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droits de la construction<\/p>\n<p>Roy Bastien avocats<\/p>\n<p>Comment d\u00e9finir en termes architecturaux le droit de la construction?<\/p>\n<p>Par une intervention qui exprime directement et sans mani\u00e9risme l\u2019architecture, la construction et les syst\u00e8mes. Un projet d\u00e9montable et recyclable, approche r\u00e9clam\u00e9e par le monde de demain.<\/p>\n<p>Aucun gypse.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Site<\/strong><\/p>\n<p>Martin Andr\u00e9 Roy et M\u00e9lanie Bastien, conjoints et avocats, ont fait l\u2019acquisition d\u2019un espace en vitrine au rez-de-chauss\u00e9e au coin des rues Rachel est et St-Dominique sur le Plateau Mont-Royal \u00e0 Montr\u00e9al.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>D\u00e9garnissage<\/strong><\/p>\n<p>La premi\u00e8re \u00e9tape a consist\u00e9 au d\u00e9ganissage complet de l\u2019espace pour en faire appara\u00eetre les surfaces d\u2019origine. Au sol, un terrazzo meurtri de tranch\u00e9es d\u2019anciens travaux de plomberie sous dalle a revu le jour. Un nettoyage au jet de sable a permis de r\u00e9cup\u00e9rer la richesse du b\u00e9ton original au plafond, ainsi qu\u2019en mitoyennet\u00e9 nord. La formidable poutre de rive de b\u00e9ton haute de vingt-quatre pouces qui soutient les 5 \u00e9tages de l\u2019immeuble dont elle est surplomb\u00e9e, a aussi refait surface. Idem pour une colonne et son chapiteau au coeur de la suite qui est devenue l\u2019\u00e9l\u00e9ment vedette de l\u2019espace.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programme<\/strong><\/p>\n<p>Le programme comporte 3 bureaux, une salle de conf\u00e9rence, une salle de m\u00e9diation, une cuisine, des WC, un vestiaire ainsi qu\u2019une mezzanine pour acc\u00e8s m\u00e9canique.<\/p>\n<p>Un geste int\u00e9grant toutes les fonctions, enti\u00e8rement r\u00e9alis\u00e9 \u00e0 partir d\u2019un \u00e9l\u00e9ment-type<\/p>\n<p>Dans cet \u00e9crin de b\u00e9ton est d\u00e9pos\u00e9e une sculpture de bois constitu\u00e9e de lames de platelages. Cet \u00e9l\u00e9ment con\u00e7u pour la construction de planchers de bois massif est ici sollicit\u00e9 tant \u00e0 l\u2019horizontale qu\u2019\u00e0 la verticale. 244 longueurs de cet \u00e9l\u00e9ment-type de 14\u20194\u00a0\u00bb de longueur, 15\u00a0\u00bb de largeur et 2 1\/4\u00a0\u00bb d\u2019\u00e9paisseur ont \u00e9t\u00e9 command\u00e9es et livr\u00e9es directement sur le site. Seules des coupes franches \u00e0 angle droit ont \u00e9t\u00e9 autoris\u00e9es, r\u00e8gle impos\u00e9e \u00e0 l\u2019entrepreneur. L\u2019assemblage fut ensuite assur\u00e9 par corni\u00e8res d\u2019acier et\/ou tire-fonds. Tout est ici construit et fabriqu\u00e9 en platelages : cloisons, planchers, garde-corps, portes, escalier, comptoirs, bureaux, biblioth\u00e8ques, rangements, vanit\u00e9 des WC et vestiaires.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bois<\/strong><\/p>\n<p>L\u2019omnipr\u00e9sence de bois, de bois massif, apaise dans ce bureau implant\u00e9 en contexte urbain. On s\u2019y sent en pleine for\u00eat. La vie se d\u00e9roulant \u00e0 l\u2019ext\u00e9rieur para\u00eet ainsi telle un film, visionn\u00e9 \u00e0 travers les g\u00e9n\u00e9reuses surfaces de verre de la vitrine commerciale.<\/p>\n<p>La modularit\u00e9 des \u00e9l\u00e9ments de construction rappelle la fabrication en usine. De forte hauteur sous plafond, les \u00e9troits bureaux centraux sont de v\u00e9ritables mais confortables cellules monsastiques.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00c9clairages<\/strong><\/p>\n<p>Trois monumentales st\u00e8les de bois, cloisons s\u00e9paratrices des bureaux, accueillent le visiteur. \u00c0 leur sommet sont gliss\u00e9es au plafond \u00e0 14\u2032 de hauteur des sources d\u2019\u00e9clairage qui en marquent et accentuent la verticalit\u00e9 le soir venu.