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en 1991 par le peintre am\u00e9ricain Franck Moore, le ruban rouge repr\u00e9sente \u00e0 la fois la m\u00e9moire des disparus, l\u2019entraide et la solidarit\u00e9 face \u00e0 la lutte au VIH. Porteur de sens, le ruban rouge se concr\u00e9tise \u00e0 travers le parc de l\u2019Espoir, dont la vocation est de comm\u00e9morer les victimes du SIDA. Sous la forme d\u2019un rev\u00eatement de r\u00e9sine rouge, \u00e9merge de ce ruban rouge un banc ceinturant l\u2019arbre de la vie. Il s\u2019\u00e9tend au-del\u00e0 du parc de l\u2019espoir, et traverse la rue Panet au coin de la rue Sainte-Catherine pour y intercepter le promeneur et lui rappeler le sens du lieu. L\u2019augmentation de l\u2019espace d\u00e9di\u00e9 aux pi\u00e9tons par la cr\u00e9ation d\u2019une rue partag\u00e9e au niveau de la rue Panet, \u00e9tend ainsi ses limites au-del\u00e0 du parcours du trottoir de rue et ouvre le champ de vision pour augmenter son confort. En suivant la pente douce et naturelle de la rue Panet, le parc est d\u00e9sormais sur un seul niveau, ne requ\u00e9rant ni escalier ni rampe d\u2019acc\u00e8s universel, permettant \u00e0 tout type d\u2019utilisateur du parc de d\u00e9ambuler sans contraintes de changements de niveaux et cr\u00e9ant ainsi une v\u00e9ritable plaque comm\u00e9morative urbaine textur\u00e9e d\u2019un motif unique. Ce motif au sol est inspir\u00e9 du travail de Keith Haring (1958-1990), figure dominante du \u00ab graffiti art \u00bb et du \u00ab n\u00e9o pop art \u00bb des ann\u00e9es 90 aux \u00c9tats-Unis, soit la p\u00e9riode de r\u00e9f\u00e9rence de la cr\u00e9ation du parc de l\u2019Espoir. Ouvertement gai et s\u00e9ropositif, Haring a consacr\u00e9 les derni\u00e8res ann\u00e9es de sa vie \u00e0 produire des \u0153uvres ayant pour th\u00e8me la mort et le SIDA. L\u2019aspect comm\u00e9moratif du parc par l\u2019alignement de m\u00e2ts de drapeaux LGBTQ+ a permis de pr\u00e9server le rituel consistant \u00e0 nouer des rubans autour des m\u00e2ts, \u00e0 la m\u00e9moire des victimes du SIDA.<\/p>\n<p>Le parc a \u00e9t\u00e9 ainsi con\u00e7u en r\u00e9ponse aux objectifs d\u2019am\u00e9nagement \u00e9labor\u00e9s avec les citoyens, soit de cr\u00e9er un lieu sobre favorisant le recueillement, permettant le rassemblement occasionnel, la comm\u00e9moration de sa vocation historique et int\u00e9grant l\u2019am\u00e9nagement d\u2019espaces verts et de bancs. <\/p>\n<p>Le parc de l\u2019Espoir exprime son identit\u00e9 dynamique, festive et ouverte \u00e0 son quartier par son r\u00e9am\u00e9nagement, comm\u00e9morant les victimes du SIDA tout en permettant un lieu de rassemblement et de manifestation. Les objectifs du projet, les orientations de r\u00e9interpr\u00e9tation de la comm\u00e9moration \u00e9manent d\u2019un processus ayant impliqu\u00e9 les acteurs du milieu, des repr\u00e9sentants de la communaut\u00e9 LGBTQ+, les utilisateurs de l\u2019espace public et les citoyens du quartier par de nombreuses consultations publiques en pr\u00e9sentiel. C\u2019est via la plateforme de R\u00e9alisons Montr\u00e9al que le processus de consultation se termine pour d\u00e9finir une option pr\u00e9f\u00e9rentielle.<\/p>\n<p>Les sentiers, le mobilier, l\u2019\u00e9clairage et les plantations ont \u00e9t\u00e9 remplac\u00e9s et reconfigur\u00e9s et le volet comm\u00e9moratif, repens\u00e9 de mani\u00e8re coh\u00e9rente avec les nouveaux am\u00e9nagements du parc. Le couvert v\u00e9g\u00e9tal a \u00e9galement \u00e9t\u00e9 grandement bonifi\u00e9, dans une optique de diminution des \u00eelots de chaleur, gr\u00e2ce \u00e0 la cr\u00e9ation de nouvelles zones de plantations dans les saillies. La superficie verte passe alors de 55 m2 \u00e0 238 m2, repr\u00e9sentant une augmentation de 332%, et amenant ainsi davantage le vivant dans le nouveau parc.