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CJCA Grand Prix du Design","filename":"2024CJCAGrandPrixduDesign.pdf","filesize":13401024,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2024\/04\/2024CJCAGrandPrixduDesign.pdf","link":"https:\/\/int.design\/fr\/projets\/calgary-japanese-community-centre\/2024-cjca-grand-prix-du-design\/","alt":"","author":"6371","description":"","caption":"","name":"2024-cjca-grand-prix-du-design","status":"inherit","uploaded_to":127450,"date":"2024-04-12 22:33:42","modified":"2024-04-12 22:45:22","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}}],"optional_documents":false,"web_text":{"fr":"","en":"","original":"<p>The Calgary Japanese Community Association (CJCA) currently resides on two inner-city lots in the quiet residential community of Killarney, comprised of a stand-alone 1970\u2019s era 4-plex and an ad-hoc community center built in the 1950s that has seen numerous renovations and additions during its 70-year tenure. Recently, the design team was approached by members of the CJCA board to explore the possibilities inherent in combining these two separate typologies into a seamless milieu that would not only optimize the highest and best use of their property but also address concerns over the CJCA\u2019s declining social, cultural and environmental sustainability. The team began by researching sensitive cultural aspects of Japanese culture and Nikkei identity (i.e., Japanese Canadians) that could provide valuable insight into how the team would approach (both formally and ideologically) the future home for the new 1,115 sq.m cultural centre and primary community hub for Japanese immigrants in Calgary.<\/p>\n<p>Through this research, the team discovered the notion of Kakehashi, a Japanese term that translates literally as \u2018connection bridge\u2019, which led us towards developing a more inclusive program comprised of the various Japanese cultural, social and educational facilities, 8 affordable housing units and a daycare. By assembling the disparate program along a linear ribbon, the hope was to encourage cross-pollination and social interaction amongst the various demographics and generations of the centre\u2019s membership.<\/p>\n<p>Throughout the schematic design process, the team explored numerous massing options that tested various ways of maintaining the diverse programmatic ribbon and ultimately decided upon an incomplete oval plan that not only references aspects of Zen\u2019s WabiSabi \u2013 through the form\u2019s embrace of imperfection and asymmetry \u2013 but also Ma \u2013 the balance of mass and void. By way of the design process, the \u2018void\u2019 developed into a contemporary interpretation of the Engawa \u2013 the traditional threshold between building and garden \u2013 providing not only an auxiliary space and access point for the various programs but also framing the revered Japanese garden.<\/p>\n<p>Next, the team explored innovative strategies of incorporating passive solar and sustainable design principles into the overall massing. In plan and section, the roof\u2019s ridgeline morphs as it tracks around the oval form \u2013 giving it a playful, almost Mobius loop-type of feel \u2013 that responds to Calgary\u2019s sun path. This shifting roof form funnels natural light into the courtyard and deep into the building\u2019s interiors. In addition, the roof\u2019s generous overhangs provide shading to control glare and heat gain. Stormwater is collected from the extensive surface area of the roof and used for garden irrigation and gray water requirements within the building.<\/p>\n<p>To accommodate the simple and compound curves of the exterior walls and roof respectively, the entire building will be clad with charred cedar shingles, utilizing an ancient Japanese technique known as Shou-Sugi-Ban, which protects the shingles from weather, fire, rot and insects in a sustainable manner, eliminating the need for toxic finishes. Further, the use of renewable local wood and mass timber for the building finishes and structure greatly reduces the project\u2019s carbon footprint. The project is targeting the Zero Carbon Building standards.<\/p>\n"},"jury_text":[{"category":3662,"fr":"","en":"","original":"<p>The project introduces many innovative uses of wood. To start, the project\u2019s structural frame is made entirely of heavy timber to minimize carbon sequestration and the project&#8217;s carbon footprint. The project is targeting CaGBC&#8217;s Zero Carbon Building standards. The volume of wood is calculated to amount to 2,128 m3 for the structural heavy timber alone, and 7,092 m3 including CLT panels for the roof.