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in 2022, the garden for this residence was to do more than embellish it, it was to reveal it. The conceptual approach to the garden focused first and foremost on the architectural heritage of the house in order to affirm its full value. Built in 1936 by architect Henry Ross Wiggs on behalf of G. Edwin Robertson, the residence is located in the declared Mount Royal heritage site. Prior to the work, the building was set in a thick green setting that camouflaged the architectural details and masonry work. On the fa\u00e7ade, the entrance threshold was set back from the public domain, folded in on itself, with the threshold linked by a thin, unwelcoming path. From the outset, the clients expressed a desire to soften the monastic aspect of the house and make it more welcoming. To achieve this, the landscape architects relied on the warm tones present in the house\u2019s stone to create surfaces in a neutral beige monochrome that would give full attention to the masonry stone. A large carpet unrolls in front of the front door in full proportion to the house\u2019s architectural advance, connecting it to the neighborhood. The use of a herringbone pattern was an obvious choice, bringing a character inspired by the English cottages so popular with customers. Soldier borders in St-Marc stone add a touch of refinement and classicism inherent in the character of the architecture. Finally, a large St-Marc stone door sill rebalances the presence of the front door in the overall composition and gives it greater scope.<\/p>\n<p>.<\/p>\n<p>To access the rear courtyard, a new access had to be thought through. The idea of creating a leafy walkway leading to the back garden immediately appealed to the customer. The staircase winds its way through the plants and allows us to appreciate the house\u2019s stonework. The even slope brings out the character of the Mount Royal mountainside on which the house is set, and leads us quietly to the courtyard.<\/p>\n<p>At the turn of the stairs, the pi\u00e8ce de r\u00e9sistance appears. The classic fountain, the real pivot and focal point of the garden, is revealed. Strategically positioned for viewing from every corner of the garden, it creates a bucolic, soothing ambience. It supports the resolutely classical character already evident on the fa\u00e7ade. From the upper balconies, it makes its presence felt with the sound of water and attracts the gaze of guests. It establishes a tangible link between the garden and the series of three balconies above. The garden experience is lived as much in the heart of the garden as on the balconies, thus opening up the space of this small yet restricted plot.<\/p>\n<p>Mainly in a shady situation, the garden unfolds in an ornamental plant palette that explores textures and shades of green. Native trees blend in with the natural vegetation of Mount Royal, in full compliance with the criteria required by the City of Montreal\u2019s Heritage Division. In all, the greening covers more than 60% of the garden\u2019s surface area.<\/p>\n<p>The project underwent several permit analyses, including an authorization under the Cultural Heritage Act issued by the Ville de Montr\u00e9al. In the communication issuing the permit it was stated: <em>Management ( \u2026) would like to emphasize the quality of the proposal, which maximizes vegetation and conserves existing ground levels with a view to preserving the natural slope <\/em><\/p>\n<p>&nbsp;<\/p>\n","original":"<p>Realized in 2022, the garden for this residence was to do more than embellish it, it was to reveal it. The conceptual approach to the garden focused first and foremost on the architectural heritage of the house in order to affirm its full value. Built in 1936 by architect Henry Ross Wiggs on behalf of G. Edwin Robertson, the residence is located in the declared Mount Royal heritage site. Prior to the work, the building was set in a thick green setting that camouflaged the architectural details and masonry work. On the fa\u00e7ade, the entrance threshold was set back from the public domain, folded in on itself, with the threshold linked by a thin, unwelcoming path. From the outset, the clients expressed a desire to soften the monastic aspect of the house and make it more welcoming. To achieve this, the landscape architects relied on the warm tones present in the house\u2019s stone to create surfaces in a neutral beige monochrome that would give full attention to the masonry stone. A large carpet unrolls in front of the front door in full proportion to the house\u2019s architectural advance, connecting it to the neighborhood. The use of a herringbone pattern was an obvious choice, bringing a character inspired by the English cottages so popular with customers. Soldier borders in St-Marc stone add a touch of refinement and classicism inherent in the character of the architecture. Finally, a large St-Marc stone door sill rebalances the presence of the front door in the overall composition and gives it greater scope.