<\/p>\n","en":"<p>Created in 1991 by the American painter Franck Moore, the red ribbon represents mutual support and solidarity in memory of those lost in the battle against HIV. This meaningful symbol materializes as a red resin coating across the parc de l\u2019Espoir, whose purpose is to commemorate the victims of AIDS. Out of the red ribbon unfolding across the park emerges a bench that then curves around a newly planted tree symbolizing life. The ribbon stretches out beyond the park as a reminder of the space\u2019s meaning, crossing Panet Street towards Sainte-Catherine to grab the attention of passersby. The creation of a shared street on Panet pushes its limits beyond the sidewalk, increasing pedestrian space, comfort, as well as the field of view on the street. Following the soft slope of Panet Street, the entire park finds itself on the same level, allowing for universal access across the site without any ramps or staircases, thus reinforcing the effect of an urban-scale commemorative plaque, textured with a unique pattern. The paving pattern is inspired by the work of Keith Haring (1958-1990), a key figure of the \u201cgraffiti art\u201d and \u201cneo-pop art\u201d movements of the nineties in the United States, which also coincides with the date of creation of the park. As an openly gay and HIV-positive artist, Haring dedicated the last years of his life to producing art around the themes of AIDS as well as death. The commemorative aspect the park is preserved with the alignment of LGBTQ+ flagpoles, perpetuating the ritual of tying ribbons around the masts in memory of the victims of AIDS.<\/p>\n<p>The park design reflects the planning objectives determined with the citizens: the creation of a minimal space that allows for contemplation, occasional gatherings, commemoration of the park\u2019s history, and integration of both seating and greenery.<\/p>\n<p>The redesign of the park conveys its dynamic, festive and neighbourhood-unifying character as a commemorative space for the victims of AIDS and also a place for demonstrations. The project\u2019s goals for its commemorative nature are the result of multiple in-person public consultations that brought together members of the LGBTQ+ community, locals within the neighbourhood and visitors of public space alike. The preferred option for the park\u2019s renewal was decided via the platform Make Montr\u00e9al.<\/p>\n<p>The pathways, urban furniture, lighting equipment and vegetation within the park have been replaced and reconfigured, and the commemorative component revised to form a cohesive entity with the newly transformed park. To reduce the urban heat island effect in the area, the space allocated to greenery increased dramatically from 55 m\u00b2 to 238 m\u00b2 through the addition of planted zones on curb extensions. This growth of 332% in greenery helps to bring more liveliness to the new park and its surroundings.<\/p>\n","original":""},"jury_text":[{"category":2568,"fr":"<p>Cr\u00e9\u00e9 en 1991 par le peintre am\u00e9ricain Franck Moore, le ruban rouge repr\u00e9sente \u00e0 la fois la m\u00e9moire des disparus, l\u2019entraide et la solidarit\u00e9 face \u00e0 la lutte au VIH. Porteur de sens, le ruban rouge se concr\u00e9tise \u00e0 travers le parc de l\u2019Espoir, dont la vocation est de comm\u00e9morer les victimes du SIDA. Sous la forme d\u2019un rev\u00eatement de r\u00e9sine rouge, \u00e9merge de ce ruban rouge un banc ceinturant l\u2019arbre de la vie. Il s\u2019\u00e9tend au-del\u00e0 du parc de l\u2019espoir, et traverse la rue Panet au coin de la rue Sainte-Catherine pour y intercepter le promeneur et lui rappeler le sens du lieu. L\u2019augmentation de l\u2019espace d\u00e9di\u00e9 aux pi\u00e9tons par la cr\u00e9ation d\u2019une rue partag\u00e9e au niveau de la rue Panet, \u00e9tend ainsi ses limites au-del\u00e0 du parcours du trottoir de rue et ouvre le champ de vision pour augmenter son confort. En suivant la pente douce et naturelle de la rue Panet, le parc est d\u00e9sormais sur un seul niveau, ne requ\u00e9rant ni escalier ni rampe d\u2019acc\u00e8s universel, permettant \u00e0 tout type d\u2019utilisateur du parc de d\u00e9ambuler sans contraintes de changements de niveaux et cr\u00e9ant ainsi une v\u00e9ritable plaque comm\u00e9morative urbaine textur\u00e9e d\u2019un motif unique. Ce motif au sol est inspir\u00e9 du travail de Keith Haring (1958-1990), figure dominante du \u00ab graffiti art \u00bb et du \u00ab n\u00e9o pop art \u00bb des ann\u00e9es 90 aux \u00c9tats-Unis, soit la p\u00e9riode de r\u00e9f\u00e9rence de la cr\u00e9ation du parc de l\u2019Espoir. Ouvertement gai et s\u00e9ropositif, Haring a consacr\u00e9 les derni\u00e8res ann\u00e9es de sa vie \u00e0 produire des \u0153uvres ayant pour th\u00e8me la mort et le SIDA. L\u2019aspect comm\u00e9moratif du parc par l\u2019alignement de m\u00e2ts de drapeaux LGBTQ+ a permis de pr\u00e9server le rituel consistant \u00e0 nouer des rubans autour des m\u00e2ts, \u00e0 la m\u00e9moire des victimes du SIDA.