>\n<p>Tous ces \u00e9l\u00e9ments nous font r\u00e9fl\u00e9chir au-del\u00e0 du projet \u2013 dans un tel endroit avec un paysage naturel abondant, le rythme de la vie pourrait \u00eatre suspendu et de nombreuses anecdotes se sont produites ici.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>WALKING AROUND<\/b><\/strong><\/p>\n<p>En raison de la caract\u00e9risation du site, il faut marcher \u00e0 travers une for\u00eat dense pour atteindre le b\u00e2timent. L\u2019architecte a profit\u00e9 des conditions originales du terrain et a adopt\u00e9 le mode d\u2019architecture abrit\u00e9 par la terre pour pr\u00e9senter le charme de la nature.<\/p>\n<p>Les plaques de c\u00e9ramique du four de Tushan ont \u00e9t\u00e9 choisies pour d\u00e9corer la fa\u00e7ade. Nous esp\u00e9rons poursuivre la localit\u00e9 de l\u2019architecture dans la conception int\u00e9rieure : d\u2019une part, pour assurer l\u2019int\u00e9grit\u00e9 de la logique spatiale ; d\u2019autre part, la narration spatiale est un dialogue mutuel. La plaque de c\u00e9ramique \u00e0 la surface du b\u00e2timent ne peut \u00eatre vue que de l\u2019autre c\u00f4t\u00e9 de l\u2019eau, mais ne peut \u00eatre touch\u00e9e. Une fois que le spectateur entre dans la pi\u00e8ce, la polarit\u00e9 de la substance peut \u00eatre ressentie.<\/p>\n<p>Une ville, accompagn\u00e9e de montagnes et de for\u00eats, donne un sentiment de retraite lorsque l\u2019on discute \u00e0 l\u2019ombre des arbres pendant le temps libre. En cons\u00e9quence, nous l\u2019avons appliqu\u00e9 \u00e0 l\u2019espace o\u00f9 la roche s\u00e9dimentaire gris fonc\u00e9 a \u00e9t\u00e9 choisie comme mat\u00e9riau.<\/p>\n<p>L\u2019\u00e9chelle de la \u201cbo\u00eete\u201d et l\u2019espace sont g\u00e9r\u00e9s avec pr\u00e9cision gr\u00e2ce \u00e0 une relation modulaire implicite. Nous devons nous assurer que l\u2019\u00e9chelle est appropri\u00e9e, ce qui signifie l\u2019\u00e9chelle elle-m\u00eame \u2013 la taille de l\u2019espace et l\u2019\u00e9chelle de la construction.<\/p>\n<p>En fin de compte, la distribution des bo\u00eetes est plac\u00e9e avec pr\u00e9cision. Nous avons \u00e9galement ajout\u00e9 des arbres, des ruisseaux et des pierres dans les espaces vides, formant des paysages non conventionnels o\u00f9 le spectateur peut marcher, bavarder et regarder.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>TH\u00c9ORIE DE LA BEAUT\u00c9<\/b><\/strong><\/p>\n<p>Tanizaki a \u00e9crit dans \u00c9loge de l\u2019ombre : \\La beaut\u00e9 n\u2019existe pas dans les objets, mais dans les ondulations et l\u2019ombre produites par les objets. \u201d<\/p>\n<p>W.DESIGN a pleinement mobilis\u00e9 la perception et l\u2019imagination des spectateurs en cr\u00e9ant une atmosph\u00e8re riche plut\u00f4t qu\u2019en se contentant de produire des effets visuels concrets. Par cons\u00e9quent, l\u2019espace ressemble davantage \u00e0 un centre d\u2019art vivant qui conf\u00e8re aux gens une r\u00e9sonance \u00e9motionnelle et une appartenance spirituelle.<\/p>\n<p>Nous avons cr\u00e9\u00e9 une atmosph\u00e8re de vacances de loisirs : Un bureau de r\u00e9ception de style h\u00f4telier, une texture d\u2019espace de roche s\u00e9dimentaire unie et une faible lumi\u00e8re chaude. L\u2019espace est plac\u00e9 dans un ton chaud. Apr\u00e8s avoir p\u00e9n\u00e9tr\u00e9 dans l\u2019espace principal, il est soudainement \u00e9clair\u00e9. L\u2019axe spatial est d\u00e9vi\u00e9 pour se d\u00e9tacher sur l\u2019eau, avec un grand dispositif de plafond en papier au-dessus de la t\u00eate.<\/p>\n<p>Les diff\u00e9rentes zones, telles que la galerie d\u2019art, la zone de loisirs et le pavillon de th\u00e9, sont reli\u00e9es par des chemins sinueux. L\u2019espace d\u2019exposition est comme un morceau d\u2019ambre qui s\u2019est install\u00e9 depuis longtemps, d\u00e9licatement plac\u00e9 \u00e0 c\u00f4t\u00e9 de la piscine \u00e0 d\u00e9bordement du complexe.<\/p>\n<p>L\u2019esth\u00e9tique orientale pr\u00f4n\u00e9e par W.DESIGN met l\u2019accent sur la beaut\u00e9 de l\u2019introspection cr\u00e9\u00e9e par la couleur, la lumi\u00e8re et le contraste, et sur la symbiose entre l\u2019architecture et l\u2019\u00e9cologie \u00e0 travers l\u2019harmonie entre l\u2019homme et les objets.