<\/p>\n<p>Une vari\u00e9t\u00e9 d\u2019\u00e9clairages permet ensuite la cr\u00e9ation d\u2019ambiances multiples dans chacune des pi\u00e8ces. Une bande DEL lin\u00e9aire \u00e9claire la poutre de rive de b\u00e9ton, les gicleurs sont transform\u00e9s en luminaires et des spots directionnels illuminent avec d\u2019acuit\u00e9 les surfaces de travail, colonnes et plancher.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exposition des syst\u00e8mes<\/strong><\/p>\n<p>L\u2019exposition des composantes \u00e9lectrom\u00e9caniques a demand\u00e9 une grande pr\u00e9cision d\u2019installation. La distribution des conduits CVAC a r\u00e9clam\u00e9 des dimensionnement et positionnement pr\u00e9cis de mani\u00e8re \u00e0 ce qu\u2019ils s\u2019ins\u00e8rent avec exactitude entre des lames de platelage s\u00e9parant les bureaux. Idem pour ce qui est des gainages EMT, ou encore des prises et interrupteurs.<\/p>\n","en":"<p>Roy Bastien avocats<br \/>\nConstruction Law Straight Lines<\/p>\n<p>1 . Question<\/p>\n<p>How to define construction law in architectural terms?<\/p>\n<p>Through an intervention that directly and without mannerism expresses architecture, construction and its systems. A project that can be dismantled and recycled, an approach demanded by today\u2019s and tomorrow\u2019s worlds.<\/p>\n<p>2 . Site<\/p>\n<p>Martin Andr\u00e9 Roy and M\u00e9lanie Bastien, lawyers and spouses, bought a commercial ground floor shop window, a former bakery, to establish their construction law practice. The space is located at the corner of Rachel and St-Dominique streets on the Plateau Mont-Royal in central Montreal.<\/p>\n<p>3 . Program<\/p>\n<p>The program consists of 3 offices, a conference room, a mediation room, a kitchen, WC, a cloakroom as well as a mezzanine to access the electromechanical equipment.<\/p>\n<p>4 . Demolition<\/p>\n<p>The commercial unit is part of a large industrial building that used to house a jeans manufacturer, Paris Star Jeans. The previous owners had covered the 1000 square feet with different materials; walls and ceilings were painted, ceramic tiles covered the ground and miscellaneous drywall partitions had been built to hide electromechanical components as well as old cooking equipment from the bakery.<\/p>\n<p>The first step consisted in the demolition of existing surfaces in order to make the original building re-emerge. A terrazzo floor was found underneath the tiles. The scars resulting from of old sub-slab plumbing work have been preserved as marks of the building\u2019s history. Sandblasting the ceiling, northern common wall and building structure uncovered the original concrete construction. From behind the drywall layers a formidable 24 inches high spandrel beam supporting the building\u2019s south-estern and south-western facades also reappeared. Also buried under drywall layers were a column and its capital that would become the star features of the space.<\/p>\n<p>5 . A single gesture, made from a single element, integrating all functions<\/p>\n<p>The intervention is delicately unfolded in this setting of rich textures. It is a wooden sculpture made of wooden slats, a constrcution element conceived for massive wooden floors. Its usage here is diverted. It is employed horizontally but also vertically.<\/p>\n<p>244 slats measuring 14\u2032-4\u00a0\u00bb long, 16\u00a0\u00bb wide and 2 1\/2\u00a0\u00bb thick (glued-laminated timber (GLT) decking) were ordered and delivered directly on site. According to the structural\/sculptural logic, a rule was imposed on the general contractor for construction: only right angle or 45 degrees cuts were allowed. Assemblage between wood members was acheived with steel angles brackets and\/or lag bolts.