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de presse","file":{"ID":134722,"id":134722,"title":"MBAM_DossierPresse_Parallelles_Final","filename":"MBAMDossierPresseParallellesFinal.pdf","filesize":2731903,"url":"https:\/\/d2q6z78khxmx42.cloudfront.net\/2024\/04\/MBAMDossierPresseParallellesFinal.pdf","link":"https:\/\/int.design\/fr\/projets\/parallelles-une-autre-histoire-du-design\/mbam_dossierpresse_parallelles_final\/","alt":"","author":"5895","description":"","caption":"","name":"mbam_dossierpresse_parallelles_final","status":"inherit","uploaded_to":120595,"date":"2024-04-08 17:04:09","modified":"2024-04-08 17:05:26","menu_order":0,"mime_type":"application\/pdf","type":"application","subtype":"pdf","icon":"https:\/\/int.design\/wp-includes\/images\/media\/document.png"}}],"optional_documents":false,"web_text":{"fr":"","en":"<p><span style=\"font-weight: 400;\">Organized by the Montreal Museum of Fine Arts, in collaboration with the Stewart Program for Modern Design, the exhibition <em>Parall(elles): A History of Women in Design<\/em><\/span><span style=\"font-weight: 400;\">\u00a0celebrated the important contribution of women to the world of design through a rich body of work and objects dating from the mid-19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century to the present day. It examined the reasons that led to their under-representation in history, and proposed a deep reflection on the nature of design.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Parall(elles)<\/span><\/i> <span style=\"font-weight: 400;\">also highlighted the importance and complexity of design works by American and Canadian women by presenting the social, political and personal issues that have coloured their experience over time. The exhibition took into account the intersectionality of gender, identity, race, culture and social class to promote a better understanding of these women\u2019s achievements. It highlighted the early training and career opportunities available to them, traced the changing status of the craft, and showed the influence of women\u2019s emancipation movements on their practice. In addition to revisiting traditional definitions of the term \u00ab\u00a0design\u00a0\u00bb, the exhibition offered a breathtaking universe of beauty and virtuosity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Taking a fresh look at design over the past 150 years, <\/span><i><span style=\"font-weight: 400;\">Parall(elles) <\/span><\/i><span style=\"font-weight: 400;\">gathered nearly 250 works and objects designed by over 200 female designers from Quebec, Canada and the United States. A third of the objects presented came from the MBAM collection, one of the most important design collections in North America. The exhibition also benefited from numerous loans from the Stewart Program for Modern Design, private collections and some thirty Canadian and American museums.<\/span><\/p>\n","original":"<p><span style=\"font-weight: 400;\">Organized by the Montreal Museum of Fine Arts, in collaboration with the Stewart Program for Modern Design, the exhibition <em>Parall(elles): A History of Women in Design<\/em><\/span><span style=\"font-weight: 400;\">\u00a0celebrated the important contribution of women to the world of design through a rich body of work and objects dating from the mid-19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century to the present day. It examined the reasons that led to their under-representation in history, and proposed a deep reflection on the nature of design.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Parall(elles)<\/span><\/i> <span style=\"font-weight: 400;\">also highlighted the importance and complexity of design works by American and Canadian women by presenting the social, political and personal issues that have coloured their experience over time. The exhibition took into account the intersectionality of gender, identity, race, culture and social class to promote a better understanding of these women\u2019s achievements. It highlighted the early training and career opportunities available to them, traced the changing status of the craft, and showed the influence of women\u2019s emancipation movements on their practice. In addition to revisiting traditional definitions of the term \u00ab\u00a0design\u00a0\u00bb, the exhibition offered a breathtaking universe of beauty and virtuosity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Taking a fresh look at design over the past 150 years, <\/span><i><span style=\"font-weight: 400;\">Parall(elles) <\/span><\/i><span style=\"font-weight: 400;\">gathered nearly 250 works and objects designed by over 200 female designers from Quebec, Canada and the United States. A third of the objects presented came from the MBAM collection, one of the most important design collections in North America. The exhibition also benefited from numerous loans from the Stewart Program for Modern Design, private collections and some thirty Canadian and American museums.