<\/p>\n<p>To accommodate the simple and compound curves of the exterior walls and roof respectively, the entire building will be clad with charred cedar shingles, utilizing an ancient Japanese technique known as Shou-Sugi-Ban, which protects the shingles from weather, fire, rot and insects in a sustainable manner, eliminating the need for toxic finishes. The interiors will be finished with bamboo flooring. Further, the use of renewable local wood and mass timber for the building finishes and structure greatly reduces the project\u2019s carbon footprint. The project is also designed for disassembly by meta-tagging the structural wood members, allowing them to be reused after demolition, contributing to a circular economy for sustainability.<\/p>\n<p>The project recognizes the benefits of the wood in improving the health and well-being of occupants, and its use is functionally, contextually and culturally appropriate for a Japanese community and seniors centre.<\/p>\n"},{"category":3648,"fr":"","en":"","original":"<p>The team explored innovative strategies of incorporating passive solar and sustainable design principles into the overall massing of the project, targeting CaGBC\u2019s Zero Carbon Building and LEED standards. In plan and section, the roof\u2019s ridgeline morphs as it tracks around the oval form \u2013 giving it a playful, almost Mobius loop-type of feel \u2013 that responds to Calgary\u2019s sun path. This shifting roof form funnels natural light into the courtyard and deep into the building\u2019s interiors. In addition, the roof\u2019s generous overhangs provide shading to control glare and heat gain. Stormwater is collected from the extensive surface area of the roof and used for garden irrigation and gray water requirements within the building.<\/p>\n<p>To accommodate the simple and compound curves of the exterior walls and roof respectively, the entire building will be clad with charred cedar shingles, utilizing an ancient Japanese technique known as Shou-Sugi-Ban, which protects the shingles from weather, fire, rot and insects in a sustainable manner, eliminating the need for toxic finishes. Further, the use of renewable local wood and mass timber for the building finishes and structure greatly reduces the project\u2019s carbon footprint.<\/p>\n<p><span style=\"font-weight: 400;\">Form and Siting (Location or Siting\/Design Elements): <\/span><span style=\"font-weight: 400;\">In plan and section, the roof\u2019s ridgeline shifts from inside to outside as it tracks around the oval form in response to Calgary\u2019s sun path, funnelling natural light into the courtyard and the interior. The roof\u2019s generous overhangs provide shading to control glare and heat gain. The slope of the roof also minimizes the risk of increased snow loads. To minimize the risk of damage to rooftop equipment due to driving rain, hail, and increased wind loads, all mechanical equipment will be located in the basement.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A Durable Building Envelope (Building Materials): <\/span><span style=\"font-weight: 400;\">An envelope with robust insulation and careful attention to detailing will ensure the comfort of occupants and minimize the effect of the increase in the number of heating days and heat gain. To withstand the impact of driving rain and winds, the envelope will be clad with charred cedar shingles, utilizing the Japanese technique of Shou-Sugi-Ban to protect the shingles and eliminate the need for toxic finishes. Glazing will be triple-glazed and will be impact-resistant <\/span><span style=\"font-weight: 400;\">glazing. Robust roof anchors will be designed and engineered for the rooftop solar panels to withstand wind gusts and severe weather.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Optimizing Passive Systems (Operations and Maintenance): <\/span><span style=\"font-weight: 400;\">The mechanical ventilation system will be a passive tempered air system and will be designed using RCP8.5 and projected climate data. Leveraging geothermal energy, an earth tube system will be utilized in the central courtyard to passively warm winter air and cool summer air. When combined with heat recovery, this will significantly reduce the need for mechanical air tempering.