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s&#8217;agit d&#8217;un espace de r\u00e9ception et de bureau haut et multifonctionnel sans limites strictes. La principale exigence fonctionnelle du projet est de cr\u00e9er des sc\u00e8nes riches et des divisions fonctionnelles appropri\u00e9es dans un espace limit\u00e9. Sur la base des besoins de l&#8217;utilisateur, le projet pr\u00e9voit des zones de n\u00e9gociation, y compris des zones fonctionnelles pour la signature de contrats, les repas, la d\u00e9gustation de th\u00e9, le travail, etc. En outre, notre vision de la conception consiste \u00e0 int\u00e9grer des attributs culturels dans un espace moderne tout en minimisant les attributs commerciaux.<br \/>\nNous avons m\u00e9lang\u00e9 le papier, les services \u00e0 th\u00e9, les vitrines, les rideaux de bambou, les tapis en forme de calebasse, les briques dor\u00e9es traditionnelles chinoises et la temp\u00e9rature de la lumi\u00e8re des bougies dans l&#8217;ensemble de l&#8217;espace pour cr\u00e9er une nouvelle atmosph\u00e8re esth\u00e9tique orientale et un espace plus spirituel et plus personnalis\u00e9. En combinant la table \u00e0 th\u00e9 et la table \u00e0 signer, les blocs en quinconce cr\u00e9ent une impression d&#8217;espace. Derri\u00e8re la longue table se trouve une vitrine r\u00e9utilisable de type bo\u00eete, qui fait \u00e9cho \u00e0 la grande armoire situ\u00e9e \u00e0 l&#8217;extr\u00e9mit\u00e9 de l&#8217;espace et s&#8217;\u00e9tend de mani\u00e8re continue pour maintenir l&#8217;harmonie entre la forme et la signification de l&#8217;espace. La coh\u00e9rence et le contraste des \u00e9chelles rendent \u00e9galement l&#8217;espace plus rythm\u00e9. Le canap\u00e9, la salle \u00e0 manger et la zone de d\u00e9gustation du th\u00e9 sont reli\u00e9s par le tapis, de sorte que les divisions fonctionnelles s\u00e9par\u00e9es par les lignes mobiles ont un caract\u00e8re int\u00e9gral. En outre, le plafond incurv\u00e9 qui imite la forme d&#8217;un papier semble parler. Tous ces \u00e9l\u00e9ments impliquent la sinc\u00e9rit\u00e9 de la coop\u00e9ration commerciale. L&#8217;espace en surplomb constitue une partie importante de la composition spatiale et le principal point focal visuel, apportant une expression plus riche de la forme et de l&#8217;extension \u00e0 l&#8217;espace int\u00e9rieur.<br \/>\nTous les meubles et accessoires sont soigneusement dispos\u00e9s, comme un vase \u00e0 fleurs, un groupe de plantes vertes et un canap\u00e9, afin d&#8217;interagir avec les gens sur le plan \u00e9motionnel, ce qui est \u00e9galement l&#8217;expression de &#8220;l&#8217;existence&#8221; dans le &#8220;vide&#8221;. Nous ne sommes pas obs\u00e9d\u00e9s par un quelconque style, nous pensons que le style est l&#8217;immense &#8220;ennemi&#8221; du designer, nous nous soucions davantage des \u00e9motions v\u00e9hicul\u00e9es par cet espace et de sa r\u00e9sonance aupr\u00e8s des gens. Compte tenu de ce qui pr\u00e9c\u00e8de, nous esp\u00e9rons que chaque espace n&#8217;a pas seulement des images et des formes, mais qu&#8217;il cr\u00e9e \u00e9galement une histoire de l&#8217;espace et de ce que l&#8217;espace peut apporter aux gens.<br \/>\nCe qui nous importe, c&#8217;est le caract\u00e8re commun de la marque et l&#8217;identit\u00e9 de l&#8217;espace. Nous cherchons un nouveau point d&#8217;\u00e9quilibre dans l&#8217;espace, comme la chaise longue orange de BoConcept dans l&#8217;espace. L&#8217;utilisation de ce fauteuil dans l&#8217;espace d\u00e9coule de notre expression des caract\u00e9ristiques de l&#8217;espace. L&#8217;extension des couleurs locales peut faire jaillir plus d&#8217;\u00e9tincelles et une atmosph\u00e8re unique dans l&#8217;espace. Par rapport \u00e0 la vari\u00e9t\u00e9 actuelle des mat\u00e9riaux d\u00e9coratifs, nous pr\u00e9f\u00e9rons les mat\u00e9riaux naturels et authentiques, parce que les mat\u00e9riaux non modifi\u00e9s peuvent mieux communiquer avec les gens dans le c\u0153ur et ont une r\u00e9sonance de retour au &#8220;lieu d&#8217;origine&#8221;. Nous utilisons la texture de l&#8217;argile chinoise traditionnelle m\u00e9lang\u00e9e \u00e0 de la paille pour exprimer la vitalit\u00e9 naturelle, tout comme le design et l&#8217;espace qui ont \u00e9t\u00e9 baptis\u00e9s et pr\u00e9cipit\u00e9s par le temps. Nous pensons que le design est \u00e0 la fois tourn\u00e9 vers l&#8217;avenir et r\u00e9gressif. Par cons\u00e9quent, ces deux termes sont \u00e9galement la direction de notre \u00e9quilibre.