<\/p>\n<p>.<\/p>\n<p>To access the rear courtyard, a new access had to be thought through. The idea of creating a leafy walkway leading to the back garden immediately appealed to the customer. The staircase winds its way through the plants and allows us to appreciate the house\u2019s stonework. The even slope brings out the character of the Mount Royal mountainside on which the house is set, and leads us quietly to the courtyard.<\/p>\n<p>At the turn of the stairs, the pi\u00e8ce de r\u00e9sistance appears. The classic fountain, the real pivot and focal point of the garden, is revealed. Strategically positioned for viewing from every corner of the garden, it creates a bucolic, soothing ambience. It supports the resolutely classical character already evident on the fa\u00e7ade. From the upper balconies, it makes its presence felt with the sound of water and attracts the gaze of guests. It establishes a tangible link between the garden and the series of three balconies above. The garden experience is lived as much in the heart of the garden as on the balconies, thus opening up the space of this small yet restricted plot.<\/p>\n<p>Mainly in a shady situation, the garden unfolds in an ornamental plant palette that explores textures and shades of green. Native trees blend in with the natural vegetation of Mount Royal, in full compliance with the criteria required by the City of Montreal\u2019s Heritage Division. In all, the greening covers more than 60% of the garden\u2019s surface area.<\/p>\n<p>The project underwent several permit analyses, including an authorization under the Cultural Heritage Act issued by the Ville de Montr\u00e9al. In the communication issuing the permit it was stated: <em>Management ( \u2026) would like to emphasize the quality of the proposal, which maximizes vegetation and conserves existing ground levels with a view to preserving the natural slope <\/em><\/p>\n<p>&nbsp;<\/p>\n"},"jury_text":[{"category":3808,"fr":"","en":"<p>Realized in 2022, the garden for this residence was to do more than embellish it, it was to reveal it. The conceptual approach to the garden focused first and foremost on the architectural heritage of the house in order to affirm its full value. Built in 1936 by architect Henry Ross Wiggs on behalf of G. Edwin Robertson, the residence is located in the declared Mount Royal heritage site. Prior to the work, the building was set in a thick green setting that camouflaged the architectural details and masonry work. On the fa\u00e7ade, the entrance threshold was set back from the public domain, folded in on itself, with the threshold linked by a thin, unwelcoming path. From the outset, the clients expressed a desire to soften the monastic aspect of the house and make it more welcoming. To achieve this, the landscape architects relied on the warm tones present in the house\u2019s stone to create surfaces in a neutral beige monochrome that would give full attention to the masonry stone. A large carpet unrolls in front of the front door in full proportion to the house\u2019s architectural advance, connecting it to the neighborhood. The use of a herringbone pattern was an obvious choice, bringing a character inspired by the English cottages so popular with customers. Soldier borders in St-Marc stone add a touch of refinement and classicism inherent in the character of the architecture. Finally, a large St-Marc stone door sill rebalances the presence of the front door in the overall composition and gives it greater scope.<\/p>\n<p>.<\/p>\n<p>To access the rear courtyard, a new access had to be thought through. The idea of creating a leafy walkway leading to the back garden immediately appealed to the customer. The staircase winds its way through the plants and allows us to appreciate the house\u2019s stonework. The even slope brings out the character of the Mount Royal mountainside on which the house is set, and leads us quietly to the courtyard.