<\/p>\n<p>Everything was made out of these prefabricated wooden slats: mezzanine floor, partitions, doors, handrail, tables, office desks, countertops, tables legs, stairs, the WC vanity, doors, cloakroom, storage shelves and bookshelves. This integrative approach of uniting all the functions in a single sculpture is part of Jean-Maxime Labrecque architect\u2019s tenets since 1995. One of his past key projects following this approach is the 2007-2011 Inhabitable Sculpture.<\/p>\n<p>6 . Wood<\/p>\n<p>The omnipresence of wood, furthermore of massive wood, has a soothing effect in this office set within an urban context. One feels here as if in the middle of a forest. The street corner that faces the \u201cParc des Am\u00e9riques\u201d welcomes urban dwellers of varying profiles and often brings about joyous and surprising scenes. Life, as it unfolds on the other side of the large glass panes, can be watched like a movie (with or without popcorn).<\/p>\n<p>The modularity of the construction elements recalls the way it is made in the shop. Its positioning, specific, millimetric, aims at harmony. With their high ceiling, the central narrow individual offices are comfortable monasterial cells. The space where continuous classical music can be heard during working hours, creates a meditative mood.<\/p>\n<p>7 . Light integration<\/p>\n<p>Three monumental wooden steles partition half of the space into offices and welcome the visitor. Spotlights are inserted between the two rows of decking of which they are made, on the ceiling, at a height of 14\u2032. Their light accentuates the verticality of the gesture and constitues the space\u2019s signature in the evening.<\/p>\n<p>A variety of lights types enable the creation of different moods in each room. A row of linear lights calls attention to the spandrel beam. Sprinklers are transformed into light fixtures by the integration of linear LED strips facing the ceiling, giving the space an indirect light effect. Finally, directional spots illuminate the work surfaces, columns and floor in more delineated ways.<\/p>\n<p>8 . Systems exhibition<\/p>\n<p>The exposure of electromechanical components called for a high precision approach \u2013 which is always demanding when working with the relevant subcontractors. Pulsed air heating and air conditioning called for a precise scaling and positioning in order to insert them precisely between the vertical wooden modules separating the rooms. Likewise for the EMT piping, the electrical outlets and switches, each of them contributing to the overall architectural tableau. We couldn\u2019t let them pollute this sanctuary, this homage to the essence of what construction is.<\/p>\n<p>Please note that, on the photos, the office chairs have been removed to show the wooden sculpture in its purest form.<\/p>\n<p>&nbsp;<\/p>\n<p>In a few words, this construction law lawyers office is entirely made out of one single material, massive wood, avoiding any drywall construction.<\/p>\n<p>Furthermore, everything is built out of one typical element, cut according to the various program needs.<\/p>\n<p>It is entirely demountable and recyclable.<\/p>\n<p>The combination of these simple principles is, for us, a statement in itself. An approach demanded by today\u2019s and tomorrow\u2019s world.<\/p>\n<p>&nbsp;<\/p>\n","original":""},"jury_text":[{"category":3223,"fr":"","en":"","original":""},{"category":3292,"fr":"","en":"","original":""}],"different_jury_text":false,"different_category_text":false},"laureats":[{"cat_id":3223,"cat_id_laureat":3890,"laureat":"Certification OR"},{"cat_id":3292,"cat_id_laureat":3890,"laureat":"Certification OR"}],"contest_id":"97334","contest_title":"GRANDS PRIX DU DESIGN \u2013 16e \u00e9dition","firms":[],"user":{"email":"jeanmaximelabrecque@gmail.com","first_name":"Jean-Maxime","last_name":"Labrecque"},"doc_texts_web":{"fr":"<p>Trac\u00e9s droits de la construction<\/p>\n<p>Roy Bastien avocats<\/p>\n<p>Comment d\u00e9finir en termes architecturaux le droit de la construction?