<\/p>\n","en":"<p>This is a tall, multifunctional reception and office space without strict boundaries. The main functional requirement of the project is how to create rich scenes and proper functional divisions in a limitedspace. Based on the user\u2019s needs, the design constucts an areas for negotiation, including functional areas for signing contract, dining, tea stasting, working, etc. Additionally how to integrate cultural attributes into a modern spacewhile minimizing commercial attributes is our design vision.<br \/>\nWe blended paper, tea sets, display cabinets, bamboo curtains, gourd-shaped carpets, traditional Chinese gold bricks and candlelight-like light color temperature throughout the entire space to create a new oriental aesthetic atomosphereand a more spiritual and personalized space. Combining the tea table and the signing table, the staggered blocks create a sense of area. Behind the long table is a reusable box-type display cabinet, which echoes the large cabinet at the end of the space and extends continuously to maintain the harmony between the shape and meaning of the space. Consistency and scale contrast also make the space more rhythmic. The sofa area, the dining area and the tea tasting area are connected by the carpet, so that the functional divisions separated by the moving lines has an integral character. In addition, the curled ceiling that imitates the shape of paper seems to be talking. All of which imply the sincerity of business cooperation . The encompassing overhanging space forms an important part of the spatial composition and the main visual focal point, bringing a richer expression of form and extension to the interior space.<br \/>\nAll furniture and accessories are carefully arranged, such as a flower vessel, a cluster of green plants, and a sofa, in order to interact with people emotionally, which is also the expression of &#8220;existence&#8221; in &#8220;emptiness&#8221;. We are not obsessed with any style, we believe that style is the designer&#8217;s huge &#8220;enemy&#8221;, we care more about the emotions conveyed by this space and whether it will resonate with people. In view of the above, we hope that each space not only has pictures and forms, but also creates a story of the space and what can the space bring to people?<br \/>\nThe brand commonality and identity of the space is what we care about. We will look for a new balance point in the space, such as the orange lounge chair from BoConcept in the space. The use of it in the space stems from our expression of the characteristics of the space. The extension of local colors can burst out more sparks And unique space mood atmosphere. Compared with the current variety of decorative materials, we prefer natural and authentic materials, because unmodified materials can better communicate with people in the heart and have a resonance of returning to the &#8220;original place&#8221;. We use the texture material of traditional Chinese clay mixed with straw to express the vigorous natural vitality, just like the design and space that have been baptized and precipitated by time. We believe that design is both forward-looking and regressive. Therefore, these two terms are also the direction of our balance.<\/p>\n","original":""},"jury_text":[{"category":false,"fr":"<p>La conception actuelle devrait ouvrir la libert\u00e9 de vie et la libert\u00e9 de pens\u00e9e. Le classicisme a son esth\u00e9tique de cour, la Renaissance a une sorte de lib\u00e9ration des classiques, se concentrant sur l&#8217;expression des gens ordinaires, et le modernisme est l&#8217;expression de l&#8217;acier, du ciment et du verre. Nous accordons plus d&#8217;attention \u00e0 la raison pour laquelle nous concevons qu&#8217;\u00e0 la mani\u00e8re dont nous concevons. L&#8217;impact visuel et l&#8217;expression de l&#8217;esth\u00e9tique uniquement \u00e0 l&#8217;aide de mat\u00e9riaux, en commen\u00e7ant par les sens, exigent \u00e9galement des concepteurs qu&#8217;ils trouvent un \u00e9quilibre. De nos jours, de nombreux projets utilisent des formes fortes pour stimuler les nerfs visuels des gens, afin d&#8217;attirer leur attention ou d&#8217;atteindre une certaine forme de beaut\u00e9. D&#8217;autres, comme l&#8217;h\u00f4tel Aman, n&#8217;utilisent pas de formes exag\u00e9r\u00e9es ni d&#8217;\u00e9l\u00e9ments visuels. Ce qui lui importe le plus, c&#8217;est de cr\u00e9er une atmosph\u00e8re d&#8217;espace ou la texture du mat\u00e9riau lui-m\u00eame. La texture du mat\u00e9riau, l&#8217;expression de la lumi\u00e8re et de l&#8217;ombre et l&#8217;\u00e9chelle donnent une impression de haut de gamme et de confort. Mais je pense que l&#8217;on ne peut pas compl\u00e8tement renoncer \u00e0 l&#8217;impact visuel. Les deux peuvent \u00eatre pris en compte, et les concepteurs doivent donc \u00e9quilibrer la relation entre les deux.