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>MONTAGNE<\/b><\/strong><\/p>\n<p>Utilisant le d\u00e9nivel\u00e9, nous avons am\u00e9nag\u00e9 un espace auquel on acc\u00e8de par les marches sinueuses en pierre. La lucarne peut \u00eatre ouverte pour former un volume de lumi\u00e8re naturelle, ce qui rend l\u2019espace calme et permet au temps de s\u2019arr\u00eater.<\/p>\n<p>Gr\u00e2ce \u00e0 une sc\u00e9nographie ing\u00e9nieuse, le public ressentira pleinement le paysage qui s\u2019\u00e9tend sans cesse gr\u00e2ce au reflet sur le sol et aux lignes du treillis de la fen\u00eatre.<\/p>\n<p>De plus, le paysage ext\u00e9rieur est int\u00e9gr\u00e9 \u00e0 l\u2019espace. On peut percevoir la nature myst\u00e9rieuse et saisir l\u2019essence de la vie dans une tasse de th\u00e9, m\u00eame les antiquit\u00e9s et les petits bonsa\u00efs saluent le reflet de la table en forme de miroir.<\/p>\n<p>Environn\u00e9 de plantes vertes, le paysage est agr\u00e9able. Nous prenons l\u2019environnement naturel \u00e0 travers le reflet de la table de th\u00e9 dans une large texture de laque. On peut sentir le vert dense sur la table, cr\u00e9ant une atmosph\u00e8re calme et solennelle.<\/p>\n<p>En bas de l\u2019escalier se trouve un caf\u00e9 qui communique avec l\u2019espace ext\u00e9rieur o\u00f9 les gens peuvent s\u2019asseoir au bord de l\u2019eau et discuter sous l\u2019avant-toit. En traversant l\u2019immense mur de dalles \u00e0 l\u2019ouest, vous pouvez voir un pavillon d\u2019eau carr\u00e9 dont la porte est normalement ouverte, pr\u00e9sentant un int\u00e9r\u00eat de conception artistique vivante. Le rythme de la vie est \u00e0 port\u00e9e de main.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>NOWHERE<\/b><\/strong><\/p>\n<p>Chongqing est une ville unique en son genre. La plupart des habitants n\u2019ont pas l\u2019intention de s\u2019en \u00e9loigner, et il y a quelques raisons \u00e0 cela. Les personnes qui vivent ici peuvent ma\u00eetriser le rythme de la vie. Nulle part n\u2019est \u00e0 l\u2019\u00e9cart.<\/p>\n","en":"<p><strong>The Central Manor in Chongqing<\/strong><strong>\u00a0<\/strong><\/p>\n<p><strong><b>LAKEHOUSE<\/b><\/strong><\/p>\n<p>During the period of the Republic of China,\u00a0Bing Xin\u00a0moved to the side of the Gele Mountain in Chongqing, known as \u201cLakehouse\u201d. The ideal residence for literati is probably a pursuit of inner peace\u2014meeting friends and composing poetry.<\/p>\n<p>The Central Manor is located in the north of Chongqing Central Park, surrounded by lakes and green trees. With the undulating topography, the terrain is concave towards the lake. When entering the building, the viewer can experience the fun of splashing in the mountain.<\/p>\n<p>All these make us consider beyond the project\u2014in such a place with an abundant natural landscape, the rhythm of life could be suspended and plenty of anecdotes happened here.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>WALKING AROUND<\/b><\/strong><\/p>\n<p>Due to the site characterization, one has to walk through a dense forest to reach the building. The architect took advantage of the original terrain conditions and adopted the way of earth-sheltered architecture to present the charm of nature.<\/p>\n<p>The ceramic plate of Tushan Kiln is chosen as the decoration of the facade. We hope to continue the locality of architecture in interior design: on the one hand, to ensure the integrity of the spatial logic; On the other hand, the spatial narrative is a mutual dialogue. The ceramic plate on the surface of the building can only be seen across the water, but cannot be touched. Once the viewer enters the room, the polarity of the substance can be felt.<\/p>\n<p>A city, accompanied by mountains and forests, brings a sense of retreat when chatting under the shade of trees in leisure time. Correspondingly, we applied it to the space where dark gray sedimentary rock is selected as the material.