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mondialisation, l’urbanisation et l’impact persistant de la pand\u00e9mie, nous devons nous pencher sur la relation entre les gens et les villes, les gens et la nature, et les gens et les gens.<\/p>\n<p>Aldo Rossi propose que \u00ab\u00a0la ville incarne la m\u00e9moire collective de ses habitants\u00a0\u00bb. L’apparence d’une ville est d\u00e9termin\u00e9e par le lieu de r\u00e9sidence des habitants, leur sentiment d’appartenance, leur m\u00e9moire \u00e9motionnelle et leur vision de l’espace. Nous avons entam\u00e9 un dialogue entre l’histoire et l’avenir tout en red\u00e9finissant le mode de vie des \u00e9lites urbaines contemporaines et l’esth\u00e9tique spatiale du futur.<\/p>\n<p>Qu’est-ce que la \u00ab\u00a0maison id\u00e9ale\u00a0\u00bb ? La r\u00e9ponse se trouve dans notre langage de conception de l’orientalisme moderne.<\/p>\n<p> <\/p>\n<p><strong>BOUNDARY REDEFINED<\/strong><\/p>\n<p>Nous avons toujours essay\u00e9 de rendre l’espace plus po\u00e9tique et imaginatif. Pour la suite Est, nous adoptons un cadre g\u00e9om\u00e9trique plus moderne pour reconstruire l’ordre spatial et dissoudre la fronti\u00e8re entre l’int\u00e9rieur et la nature, afin de d\u00e9peindre un monde contemporain plus diversifi\u00e9 et pionnier et un style de vie po\u00e9tique oriental.<\/p>\n<p>Nous prenons l’ordre spatial moderniste comme r\u00e9f\u00e9rence et traitons l’espace comme une pierre non taill\u00e9e. Dans l’esprit des jardins anciens, nous pla\u00e7ons des arcades, des ponts, des marches et des constructions m\u00e9talliques pour d\u00e9finir et reconstruire l’espace.<\/p>\n<p>Les pi\u00e8ces de marbre vert ressemblant \u00e0 du jade et le cadre m\u00e9tallique noir fusionnent l’oriental et le moderne, cr\u00e9ant une apparence droite et exquise dans l’espace.<\/p>\n<p>Apr\u00e8s la reconstruction, la salle \u00e0 manger, le salon et le salon auxiliaire deviennent le centre de l’espace. Le salon auxiliaire se trouve derri\u00e8re la construction cylindrique principale, ce qui enrichit les couches spatiales et cr\u00e9e un plaisir de vivre.<\/p>\n<p>Lib\u00e9r\u00e9s de l’id\u00e9ologie traditionnelle, nous avons cr\u00e9\u00e9 les p\u00f4les positifs et n\u00e9gatifs de l’espace et introduit le concept et les jardins orientaux. L’espace est r\u00e9organis\u00e9, int\u00e9grant le public et le priv\u00e9, les caract\u00e9ristiques dynamiques et statiques, formant un univers miniature de mouvement.<\/p>\n<p>Au del\u00e0 de l’espace ovale ordonn\u00e9, nous avons construit deux cours int\u00e9rieures d’une beaut\u00e9 orientale onirique, comme si nous \u00e9tions dans la nature.<\/p>\n<p>Les marches ascendantes forment des variations dans la microtopographie, guidant les gens \u00e0 travers le couloir et rendant l’entr\u00e9e dans le domaine priv\u00e9 c\u00e9r\u00e9moniale. Au fur et \u00e0 mesure que nous progressons, les arbres varient en imagination et en r\u00e9alit\u00e9, et le chemin serpente.<\/p>\n<p>En quittant la zone publique, nous atteignons le point culminant qui est le \u00ab\u00a0th\u00e9\u00e2tre\u00a0\u00bb en forme d’arc. L’arche blanche, classique et religieuse, m\u00e8ne \u00e0 un espace plus pur, o\u00f9 un rythme calme r\u00e9veille notre force int\u00e9rieure.<\/p>\n<p>En traversant le couloir, nous nous trouvons face \u00e0 un bar priv\u00e9 exquis. Il est relaxant et romantique de prendre un verre et de discuter ou de contempler le paysage.