<\/span><\/p>\n"},"jury_text":[{"category":3740,"fr":"","en":"<p><span style=\"font-weight: 400;\"><em>Parall(elles): A History of Women in Design<\/em> was part of the MBAM\u2019s drive to restore women artists and designers to their rightful place and celebrate their contribution to design. This objective was also reflected in the exhibition itself. The exhibition was designed by an all-female, local team. The scenography was created by Montreal scenographer Odile Gamache, in collaboration with A\u00efcha Chaouachi, Project Manager \u2013 Scenography at MBAM, and graphic designer St\u00e9phanie Vermeersch.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The exhibition unfolded in five of the rooms of the Michal and Renata Hornstein pavilion, a building with an imposing marble colonnade designed in 1912 in the \u00ab\u00a0beaux-arts\u00a0\u00bb style. The exhibition\u2019s minimalist scenography was characterized by its clean, uncluttered lines. LumenTruss lighting fixtures, displays and showcases highlighted each of the many design objects on show \u2013 be they textiles, ceramics, glass, silverware, jewelry, furniture, posters or clothing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A chromatic palette dominated by white was lifted by touches of powdery pink, green and blue. The simple, uncluttered graphic treatment, which incorporated didactic panels opening each section and informative labels on the works, helped to unify and enhance this highly diverse collection of objects.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the entrance to the pavilion, visitors were greeted by the unique prototype of the Corvette <\/span><i><span style=\"font-weight: 400;\">Fancy Free<\/span><\/i><span style=\"font-weight: 400;\">, whose interior Ruth Glennie designed. They then took the majestic staircase leading to the exhibition entrance, where an impressive mosaic of 198 hand-painted terracotta plates awaited them \u2013 a work specially created by American designer Molly Hatch on commission from the Museum. The following rooms revealed a fascinating history of women\u2019s design. Each object had been carefully highlighted to offer the public a striking aesthetic and narrative experience.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finally, to increase the exhibition\u2019s social impact and reduce its ecological footprint, local suppliers were favored for the choice of furniture and LED lighting, as well as for the movement of the works, thus helping to support the regional economy. This eco-responsible approach also extended to associated events, such as the vernissage, where the use of reusable glasses was favored and flowers and food were supplied by Quebec businesses run by women.<\/span><\/p>\n","original":"<p><span style=\"font-weight: 400;\"><em>Parall(elles): A History of Women in Design<\/em> was part of the MBAM\u2019s drive to restore women artists and designers to their rightful place and celebrate their contribution to design. This objective was also reflected in the exhibition itself. The exhibition was designed by an all-female, local team. The scenography was created by Montreal scenographer Odile Gamache, in collaboration with A\u00efcha Chaouachi, Project Manager \u2013 Scenography at MBAM, and graphic designer St\u00e9phanie Vermeersch.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The exhibition unfolded in five of the rooms of the Michal and Renata Hornstein pavilion, a building with an imposing marble colonnade designed in 1912 in the \u00ab\u00a0beaux-arts\u00a0\u00bb style. The exhibition\u2019s minimalist scenography was characterized by its clean, uncluttered lines. LumenTruss lighting fixtures, displays and showcases highlighted each of the many design objects on show \u2013 be they textiles, ceramics, glass, silverware, jewelry, furniture, posters or clothing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A chromatic palette dominated by white was lifted by touches of powdery pink, green and blue. The simple, uncluttered graphic treatment, which incorporated didactic panels opening each section and informative labels on the works, helped to unify and enhance this highly diverse collection of objects.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the entrance to the pavilion, visitors were greeted by the unique prototype of the Corvette <\/span><i><span style=\"font-weight: 400;\">Fancy Free<\/span><\/i><span style=\"font-weight: 400;\">, whose interior Ruth Glennie designed. They then took the majestic staircase leading to the exhibition entrance, where an impressive mosaic of 198 hand-painted terracotta plates awaited them \u2013 a work specially created by American designer Molly Hatch on commission from the Museum. The following rooms revealed a fascinating history of women\u2019s design. Each object had been carefully highlighted to offer the public a striking aesthetic and narrative experience.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finally, to increase the exhibition\u2019s social impact and reduce its ecological footprint, local suppliers were favored for the choice of furniture and LED lighting, as well as for the movement of the works, thus helping to support the regional economy. This eco-responsible approach also extended to associated events, such as the vernissage, where the use of reusable glasses was favored and flowers and food were supplied by Quebec businesses run by women.