<\/p>\n<p>The scale of the \u201cbox\u201d and the gap are precisely managed through an implicit modular relationship. We need to make sure the scale is appropriate, which means the scale itself \u2014 the size of the space and the scale of the construction.<\/p>\n<p>Ultimately, the distribution of boxes is precisely placed. We also added trees, stream and stones into the gaps, forming unconventional landscapes where viewer can walk through, gossip and gaze.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>BEAUTY THEORY<\/b><\/strong><\/p>\n<p>Tanizaki wrote in Praise of Shade: \u201cBeauty does not exist in objects, but in the ripples and the shade produced by objects.\u201d<\/p>\n<p>W.DESIGN fully mobilized viewers\u2019 perception and imagination by creating a rich atmosphere rather than simply making concrete visual effects. Therefore, the space is more like a living arts center that endows people with emotional resonance and spiritual belonging.<\/p>\n<p>We constructed a leisure vacation atmosphere: A hotel-style reception desk, plain sedimentary rock space texture and faint warm light. The space is set in a warm shade of the tone. After turning into the main space, it\u2019s suddenly enlightened. The spatial axis is deflected to loose on the water, with a large paper-ceiling device overhead.<\/p>\n<p>The different areas, such as the art gallery, the recreational area and the Tea Pavilion, are connected by winding paths.\u00a0The exhibition space is like a piece of long-settled amber, gently placed beside the resort infinity pool.<\/p>\n<p>The Oriental aesthetics advocated by W.DESIGN emphasizes the beauty of introspection created in color, light and contrast, and the symbiosis between architecture and ecology through the harmony between man and objects.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>MOUNTAIN CLIMBING<\/b><\/strong><\/p>\n<p>Utilizing the slanted height difference, we set up a space that can be reached through the winding stone steps. The skylight could be opened to form a volume of natural light, which makes the space quiet, and lets time stop.<\/p>\n<p>By ingenious scenography, the audience will fully feel the ever-extending scenery through the reflection on the floor and the lines of the window lattice.<\/p>\n<p>Moreover, the outdoor landscape is integrated with the space. And one can perceive the mysterious nature and grasp the essence of life in a cup of tea, even the antiques and small bonsai greet the reflection of the mirror-like table.<\/p>\n<p>Surrounded by green plants, the scenery is pleasant. We take the natural environment through the reflection of the tea table in broad lacquer texture. One can feel the dense green on the table, creating a quiet and solemn atmosphere.<\/p>\n<p>Down the stairs is a cafe that connects to the outdoor space where people can sit by the water and chat under the eaves. Passing through the huge flagstone wall to the west, you can see a square water pavilion whose door is normally open, presenting an interest of lively artistic conception. The rhythm of life is close at hand.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><b>NOWHERE<\/b><\/strong><\/p>\n<p>Chongqing is a unique city. Most people have no intention to go far away, and there are some reasons for this. People living here can master the rhythm of life. Nowhere is in the distance.<\/p>\n","original":""},"jury_text":[{"category":3270,"fr":"","en":"","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3270,"cat_id_laureat":3893,"laureat":"Laur\u00e9at Platine"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[{"name":"W.DESIGN","website":"http:\/\/www.wdesign.hk\/","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"}],"user":{"email":"marketing@wsdeco.com.cn","first_name":"Ben","last_name":"Wu"},"doc_texts_web":{"fr":"<p><strong>Le manoir central de Chongqing<\/strong><\/p>\n<p><strong><b>LAKEHOUSE<\/b><\/strong><\/p>\n<p>Pendant la p\u00e9riode de la R\u00e9publique de Chine, Bing Xin s\u2019est install\u00e9 sur le flanc de la montagne Gele \u00e0 Chongqing, connue sous le nom de \u201cLakehouse\u201d. La r\u00e9sidence id\u00e9ale pour les lettr\u00e9s est probablement la recherche de la paix int\u00e9rieure, la rencontre d\u2019amis et la composition de po\u00e8mes.