{"id":136243,"date":"2024-08-20T16:43:11","date_gmt":"2024-08-20T20:43:11","guid":{"rendered":"https:\/\/int.design\/?post_type=project&#038;p=136243"},"modified":"2024-08-20T16:43:11","modified_gmt":"2024-08-20T20:43:11","slug":"lampadaires-en-bamboo","status":"publish","type":"project","link":"https:\/\/int.design\/en\/projects\/lampadaires-en-bamboo\/","title":{"rendered":"Lampadaires En Bamboo"},"content":{"rendered":"","protected":false},"template":"","class_list":["post-136243","project","type-project","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lampadaires En Bamboo - INT Design<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/int.design\/fr\/projects\/lampadaires-en-bamboo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lampadaires En Bamboo - 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Kudzu, bamboo, bradford pear, english ivy, wisteria, etc are transforming the region into something unrecognizable from itself. Evolution\u2019s politeness formed from millions of years of shifting continental plates and barrier oceans has been daggered by globalization and its brightly colored shipping containers that brought incompatible systems together.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you try to keep an image of what this region is meant to look like \u2013 you lose the game quickly. There is no such thing as \u201clocal\u201d any longer, there is no \u201cnatural\u201d to return to.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But enough with the despair \u2013 if this sounds miserable it is because you haven\u2019t broken the law yet. Break the law. You are an ecologist now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is better to adapt, to adjust these novel materials, plants, animals into a cycle with our balances. These plants exist as a crime, but if we can make these materials beautiful we can make them be seen. If we can make them useful, we can integrate them into our cultural approaches to design. Bamboo construction in North America feels phony and cheap, better suited to the beachside tiki bar than anything <\/span><i><span style=\"font-weight: 400;\">Professiona<\/span><\/i><span style=\"font-weight: 400;\">l, but we challenge that. To stop an invasion, you just need to rebrand it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The goal of <\/span><i><span style=\"font-weight: 400;\">Lampadaires en bambou<\/span><\/i><span style=\"font-weight: 400;\"> was to create an easily accessible and reproducible design using a locally invasive plant. The streetlamps thus took on a low-budget design that could be financed with the same economic resources as the cost of entry to the competition itself, in what was affectionately called, \u201cLe Prix des fauch<\/span><span style=\"font-weight: 400;\">\u00e9<\/span><span style=\"font-weight: 400;\">s\u201d. Streetlamps were an easy typology to select because they were similar enough to bamboo\u2019s natural structure, ability to cantilever, and resist wind. This isn\u2019t biomimicry, but actual utilization of a giant grass species to create a durable and whimsical piece of lighting and at the same time making a statement against turning a blind eye on invasive plant species in this region.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All materials were locally harvested, taken most likely illegally, and most likely in the middle of night from properties with improper stewardship. The project was constructed casually over two months and with minimal resources. Although there aren\u2019t numerical values to support the claim of being an environmental product \u2013 the project creates a positive environmental impact from the local harvest and checking of invasive ecologies.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All that being said, we believe this project would still have been a failure if it hadn\u2019t captured one quality: a sense of whimsy. The feeling of chasing fireflies on a summer night or looking up into a tree canopy and feeling small. As intangible as this is \u2013 it is central to the project\u2019s design philosophy; ultimately being ecological is having more fun than everyone else.<\/span><\/p>\n"},"jury_text":[{"category":3838,"fr":"","en":"","original":"<p><span style=\"font-weight: 400;\">The landscape of the Southern United States is a charming wasteland.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A Southern gothic \u2013 this wasteland of warm, humid sunbelt provides a hospitable welcome to invasive species of plants that bloom beautifully and then choke the light and available nutrients from the region. Kudzu, bamboo, bradford pear, english ivy, wisteria, etc are transforming the region into something unrecognizable from itself. Evolution\u2019s politeness formed from millions of years of shifting continental plates and barrier oceans has been daggered by globalization and its brightly colored shipping containers that brought incompatible systems together.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you try to keep an image of what this region is meant to look like \u2013 you lose the game quickly. There is no such thing as \u201clocal\u201d any longer, there is no \u201cnatural\u201d to return to.