<\/p>\n<p>At the turn of the stairs, the pi\u00e8ce de r\u00e9sistance appears. The classic fountain, the real pivot and focal point of the garden, is revealed. Strategically positioned for viewing from every corner of the garden, it creates a bucolic, soothing ambience. It supports the resolutely classical character already evident on the fa\u00e7ade. From the upper balconies, it makes its presence felt with the sound of water and attracts the gaze of guests. It establishes a tangible link between the garden and the series of three balconies above. The garden experience is lived as much in the heart of the garden as on the balconies, thus opening up the space of this small yet restricted plot.<\/p>\n<p>Mainly in a shady situation, the garden unfolds in an ornamental plant palette that explores textures and shades of green. Native trees blend in with the natural vegetation of Mount Royal, in full compliance with the criteria required by the City of Montreal\u2019s Heritage Division. In all, the greening covers more than 60% of the garden\u2019s surface area.<\/p>\n<p>The project underwent several permit analyses, including an authorization under the Cultural Heritage Act issued by the Ville de Montr\u00e9al. In the communication issuing the permit it was stated: <em>Management ( \u2026) would like to emphasize the quality of the proposal, which maximizes vegetation and conserves existing ground levels with a view to preserving the natural slope <\/em><\/p>\n<p>&nbsp;<\/p>\n","original":"<p>Realized in 2022, the garden for this residence was to do more than embellish it, it was to reveal it. The conceptual approach to the garden focused first and foremost on the architectural heritage of the house in order to affirm its full value. Built in 1936 by architect Henry Ross Wiggs on behalf of G. Edwin Robertson, the residence is located in the declared Mount Royal heritage site. Prior to the work, the building was set in a thick green setting that camouflaged the architectural details and masonry work. On the fa\u00e7ade, the entrance threshold was set back from the public domain, folded in on itself, with the threshold linked by a thin, unwelcoming path. From the outset, the clients expressed a desire to soften the monastic aspect of the house and make it more welcoming. To achieve this, the landscape architects relied on the warm tones present in the house\u2019s stone to create surfaces in a neutral beige monochrome that would give full attention to the masonry stone. A large carpet unrolls in front of the front door in full proportion to the house\u2019s architectural advance, connecting it to the neighborhood. The use of a herringbone pattern was an obvious choice, bringing a character inspired by the English cottages so popular with customers. Soldier borders in St-Marc stone add a touch of refinement and classicism inherent in the character of the architecture. Finally, a large St-Marc stone door sill rebalances the presence of the front door in the overall composition and gives it greater scope.<\/p>\n<p>.<\/p>\n<p>To access the rear courtyard, a new access had to be thought through. The idea of creating a leafy walkway leading to the back garden immediately appealed to the customer. The staircase winds its way through the plants and allows us to appreciate the house\u2019s stonework. The even slope brings out the character of the Mount Royal mountainside on which the house is set, and leads us quietly to the courtyard.<\/p>\n<p>At the turn of the stairs, the pi\u00e8ce de r\u00e9sistance appears. The classic fountain, the real pivot and focal point of the garden, is revealed. Strategically positioned for viewing from every corner of the garden, it creates a bucolic, soothing ambience. It supports the resolutely classical character already evident on the fa\u00e7ade. From the upper balconies, it makes its presence felt with the sound of water and attracts the gaze of guests. It establishes a tangible link between the garden and the series of three balconies above. The garden experience is lived as much in the heart of the garden as on the balconies, thus opening up the space of this small yet restricted plot.<\/p>\n<p>Mainly in a shady situation, the garden unfolds in an ornamental plant palette that explores textures and shades of green. Native trees blend in with the natural vegetation of Mount Royal, in full compliance with the criteria required by the City of Montreal\u2019s Heritage Division. In all, the greening covers more than 60% of the garden\u2019s surface area.