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Reducing Reliance on City Resources (Natural and Green Infrastructure \/ Operations and Maintenance): <\/span><span style=\"font-weight: 400;\">The building will carry overflow scuppers, downspouts, and will be engineered to provide good maintenance of drainage systems. A 20m3 underground cistern will harvest rainwater as an alternate source of water. This will reduce stormwater runoff as well as alleviate the pressure on public water sources. The landscape in the central courtyard and surrounding will have drought-tolerant landscaping. It will contain xeriscaping and manage stormwater and rainfall on-site<\/span><span style=\"font-weight: 400;\">\u00a0with low-impact development such as bioswales. Low-flow fixtures will be specified for the washrooms and kitchens. A rooftop photovoltaic system combined with an east-facing solar wall will leverage solar energy to reduce heating fuel consumption and reduce GHG emissions.<\/span><\/p>\n<p class=\"p8\"><span class=\"s1\"><b>ENERGY USE INTENSITY (PROJECTED)<\/b><\/span><span class=\"s4\">\u00a0150-200 kWh\/m2\/year<\/span><\/p>\n<p class=\"p8\"><span class=\"s1\"><b>WATER USE INTENSITY (PROJECTED)<\/b><\/span><span class=\"s4\">\u00a04 m3\/p\/yea<\/span><\/p>\n"},{"category":3611,"fr":"","en":"","original":"<p>The Calgary Japanese Community Association (CJCA) currently resides on two inner-city lots in the quiet residential community of Killarney, comprised of a stand-alone 1970\u2019s era 4-plex and an ad-hoc community center built in the 1950s that has seen numerous renovations and additions during its 70-year tenure. Recently, the design team was approached by members of the CJCA board to explore the possibilities inherent in combining these two separate typologies into a seamless milieu that would not only optimize the highest and best use of their property but also address concerns over the CJCA\u2019s declining social, cultural and environmental sustainability. The team began by researching sensitive cultural aspects of Japanese culture and Nikkei identity (i.e., Japanese Canadians) that could provide valuable insight into how the team would approach (both formally and ideologically) the future home for the new 1,115 sq.m cultural centre and primary community hub for Japanese immigrants in Calgary.<\/p>\n<p>Through this research, the team discovered the notion of Kakehashi, a Japanese term that translates literally as \u2018connection bridge\u2019, which led us towards developing a more inclusive program comprised of the various Japanese cultural, social and educational facilities, 8 affordable housing units and a daycare. By assembling the disparate program along a linear ribbon, the hope was to encourage cross-pollination and social interaction amongst the various demographics and generations of the centre\u2019s membership.<\/p>\n<p>Throughout the schematic design process, the team explored numerous massing options that tested various ways of maintaining the diverse programmatic ribbon and ultimately decided upon an incomplete oval plan that not only references aspects of Zen\u2019s WabiSabi \u2013 through the form\u2019s embrace of imperfection and asymmetry \u2013 but also Ma \u2013 the balance of mass and void. By way of the design process, the \u2018void\u2019 developed into a contemporary interpretation of the Engawa \u2013 the traditional threshold between building and garden \u2013 providing not only an auxiliary space and access point for the various programs but also framing the revered Japanese garden.<\/p>\n<p>Next, the team explored innovative strategies of incorporating passive solar and sustainable design principles into the overall massing. In plan and section, the roof\u2019s ridgeline morphs as it tracks around the oval form \u2013 giving it a playful, almost Mobius loop-type of feel \u2013 that responds to Calgary\u2019s sun path. This shifting roof form funnels natural light into the courtyard and deep into the building\u2019s interiors. In addition, the roof\u2019s generous overhangs provide shading to control glare and heat gain. Stormwater is collected from the extensive surface area of the roof and used for garden irrigation and gray water requirements within the building.<\/p>\n<p>To accommodate the simple and compound curves of the exterior walls and roof respectively, the entire building will be clad with charred cedar shingles, utilizing an ancient Japanese technique known as Shou-Sugi-Ban, which protects the shingles from weather, fire, rot and insects in a sustainable manner, eliminating the need for toxic finishes. Further, the use of renewable local wood and mass timber for the building finishes and structure greatly reduces the project\u2019s carbon footprint. The project is targeting the Zero Carbon Building standards.