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But enough with the despair \u2013 if this sounds miserable it is because you haven\u2019t broken the law yet. Break the law. You are an ecologist now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is better to adapt, to adjust these novel materials, plants, animals into a cycle with our balances. These plants exist as a crime, but if we can make these materials beautiful we can make them be seen. If we can make them useful, we can integrate them into our cultural approaches to design. Bamboo construction in North America feels phony and cheap, better suited to the beachside tiki bar than anything <\/span><i><span style=\"font-weight: 400;\">Professiona<\/span><\/i><span style=\"font-weight: 400;\">l, but we challenge that. To stop an invasion, you just need to rebrand it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The goal of <\/span><i><span style=\"font-weight: 400;\">Lampadaires en bambou<\/span><\/i><span style=\"font-weight: 400;\"> was to create an easily accessible and reproducible design using a locally invasive plant. The streetlamps thus took on a low-budget design that could be financed with the same economic resources as the cost of entry to the competition itself, in what was affectionately called, \u201cLe Prix des fauch<\/span><span style=\"font-weight: 400;\">\u00e9<\/span><span style=\"font-weight: 400;\">s\u201d. Streetlamps were an easy typology to select because they were similar enough to bamboo\u2019s natural structure, ability to cantilever, and resist wind. This isn\u2019t biomimicry, but actual utilization of a giant grass species to create a durable and whimsical piece of lighting and at the same time making a statement against turning a blind eye on invasive plant species in this region.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All materials were locally harvested, taken most likely illegally, and most likely in the middle of night from properties with improper stewardship. The project was constructed casually over two months and with minimal resources. Although there aren\u2019t numerical values to support the claim of being an environmental product \u2013 the project creates a positive environmental impact from the local harvest and checking of invasive ecologies.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All that being said, we believe this project would still have been a failure if it hadn\u2019t captured one quality: a sense of whimsy. The feeling of chasing fireflies on a summer night or looking up into a tree canopy and feeling small. As intangible as this is \u2013 it is central to the project\u2019s design philosophy; ultimately being ecological is having more fun than everyone else.<\/span><\/p>\n"}],"different_jury_text":false,"different_category_text":false},"laureats":[],"contest_id":"119061","contest_title":"GRANDS PRIX DU DESIGN \u2013 17e \u00e9dition","firms":[],"user":{"email":"Josiah.R.Kinney@gmail.com","first_name":"Josiah","last_name":"Kinney"},"doc_texts_web":{"fr":"<p><span style=\"font-weight: 400;\">\u2014-<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le paysage du sud des \u00c9tats-Unis est un charmant terrain vague.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Un Southern Gothic \u2013 ce terrain vague de la ceinture solaire chaude et humide offre un accueil hospitalier aux esp\u00e8ces de plantes envahissantes qui fleurissent magnifiquement, puis \u00e9touffent la lumi\u00e8re et les nutriments disponibles dans la r\u00e9gion. Le kudzu, le bambou, le poirier de Bradford, le lierre anglais, la glycine, etc. transforment la r\u00e9gion en quelque chose de m\u00e9connaissable. La politesse de l\u2019\u00e9volution, form\u00e9e par des millions d\u2019ann\u00e9es de d\u00e9placement des plaques continentales et de barri\u00e8res oc\u00e9aniques, a \u00e9t\u00e9 boulevers\u00e9e par la mondialisation et ses conteneurs d\u2019exp\u00e9dition aux couleurs vives qui ont rassembl\u00e9 des syst\u00e8mes incompatibles ensemble.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">N\u2019essayez pas<\/span><span style=\"font-weight: 400;\"> de garder une image de ce \u00e0 quoi cette r\u00e9gion est cens\u00e9e ressembler,<\/span><span style=\"font-weight: 400;\">vous n\u2019y arriverez pas.<\/span><span style=\"font-weight: 400;\"> Le \u201clocal\u201d n\u2019existe plus, il n\u2019y a plus de \u201cnaturel\u201d auquel revenir.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mais assez du d\u00e9sespoir \u2013 si cela vous semble mis\u00e9rable, c\u2019est parce que vous n\u2019avez pas encore enfreint la loi. Enfreignez la loi \u2013 vous \u00eates maintenant un \u00e9cologiste.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il est pr\u00e9f\u00e9rable de s\u2019adapter, d\u2019ajuster ces nouveaux mat\u00e9riaux, plantes, animaux dans un cycle avec nos \u00e9quilibres. Ces plantes existent en tant que crime, mais si nous pouvons rendre ces mat\u00e9riaux beaux, nous pouvons les rendre visibles. Si nous pouvons les rendre utiles, nous pouvons les int\u00e9grer dans nos approches culturelles du design. En Am\u00e9rique du Nord, la construction en bambou semble vulgaire et bon march\u00e9, mieux adapt\u00e9e au bar tiki du bord de mer qu\u2019\u00e0 toute autre construction <\/span><i><span style=\"font-weight: 400;\">professionnelle<\/span><\/i><span style=\"font-weight: 400;\">, mais nous remettons cela en question. Pour arr\u00eater une invasion, il suffit de lui donner une nouvelle image..<\/span><\/p>\n<p><span style=\"font-weight: 400;\">L\u2019objectif de <\/span><i><span style=\"font-weight: 400;\">Lampadaires en bambou<\/span><\/i><span style=\"font-weight: 400;\"> \u00e9tait de cr\u00e9er un design facilement accessible et reproductible en utilisant une plante locale et invasive .<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Les lampadaires ont donc \u00e9t\u00e9 con\u00e7us avec un petit budget qui pouvait \u00eatre financ\u00e9 avec les m\u00eames ressources \u00e9conomiques que le co\u00fbt d\u2019inscription au concours lui-m\u00eame, ce qui a \u00e9t\u00e9 affectueusement appel\u00e9 \u201cLe Prix des fauch\u00e9s\u201d.Les lampadaires \u00e9taient une typologie facile \u00e0 choisir car ils \u00e9taient suffisamment similaires \u00e0 la structure naturelle du bambou, \u00e0 sa capacit\u00e9 \u00e0 se mettre en porte-\u00e0-faux et \u00e0 r\u00e9sister au vent.Il ne s\u2019agit pas de biomim\u00e9tisme, mais de l\u2019utilisation r\u00e9elle d\u2019une esp\u00e8ce d\u2019herbe g\u00e9ante pour cr\u00e9er un \u00e9clairage durable et fantaisiste, tout en prennant position\u00a0 contre le fait de tourner le dos aux\u00a0 esp\u00e8ces v\u00e9g\u00e9tales envahissantes dans cette r\u00e9gion.