<\/p>\n<p>Notre imagination de l’espace d\u00e9pend de la stimulation visuelle. Nous avons d\u00e9mantel\u00e9 l’espace et implant\u00e9 la literie, le vestiaire, la salle de bains, le bureau et la chemin\u00e9e dans la pierre sculpt\u00e9e. Nous avons \u00e9galement utilis\u00e9 le terrazzo, le jade, le bois sombre et le cuivre antique, qui sont \u00e0 la fois discrets et prudents, curatifs et relaxants, pleins de charme oriental et d’esth\u00e9tique moderne.<\/p>\n<p> <\/p>\n<p><strong>L’EXPERIENCE SENSUELLE <\/strong><strong>DANS L’ESPACE<\/strong><\/p>\n<p>Le concepteur est le metteur en sc\u00e8ne d’un drame de la vie, et l’espace est le lieu d’interpr\u00e9tation, de mise en forme et d’extension… Nous concevons l’espace et dirigeons la vie.<\/p>\n<p>Qu’il s’agisse d’une r\u00e9union autour d’un th\u00e9, d’un couple d’amoureux regardant la lune et d\u00e9gustant un verre, ou d’une personne passant du temps seule, dans la suite ouest, nous avons introduit un jardin naturel avec le vent, l’odeur et la temp\u00e9rature. En mobilisant pleinement les cinq sens humains, la joie de la nature appara\u00eet et une vie v\u00e9ritablement po\u00e9tique se d\u00e9ploie.<\/p>\n<p>Selon le langage de conception de l’Orientalisme moderne, nous ouvrons les cinq sens des humains par le biais d’une ligne dynamique.<\/p>\n<p>De la routine quotidienne et du rassemblement au retour au silence, nous mettons l’accent sur les exp\u00e9riences multiples et utilisons pleinement l’espace limit\u00e9 pour en faire une progression c\u00e9r\u00e9monielle, o\u00f9 la myst\u00e9rieuse exp\u00e9rience sensorielle humaine est pleinement mobilis\u00e9e.<\/p>\n<p>Le voyage sensoriel immersif commence lorsque vous entrez dans le foyer et le hall d’entr\u00e9e. Les zones publiques et priv\u00e9es sont divis\u00e9es avec art en fonction de la disposition d’origine. Un espace public ouvert est le premier qui appara\u00eet, faisant \u00e9cho \u00e0 la ligne d’horizon de la ville. La salle de r\u00e9union, la salle \u00e0 manger, la cuisine chinoise et occidentale, et le bar se trouvent dans un grand espace public.<\/p>\n<p>Le coin divisant la cuisine chinoise et occidentale et le bar affiche l’int\u00e9r\u00eat de l’espace tout en interagissant avec la salle \u00e0 manger, en renfor\u00e7ant la communication, et en offrant plus de possibilit\u00e9s de formes de vie.<\/p>\n<p>La cour de la nature infuse l’int\u00e9r\u00eat oriental dans l’espace tout en formant une coh\u00e9rence spatiale par l’ajout d’une chemin\u00e9e. L’espace est clairement divis\u00e9 en zones publiques et priv\u00e9es, combinant des vibrations dynamiques et calmes. Dans la culture orientale, les jardins et les maisons de th\u00e9 \u00e9taient des espaces o\u00f9 les lettr\u00e9s \u00e9changeaient des id\u00e9es philosophiques et artistiques. Nous avons transform\u00e9 le couloir en un bureau et une salle \u00e9l\u00e9gante.<\/p>\n<p>L’\u00e9cran du salon de th\u00e9 d\u00e9finit l’espace, et les espaces altern\u00e9s donnent la joie de percer des myst\u00e8res. Notre regard se prom\u00e8ne dans l’espace, \u00e0 travers les petits trous, les fentes \u00e9troites, la cloison…l’ouverture de la chemin\u00e9e, et la cour po\u00e9tique est vaguement visible.<\/p>\n<p>Avec un int\u00e9r\u00eat pour l’exploration des chemins isol\u00e9s, nous avons utilis\u00e9 les variations topographiques pour cr\u00e9er un sentiment de marche dans le jardin. Avec la fluctuation du chemin, nous appr\u00e9cions la fl\u00e2nerie de loisir. Reli\u00e9 \u00e0 l’\u00e9tude, le chemin devient un itin\u00e9raire dynamique de la visite du jardin. Tout devient logique.<\/p>\n<p>R\u00e9chauffer du th\u00e9 avec de la neige et \u00e9couter de la cithare par une nuit froide. Le vrai luxe n’est pas une question de mat\u00e9riaux co\u00fbteux ou d’espace luxueux, mais d’humeur po\u00e9tique orientale et de plaisir \u00e0 travers la planification spatiale et la construction.