<\/span><\/p>\n"}],"different_jury_text":true,"different_category_text":false},"laureats":[],"contest_id":"119062","contest_title":"GRANDS PRIX DU DESIGN \u2013 17th edition","firms":[],"user":{"email":"rpasca@mbamtl.org","first_name":"Roxana","last_name":"Pasca"},"doc_texts_web":{"fr":"<p><span style=\"font-weight: 400;\">Organis\u00e9e par le Mus\u00e9e des beaux-arts de Montr\u00e9al, en collaboration avec le Programme Stewart pour le design moderne, l\u2019exposition <\/span><i><span style=\"font-weight: 400;\">Parall(elles) : une autre histoire du design<\/span><\/i><span style=\"font-weight: 400;\"> c\u00e9l\u00e9brait l\u2019importante contribution des femmes \u00e0 l\u2019univers du design \u00e0 travers un riche corpus d\u2019\u0153uvres et d\u2019objets datant du milieu du 19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle \u00e0 nos jours. Elle examinait les raisons qui ont men\u00e9 \u00e0 leur sous-repr\u00e9sentation dans l\u2019histoire et proposait une r\u00e9flexion approfondie sur la nature du design.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Parall(elles)<\/span><\/i> <span style=\"font-weight: 400;\">mettait \u00e9galement en lumi\u00e8re l\u2019importance et la complexit\u00e9 des \u0153uvres de design sign\u00e9es par des Am\u00e9ricaines et des Canadiennes en pr\u00e9sentant les enjeux sociaux, politiques et personnels qui ont teint\u00e9 leur exp\u00e9rience au fil du temps. L\u2019exposition prenait en compte l\u2019intersectionnalit\u00e9 entre genre, identit\u00e9, race, culture et classe sociale pour favoriser une meilleure compr\u00e9hension des r\u00e9alisations de ces femmes. Elle faisait \u00e9tat des premi\u00e8res possibilit\u00e9s de formation et de carri\u00e8re qui leur ont \u00e9t\u00e9 offertes, retra\u00e7ait l\u2019\u00e9volution du statut de l\u2019artisanat et montrait l\u2019influence des mouvements d\u2019\u00e9mancipation f\u00e9minine sur leur pratique. En plus de revoir les d\u00e9finitions traditionnelles du terme \u00ab design \u00bb, l\u2019exposition donnait \u00e0 d\u00e9couvrir un univers de beaut\u00e9 et de virtuosit\u00e9 \u00e0 couper le souffle.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Posant un regard in\u00e9dit sur le design des 150 derni\u00e8res ann\u00e9es, <\/span><i><span style=\"font-weight: 400;\">Parall(elles) <\/span><\/i><span style=\"font-weight: 400;\">rassemblait pr\u00e8s de 250 \u0153uvres et objets con\u00e7us par plus de 200 cr\u00e9atrices du Qu\u00e9bec, du Canada et des \u00c9tats-Unis. Le tiers des objets pr\u00e9sent\u00e9s provenait de la collection du MBAM, l\u2019une des plus importantes collections de design en Am\u00e9rique du Nord. L\u2019exposition a aussi b\u00e9n\u00e9fici\u00e9 de nombreux pr\u00eats provenant du Programme Stewart pour le design moderne, de collections priv\u00e9es et d\u2019une trentaine de mus\u00e9es canadiens et am\u00e9ricains.<\/span><\/p>\n","en":"<p><span style=\"font-weight: 400;\">Organized by the Montreal Museum of Fine Arts, in collaboration with the Stewart Program for Modern Design, the exhibition <em>Parall(elles): A History of Women in Design<\/em><\/span><span style=\"font-weight: 400;\">\u00a0celebrated the important contribution of women to the world of design through a rich body of work and objects dating from the mid-19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century to the present day. It examined the reasons that led to their under-representation in history, and proposed a deep reflection on the nature of design.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Parall(elles)<\/span><\/i> <span style=\"font-weight: 400;\">also highlighted the importance and complexity of design works by American and Canadian women by presenting the social, political and personal issues that have coloured their experience over time. The exhibition took into account the intersectionality of gender, identity, race, culture and social class to promote a better understanding of these women\u2019s achievements. It highlighted the early training and career opportunities available to them, traced the changing status of the craft, and showed the influence of women\u2019s emancipation movements on their practice. In addition to revisiting traditional definitions of the term \u00ab\u00a0design\u00a0\u00bb, the exhibition offered a breathtaking universe of beauty and virtuosity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Taking a fresh look at design over the past 150 years, <\/span><i><span style=\"font-weight: 400;\">Parall(elles) <\/span><\/i><span style=\"font-weight: 400;\">gathered nearly 250 works and objects designed by over 200 female designers from Quebec, Canada and the United States. A third of the objects presented came from the MBAM collection, one of the most important design collections in North America. The exhibition also benefited from numerous loans from the Stewart Program for Modern Design, private collections and some thirty Canadian and American museums.<\/span><\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/parallelles-une-autre-histoire-du-design\/","en":"https:\/\/int.design\/en\/projects\/parallelles-a-history-of-women-in-design\/"},"titles":{"fr":"Parall(elles) : une autre histoire du design","en":"Parall(elles): A History of Women in Design"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/120596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=120596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}