<\/p>\n<p>Par une intervention qui exprime directement et sans mani\u00e9risme l\u2019architecture, la construction et les syst\u00e8mes. Un projet d\u00e9montable et recyclable, approche r\u00e9clam\u00e9e par le monde de demain.<\/p>\n<p>Aucun gypse.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Site<\/strong><\/p>\n<p>Martin Andr\u00e9 Roy et M\u00e9lanie Bastien, conjoints et avocats, ont fait l\u2019acquisition d\u2019un espace en vitrine au rez-de-chauss\u00e9e au coin des rues Rachel est et St-Dominique sur le Plateau Mont-Royal \u00e0 Montr\u00e9al.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>D\u00e9garnissage<\/strong><\/p>\n<p>La premi\u00e8re \u00e9tape a consist\u00e9 au d\u00e9ganissage complet de l\u2019espace pour en faire appara\u00eetre les surfaces d\u2019origine. Au sol, un terrazzo meurtri de tranch\u00e9es d\u2019anciens travaux de plomberie sous dalle a revu le jour. Un nettoyage au jet de sable a permis de r\u00e9cup\u00e9rer la richesse du b\u00e9ton original au plafond, ainsi qu\u2019en mitoyennet\u00e9 nord. La formidable poutre de rive de b\u00e9ton haute de vingt-quatre pouces qui soutient les 5 \u00e9tages de l\u2019immeuble dont elle est surplomb\u00e9e, a aussi refait surface. Idem pour une colonne et son chapiteau au coeur de la suite qui est devenue l\u2019\u00e9l\u00e9ment vedette de l\u2019espace.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programme<\/strong><\/p>\n<p>Le programme comporte 3 bureaux, une salle de conf\u00e9rence, une salle de m\u00e9diation, une cuisine, des WC, un vestiaire ainsi qu\u2019une mezzanine pour acc\u00e8s m\u00e9canique.<\/p>\n<p>Un geste int\u00e9grant toutes les fonctions, enti\u00e8rement r\u00e9alis\u00e9 \u00e0 partir d\u2019un \u00e9l\u00e9ment-type<\/p>\n<p>Dans cet \u00e9crin de b\u00e9ton est d\u00e9pos\u00e9e une sculpture de bois constitu\u00e9e de lames de platelages. Cet \u00e9l\u00e9ment con\u00e7u pour la construction de planchers de bois massif est ici sollicit\u00e9 tant \u00e0 l\u2019horizontale qu\u2019\u00e0 la verticale. 244 longueurs de cet \u00e9l\u00e9ment-type de 14\u20194\u00a0\u00bb de longueur, 15\u00a0\u00bb de largeur et 2 1\/4\u00a0\u00bb d\u2019\u00e9paisseur ont \u00e9t\u00e9 command\u00e9es et livr\u00e9es directement sur le site. Seules des coupes franches \u00e0 angle droit ont \u00e9t\u00e9 autoris\u00e9es, r\u00e8gle impos\u00e9e \u00e0 l\u2019entrepreneur. L\u2019assemblage fut ensuite assur\u00e9 par corni\u00e8res d\u2019acier et\/ou tire-fonds. Tout est ici construit et fabriqu\u00e9 en platelages : cloisons, planchers, garde-corps, portes, escalier, comptoirs, bureaux, biblioth\u00e8ques, rangements, vanit\u00e9 des WC et vestiaires.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bois<\/strong><\/p>\n<p>L\u2019omnipr\u00e9sence de bois, de bois massif, apaise dans ce bureau implant\u00e9 en contexte urbain. On s\u2019y sent en pleine for\u00eat. La vie se d\u00e9roulant \u00e0 l\u2019ext\u00e9rieur para\u00eet ainsi telle un film, visionn\u00e9 \u00e0 travers les g\u00e9n\u00e9reuses surfaces de verre de la vitrine commerciale.<\/p>\n<p>La modularit\u00e9 des \u00e9l\u00e9ments de construction rappelle la fabrication en usine. De forte hauteur sous plafond, les \u00e9troits bureaux centraux sont de v\u00e9ritables mais confortables cellules monsastiques.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00c9clairages<\/strong><\/p>\n<p>Trois monumentales st\u00e8les de bois, cloisons s\u00e9paratrices des bureaux, accueillent le visiteur. \u00c0 leur sommet sont gliss\u00e9es au plafond \u00e0 14\u2032 de hauteur des sources d\u2019\u00e9clairage qui en marquent et accentuent la verticalit\u00e9 le soir venu.