<\/p>\n<p>The project underwent several permit analyses, including an authorization under the Cultural Heritage Act issued by the Ville de Montr\u00e9al. In the communication issuing the permit it was stated: <em>Management ( \u2026) would like to emphasize the quality of the proposal, which maximizes vegetation and conserves existing ground levels with a view to preserving the natural slope <\/em><\/p>\n<p>&nbsp;<\/p>\n"}],"different_jury_text":false,"different_category_text":false},"laureats":[],"contest_id":"119062","contest_title":"GRANDS PRIX DU DESIGN \u2013 17th edition","firms":[],"user":{"email":"louise@vertigepaysage.com","first_name":"Louise","last_name":"Blanchet"},"doc_texts_web":{"fr":"<p>R\u00e9alis\u00e9 en 2022, le jardin de cette r\u00e9sidence devait faire plus que l\u2019embellir, il devait la r\u00e9v\u00e9ler. L\u2019approche conceptuelle du jardin s\u2019est d\u2019abord int\u00e9ress\u00e9e au patrimoine architectural de la maison afin d\u2019en affirmer toute sa valeur. La r\u00e9sidence construite en 1936 par l\u2019architecte Henry Ross Wiggs pour le compte de G. Edwin Robertson est situ\u00e9e dans le site patrimonial d\u00e9clar\u00e9 du Mont-Royal. \u00a0Avant les travaux, l\u2019immeuble se trouvait dans un \u00e9crin de verdure \u00e9pais qui camouflaient les d\u00e9tails architecturaux et le travail de ma\u00e7onnerie. En fa\u00e7ade, le seuil d\u2019entr\u00e9e se pr\u00e9sentait en retrait du domaine public, repli\u00e9 sur lui-m\u00eame, avec comme seuil lien en sentier mince et peu accueillant. D\u2019embl\u00e9e, les clients ont manifest\u00e9 le souhait d\u2019adoucir l\u2019aspect monastique de la maison et la rendre plus chaleureuse.\u00a0 Pour ce faire, les architectes paysagistes ont mis\u00e9 sur les tons chauds pr\u00e9sents dans la pierre de la maison afin de cr\u00e9er des surfaces d\u2019un cama\u00efeu de beige neutre qui laisserait la pleine attention \u00e0 la pierre de ma\u00e7onnerie. Un grand tapis se d\u00e9roule devant la porte d\u2019entr\u00e9e en toute proportion de l\u2019avanc\u00e9e architecturale de la maison et la connecte au quartier. L\u2019utilisation du motif en chevron s\u2019est impos\u00e9e pour amener un caract\u00e8re inspir\u00e9 des cottages anglais pris\u00e9 par les clients.\u00a0 Les bordures soldats en pierre St-Marc apportent une touche de raffinement et de classicisme inh\u00e9rent au caract\u00e8re de l\u2019architecture. Finalement, un grand seuil de porte en pierre St-Marc rebalance la pr\u00e9sence de la porte d\u2019entr\u00e9e dans la composition d\u2019ensemble et lui donne plus d\u2019ampleur.<\/p>\n<p>Pour acc\u00e9der \u00e0 la cour arri\u00e8re, un nouvel acc\u00e8s devait \u00eatre r\u00e9fl\u00e9chi. L\u2019id\u00e9e de cr\u00e9er une promenade verdoyante qui m\u00e8ne au jardin arri\u00e8re a tout de suite plu au client. \u00a0L\u2019escalier sillonne au travers des plantes et permet d\u2019appr\u00e9cier le travail de la pierre de la maison. La pente r\u00e9guli\u00e8re fait ressortir le caract\u00e8re du versant de la montagne du Mont-Royal sur laquelle la maison est implant\u00e9e et nous m\u00e8ne tranquillement vers la cour.<\/p>\n<p>Au d\u00e9tour de l\u2019escalier, la pi\u00e8ce de r\u00e9sistance appara\u00eet. La fontaine classique, r\u00e9el pivot et point focal du jardin, se d\u00e9voile. Strat\u00e9giquement positionn\u00e9e pour \u00eatre observable de tous les recoins du jardin, elle cr\u00e9\u00e9 une ambiance bucolique et apaisante. Elle appuie le caract\u00e8re r\u00e9solument classique d\u00e9j\u00e0 amorc\u00e9e en fa\u00e7ade. \u00a0Des balcons du haut, elle fait sentir sa pr\u00e9sence par le son de l\u2019eau et attire les regards des invit\u00e9s.\u00a0 Elle permet d\u2019\u00e9tablir un lien tangible entre le jardin et la s\u00e9rie de trois balcons qui la surplombent.\u00a0 L\u2019exp\u00e9rience du jardin se vit autant au c\u0153ur du jardin que sur les balcons ouvrants ainsi l\u2019espace de ce petit terrain pourtant restreint.<\/p>\n<p>Principalement dans une situation ombrag\u00e9e, le jardin se d\u00e9ploie dans une palette v\u00e9g\u00e9tale ornementale qui explore les textures et les nuances de verts. Les arbres indig\u00e8nes s\u2019inscrivent dans la v\u00e9g\u00e9tation naturelle du Mont-Royal en tout respect des crit\u00e8res requis par la division du Patrimoine de la Ville de Montr\u00e9al. En tout, le verdissement couvre plus de 60% de la superficie du jardin.