<\/p>\n","en":"<p>The current design should be to open up the freedom of life and the freedom of thinking. Classicism has its court aesthetics, the Renaissance has a kind of liberation of classics, focusing on the expression of common people, and modernism is the expression of steel, cement, and glass. We pay more attention to why we design, not how to design. Visual impact and expressing aesthetics only with materials, starting with the senses, also require designers to balance. Nowadays, many designs use some strong shapes to stimulate people&#8217;s visual nerves, so as to catch people&#8217;s eyes or achieve a certain form of beauty. There are also some, such as the Aman Hotel, which basically do not use exaggerated forms or visual He uses exaggerated shapes to attract people&#8217;s attention. What he cares more about is creating a space atmosphere or the texture of the material itself. The texture of the material, the expression of light and shadow, and the scale make you feel high-end and comfortable. But I think the sense of visual impact cannot be completely given up. The two can be taken into account, so designers need to balance the relationship between them.<\/p>\n","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3227,"cat_id_laureat":3890,"laureat":"Certification OR"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[],"user":{"email":"lynn@apdc-awards.org","first_name":"lynn","last_name":"Wang"},"doc_texts_web":{"fr":"<p>Il s\u2019agit d\u2019un espace de r\u00e9ception et de bureau haut et multifonctionnel sans limites strictes. La principale exigence fonctionnelle du projet est de cr\u00e9er des sc\u00e8nes riches et des divisions fonctionnelles appropri\u00e9es dans un espace limit\u00e9. Sur la base des besoins de l\u2019utilisateur, le projet pr\u00e9voit des zones de n\u00e9gociation, y compris des zones fonctionnelles pour la signature de contrats, les repas, la d\u00e9gustation de th\u00e9, le travail, etc. En outre, notre vision de la conception consiste \u00e0 int\u00e9grer des attributs culturels dans un espace moderne tout en minimisant les attributs commerciaux.<br \/>\nNous avons m\u00e9lang\u00e9 le papier, les services \u00e0 th\u00e9, les vitrines, les rideaux de bambou, les tapis en forme de calebasse, les briques dor\u00e9es traditionnelles chinoises et la temp\u00e9rature de la lumi\u00e8re des bougies dans l\u2019ensemble de l\u2019espace pour cr\u00e9er une nouvelle atmosph\u00e8re esth\u00e9tique orientale et un espace plus spirituel et plus personnalis\u00e9. En combinant la table \u00e0 th\u00e9 et la table \u00e0 signer, les blocs en quinconce cr\u00e9ent une impression d\u2019espace. Derri\u00e8re la longue table se trouve une vitrine r\u00e9utilisable de type bo\u00eete, qui fait \u00e9cho \u00e0 la grande armoire situ\u00e9e \u00e0 l\u2019extr\u00e9mit\u00e9 de l\u2019espace et s\u2019\u00e9tend de mani\u00e8re continue pour maintenir l\u2019harmonie entre la forme et la signification de l\u2019espace. La coh\u00e9rence et le contraste des \u00e9chelles rendent \u00e9galement l\u2019espace plus rythm\u00e9. Le canap\u00e9, la salle \u00e0 manger et la zone de d\u00e9gustation du th\u00e9 sont reli\u00e9s par le tapis, de sorte que les divisions fonctionnelles s\u00e9par\u00e9es par les lignes mobiles ont un caract\u00e8re int\u00e9gral. En outre, le plafond incurv\u00e9 qui imite la forme d\u2019un papier semble parler. Tous ces \u00e9l\u00e9ments impliquent la sinc\u00e9rit\u00e9 de la coop\u00e9ration commerciale. L\u2019espace en surplomb constitue une partie importante de la composition spatiale et le principal point focal visuel, apportant une expression plus riche de la forme et de l\u2019extension \u00e0 l\u2019espace int\u00e9rieur.<br \/>\nTous les meubles et accessoires sont soigneusement dispos\u00e9s, comme un vase \u00e0 fleurs, un groupe de plantes vertes et un canap\u00e9, afin d\u2019interagir avec les gens sur le plan \u00e9motionnel, ce qui est \u00e9galement l\u2019expression de \u201cl\u2019existence\u201d dans le \u201cvide\u201d. Nous ne sommes pas obs\u00e9d\u00e9s par un quelconque style, nous pensons que le style est l\u2019immense \u201cennemi\u201d du designer, nous nous soucions davantage des \u00e9motions v\u00e9hicul\u00e9es par cet espace et de sa r\u00e9sonance aupr\u00e8s des gens. Compte tenu de ce qui pr\u00e9c\u00e8de, nous esp\u00e9rons que chaque espace n\u2019a pas seulement des images et des formes, mais qu\u2019il cr\u00e9e \u00e9galement une histoire de l\u2019espace et de ce que l\u2019espace peut apporter aux gens.