<\/p>\n<p>Le manoir central est situ\u00e9 au nord du parc central de Chongqing, entour\u00e9 de lacs et d\u2019arbres verts. Avec la topographie ondulante, le terrain est concave vers le lac. En entrant dans le b\u00e2timent, le spectateur peut s\u2019amuser \u00e0 s\u2019\u00e9clabousser dans la montagne.<\/p>\n<p>Tous ces \u00e9l\u00e9ments nous font r\u00e9fl\u00e9chir au-del\u00e0 du projet \u2013 dans un tel endroit avec un paysage naturel abondant, le rythme de la vie pourrait \u00eatre suspendu et de nombreuses anecdotes se sont produites ici.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>WALKING AROUND<\/b><\/strong><\/p>\n<p>En raison de la caract\u00e9risation du site, il faut marcher \u00e0 travers une for\u00eat dense pour atteindre le b\u00e2timent. L\u2019architecte a profit\u00e9 des conditions originales du terrain et a adopt\u00e9 le mode d\u2019architecture abrit\u00e9 par la terre pour pr\u00e9senter le charme de la nature.<\/p>\n<p>Les plaques de c\u00e9ramique du four de Tushan ont \u00e9t\u00e9 choisies pour d\u00e9corer la fa\u00e7ade. Nous esp\u00e9rons poursuivre la localit\u00e9 de l\u2019architecture dans la conception int\u00e9rieure : d\u2019une part, pour assurer l\u2019int\u00e9grit\u00e9 de la logique spatiale ; d\u2019autre part, la narration spatiale est un dialogue mutuel. La plaque de c\u00e9ramique \u00e0 la surface du b\u00e2timent ne peut \u00eatre vue que de l\u2019autre c\u00f4t\u00e9 de l\u2019eau, mais ne peut \u00eatre touch\u00e9e. Une fois que le spectateur entre dans la pi\u00e8ce, la polarit\u00e9 de la substance peut \u00eatre ressentie.<\/p>\n<p>Une ville, accompagn\u00e9e de montagnes et de for\u00eats, donne un sentiment de retraite lorsque l\u2019on discute \u00e0 l\u2019ombre des arbres pendant le temps libre. En cons\u00e9quence, nous l\u2019avons appliqu\u00e9 \u00e0 l\u2019espace o\u00f9 la roche s\u00e9dimentaire gris fonc\u00e9 a \u00e9t\u00e9 choisie comme mat\u00e9riau.<\/p>\n<p>L\u2019\u00e9chelle de la \u201cbo\u00eete\u201d et l\u2019espace sont g\u00e9r\u00e9s avec pr\u00e9cision gr\u00e2ce \u00e0 une relation modulaire implicite. Nous devons nous assurer que l\u2019\u00e9chelle est appropri\u00e9e, ce qui signifie l\u2019\u00e9chelle elle-m\u00eame \u2013 la taille de l\u2019espace et l\u2019\u00e9chelle de la construction.<\/p>\n<p>En fin de compte, la distribution des bo\u00eetes est plac\u00e9e avec pr\u00e9cision. Nous avons \u00e9galement ajout\u00e9 des arbres, des ruisseaux et des pierres dans les espaces vides, formant des paysages non conventionnels o\u00f9 le spectateur peut marcher, bavarder et regarder.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>TH\u00c9ORIE DE LA BEAUT\u00c9<\/b><\/strong><\/p>\n<p>Tanizaki a \u00e9crit dans \u00c9loge de l\u2019ombre : \\La beaut\u00e9 n\u2019existe pas dans les objets, mais dans les ondulations et l\u2019ombre produites par les objets. \u201d<\/p>\n<p>W.DESIGN a pleinement mobilis\u00e9 la perception et l\u2019imagination des spectateurs en cr\u00e9ant une atmosph\u00e8re riche plut\u00f4t qu\u2019en se contentant de produire des effets visuels concrets. Par cons\u00e9quent, l\u2019espace ressemble davantage \u00e0 un centre d\u2019art vivant qui conf\u00e8re aux gens une r\u00e9sonance \u00e9motionnelle et une appartenance spirituelle.<\/p>\n<p>Nous avons cr\u00e9\u00e9 une atmosph\u00e8re de vacances de loisirs : Un bureau de r\u00e9ception de style h\u00f4telier, une texture d\u2019espace de roche s\u00e9dimentaire unie et une faible lumi\u00e8re chaude. L\u2019espace est plac\u00e9 dans un ton chaud. Apr\u00e8s avoir p\u00e9n\u00e9tr\u00e9 dans l\u2019espace principal, il est soudainement \u00e9clair\u00e9. L\u2019axe spatial est d\u00e9vi\u00e9 pour se d\u00e9tacher sur l\u2019eau, avec un grand dispositif de plafond en papier au-dessus de la t\u00eate.