<\/p>\n<p>Nous esp\u00e9rons que les sc\u00e8nes spatiales peuvent correspondre \u00e0 diff\u00e9rents styles de vie. En cr\u00e9ant un paysage artificiel et naturel harmonieux, nous jetons un pont vers la po\u00e9sie et la tranquillit\u00e9 orientales, qui sont calmes, relaxantes et \u00e9l\u00e9gantes, et explorons les diff\u00e9rentes formes de vie des r\u00e9sidents urbains contemporains.<\/p>\n","en":"<p><strong>The Riverside Mansion<\/strong><\/p>\n<p>With globalization and urbanization and the lingering impact of the pandemic, we need to address the relationship between people and cities, people and nature, and people and people.<\/p>\n<p>Aldo Rossi proposes that \u2018the city embodies the collective memory of its people.\u2019 The appearance of a city is determined by people\u2019s residence, their sense of belonging, emotional memory, and outlook on the space. We started a dialogue between history and the future while redefining the lifestyle of contemporary urban elites and future spatial aesthetics.<\/p>\n<p>What exactly is the \u2018ideal home\u2019? The answer is in our design language of Modern Orientalism.<\/p>\n<p> <\/p>\n<p><strong>BOUNDARY REDEFINED<\/strong><\/p>\n<p>We have always tried to make the space more poetic and imaginative. We prioritize men\u2019s spatial experience to space function.<\/p>\n<p>For the East Suite, we adopt a more modern geometric framework to reconstruct the spatial order and dissolve the boundary between the interior and nature, to portray a more diversified and pioneering contemporary world and an oriental poetic lifestyle.<\/p>\n<p>We take the modernist spatial order as the benchmark and treat the space as an uncut stone. In the spirit of ancient gardening, we place arcades, bridges, steps, and metal construction to define and reconstruct the space.<\/p>\n<p>The jade-like green marble pieces and the black metal frame fuse the oriental and the modern, creating a straight and exquisite look in the space.<\/p>\n<p>After reconstruction, the dining room, the parlor, and the auxiliary lounge become the center of the space. The auxiliary lounge is behind the main cylinder construction, which enriches spatial layers and creates a delight in life.<\/p>\n<p>Free from traditional ideology, we have created the positive and negative poles of space and introduced the concept and oriental gardens. The space is reorganized, integrating public and private, dynamic and static features, forming a miniature universe of movement.<\/p>\n<p>Beyond the orderly oval space, we have built two indoor courtyards of dreamlike oriental beauty, as if we are in nature.<\/p>\n<p>The rising steps form variations in microtopography, guiding people through the corridor and making entering the private domain ceremonial. As we gradually progress, the trees vary in imagination and reality, and the path meanders.<\/p>\n<p>Leaving the public area, we reach the climax which is the arc-shaped \u201ctheater\u201d. The classical and religious white archway leads to a purer space, where a calm rhythm awakens our inner strength.<\/p>\n<p>Passing through the corridor, we face an exquisite private bar. It is relaxing and romantic to enjoy a drink and talk or overlook the scenery.<\/p>\n<p>Our imagination of space depends on visual stimulation. We dismantled the space and implanted bedding, checkroom, bathroom, study, and fireplace into the carved stone. Only by breaking the inherent layout, it can truly present a living experience with a time dimension.<\/p>\n<p>We also used terrazzo, jade, dark wood, and antique copper, which is low-key and prudent, healing and relaxing, full of oriental charm and modern aesthetics.