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tous les mat\u00e9riaux ont \u00e9t\u00e9 r\u00e9colt\u00e9s localement, tr\u00e8s probablement de mani\u00e8re ill\u00e9gale et au milieu de la nuit, dans des propri\u00e9t\u00e9s mal g\u00e9r\u00e9es.Le projet a \u00e9t\u00e9 construit en deux mois et avec un minimum de ressources. Bien qu\u2019il n\u2019y ait pas de valeurs num\u00e9riques pour soutenir la revendication d\u2019\u00eatre un produit environnemental, le projet cr\u00e9e un impact environnemental positif gr\u00e2ce \u00e0 la r\u00e9colte locale et au contr\u00f4le des <\/span><span style=\"font-weight: 400;\">\u00e9cosyst\u00e8mes<\/span><span style=\"font-weight: 400;\"> invasives.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ceci \u00e9tant dit, nous pensons que ce projet aurait \u00e9t\u00e9 un \u00e9chec s\u2019il n\u2019avait pas captur\u00e9 une qualit\u00e9 : le sens de la fantaisie.Le sentiment de chasser les lucioles par une nuit d\u2019\u00e9t\u00e9 ou de regarder la canop\u00e9e allong\u00e9 au pied d\u2019un arbre et de se sentir petit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aussi intangible soit-elle, cette qualit\u00e9 est au c\u0153ur de la philosophie de conception du projet : en fin de compte, \u00eatre \u00e9cologique, c\u2019est s\u2019amuser plus que les autres..<\/span><\/p>\n","en":"<p><span style=\"font-weight: 400;\">The landscape of the Southern United States is a charming wasteland.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A Southern gothic \u2013 this wasteland of warm, humid sunbelt provides a hospitable welcome to invasive species of plants that bloom beautifully and then choke the light and available nutrients from the region. Kudzu, bamboo, bradford pear, english ivy, wisteria, etc are transforming the region into something unrecognizable from itself. Evolution\u2019s politeness formed from millions of years of shifting continental plates and barrier oceans has been daggered by globalization and its brightly colored shipping containers that brought incompatible systems together.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you try to keep an image of what this region is meant to look like \u2013 you lose the game quickly. There is no such thing as \u201clocal\u201d any longer, there is no \u201cnatural\u201d to return to.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But enough with the despair \u2013 if this sounds miserable it is because you haven\u2019t broken the law yet. Break the law. You are an ecologist now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is better to adapt, to adjust these novel materials, plants, animals into a cycle with our balances. These plants exist as a crime, but if we can make these materials beautiful we can make them be seen. If we can make them useful, we can integrate them into our cultural approaches to design. Bamboo construction in North America feels phony and cheap, better suited to the beachside tiki bar than anything <\/span><i><span style=\"font-weight: 400;\">Professiona<\/span><\/i><span style=\"font-weight: 400;\">l, but we challenge that. To stop an invasion, you just need to rebrand it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The goal of <\/span><i><span style=\"font-weight: 400;\">Lampadaires en bambou<\/span><\/i><span style=\"font-weight: 400;\"> was to create an easily accessible and reproducible design using a locally invasive plant. The streetlamps thus took on a low-budget design that could be financed with the same economic resources as the cost of entry to the competition itself, in what was affectionately called, \u201cLe Prix des fauch<\/span><span style=\"font-weight: 400;\">\u00e9<\/span><span style=\"font-weight: 400;\">s\u201d. Streetlamps were an easy typology to select because they were similar enough to bamboo\u2019s natural structure, ability to cantilever, and resist wind. This isn\u2019t biomimicry, but actual utilization of a giant grass species to create a durable and whimsical piece of lighting and at the same time making a statement against turning a blind eye on invasive plant species in this region.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All materials were locally harvested, taken most likely illegally, and most likely in the middle of night from properties with improper stewardship. The project was constructed casually over two months and with minimal resources. Although there aren\u2019t numerical values to support the claim of being an environmental product \u2013 the project creates a positive environmental impact from the local harvest and checking of invasive ecologies.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All that being said, we believe this project would still have been a failure if it hadn\u2019t captured one quality: a sense of whimsy. The feeling of chasing fireflies on a summer night or looking up into a tree canopy and feeling small. As intangible as this is \u2013 it is central to the project\u2019s design philosophy; ultimately being ecological is having more fun than everyone else.<\/span><\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/lampadaires-en-bamboo\/","en":"https:\/\/int.design\/en\/projects\/lampadaires-en-bamboo\/"},"titles":{"fr":"Lampadaires En Bamboo","en":"Lampadaires En Bamboo"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/136243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=136243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}