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La proposition permet avant tout de faciliter la lecture du site et vise \u00e0 r\u00e9affirmer et mat\u00e9rialiser les lignes de d\u00e9sir naturelles du parc.<br \/>\nUn carrefour apporte l\u2019id\u00e9e d\u2019un 3e lieu. Celui-ci permet alors des manifestations diverses, programm\u00e9es ou non. Le travail formel s\u2019inspire du gradin et de la sc\u00e8ne, voire de l\u2019amphith\u00e9\u00e2tre ext\u00e9rieur. Tant\u00f4t emmarchements, tant\u00f4t sc\u00e9nette, il laisse place aux regroupements culturels, artistiques, sportifs ou scolaires. L\u2019am\u00e9nagement de ce premier carrefour permet alors une porosit\u00e9 des usages de l\u2019int\u00e9rieur vers l\u2019ext\u00e9rieur. Le travail topographique, en plus de son apport programmatique, dynamise le parcours. Abaiss\u00e9 et aplani, il permet alors une perspective d\u00e9gag\u00e9e sur les composantes b\u00e2ties et reconnecte les lieux d\u2019int\u00e9r\u00eat entre eux.<br \/>\nLa sc\u00e8ne est \u00e9galement d\u00e9construite. Elle se compose d\u2019une succession d\u2019extrusions permettant d\u2019y monter, de s\u2019assoir, de manger, d\u2019\u00e9changer ou de jouer. Avec sa mise en lumi\u00e8re, elle \u00e9tend \u00e9galement l\u2019aire de jeu d\u00e9di\u00e9 aux enfants; on peut les imaginer y jouer au roi de la montagne, ou encore les voir interagir avec les points lumineux, comm\u00e9morant de travail de Dan Hanganu.\u00a0<br \/>\nLa paroi verticale du gradin pr\u00e9sente un assemblage de briques d\u2019argile, de b\u00e9ton et de verre s\u2019inspirant d\u2019un motif traditionnel Romain, pr\u00e9sent dans l&#39;art d\u00e9coratif et les chemisiers traditionnels. Ainsi, on adresse les origines de l&#39;architecte; la terre d&#39;exil.<br \/>\nCe m\u00eame travail sur le motif est investi \u00e0 l\u2019horizontal sur la sc\u00e9nette, proposant l\u2019id\u00e9e d\u2019une trame urbaine sur laquelle sont sch\u00e9matis\u00e9s les b\u00e2timents-phare de l\u2019architectes. \u00c9loge aux qualit\u00e9s graphiques et intrins\u00e8ques des mat\u00e9riaux tel que le faisait l\u2019architecte \u00e9ponyme, la brique est ici utilis\u00e9e comme pixel ou un point de couture du motif exprim\u00e9.<br \/>\nCette proposition a \u00e9t\u00e9 nomm\u00e9e laur\u00e9ate suite \u00e0 un concours pluridisciplinaire.\u00a0<\/p>\n","en":"<p>Previously fragmented, the park offered different programs located without qualitative interface from the interiors of the community center designed by Dan Hanganu. 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With its lighting, it also extends the playground dedicated to children; one can imagine them playing king of the mountain, or see them interacting with the luminous points, commemorating the work of Dan Hanganu.\u00a0<br \/>\nThe vertical wall of the tier presents an assembly of clay bricks, concrete and glass inspired by a traditional Roman motif, present in decorative art and traditional blouses. Thus, we address the origins of the architect; the land of exile.<br \/>\nThis same work on the motif is invested horizontally on the stage, proposing the idea of an urban grid on which are schematized the buildings-phare of the architect. In praise of the graphic and intrinsic qualities of materials as the eponymous architect did, the brick is used here as a pixel or a stitch of the expressed pattern.<br \/>\nThis proposal was named the winner following a multidisciplinary competition.\u00a0<\/p>\n","original":""},"jury_text":[{"category":2585,"fr":"<p>Auparavant morcel\u00e9, le parc proposait diff\u00e9rents programmes localis\u00e9s sans interface qualitatif depuis les int\u00e9rieurs du centre communautaire con\u00e7u par Dan Hanganu. La proposition permet avant tout de faciliter la lecture du site et vise \u00e0 r\u00e9affirmer et mat\u00e9rialiser les lignes de d\u00e9sir naturelles du parc.