<\/p>\n<p>Le parc a \u00e9t\u00e9 ainsi con\u00e7u en r\u00e9ponse aux objectifs d\u2019am\u00e9nagement \u00e9labor\u00e9s avec les citoyens, soit de cr\u00e9er un lieu sobre favorisant le recueillement, permettant le rassemblement occasionnel, la comm\u00e9moration de sa vocation historique et int\u00e9grant l\u2019am\u00e9nagement d\u2019espaces verts et de bancs. <\/p>\n<p>Le parc de l\u2019Espoir exprime son identit\u00e9 dynamique, festive et ouverte \u00e0 son quartier par son r\u00e9am\u00e9nagement, comm\u00e9morant les victimes du SIDA tout en permettant un lieu de rassemblement et de manifestation. Les objectifs du projet, les orientations de r\u00e9interpr\u00e9tation de la comm\u00e9moration \u00e9manent d\u2019un processus ayant impliqu\u00e9 les acteurs du milieu, des repr\u00e9sentants de la communaut\u00e9 LGBTQ+, les utilisateurs de l\u2019espace public et les citoyens du quartier par de nombreuses consultations publiques en pr\u00e9sentiel. C\u2019est via la plateforme de R\u00e9alisons Montr\u00e9al que le processus de consultation se termine pour d\u00e9finir une option pr\u00e9f\u00e9rentielle.<\/p>\n<p>Les sentiers, le mobilier, l\u2019\u00e9clairage et les plantations ont \u00e9t\u00e9 remplac\u00e9s et reconfigur\u00e9s et le volet comm\u00e9moratif, repens\u00e9 de mani\u00e8re coh\u00e9rente avec les nouveaux am\u00e9nagements du parc. Le couvert v\u00e9g\u00e9tal a \u00e9galement \u00e9t\u00e9 grandement bonifi\u00e9, dans une optique de diminution des \u00eelots de chaleur, gr\u00e2ce \u00e0 la cr\u00e9ation de nouvelles zones de plantations dans les saillies. La superficie verte passe alors de 55 m2 \u00e0 238 m2, repr\u00e9sentant une augmentation de 332%, et amenant ainsi davantage le vivant dans le nouveau parc.<\/p>\n","en":"<p>Created in 1991 by the American painter Franck Moore, the red ribbon represents mutual support and solidarity in memory of those lost in the battle against HIV. This meaningful symbol materializes as a red resin coating across the parc de l\u2019Espoir, whose purpose is to commemorate the victims of AIDS. Out of the red ribbon unfolding across the park emerges a bench that then curves around a newly planted tree symbolizing life. The ribbon stretches out beyond the park as a reminder of the space\u2019s meaning, crossing Panet Street towards Sainte-Catherine to grab the attention of passersby. The creation of a shared street on Panet pushes its limits beyond the sidewalk, increasing pedestrian space, comfort, as well as the field of view on the street. Following the soft slope of Panet Street, the entire park finds itself on the same level, allowing for universal access across the site without any ramps or staircases, thus reinforcing the effect of an urban-scale commemorative plaque, textured with a unique pattern. The paving pattern is inspired by the work of Keith Haring (1958-1990), a key figure of the \u201cgraffiti art\u201d and \u201cneo-pop art\u201d movements of the nineties in the United States, which also coincides with the date of creation of the park. As an openly gay and HIV-positive artist, Haring dedicated the last years of his life to producing art around the themes of AIDS as well as death. The commemorative aspect the park is preserved with the alignment of LGBTQ+ flagpoles, perpetuating the ritual of tying ribbons around the masts in memory of the victims of AIDS.<\/p>\n<p>The park design reflects the planning objectives determined with the citizens: the creation of a minimal space that allows for contemplation, occasional gatherings, commemoration of the park\u2019s history, and integration of both seating and greenery.