<\/p>\n"}],"different_jury_text":true,"different_category_text":true},"laureats":[],"contest_id":"119062","contest_title":"GRANDS PRIX DU DESIGN \u2013 17th edition","firms":[{"field_5efdebd654724":"Modern Office of Design + Architecture","field_5efdebd654725":"www.moda.ca","field_5efdebf254726":"","field_6139fca4c23db":2761},{"field_5efdebd654724":"Henry Tsang Architect","field_5efdebd654725":"www.henrytsangarchitect.com","field_5efdebf254726":"","field_6139fca4c23db":2761}],"user":{"email":"henrytsangarchitect@gmail.com","first_name":"Henry","last_name":"Tsang"},"doc_texts_web":{"fr":"<p>L\u2019Association de la communaut\u00e9 japonaise de Calgary (CJCA) r\u00e9side actuellement sur deux lots dans le quartier r\u00e9sidentiel paisible de Killarney, comprenant un 4plex autonome datant des ann\u00e9es 1970 et un centre communautaire ad hoc construit dans les ann\u00e9es 1950 qui a connu de nombreuses r\u00e9novations et ajouts au cours de ses 70 ans d\u2019existence. R\u00e9cemment, des membres du conseil d\u2019administration du CJCA ont demand\u00e9 \u00e0 l\u2019\u00e9quipe de conception d\u2019explorer les possibilit\u00e9s inh\u00e9rentes \u00e0 la combinaison de ces deux typologies distinctes en un milieu homog\u00e8ne qui permettrait non seulement d\u2019optimiser l\u2019utilisation optimale de leur propri\u00e9t\u00e9, mais aussi de r\u00e9pondre aux pr\u00e9occupations concernant le d\u00e9clin de la durabilit\u00e9 sociale, culturelle et environnementale du CJCA. L\u2019\u00e9quipe a commenc\u00e9 par \u00e9tudier les aspects culturels sensibles de la culture japonaise et de l\u2019identit\u00e9 Nikkei (c\u2019est-\u00e0-dire les Canadiens d\u2019origine japonaise) qui pourraient fournir des indications pr\u00e9cieuses sur la mani\u00e8re dont l\u2019\u00e9quipe aborderait (\u00e0 la fois formellement et id\u00e9ologiquement) le futur si\u00e8ge du nouveau centre culturel de 1 115 m\u00b2 et le principal centre communautaire pour les immigrants japonais \u00e0 Calgary.<\/p>\n<p>Dans le cadre de cette recherche, le centre culturel a \u00e9t\u00e9 con\u00e7u comme un lieu de rencontre et d\u2019\u00e9change pour les immigrants japonais.<br \/>\nGr\u00e2ce \u00e0 cette recherche, l\u2019\u00e9quipe a d\u00e9couvert la notion de Kakehashi, un terme japonais qui se traduit litt\u00e9ralement par \u201d pont de connexion \u201c, ce qui nous a conduits \u00e0 d\u00e9velopper un programme plus inclusif comprenant les diverses installations culturelles, sociales et \u00e9ducatives japonaises, 8 unit\u00e9s de logement abordable et une garderie. En rassemblant ce programme disparate le long d\u2019un ruban lin\u00e9aire, nous esp\u00e9rions encourager la pollinisation crois\u00e9e et l\u2019interaction sociale entre les diff\u00e9rents groupes d\u00e9mographiques et g\u00e9n\u00e9rations des membres du centre.<\/p>\n<p style=\"text-align: justify;\">L\u2019ensemble du projet a \u00e9t\u00e9 con\u00e7u de mani\u00e8re \u00e0 ce que le programme soit le plus complet possible.<br \/>\nTout au long du processus de conception sch\u00e9matique, l\u2019\u00e9quipe a explor\u00e9 de nombreuses options de masse qui ont test\u00e9 diverses fa\u00e7ons de maintenir le ruban programmatique diversifi\u00e9 et a finalement d\u00e9cid\u00e9 d\u2019un plan ovale incomplet qui non seulement fait r\u00e9f\u00e9rence \u00e0 des aspects du WabiSabi du Zen \u2013 par l\u2019acceptation de l\u2019imperfection et de l\u2019asym\u00e9trie de la forme \u2013 mais aussi au Ma \u2013 l\u2019\u00e9quilibre de la masse et du vide. Au cours du processus de conception, le \u201cvide\u201d s\u2019est transform\u00e9 en une interpr\u00e9tation contemporaine de l\u2019Engawa \u2013 le seuil traditionnel entre le b\u00e2timent et le jardin \u2013 fournissant non seulement un espace auxiliaire et un point d\u2019acc\u00e8s pour les diff\u00e9rents programmes, mais encadrant \u00e9galement le jardin japonais v\u00e9n\u00e9r\u00e9.<br \/>\nEnsuite, l\u2019\u00e9quipe a explor\u00e9 des strat\u00e9gies innovantes pour incorporer les principes du solaire passif et de la conception durable dans la masse globale. En plan et en coupe, la ligne de cr\u00eate du toit se transforme au fur et \u00e0 mesure qu\u2019elle contourne la forme ovale \u2013 ce qui lui donne un aspect ludique, presque semblable \u00e0 une boucle de M\u00f6bius \u2013 qui r\u00e9pond \u00e0 la trajectoire du soleil de Calgary. Cette forme changeante du toit canalise la lumi\u00e8re naturelle dans la cour et dans les int\u00e9rieurs du b\u00e2timent. En outre, les g\u00e9n\u00e9reux d\u00e9bords du toit permettent de contr\u00f4ler l\u2019\u00e9blouissement et le gain de chaleur. Les eaux pluviales sont collect\u00e9es sur la vaste surface du toit et utilis\u00e9es pour l\u2019irrigation des jardins et les eaux grises du b\u00e2timent.