<\/p>\n<p> <\/p>\n<p><strong>SENSUAL EXPERIENCE <\/strong><strong>IN THE SPACE<\/strong><\/p>\n<p>The designer is the director of a drama of life, and the space is the venue for interpreting, shaping, and extending\u2026 We design the space and direct the life.<\/p>\n<p>Whether it is a gathering for tea, a loving couple looking at the moon and enjoying a drink, or you spending leisure time alone, in the West Suite, we introduced a garden of nature with wind, smell, and temperature. By fully mobilizing the five human senses, joy of nature arises and a truly poetic life is unfolded.<\/p>\n<p>Based on the design language of Modern Orientalism, we open the five senses of humans through a dynamic line.<\/p>\n<p>From daily routine and gathering to returning to silence, we emphasize multiple experiences, and make full use of the limited space, to make it a ceremonial progression, where the mysterious human sensory experience is fully mobilized.<\/p>\n<p>The immersive sensory journey begins when you step into the foyer and the entrance hall. The public and private areas are artfully divided based on the original layout. An open public area is the first that comes into view, echoing the city skyline. The meeting room, dining room, Chinese and Western kitchen, and bar can be found in a large public space.<\/p>\n<p>The corner dividing the Chinese and Western kitchen and the bar displays the space interest while interacting with the dining room, strengthening communication, and offering more possibilities of life forms.<\/p>\n<p>The courtyard of nature infuses oriental interest into the space while forming a spatial coherence by adding a fireplace. The space has a clear division of public and private areas, combining dynamic and quiet vibes. The sense of distance and shifting views is a process of getting more joy.<\/p>\n<p>In oriental culture, gardens and tea houses were spaces for literati to exchange philosophical and artistic ideas. We turned the corridor into a study and elegant room.<\/p>\n<p>The screen in the tearoom defines the space, and the alternate gaps form a joy of unraveling mysteries. Our gaze wanders in the space, through small holes, narrow slits, the partition\u2026the opening of the fireplace, and the poetic courtyard poetic is vaguely visible.<\/p>\n<p>With an interest in exploring secluded paths, we made use of the topographic variations to create a sense of walking in the garden. With the fluctuation of the path, we enjoy leisure strolling. Connected to the study, the path becomes a dynamic route of the garden tour. Everything becomes logical.<\/p>\n<p>Brew tea with snow and listen to zither on a cold night. Real luxury is not about expensive materials or luxurious space, but the oriental poetic mood and pleasure through spatial planning and construction.<\/p>\n<p>We hope that the spatial scenes can correspond to different lifestyles. By creating a harmonious artificial and natural scenery, we build a bridge to oriental poetry and tranquility, which is calm, relaxing, and elegant, and explore different life forms of contemporary urban residents.<\/p>\n","original":""},"jury_text":[{"category":3264,"fr":"","en":"","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3264,"cat_id_laureat":3894,"laureat":"Grand Laur\u00e9at"},{"cat_id":3264,"cat_id_laureat":3890,"laureat":"Certification OR"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[{"name":"W.DESIGN","website":"http:\/\/www.wdesign.hk\/","category":"","category_tax":2747,"category_label":"Designer d'int\u00e9rieur"}],"user":{"email":"marketing@wsdeco.com.cn","first_name":"Ben","last_name":"Wu"},"doc_texts_web":{"fr":"<p><strong>The Riverside Mansion<\/strong><\/p>\n<p>Avec la mondialisation, l’urbanisation et l’impact persistant de la pand\u00e9mie, nous devons nous pencher sur la relation entre les gens et les villes, les gens et la nature, et les gens et les gens.