<\/p>\n<p>Les diff\u00e9rentes zones, telles que la galerie d\u2019art, la zone de loisirs et le pavillon de th\u00e9, sont reli\u00e9es par des chemins sinueux. L\u2019espace d\u2019exposition est comme un morceau d\u2019ambre qui s\u2019est install\u00e9 depuis longtemps, d\u00e9licatement plac\u00e9 \u00e0 c\u00f4t\u00e9 de la piscine \u00e0 d\u00e9bordement du complexe.<\/p>\n<p>L\u2019esth\u00e9tique orientale pr\u00f4n\u00e9e par W.DESIGN met l\u2019accent sur la beaut\u00e9 de l\u2019introspection cr\u00e9\u00e9e par la couleur, la lumi\u00e8re et le contraste, et sur la symbiose entre l\u2019architecture et l\u2019\u00e9cologie \u00e0 travers l\u2019harmonie entre l\u2019homme et les objets.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>MONTAGNE<\/b><\/strong><\/p>\n<p>Utilisant le d\u00e9nivel\u00e9, nous avons am\u00e9nag\u00e9 un espace auquel on acc\u00e8de par les marches sinueuses en pierre. La lucarne peut \u00eatre ouverte pour former un volume de lumi\u00e8re naturelle, ce qui rend l\u2019espace calme et permet au temps de s\u2019arr\u00eater.<\/p>\n<p>Gr\u00e2ce \u00e0 une sc\u00e9nographie ing\u00e9nieuse, le public ressentira pleinement le paysage qui s\u2019\u00e9tend sans cesse gr\u00e2ce au reflet sur le sol et aux lignes du treillis de la fen\u00eatre.<\/p>\n<p>De plus, le paysage ext\u00e9rieur est int\u00e9gr\u00e9 \u00e0 l\u2019espace. On peut percevoir la nature myst\u00e9rieuse et saisir l\u2019essence de la vie dans une tasse de th\u00e9, m\u00eame les antiquit\u00e9s et les petits bonsa\u00efs saluent le reflet de la table en forme de miroir.<\/p>\n<p>Environn\u00e9 de plantes vertes, le paysage est agr\u00e9able. Nous prenons l\u2019environnement naturel \u00e0 travers le reflet de la table de th\u00e9 dans une large texture de laque. On peut sentir le vert dense sur la table, cr\u00e9ant une atmosph\u00e8re calme et solennelle.<\/p>\n<p>En bas de l\u2019escalier se trouve un caf\u00e9 qui communique avec l\u2019espace ext\u00e9rieur o\u00f9 les gens peuvent s\u2019asseoir au bord de l\u2019eau et discuter sous l\u2019avant-toit. En traversant l\u2019immense mur de dalles \u00e0 l\u2019ouest, vous pouvez voir un pavillon d\u2019eau carr\u00e9 dont la porte est normalement ouverte, pr\u00e9sentant un int\u00e9r\u00eat de conception artistique vivante. Le rythme de la vie est \u00e0 port\u00e9e de main.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>NOWHERE<\/b><\/strong><\/p>\n<p>Chongqing est une ville unique en son genre. La plupart des habitants n\u2019ont pas l\u2019intention de s\u2019en \u00e9loigner, et il y a quelques raisons \u00e0 cela. Les personnes qui vivent ici peuvent ma\u00eetriser le rythme de la vie. Nulle part n\u2019est \u00e0 l\u2019\u00e9cart.<\/p>\n","en":"<p><strong>The Central Manor in Chongqing<\/strong><strong>\u00a0<\/strong><\/p>\n<p><strong><b>LAKEHOUSE<\/b><\/strong><\/p>\n<p>During the period of the Republic of China,\u00a0Bing Xin\u00a0moved to the side of the Gele Mountain in Chongqing, known as \u201cLakehouse\u201d. The ideal residence for literati is probably a pursuit of inner peace\u2014meeting friends and composing poetry.<\/p>\n<p>The Central Manor is located in the north of Chongqing Central Park, surrounded by lakes and green trees. With the undulating topography, the terrain is concave towards the lake. When entering the building, the viewer can experience the fun of splashing in the mountain.<\/p>\n<p>All these make us consider beyond the project\u2014in such a place with an abundant natural landscape, the rhythm of life could be suspended and plenty of anecdotes happened here.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>WALKING AROUND<\/b><\/strong><\/p>\n<p>Due to the site characterization, one has to walk through a dense forest to reach the building. The architect took advantage of the original terrain conditions and adopted the way of earth-sheltered architecture to present the charm of nature.<\/p>\n<p>The ceramic plate of Tushan Kiln is chosen as the decoration of the facade. We hope to continue the locality of architecture in interior design: on the one hand, to ensure the integrity of the spatial logic; On the other hand, the spatial narrative is a mutual dialogue. The ceramic plate on the surface of the building can only be seen across the water, but cannot be touched. Once the viewer enters the room, the polarity of the substance can be felt.