<br \/>\nPour tenir compte des courbes simples et complexes des murs ext\u00e9rieurs et du toit respectivement, l\u2019ensemble du b\u00e2timent sera recouvert de bardeaux de c\u00e8dre carbonis\u00e9s, en utilisant une ancienne technique japonaise connue sous le nom de Shou-Sugi-Ban, qui prot\u00e8ge les bardeaux des intemp\u00e9ries, du feu, de la pourriture et des insectes d\u2019une mani\u00e8re durable, \u00e9liminant ainsi le besoin de produits de finition toxiques. En outre, l\u2019utilisation de bois local renouvelable et de bois de masse pour les finitions et la structure du b\u00e2timent r\u00e9duit consid\u00e9rablement l\u2019empreinte carbone du projet. Le projet vise les normes de construction z\u00e9ro carbone.<\/p>\n","en":"<p>The Calgary Japanese Community Association (CJCA) currently resides on two inner-city lots in the quiet residential community of Killarney, comprised of a stand-alone 1970\u2019s era 4-plex and an ad-hoc community center built in the 1950s that has seen numerous renovations and additions during its 70-year tenure. Recently, the design team was approached by members of the CJCA board to explore the possibilities inherent in combining these two separate typologies into a seamless milieu that would not only optimize the highest and best use of their property but also address concerns over the CJCA\u2019s declining social, cultural and environmental sustainability. The team began by researching sensitive cultural aspects of Japanese culture and Nikkei identity (i.e., Japanese Canadians) that could provide valuable insight into how the team would approach (both formally and ideologically) the future home for the new 1,115 sq.m cultural centre and primary community hub for Japanese immigrants in Calgary.<\/p>\n<p>Through this research, the team discovered the notion of Kakehashi, a Japanese term that translates literally as \u2018connection bridge\u2019, which led us towards developing a more inclusive program comprised of the various Japanese cultural, social and educational facilities, 8 affordable housing units and a daycare. By assembling the disparate program along a linear ribbon, the hope was to encourage cross-pollination and social interaction amongst the various demographics and generations of the centre\u2019s membership.<\/p>\n<p>Throughout the schematic design process, the team explored numerous massing options that tested various ways of maintaining the diverse programmatic ribbon and ultimately decided upon an incomplete oval plan that not only references aspects of Zen\u2019s WabiSabi \u2013 through the form\u2019s embrace of imperfection and asymmetry \u2013 but also Ma \u2013 the balance of mass and void. By way of the design process, the \u2018void\u2019 developed into a contemporary interpretation of the Engawa \u2013 the traditional threshold between building and garden \u2013 providing not only an auxiliary space and access point for the various programs but also framing the revered Japanese garden.<\/p>\n<p>Next, the team explored innovative strategies of incorporating passive solar and sustainable design principles into the overall massing. In plan and section, the roof\u2019s ridgeline morphs as it tracks around the oval form \u2013 giving it a playful, almost Mobius loop-type of feel \u2013 that responds to Calgary\u2019s sun path. This shifting roof form funnels natural light into the courtyard and deep into the building\u2019s interiors. In addition, the roof\u2019s generous overhangs provide shading to control glare and heat gain. Stormwater is collected from the extensive surface area of the roof and used for garden irrigation and gray water requirements within the building.<\/p>\n<p>To accommodate the simple and compound curves of the exterior walls and roof respectively, the entire building will be clad with charred cedar shingles, utilizing an ancient Japanese technique known as Shou-Sugi-Ban, which protects the shingles from weather, fire, rot and insects in a sustainable manner, eliminating the need for toxic finishes. Further, the use of renewable local wood and mass timber for the building finishes and structure greatly reduces the project\u2019s carbon footprint. The project is targeting the Zero Carbon Building standards.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/calgary-japanese-community-centre\/","en":"https:\/\/int.design\/en\/projects\/calgary-japanese-community-centre\/"},"titles":{"fr":"Calgary Japanese Community Centre","en":"Calgary Japanese Community Centre"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/127451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=127451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}