<\/p>\n<p>Aldo Rossi propose que \u00ab\u00a0la ville incarne la m\u00e9moire collective de ses habitants\u00a0\u00bb. L’apparence d’une ville est d\u00e9termin\u00e9e par le lieu de r\u00e9sidence des habitants, leur sentiment d’appartenance, leur m\u00e9moire \u00e9motionnelle et leur vision de l’espace. Nous avons entam\u00e9 un dialogue entre l’histoire et l’avenir tout en red\u00e9finissant le mode de vie des \u00e9lites urbaines contemporaines et l’esth\u00e9tique spatiale du futur.<\/p>\n<p>Qu’est-ce que la \u00ab\u00a0maison id\u00e9ale\u00a0\u00bb ? La r\u00e9ponse se trouve dans notre langage de conception de l’orientalisme moderne.<\/p>\n<p> <\/p>\n<p><strong>BOUNDARY REDEFINED<\/strong><\/p>\n<p>Nous avons toujours essay\u00e9 de rendre l’espace plus po\u00e9tique et imaginatif. Pour la suite Est, nous adoptons un cadre g\u00e9om\u00e9trique plus moderne pour reconstruire l’ordre spatial et dissoudre la fronti\u00e8re entre l’int\u00e9rieur et la nature, afin de d\u00e9peindre un monde contemporain plus diversifi\u00e9 et pionnier et un style de vie po\u00e9tique oriental.<\/p>\n<p>Nous prenons l’ordre spatial moderniste comme r\u00e9f\u00e9rence et traitons l’espace comme une pierre non taill\u00e9e. Dans l’esprit des jardins anciens, nous pla\u00e7ons des arcades, des ponts, des marches et des constructions m\u00e9talliques pour d\u00e9finir et reconstruire l’espace.<\/p>\n<p>Les pi\u00e8ces de marbre vert ressemblant \u00e0 du jade et le cadre m\u00e9tallique noir fusionnent l’oriental et le moderne, cr\u00e9ant une apparence droite et exquise dans l’espace.<\/p>\n<p>Apr\u00e8s la reconstruction, la salle \u00e0 manger, le salon et le salon auxiliaire deviennent le centre de l’espace. Le salon auxiliaire se trouve derri\u00e8re la construction cylindrique principale, ce qui enrichit les couches spatiales et cr\u00e9e un plaisir de vivre.<\/p>\n<p>Lib\u00e9r\u00e9s de l’id\u00e9ologie traditionnelle, nous avons cr\u00e9\u00e9 les p\u00f4les positifs et n\u00e9gatifs de l’espace et introduit le concept et les jardins orientaux. L’espace est r\u00e9organis\u00e9, int\u00e9grant le public et le priv\u00e9, les caract\u00e9ristiques dynamiques et statiques, formant un univers miniature de mouvement.<\/p>\n<p>Au del\u00e0 de l’espace ovale ordonn\u00e9, nous avons construit deux cours int\u00e9rieures d’une beaut\u00e9 orientale onirique, comme si nous \u00e9tions dans la nature.<\/p>\n<p>Les marches ascendantes forment des variations dans la microtopographie, guidant les gens \u00e0 travers le couloir et rendant l’entr\u00e9e dans le domaine priv\u00e9 c\u00e9r\u00e9moniale. Au fur et \u00e0 mesure que nous progressons, les arbres varient en imagination et en r\u00e9alit\u00e9, et le chemin serpente.<\/p>\n<p>En quittant la zone publique, nous atteignons le point culminant qui est le \u00ab\u00a0th\u00e9\u00e2tre\u00a0\u00bb en forme d’arc. L’arche blanche, classique et religieuse, m\u00e8ne \u00e0 un espace plus pur, o\u00f9 un rythme calme r\u00e9veille notre force int\u00e9rieure.<\/p>\n<p>En traversant le couloir, nous nous trouvons face \u00e0 un bar priv\u00e9 exquis. Il est relaxant et romantique de prendre un verre et de discuter ou de contempler le paysage.