<br \/>\nUn carrefour apporte l\u2019id\u00e9e d\u2019un 3e lieu. Celui-ci permet alors des manifestations diverses, programm\u00e9es ou non. Le travail formel s\u2019inspire du gradin et de la sc\u00e8ne, voire de l\u2019amphith\u00e9\u00e2tre ext\u00e9rieur. 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Tant\u00f4t emmarchements, tant\u00f4t sc\u00e9nette, il laisse place aux regroupements culturels, artistiques, sportifs ou scolaires. L\u2019am\u00e9nagement de ce premier carrefour permet alors une porosit\u00e9 des usages de l\u2019int\u00e9rieur vers l\u2019ext\u00e9rieur. Le travail topographique, en plus de son apport programmatique, dynamise le parcours. Abaiss\u00e9 et aplani, il permet alors une perspective d\u00e9gag\u00e9e sur les composantes b\u00e2ties et reconnecte les lieux d\u2019int\u00e9r\u00eat entre eux.<br \/>\nLa sc\u00e8ne est \u00e9galement d\u00e9construite. Elle se compose d\u2019une succession d\u2019extrusions permettant d\u2019y monter, de s\u2019assoir, de manger, d\u2019\u00e9changer ou de jouer. Avec sa mise en lumi\u00e8re, elle \u00e9tend \u00e9galement l\u2019aire de jeu d\u00e9di\u00e9 aux enfants; on peut les imaginer y jouer au roi de la montagne, ou encore les voir interagir avec les points lumineux, comm\u00e9morant de travail de Dan Hanganu.\u00a0<br \/>\nLa paroi verticale du gradin pr\u00e9sente un assemblage de briques d\u2019argile, de b\u00e9ton et de verre s\u2019inspirant d\u2019un motif traditionnel Romain, pr\u00e9sent dans l&#39;art d\u00e9coratif et les chemisiers traditionnels. Ainsi, on adresse les origines de l&#39;architecte; la terre d&#39;exil.<br \/>\nCe m\u00eame travail sur le motif est investi \u00e0 l\u2019horizontal sur la sc\u00e9nette, proposant l\u2019id\u00e9e d\u2019une trame urbaine sur laquelle sont sch\u00e9matis\u00e9s les b\u00e2timents-phare de l\u2019architectes. \u00c9loge aux qualit\u00e9s graphiques et intrins\u00e8ques des mat\u00e9riaux tel que le faisait l\u2019architecte \u00e9ponyme, la brique est ici utilis\u00e9e comme pixel ou un point de couture du motif exprim\u00e9.<br \/>\nCette proposition a \u00e9t\u00e9 nomm\u00e9e laur\u00e9ate suite \u00e0 un concours pluridisciplinaire.\u00a0<\/p>\n","en":"","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2587,"cat_id_laureat":false,"laureat":""},{"cat_id":2585,"cat_id_laureat":false,"laureat":""}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"Blanchette Architectes","website":"https:\/\/www.blanchette-architectes.com\/","category":"","category_tax":2744,"category_label":"Architecte"},{"name":"Projet Paysage","website":"www.projetpaysage.com","category":"","category_tax":2745,"category_label":"Architecture de paysage"}],"user":{"email":"patrick@blanchette-architectes.com","first_name":"Patrick","last_name":"Blanchette"},"doc_texts_web":{"fr":"<p>Auparavant morcel\u00e9, le parc proposait diff\u00e9rents programmes localis\u00e9s sans interface qualitatif depuis les int\u00e9rieurs du centre communautaire con\u00e7u par Dan Hanganu. La proposition permet avant tout de faciliter la lecture du site et vise \u00e0 r\u00e9affirmer et mat\u00e9rialiser les lignes de d\u00e9sir naturelles du parc.<br \/>\nUn carrefour apporte l\u2019id\u00e9e d\u2019un 3e lieu. Celui-ci permet alors des manifestations diverses, programm\u00e9es ou non. Le travail formel s\u2019inspire du gradin et de la sc\u00e8ne, voire de l\u2019amphith\u00e9\u00e2tre ext\u00e9rieur. Tant\u00f4t emmarchements, tant\u00f4t sc\u00e9nette, il laisse place aux regroupements culturels, artistiques, sportifs ou scolaires. L\u2019am\u00e9nagement de ce premier carrefour permet alors une porosit\u00e9 des usages de l\u2019int\u00e9rieur vers l\u2019ext\u00e9rieur. Le travail topographique, en plus de son apport programmatique, dynamise le parcours. Abaiss\u00e9 et aplani, il permet alors une perspective d\u00e9gag\u00e9e sur les composantes b\u00e2ties et reconnecte les lieux d\u2019int\u00e9r\u00eat entre eux.