<\/p>\n<p>The redesign of the park conveys its dynamic, festive and neighbourhood-unifying character as a commemorative space for the victims of AIDS and also a place for demonstrations. The project\u2019s goals for its commemorative nature are the result of multiple in-person public consultations that brought together members of the LGBTQ+ community, locals within the neighbourhood and visitors of public space alike. The preferred option for the park\u2019s renewal was decided via the platform Make Montr\u00e9al.<\/p>\n<p>The pathways, urban furniture, lighting equipment and vegetation within the park have been replaced and reconfigured, and the commemorative component revised to form a cohesive entity with the newly transformed park. To reduce the urban heat island effect in the area, the space allocated to greenery increased dramatically from 55 m\u00b2 to 238 m\u00b2 through the addition of planted zones on curb extensions. This growth of 332% in greenery helps to bring more liveliness to the new park and its surroundings.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":2568,"cat_id_laureat":false,"laureat":""}],"contest_id":"75033","contest_title":"GRANDS PRIX DU DESIGN \u2013 15e \u00e9dition","firms":[{"name":"FNX innov.","website":"https:\/\/fnx-innov.com\/","category":"","category_tax":2753,"category_label":"Ing\u00e9nierie"}],"user":{"email":"julie@vlanpaysages.ca","first_name":"Julie","last_name":"St-Arnault"},"doc_texts_web":{"fr":"<p>Cr\u00e9\u00e9 en 1991 par le peintre am\u00e9ricain Franck Moore, le ruban rouge repr\u00e9sente \u00e0 la fois la m\u00e9moire des disparus, l\u2019entraide et la solidarit\u00e9 face \u00e0 la lutte au VIH. Porteur de sens, le ruban rouge se concr\u00e9tise \u00e0 travers le parc de l\u2019Espoir, dont la vocation est de comm\u00e9morer les victimes du SIDA. Sous la forme d\u2019un rev\u00eatement de r\u00e9sine rouge, \u00e9merge de ce ruban rouge un banc ceinturant l\u2019arbre de la vie. Il s\u2019\u00e9tend au-del\u00e0 du parc de l\u2019espoir, et traverse la rue Panet au coin de la rue Sainte-Catherine pour y intercepter le promeneur et lui rappeler le sens du lieu. L\u2019augmentation de l\u2019espace d\u00e9di\u00e9 aux pi\u00e9tons par la cr\u00e9ation d\u2019une rue partag\u00e9e au niveau de la rue Panet, \u00e9tend ainsi ses limites au-del\u00e0 du parcours du trottoir de rue et ouvre le champ de vision pour augmenter son confort. En suivant la pente douce et naturelle de la rue Panet, le parc est d\u00e9sormais sur un seul niveau, ne requ\u00e9rant ni escalier ni rampe d\u2019acc\u00e8s universel, permettant \u00e0 tout type d\u2019utilisateur du parc de d\u00e9ambuler sans contraintes de changements de niveaux et cr\u00e9ant ainsi une v\u00e9ritable plaque comm\u00e9morative urbaine textur\u00e9e d\u2019un motif unique. Ce motif au sol est inspir\u00e9 du travail de Keith Haring (1958-1990), figure dominante du \u00ab graffiti art \u00bb et du \u00ab n\u00e9o pop art \u00bb des ann\u00e9es 90 aux \u00c9tats-Unis, soit la p\u00e9riode de r\u00e9f\u00e9rence de la cr\u00e9ation du parc de l\u2019Espoir. Ouvertement gai et s\u00e9ropositif, Haring a consacr\u00e9 les derni\u00e8res ann\u00e9es de sa vie \u00e0 produire des \u0153uvres ayant pour th\u00e8me la mort et le SIDA. L\u2019aspect comm\u00e9moratif du parc par l\u2019alignement de m\u00e2ts de drapeaux LGBTQ+ a permis de pr\u00e9server le rituel consistant \u00e0 nouer des rubans autour des m\u00e2ts, \u00e0 la m\u00e9moire des victimes du SIDA.<\/p>\n<p>Le parc a \u00e9t\u00e9 ainsi con\u00e7u en r\u00e9ponse aux objectifs d\u2019am\u00e9nagement \u00e9labor\u00e9s avec les citoyens, soit de cr\u00e9er un lieu sobre favorisant le recueillement, permettant le rassemblement occasionnel, la comm\u00e9moration de sa vocation historique et int\u00e9grant l\u2019am\u00e9nagement d\u2019espaces verts et de bancs. <\/p>\n<p>Le parc de l\u2019Espoir exprime son identit\u00e9 dynamique, festive et ouverte \u00e0 son quartier par son r\u00e9am\u00e9nagement, comm\u00e9morant les victimes du SIDA tout en permettant un lieu de rassemblement et de manifestation. Les objectifs du projet, les orientations de r\u00e9interpr\u00e9tation de la comm\u00e9moration \u00e9manent d\u2019un processus ayant impliqu\u00e9 les acteurs du milieu, des repr\u00e9sentants de la communaut\u00e9 LGBTQ+, les utilisateurs de l\u2019espace public et les citoyens du quartier par de nombreuses consultations publiques en pr\u00e9sentiel. C\u2019est via la plateforme de R\u00e9alisons Montr\u00e9al que le processus de consultation se termine pour d\u00e9finir une option pr\u00e9f\u00e9rentielle.