<br \/>\nCe qui nous importe, c\u2019est le caract\u00e8re commun de la marque et l\u2019identit\u00e9 de l\u2019espace. Nous cherchons un nouveau point d\u2019\u00e9quilibre dans l\u2019espace, comme la chaise longue orange de BoConcept dans l\u2019espace. L\u2019utilisation de ce fauteuil dans l\u2019espace d\u00e9coule de notre expression des caract\u00e9ristiques de l\u2019espace. L\u2019extension des couleurs locales peut faire jaillir plus d\u2019\u00e9tincelles et une atmosph\u00e8re unique dans l\u2019espace. Par rapport \u00e0 la vari\u00e9t\u00e9 actuelle des mat\u00e9riaux d\u00e9coratifs, nous pr\u00e9f\u00e9rons les mat\u00e9riaux naturels et authentiques, parce que les mat\u00e9riaux non modifi\u00e9s peuvent mieux communiquer avec les gens dans le c\u0153ur et ont une r\u00e9sonance de retour au \u201clieu d\u2019origine\u201d. Nous utilisons la texture de l\u2019argile chinoise traditionnelle m\u00e9lang\u00e9e \u00e0 de la paille pour exprimer la vitalit\u00e9 naturelle, tout comme le design et l\u2019espace qui ont \u00e9t\u00e9 baptis\u00e9s et pr\u00e9cipit\u00e9s par le temps. Nous pensons que le design est \u00e0 la fois tourn\u00e9 vers l\u2019avenir et r\u00e9gressif. Par cons\u00e9quent, ces deux termes sont \u00e9galement la direction de notre \u00e9quilibre.<\/p>\n","en":"<p>This is a tall, multifunctional reception and office space without strict boundaries. The main functional requirement of the project is how to create rich scenes and proper functional divisions in a limitedspace. Based on the user\u2019s needs, the design constucts an areas for negotiation, including functional areas for signing contract, dining, tea stasting, working, etc. Additionally how to integrate cultural attributes into a modern spacewhile minimizing commercial attributes is our design vision.<br \/>\nWe blended paper, tea sets, display cabinets, bamboo curtains, gourd-shaped carpets, traditional Chinese gold bricks and candlelight-like light color temperature throughout the entire space to create a new oriental aesthetic atomosphereand a more spiritual and personalized space. Combining the tea table and the signing table, the staggered blocks create a sense of area. Behind the long table is a reusable box-type display cabinet, which echoes the large cabinet at the end of the space and extends continuously to maintain the harmony between the shape and meaning of the space. Consistency and scale contrast also make the space more rhythmic. The sofa area, the dining area and the tea tasting area are connected by the carpet, so that the functional divisions separated by the moving lines has an integral character. In addition, the curled ceiling that imitates the shape of paper seems to be talking. All of which imply the sincerity of business cooperation . The encompassing overhanging space forms an important part of the spatial composition and the main visual focal point, bringing a richer expression of form and extension to the interior space.<br \/>\nAll furniture and accessories are carefully arranged, such as a flower vessel, a cluster of green plants, and a sofa, in order to interact with people emotionally, which is also the expression of \u201cexistence\u201d in \u201cemptiness\u201d. We are not obsessed with any style, we believe that style is the designer\u2019s huge \u201cenemy\u201d, we care more about the emotions conveyed by this space and whether it will resonate with people. In view of the above, we hope that each space not only has pictures and forms, but also creates a story of the space and what can the space bring to people?<br \/>\nThe brand commonality and identity of the space is what we care about. We will look for a new balance point in the space, such as the orange lounge chair from BoConcept in the space. The use of it in the space stems from our expression of the characteristics of the space. The extension of local colors can burst out more sparks And unique space mood atmosphere. Compared with the current variety of decorative materials, we prefer natural and authentic materials, because unmodified materials can better communicate with people in the heart and have a resonance of returning to the \u201coriginal place\u201d. We use the texture material of traditional Chinese clay mixed with straw to express the vigorous natural vitality, just like the design and space that have been baptized and precipitated by time. We believe that design is both forward-looking and regressive. Therefore, these two terms are also the direction of our balance.<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/xinghe-bay-club\/","en":"https:\/\/int.design\/en\/projects\/xinghe-bay-club\/"},"titles":{"fr":"Xinghe Bay Club","en":"Xinghe Bay Club"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/115193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=115193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}