<\/p>\n<p>Notre imagination de l’espace d\u00e9pend de la stimulation visuelle. Nous avons d\u00e9mantel\u00e9 l’espace et implant\u00e9 la literie, le vestiaire, la salle de bains, le bureau et la chemin\u00e9e dans la pierre sculpt\u00e9e. Nous avons \u00e9galement utilis\u00e9 le terrazzo, le jade, le bois sombre et le cuivre antique, qui sont \u00e0 la fois discrets et prudents, curatifs et relaxants, pleins de charme oriental et d’esth\u00e9tique moderne.<\/p>\n<p> <\/p>\n<p><strong>L’EXPERIENCE SENSUELLE <\/strong><strong>DANS L’ESPACE<\/strong><\/p>\n<p>Le concepteur est le metteur en sc\u00e8ne d’un drame de la vie, et l’espace est le lieu d’interpr\u00e9tation, de mise en forme et d’extension\u2026 Nous concevons l’espace et dirigeons la vie.<\/p>\n<p>Qu’il s’agisse d’une r\u00e9union autour d’un th\u00e9, d’un couple d’amoureux regardant la lune et d\u00e9gustant un verre, ou d’une personne passant du temps seule, dans la suite ouest, nous avons introduit un jardin naturel avec le vent, l’odeur et la temp\u00e9rature. En mobilisant pleinement les cinq sens humains, la joie de la nature appara\u00eet et une vie v\u00e9ritablement po\u00e9tique se d\u00e9ploie.<\/p>\n<p>Selon le langage de conception de l’Orientalisme moderne, nous ouvrons les cinq sens des humains par le biais d’une ligne dynamique.<\/p>\n<p>De la routine quotidienne et du rassemblement au retour au silence, nous mettons l’accent sur les exp\u00e9riences multiples et utilisons pleinement l’espace limit\u00e9 pour en faire une progression c\u00e9r\u00e9monielle, o\u00f9 la myst\u00e9rieuse exp\u00e9rience sensorielle humaine est pleinement mobilis\u00e9e.<\/p>\n<p>Le voyage sensoriel immersif commence lorsque vous entrez dans le foyer et le hall d’entr\u00e9e. Les zones publiques et priv\u00e9es sont divis\u00e9es avec art en fonction de la disposition d’origine. Un espace public ouvert est le premier qui appara\u00eet, faisant \u00e9cho \u00e0 la ligne d’horizon de la ville. La salle de r\u00e9union, la salle \u00e0 manger, la cuisine chinoise et occidentale, et le bar se trouvent dans un grand espace public.<\/p>\n<p>Le coin divisant la cuisine chinoise et occidentale et le bar affiche l’int\u00e9r\u00eat de l’espace tout en interagissant avec la salle \u00e0 manger, en renfor\u00e7ant la communication, et en offrant plus de possibilit\u00e9s de formes de vie.<\/p>\n<p>La cour de la nature infuse l’int\u00e9r\u00eat oriental dans l’espace tout en formant une coh\u00e9rence spatiale par l’ajout d’une chemin\u00e9e. L’espace est clairement divis\u00e9 en zones publiques et priv\u00e9es, combinant des vibrations dynamiques et calmes. Dans la culture orientale, les jardins et les maisons de th\u00e9 \u00e9taient des espaces o\u00f9 les lettr\u00e9s \u00e9changeaient des id\u00e9es philosophiques et artistiques. Nous avons transform\u00e9 le couloir en un bureau et une salle \u00e9l\u00e9gante.<\/p>\n<p>L’\u00e9cran du salon de th\u00e9 d\u00e9finit l’espace, et les espaces altern\u00e9s donnent la joie de percer des myst\u00e8res. Notre regard se prom\u00e8ne dans l’espace, \u00e0 travers les petits trous, les fentes \u00e9troites, la cloison\u2026l’ouverture de la chemin\u00e9e, et la cour po\u00e9tique est vaguement visible.<\/p>\n<p>Avec un int\u00e9r\u00eat pour l’exploration des chemins isol\u00e9s, nous avons utilis\u00e9 les variations topographiques pour cr\u00e9er un sentiment de marche dans le jardin. Avec la fluctuation du chemin, nous appr\u00e9cions la fl\u00e2nerie de loisir. Reli\u00e9 \u00e0 l’\u00e9tude, le chemin devient un itin\u00e9raire dynamique de la visite du jardin. Tout devient logique.<\/p>\n<p>R\u00e9chauffer du th\u00e9 avec de la neige et \u00e9couter de la cithare par une nuit froide. Le vrai luxe n’est pas une question de mat\u00e9riaux co\u00fbteux ou d’espace luxueux, mais d’humeur po\u00e9tique orientale et de plaisir \u00e0 travers la planification spatiale et la construction.