<\/p>\n<p>Les sentiers, le mobilier, l\u2019\u00e9clairage et les plantations ont \u00e9t\u00e9 remplac\u00e9s et reconfigur\u00e9s et le volet comm\u00e9moratif, repens\u00e9 de mani\u00e8re coh\u00e9rente avec les nouveaux am\u00e9nagements du parc. Le couvert v\u00e9g\u00e9tal a \u00e9galement \u00e9t\u00e9 grandement bonifi\u00e9, dans une optique de diminution des \u00eelots de chaleur, gr\u00e2ce \u00e0 la cr\u00e9ation de nouvelles zones de plantations dans les saillies. La superficie verte passe alors de 55 m2 \u00e0 238 m2, repr\u00e9sentant une augmentation de 332%, et amenant ainsi davantage le vivant dans le nouveau parc.<\/p>\n","en":"<p>Created in 1991 by the American painter Franck Moore, the red ribbon represents mutual support and solidarity in memory of those lost in the battle against HIV. This meaningful symbol materializes as a red resin coating across the parc de l\u2019Espoir, whose purpose is to commemorate the victims of AIDS. Out of the red ribbon unfolding across the park emerges a bench that then curves around a newly planted tree symbolizing life. The ribbon stretches out beyond the park as a reminder of the space\u2019s meaning, crossing Panet Street towards Sainte-Catherine to grab the attention of passersby. The creation of a shared street on Panet pushes its limits beyond the sidewalk, increasing pedestrian space, comfort, as well as the field of view on the street. Following the soft slope of Panet Street, the entire park finds itself on the same level, allowing for universal access across the site without any ramps or staircases, thus reinforcing the effect of an urban-scale commemorative plaque, textured with a unique pattern. The paving pattern is inspired by the work of Keith Haring (1958-1990), a key figure of the \u201cgraffiti art\u201d and \u201cneo-pop art\u201d movements of the nineties in the United States, which also coincides with the date of creation of the park. As an openly gay and HIV-positive artist, Haring dedicated the last years of his life to producing art around the themes of AIDS as well as death. The commemorative aspect the park is preserved with the alignment of LGBTQ+ flagpoles, perpetuating the ritual of tying ribbons around the masts in memory of the victims of AIDS.<\/p>\n<p>The park design reflects the planning objectives determined with the citizens: the creation of a minimal space that allows for contemplation, occasional gatherings, commemoration of the park\u2019s history, and integration of both seating and greenery.<\/p>\n<p>The redesign of the park conveys its dynamic, festive and neighbourhood-unifying character as a commemorative space for the victims of AIDS and also a place for demonstrations. The project\u2019s goals for its commemorative nature are the result of multiple in-person public consultations that brought together members of the LGBTQ+ community, locals within the neighbourhood and visitors of public space alike. The preferred option for the park\u2019s renewal was decided via the platform Make Montr\u00e9al.<\/p>\n<p>The pathways, urban furniture, lighting equipment and vegetation within the park have been replaced and reconfigured, and the commemorative component revised to form a cohesive entity with the newly transformed park. To reduce the urban heat island effect in the area, the space allocated to greenery increased dramatically from 55 m\u00b2 to 238 m\u00b2 through the addition of planted zones on curb extensions. This growth of 332% in greenery helps to bring more liveliness to the new park and its surroundings.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/reamenagement-du-parc-de-lespoir\/","en":"https:\/\/int.design\/en\/projects\/reamenagement-du-parc-de-lespoir\/"},"titles":{"fr":"R\u00e9am\u00e9nagement du Parc de l&#8217;Espoir","en":"R\u00e9am\u00e9nagement du Parc de l&#8217;Espoir"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/79880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=79880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}