<\/p>\n<p>A city, accompanied by mountains and forests, brings a sense of retreat when chatting under the shade of trees in leisure time. Correspondingly, we applied it to the space where dark gray sedimentary rock is selected as the material.<\/p>\n<p>The scale of the \u201cbox\u201d and the gap are precisely managed through an implicit modular relationship. We need to make sure the scale is appropriate, which means the scale itself \u2014 the size of the space and the scale of the construction.<\/p>\n<p>Ultimately, the distribution of boxes is precisely placed. We also added trees, stream and stones into the gaps, forming unconventional landscapes where viewer can walk through, gossip and gaze.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>BEAUTY THEORY<\/b><\/strong><\/p>\n<p>Tanizaki wrote in Praise of Shade: \u201cBeauty does not exist in objects, but in the ripples and the shade produced by objects.\u201d<\/p>\n<p>W.DESIGN fully mobilized viewers\u2019 perception and imagination by creating a rich atmosphere rather than simply making concrete visual effects. Therefore, the space is more like a living arts center that endows people with emotional resonance and spiritual belonging.<\/p>\n<p>We constructed a leisure vacation atmosphere: A hotel-style reception desk, plain sedimentary rock space texture and faint warm light. The space is set in a warm shade of the tone. After turning into the main space, it\u2019s suddenly enlightened. The spatial axis is deflected to loose on the water, with a large paper-ceiling device overhead.<\/p>\n<p>The different areas, such as the art gallery, the recreational area and the Tea Pavilion, are connected by winding paths.\u00a0The exhibition space is like a piece of long-settled amber, gently placed beside the resort infinity pool.<\/p>\n<p>The Oriental aesthetics advocated by W.DESIGN emphasizes the beauty of introspection created in color, light and contrast, and the symbiosis between architecture and ecology through the harmony between man and objects.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><b>MOUNTAIN CLIMBING<\/b><\/strong><\/p>\n<p>Utilizing the slanted height difference, we set up a space that can be reached through the winding stone steps. The skylight could be opened to form a volume of natural light, which makes the space quiet, and lets time stop.<\/p>\n<p>By ingenious scenography, the audience will fully feel the ever-extending scenery through the reflection on the floor and the lines of the window lattice.<\/p>\n<p>Moreover, the outdoor landscape is integrated with the space. And one can perceive the mysterious nature and grasp the essence of life in a cup of tea, even the antiques and small bonsai greet the reflection of the mirror-like table.<\/p>\n<p>Surrounded by green plants, the scenery is pleasant. We take the natural environment through the reflection of the tea table in broad lacquer texture. One can feel the dense green on the table, creating a quiet and solemn atmosphere.<\/p>\n<p>Down the stairs is a cafe that connects to the outdoor space where people can sit by the water and chat under the eaves. Passing through the huge flagstone wall to the west, you can see a square water pavilion whose door is normally open, presenting an interest of lively artistic conception. The rhythm of life is close at hand.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><b>NOWHERE<\/b><\/strong><\/p>\n<p>Chongqing is a unique city. Most people have no intention to go far away, and there are some reasons for this. People living here can master the rhythm of life. Nowhere is in the distance.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/the-central-manor\/","en":"https:\/\/int.design\/en\/projects\/the-central-manor\/"},"titles":{"fr":"The Central Manor","en":"The Central Manor"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/105383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=105383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}