<\/p>\n<p>Une vari\u00e9t\u00e9 d\u2019\u00e9clairages permet ensuite la cr\u00e9ation d\u2019ambiances multiples dans chacune des pi\u00e8ces. Une bande DEL lin\u00e9aire \u00e9claire la poutre de rive de b\u00e9ton, les gicleurs sont transform\u00e9s en luminaires et des spots directionnels illuminent avec d\u2019acuit\u00e9 les surfaces de travail, colonnes et plancher.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exposition des syst\u00e8mes<\/strong><\/p>\n<p>L\u2019exposition des composantes \u00e9lectrom\u00e9caniques a demand\u00e9 une grande pr\u00e9cision d\u2019installation. La distribution des conduits CVAC a r\u00e9clam\u00e9 des dimensionnement et positionnement pr\u00e9cis de mani\u00e8re \u00e0 ce qu\u2019ils s\u2019ins\u00e8rent avec exactitude entre des lames de platelage s\u00e9parant les bureaux. Idem pour ce qui est des gainages EMT, ou encore des prises et interrupteurs.<\/p>\n","en":"<p>Roy Bastien avocats<br \/>\nConstruction Law Straight Lines<\/p>\n<p>1 . Question<\/p>\n<p>How to define construction law in architectural terms?<\/p>\n<p>Through an intervention that directly and without mannerism expresses architecture, construction and its systems. A project that can be dismantled and recycled, an approach demanded by today\u2019s and tomorrow\u2019s worlds.<\/p>\n<p>2 . Site<\/p>\n<p>Martin Andr\u00e9 Roy and M\u00e9lanie Bastien, lawyers and spouses, bought a commercial ground floor shop window, a former bakery, to establish their construction law practice. The space is located at the corner of Rachel and St-Dominique streets on the Plateau Mont-Royal in central Montreal.<\/p>\n<p>3 . Program<\/p>\n<p>The program consists of 3 offices, a conference room, a mediation room, a kitchen, WC, a cloakroom as well as a mezzanine to access the electromechanical equipment.<\/p>\n<p>4 . Demolition<\/p>\n<p>The commercial unit is part of a large industrial building that used to house a jeans manufacturer, Paris Star Jeans. The previous owners had covered the 1000 square feet with different materials; walls and ceilings were painted, ceramic tiles covered the ground and miscellaneous drywall partitions had been built to hide electromechanical components as well as old cooking equipment from the bakery.<\/p>\n<p>The first step consisted in the demolition of existing surfaces in order to make the original building re-emerge. A terrazzo floor was found underneath the tiles. The scars resulting from of old sub-slab plumbing work have been preserved as marks of the building\u2019s history. Sandblasting the ceiling, northern common wall and building structure uncovered the original concrete construction. From behind the drywall layers a formidable 24 inches high spandrel beam supporting the building\u2019s south-estern and south-western facades also reappeared. Also buried under drywall layers were a column and its capital that would become the star features of the space.<\/p>\n<p>5 . A single gesture, made from a single element, integrating all functions<\/p>\n<p>The intervention is delicately unfolded in this setting of rich textures. It is a wooden sculpture made of wooden slats, a constrcution element conceived for massive wooden floors. Its usage here is diverted. It is employed horizontally but also vertically.<\/p>\n<p>244 slats measuring 14\u2032-4\u00a0\u00bb long, 16\u00a0\u00bb wide and 2 1\/2\u00a0\u00bb thick (glued-laminated timber (GLT) decking) were ordered and delivered directly on site. According to the structural\/sculptural logic, a rule was imposed on the general contractor for construction: only right angle or 45 degrees cuts were allowed. Assemblage between wood members was acheived with steel angles brackets and\/or lag bolts.