<\/p>\n<p>Nous esp\u00e9rons que les sc\u00e8nes spatiales peuvent correspondre \u00e0 diff\u00e9rents styles de vie. En cr\u00e9ant un paysage artificiel et naturel harmonieux, nous jetons un pont vers la po\u00e9sie et la tranquillit\u00e9 orientales, qui sont calmes, relaxantes et \u00e9l\u00e9gantes, et explorons les diff\u00e9rentes formes de vie des r\u00e9sidents urbains contemporains.<\/p>\n","en":"<p><strong>The Riverside Mansion<\/strong><\/p>\n<p>With globalization and urbanization and the lingering impact of the pandemic, we need to address the relationship between people and cities, people and nature, and people and people.<\/p>\n<p>Aldo Rossi proposes that \u2018the city embodies the collective memory of its people.\u2019 The appearance of a city is determined by people\u2019s residence, their sense of belonging, emotional memory, and outlook on the space. We started a dialogue between history and the future while redefining the lifestyle of contemporary urban elites and future spatial aesthetics.<\/p>\n<p>What exactly is the \u2018ideal home\u2019? The answer is in our design language of Modern Orientalism.<\/p>\n<p> <\/p>\n<p><strong>BOUNDARY REDEFINED<\/strong><\/p>\n<p>We have always tried to make the space more poetic and imaginative. We prioritize men\u2019s spatial experience to space function.<\/p>\n<p>For the East Suite, we adopt a more modern geometric framework to reconstruct the spatial order and dissolve the boundary between the interior and nature, to portray a more diversified and pioneering contemporary world and an oriental poetic lifestyle.<\/p>\n<p>We take the modernist spatial order as the benchmark and treat the space as an uncut stone. In the spirit of ancient gardening, we place arcades, bridges, steps, and metal construction to define and reconstruct the space.<\/p>\n<p>The jade-like green marble pieces and the black metal frame fuse the oriental and the modern, creating a straight and exquisite look in the space.<\/p>\n<p>After reconstruction, the dining room, the parlor, and the auxiliary lounge become the center of the space. The auxiliary lounge is behind the main cylinder construction, which enriches spatial layers and creates a delight in life.<\/p>\n<p>Free from traditional ideology, we have created the positive and negative poles of space and introduced the concept and oriental gardens. The space is reorganized, integrating public and private, dynamic and static features, forming a miniature universe of movement.<\/p>\n<p>Beyond the orderly oval space, we have built two indoor courtyards of dreamlike oriental beauty, as if we are in nature.<\/p>\n<p>The rising steps form variations in microtopography, guiding people through the corridor and making entering the private domain ceremonial. As we gradually progress, the trees vary in imagination and reality, and the path meanders.<\/p>\n<p>Leaving the public area, we reach the climax which is the arc-shaped \u201ctheater\u201d. The classical and religious white archway leads to a purer space, where a calm rhythm awakens our inner strength.<\/p>\n<p>Passing through the corridor, we face an exquisite private bar. It is relaxing and romantic to enjoy a drink and talk or overlook the scenery.<\/p>\n<p>Our imagination of space depends on visual stimulation. We dismantled the space and implanted bedding, checkroom, bathroom, study, and fireplace into the carved stone. Only by breaking the inherent layout, it can truly present a living experience with a time dimension.