<\/p>\n<p>Le projet a fait l\u2019objet de plusieurs analyses pour l\u2019obtention de permis notamment une autorisation en vertu de la loi sur la Patrimoine culturel d\u00e9livr\u00e9 par la Ville de Montr\u00e9al. Dans la communication de d\u00e9livrance du permis on pouvait lire\u00a0: <em>La direction ( \u2026) tient \u00e0 souligner la qualit\u00e9 de la proposition qui permet de maximiser la v\u00e9g\u00e9tation et conserver les niveaux de terrain existants dans un souci\u00a0de pr\u00e9servation de la pente naturelle <\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n","en":"<p>Realized in 2022, the garden for this residence was to do more than embellish it, it was to reveal it. The conceptual approach to the garden focused first and foremost on the architectural heritage of the house in order to affirm its full value. Built in 1936 by architect Henry Ross Wiggs on behalf of G. Edwin Robertson, the residence is located in the declared Mount Royal heritage site. Prior to the work, the building was set in a thick green setting that camouflaged the architectural details and masonry work. On the fa\u00e7ade, the entrance threshold was set back from the public domain, folded in on itself, with the threshold linked by a thin, unwelcoming path. From the outset, the clients expressed a desire to soften the monastic aspect of the house and make it more welcoming. To achieve this, the landscape architects relied on the warm tones present in the house\u2019s stone to create surfaces in a neutral beige monochrome that would give full attention to the masonry stone. A large carpet unrolls in front of the front door in full proportion to the house\u2019s architectural advance, connecting it to the neighborhood. The use of a herringbone pattern was an obvious choice, bringing a character inspired by the English cottages so popular with customers. Soldier borders in St-Marc stone add a touch of refinement and classicism inherent in the character of the architecture. Finally, a large St-Marc stone door sill rebalances the presence of the front door in the overall composition and gives it greater scope.<\/p>\n<p>.<\/p>\n<p>To access the rear courtyard, a new access had to be thought through. The idea of creating a leafy walkway leading to the back garden immediately appealed to the customer. The staircase winds its way through the plants and allows us to appreciate the house\u2019s stonework. The even slope brings out the character of the Mount Royal mountainside on which the house is set, and leads us quietly to the courtyard.<\/p>\n<p>At the turn of the stairs, the pi\u00e8ce de r\u00e9sistance appears. The classic fountain, the real pivot and focal point of the garden, is revealed. Strategically positioned for viewing from every corner of the garden, it creates a bucolic, soothing ambience. It supports the resolutely classical character already evident on the fa\u00e7ade. From the upper balconies, it makes its presence felt with the sound of water and attracts the gaze of guests. It establishes a tangible link between the garden and the series of three balconies above. The garden experience is lived as much in the heart of the garden as on the balconies, thus opening up the space of this small yet restricted plot.<\/p>\n<p>Mainly in a shady situation, the garden unfolds in an ornamental plant palette that explores textures and shades of green. Native trees blend in with the natural vegetation of Mount Royal, in full compliance with the criteria required by the City of Montreal\u2019s Heritage Division. In all, the greening covers more than 60% of the garden\u2019s surface area.<\/p>\n<p>The project underwent several permit analyses, including an authorization under the Cultural Heritage Act issued by the Ville de Montr\u00e9al. In the communication issuing the permit it was stated: <em>Management ( \u2026) would like to emphasize the quality of the proposal, which maximizes vegetation and conserves existing ground levels with a view to preserving the natural slope <\/em><\/p>\n<p>&nbsp;<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/le-jardin-sur-la-montagne\/","en":"https:\/\/int.design\/en\/projects\/the-garden-on-the-mountain\/"},"titles":{"fr":"Le jardin sur la montagne","en":"The garden on the mountain"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/135999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=135999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}