<\/p>\n<p>Everything was made out of these prefabricated wooden slats: mezzanine floor, partitions, doors, handrail, tables, office desks, countertops, tables legs, stairs, the WC vanity, doors, cloakroom, storage shelves and bookshelves. This integrative approach of uniting all the functions in a single sculpture is part of Jean-Maxime Labrecque architect\u2019s tenets since 1995. One of his past key projects following this approach is the 2007-2011 Inhabitable Sculpture.<\/p>\n<p>6 . Wood<\/p>\n<p>The omnipresence of wood, furthermore of massive wood, has a soothing effect in this office set within an urban context. One feels here as if in the middle of a forest. The street corner that faces the \u201cParc des Am\u00e9riques\u201d welcomes urban dwellers of varying profiles and often brings about joyous and surprising scenes. Life, as it unfolds on the other side of the large glass panes, can be watched like a movie (with or without popcorn).<\/p>\n<p>The modularity of the construction elements recalls the way it is made in the shop. Its positioning, specific, millimetric, aims at harmony. With their high ceiling, the central narrow individual offices are comfortable monasterial cells. The space where continuous classical music can be heard during working hours, creates a meditative mood.<\/p>\n<p>7 . Light integration<\/p>\n<p>Three monumental wooden steles partition half of the space into offices and welcome the visitor. Spotlights are inserted between the two rows of decking of which they are made, on the ceiling, at a height of 14\u2032. Their light accentuates the verticality of the gesture and constitues the space\u2019s signature in the evening.<\/p>\n<p>A variety of lights types enable the creation of different moods in each room. A row of linear lights calls attention to the spandrel beam. Sprinklers are transformed into light fixtures by the integration of linear LED strips facing the ceiling, giving the space an indirect light effect. Finally, directional spots illuminate the work surfaces, columns and floor in more delineated ways.<\/p>\n<p>8 . Systems exhibition<\/p>\n<p>The exposure of electromechanical components called for a high precision approach \u2013 which is always demanding when working with the relevant subcontractors. Pulsed air heating and air conditioning called for a precise scaling and positioning in order to insert them precisely between the vertical wooden modules separating the rooms. Likewise for the EMT piping, the electrical outlets and switches, each of them contributing to the overall architectural tableau. We couldn\u2019t let them pollute this sanctuary, this homage to the essence of what construction is.<\/p>\n<p>Please note that, on the photos, the office chairs have been removed to show the wooden sculpture in its purest form.<\/p>\n<p>&nbsp;<\/p>\n<p>In a few words, this construction law lawyers office is entirely made out of one single material, massive wood, avoiding any drywall construction.<\/p>\n<p>Furthermore, everything is built out of one typical element, cut according to the various program needs.<\/p>\n<p>It is entirely demountable and recyclable.<\/p>\n<p>The combination of these simple principles is, for us, a statement in itself. An approach demanded by today\u2019s and tomorrow\u2019s world.<\/p>\n<p>&nbsp;<\/p>\n"},"permalinks":{"fr":"https:\/\/int.design\/fr\/projets\/traces-droits-de-la-construction\/","en":"https:\/\/int.design\/en\/projects\/traces-droits-de-la-construction\/"},"titles":{"fr":"Trac\u00e9s droit(s) de la construction","en":"Trac\u00e9s droit(s) de la construction"},"wp_fields":[],"laravel_id":""},"_links":{"self":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project\/112486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:attachment":[{"href":"https:\/\/int.design\/en\/wp-json\/wp\/v2\/media?parent=112486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}