<br \/>\nLa sc\u00e8ne est \u00e9galement d\u00e9construite. Elle se compose d\u2019une succession d\u2019extrusions permettant d\u2019y monter, de s\u2019assoir, de manger, d\u2019\u00e9changer ou de jouer. Avec sa mise en lumi\u00e8re, elle \u00e9tend \u00e9galement l\u2019aire de jeu d\u00e9di\u00e9 aux enfants; on peut les imaginer y jouer au roi de la montagne, ou encore les voir interagir avec les points lumineux, comm\u00e9morant de travail de Dan Hanganu.\u00a0<br \/>\nLa paroi verticale du gradin pr\u00e9sente un assemblage de briques d\u2019argile, de b\u00e9ton et de verre s\u2019inspirant d\u2019un motif traditionnel Romain, pr\u00e9sent dans l'art d\u00e9coratif et les chemisiers traditionnels. Ainsi, on adresse les origines de l'architecte; la terre d'exil.<br \/>\nCe m\u00eame travail sur le motif est investi \u00e0 l\u2019horizontal sur la sc\u00e9nette, proposant l\u2019id\u00e9e d\u2019une trame urbaine sur laquelle sont sch\u00e9matis\u00e9s les b\u00e2timents-phare de l\u2019architectes. \u00c9loge aux qualit\u00e9s graphiques et intrins\u00e8ques des mat\u00e9riaux tel que le faisait l\u2019architecte \u00e9ponyme, la brique est ici utilis\u00e9e comme pixel ou un point de couture du motif exprim\u00e9.<br \/>\nCette proposition a \u00e9t\u00e9 nomm\u00e9e laur\u00e9ate suite \u00e0 un concours pluridisciplinaire.\u00a0<\/p>\n","en":"<p>Previously fragmented, the park offered different programs located without qualitative interface from the interiors of the community center designed by Dan Hanganu. The proposal primarily facilitates the reading of the site and aims to reaffirm and materialize the natural desire lines of the park.<br \/>\nA crossroads brings the idea of a 3rd place. This one allows various events, programmed or not. The formal work is inspired by the bleacher and the stage, or even the outdoor amphitheater. Sometimes with steps, sometimes with a stage, it leaves room for cultural, artistic, sports or school gatherings. The development of this first crossroads allows a porosity of uses from the inside to the outside. The topographic work, in addition to its programmatic contribution, makes the route more dynamic. Lowered and flattened, it allows a clear perspective on the built components and reconnects the places of interest between them.<br \/>\nThe stage is also deconstructed. It is composed of a succession of extrusions allowing to climb, to sit, to eat, to exchange or to play. With its lighting, it also extends the playground dedicated to children; one can imagine them playing king of the mountain, or see them interacting with the luminous points, commemorating the work of Dan Hanganu.\u00a0<br \/>\nThe vertical wall of the tier presents an assembly of clay bricks, concrete and glass inspired by a traditional Roman motif, present in decorative art and traditional blouses. Thus, we address the origins of the architect; the land of exile.<br \/>\nThis same work on the motif is invested horizontally on the stage, proposing the idea of an urban grid on which are schematized the buildings-phare of the architect. In praise of the graphic and intrinsic qualities of materials as the eponymous architect did, the brick is used here as a pixel or a stitch of the expressed pattern.<br \/>\nThis proposal was named the winner following a multidisciplinary competition.\u00a0<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/parc-dan-hanganu\/","en":"https:\/\/int.design\/en\/projects\/parc-dan-hanganu\/"},"titles":{"fr":"Parc Dan-Hanganu","en":"Parc Dan-Hanganu"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/80335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=80335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}