<\/p>\n<p>We also used terrazzo, jade, dark wood, and antique copper, which is low-key and prudent, healing and relaxing, full of oriental charm and modern aesthetics.<\/p>\n<p> <\/p>\n<p><strong>SENSUAL EXPERIENCE <\/strong><strong>IN THE SPACE<\/strong><\/p>\n<p>The designer is the director of a drama of life, and the space is the venue for interpreting, shaping, and extending\u2026 We design the space and direct the life.<\/p>\n<p>Whether it is a gathering for tea, a loving couple looking at the moon and enjoying a drink, or you spending leisure time alone, in the West Suite, we introduced a garden of nature with wind, smell, and temperature. By fully mobilizing the five human senses, joy of nature arises and a truly poetic life is unfolded.<\/p>\n<p>Based on the design language of Modern Orientalism, we open the five senses of humans through a dynamic line.<\/p>\n<p>From daily routine and gathering to returning to silence, we emphasize multiple experiences, and make full use of the limited space, to make it a ceremonial progression, where the mysterious human sensory experience is fully mobilized.<\/p>\n<p>The immersive sensory journey begins when you step into the foyer and the entrance hall. The public and private areas are artfully divided based on the original layout. An open public area is the first that comes into view, echoing the city skyline. The meeting room, dining room, Chinese and Western kitchen, and bar can be found in a large public space.<\/p>\n<p>The corner dividing the Chinese and Western kitchen and the bar displays the space interest while interacting with the dining room, strengthening communication, and offering more possibilities of life forms.<\/p>\n<p>The courtyard of nature infuses oriental interest into the space while forming a spatial coherence by adding a fireplace. The space has a clear division of public and private areas, combining dynamic and quiet vibes. The sense of distance and shifting views is a process of getting more joy.<\/p>\n<p>In oriental culture, gardens and tea houses were spaces for literati to exchange philosophical and artistic ideas. We turned the corridor into a study and elegant room.<\/p>\n<p>The screen in the tearoom defines the space, and the alternate gaps form a joy of unraveling mysteries. Our gaze wanders in the space, through small holes, narrow slits, the partition\u2026the opening of the fireplace, and the poetic courtyard poetic is vaguely visible.<\/p>\n<p>With an interest in exploring secluded paths, we made use of the topographic variations to create a sense of walking in the garden. With the fluctuation of the path, we enjoy leisure strolling. Connected to the study, the path becomes a dynamic route of the garden tour. Everything becomes logical.<\/p>\n<p>Brew tea with snow and listen to zither on a cold night. Real luxury is not about expensive materials or luxurious space, but the oriental poetic mood and pleasure through spatial planning and construction.<\/p>\n<p>We hope that the spatial scenes can correspond to different lifestyles. By creating a harmonious artificial and natural scenery, we build a bridge to oriental poetry and tranquility, which is calm, relaxing, and elegant, and explore different life forms of contemporary urban residents.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/the-riverside-mansion\/","en":"https:\/\/int.design\/en\/projects\/the-riverside-mansion\/"},"titles":{"fr":"The Riverside Mansion","en":"The Riverside Mansion"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project\/105381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/fr\/wp-json\/wp\/v2\/media?parent=105381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}